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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA395 it is the complementary color #305C6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA395. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA395 shade: #D4A390, #E5B5A3, #F6C7B6, #FFD9C9 and #FFEBDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA395. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA395 shade: #CFA395, #BE9182, #AD7F6F, #9C6D5C and #8B5B49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA395 shade: #CFA395 and #CF9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA395 shade: #CFA395, #CFB395, #CFC295, #CCCF95 and #BCCF95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA395 shade matches the following richer shades: #CFA395, #DB9D89, #E8967C and #F49070

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA395 shade: #CFA395, #C3A9A1, #B6B0AE, #AAB6BA and #9EBDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA395 shade: #CF95A6, #CF9597, #CFA295, #CFB295 and #CFC295

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA395 shade: #B5725C, #C28A78, #CFA395, #DCBCB1 and #E9D4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA395 shade: #CFA395, #B6CF95 and #959FCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA395 shade: #CFA395, #95CFA2 and #A295CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA395 shade: #CFA395, #B6CF95, #95C2CF and #AE95CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA395 shade: #CFA395, #A4CF95, #95C2CF and #C095CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

Complementary color

CMYK 55 / 13 / 0 / 58

HEX #305C6A

RGB 48 92 106

HSL 194.48, 0.38%, 0.3%

LAB 36.6, -10.86, -12.68

 

CMYK 0 / 23 / 32 / 17

HEX #D4A390

RGB 212 163 144

HSL 16.76, 0.44%, 0.7%

LAB 71.01, 15.46, 16.85

 

CMYK 0 / 21 / 29 / 10

HEX #E5B5A3

RGB 229 181 163

HSL 16.36, 0.56%, 0.77%

LAB 77.49, 14.81, 15.79

 

CMYK 0 / 19 / 26 / 4

HEX #F6C7B6

RGB 246 199 182

HSL 15.94, 0.78%, 0.84%

LAB 83.87, 14.23, 14.82

 

CMYK 0 / 15 / 21 / 0

HEX #FFD9C9

RGB 255 217 201

HSL 17.78, 1%, 0.89%

LAB 89.44, 10.8, 12.78

 

CMYK 0 / 8 / 14 / 0

HEX #FFEBDC

RGB 255 235 220

HSL 25.71, 1%, 0.93%

LAB 94.25, 4.38, 9.71

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 0 / 24 / 32 / 25

HEX #BE9182

RGB 190 145 130

HSL 15, 0.32%, 0.63%

LAB 64.01, 14.85, 14.52

 

CMYK 0 / 27 / 36 / 32

HEX #AD7F6F

RGB 173 127 111

HSL 15.48, 0.27%, 0.56%

LAB 57.28, 15.61, 15.68

 

CMYK 0 / 30 / 41 / 39

HEX #9C6D5C

RGB 156 109 92

HSL 15.94, 0.26%, 0.49%

LAB 50.43, 16.48, 16.97

 

CMYK 0 / 35 / 47 / 45

HEX #8B5B49

RGB 139 91 73

HSL 16.36, 0.31%, 0.42%

LAB 43.44, 17.51, 18.44

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 0 / 28 / 28 / 19

HEX #CF9595

RGB 207 149 149

HSL 0, 0.38%, 0.7%

LAB 67.22, 21.82, 8.67

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 0 / 14 / 28 / 19

HEX #CFB395

RGB 207 179 149

HSL 31.03, 0.38%, 0.7%

LAB 74.62, 5.56, 19.05

 

CMYK 0 / 6 / 28 / 19

HEX #CFC295

RGB 207 194 149

HSL 46.55, 0.38%, 0.7%

LAB 78.47, -2.38, 24.33

 

CMYK 1 / 0 / 28 / 19

HEX #CCCF95

RGB 204 207 149

HSL 63.1, 0.38%, 0.7%

LAB 81.64, -10.25, 28.56

 

CMYK 9 / 0 / 28 / 19

HEX #BCCF95

RGB 188 207 149

HSL 79.66, 0.38%, 0.7%

LAB 80.45, -16.26, 26.76

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 0 / 28 / 37 / 14

HEX #DB9D89

RGB 219 157 137

HSL 14.63, 0.53%, 0.7%

LAB 70.16, 20.56, 19.63

 

CMYK 0 / 35 / 47 / 9

HEX #E8967C

RGB 232 150 124

HSL 14.44, 0.7%, 0.7%

LAB 69.77, 27.98, 26.48

 

CMYK 0 / 41 / 54 / 4

HEX #F49070

RGB 244 144 112

HSL 14.55, 0.86%, 0.7%

LAB 69.72, 34.71, 33.21

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 0 / 13 / 17 / 24

HEX #C3A9A1

RGB 195 169 161

HSL 14.12, 0.22%, 0.7%

LAB 71.25, 8.14, 7.6

 

