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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA85C it is the complementary color #3057A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA85C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA85C shade: #D4A857, #E5BA6A, #F6CC7D, #FFDE90 and #FFF0A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA85C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA85C shade: #CFA85C, #BE9649, #AD8436, #9C7223 and #8B6010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA85C shade: #CFA85C, #CF895C, #CF6A5C and #CF5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA85C shade: #CFA85C, #CFC75C, #B8CF5C, #99CF5C and #7ACF5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA85C shade matches the following richer shades: #CFA85C, #E0AE4C and #F1B33B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA85C shade: #CFA85C, #BFA36D, #AE9E7E, #9D988F and #8C93A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA85C shade: #CF6A5C, #CF895C, #CFA75C, #CFC65C and #BACF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA85C shade: #A98031, #C6973C, #CFA85C, #D9B97C and #E2CA9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA85C shade: #CFA85C, #6ECF5C and #795CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA85C shade: #CFA85C, #5CCFA7 and #A75CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA85C shade: #CFA85C, #6ECF5C, #5C85CF and #BE5CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA85C shade: #CFA85C, #5CCF6E, #5C85CF and #CF5CBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

Complementary color

CMYK 71 / 47 / 0 / 36

HEX #3057A3

RGB 48 87 163

HSL 219.65, 0.55%, 0.41%

LAB 38, 12.64, -45.2

 

CMYK 0 / 21 / 59 / 17

HEX #D4A857

RGB 212 168 87

HSL 38.88, 0.59%, 0.59%

LAB 71.34, 6.98, 47.31

 

CMYK 0 / 19 / 54 / 10

HEX #E5BA6A

RGB 229 186 106

HSL 39.02, 0.7%, 0.66%

LAB 77.77, 6.01, 45.99

 

CMYK 0 / 17 / 49 / 4

HEX #F6CC7D

RGB 246 204 125

HSL 39.17, 0.87%, 0.73%

LAB 84.1, 5.17, 44.7

 

CMYK 0 / 13 / 44 / 0

HEX #FFDE90

RGB 255 222 144

HSL 42.16, 1%, 0.78%

LAB 89.63, 1.31, 42.38

 

CMYK 0 / 6 / 36 / 0

HEX #FFF0A3

RGB 255 240 163

HSL 50.22, 1%, 0.82%