CMYK 0 / 3 / 4 / 29

HEX #B6B0AE

RGB 182 176 174

HSL 15, 0.05%, 0.7%

LAB 72.26, 1.77, 1.77

 

CMYK 9 / 2 / 0 / 27

HEX #AAB6BA

RGB 170 182 186

HSL 195, 0.1%, 0.7%

LAB 73.25, -3.35, -3.47

 

CMYK 20 / 5 / 0 / 22

HEX #9EBDC6

RGB 158 189 198

HSL 193.5, 0.26%, 0.7%

LAB 74.66, -8.47, -8.02

 

CMYK 0 / 28 / 20 / 19

HEX #CF95A6

RGB 207 149 166

HSL 342.41, 0.38%, 0.7%

LAB 67.66, 24.31, -0.22

 

CMYK 0 / 28 / 27 / 19

HEX #CF9597

RGB 207 149 151

HSL 357.93, 0.38%, 0.7%

LAB 67.27, 22.1, 7.62

 

CMYK 0 / 22 / 28 / 19

HEX #CFA295

RGB 207 162 149

HSL 13.45, 0.38%, 0.7%

LAB 70.37, 14.74, 13.12

 

CMYK 0 / 14 / 28 / 19

HEX #CFB295

RGB 207 178 149

HSL 30, 0.38%, 0.7%

LAB 74.37, 6.1, 18.7

 

CMYK 0 / 6 / 28 / 19

HEX #CFC295

RGB 207 194 149

HSL 46.55, 0.38%, 0.7%

LAB 78.47, -2.38, 24.33

 

CMYK 0 / 37 / 49 / 29

HEX #B5725C

RGB 181 114 92

HSL 14.83, 0.38%, 0.54%

LAB 54.69, 24.01, 23.22

 

CMYK 0 / 29 / 38 / 24

HEX #C28A78

RGB 194 138 120

HSL 14.59, 0.38%, 0.62%

LAB 62.51, 19.04, 18.14

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 0 / 15 / 20 / 14

HEX #DCBCB1

RGB 220 188 177

HSL 15.35, 0.38%, 0.78%

LAB 78.67, 9.69, 9.79

 

CMYK 0 / 9 / 12 / 9

HEX #E9D4CE

RGB 233 212 206

HSL 13.33, 0.38%, 0.86%

LAB 86.44, 6.28, 5.59

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 12 / 0 / 28 / 19

HEX #B6CF95

RGB 182 207 149

HSL 85.86, 0.38%, 0.7%

LAB 80.03, -18.47, 26.13

 

CMYK 28 / 23 / 0 / 19

HEX #959FCF

RGB 149 159 207

HSL 229.66, 0.38%, 0.7%

LAB 66.28, 7.28, -25.68

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 28 / 0 / 22 / 19

HEX #95CFA2

RGB 149 207 162

HSL 133.45, 0.38%, 0.7%

LAB 78.24, -27.72, 16.48

 

CMYK 22 / 28 / 0 / 19

HEX #A295CF

RGB 162 149 207

HSL 253.45, 0.38%, 0.7%

LAB 64.71, 16.9, -28.02

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 12 / 0 / 28 / 19

HEX #B6CF95

RGB 182 207 149

HSL 85.86, 0.38%, 0.7%

LAB 80.03, -18.47, 26.13

 

CMYK 28 / 6 / 0 / 19

HEX #95C2CF

RGB 149 194 207

HSL 193.45, 0.38%, 0.7%

LAB 75.75, -11.78, -11.35

 

CMYK 16 / 28 / 0 / 19

HEX #AE95CF

RGB 174 149 207

HSL 265.86, 0.38%, 0.7%

LAB 65.75, 20.66, -26.33

 

CMYK 0 / 21 / 28 / 19

HEX #CFA395

RGB 207 163 149

HSL 14.48, 0.38%, 0.7%

LAB 70.61, 14.19, 13.47

 

CMYK 21 / 0 / 28 / 19

HEX #A4CF95

RGB 164 207 149

HSL 104.48, 0.38%, 0.7%

LAB 78.86, -24.91, 24.34

 

CMYK 28 / 6 / 0 / 19

HEX #95C2CF

RGB 149 194 207

HSL 193.45, 0.38%, 0.7%

LAB 75.75, -11.78, -11.35

 

CMYK 7 / 28 / 0 / 19

HEX #C095CF

RGB 192 149 207

HSL 284.48, 0.38%, 0.7%

LAB 67.43, 26.43, -23.61

 

Description

Color code: HEX #CFA395 | qconv.com Color code: HEX #CFA395 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 163 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 163 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 28 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 28% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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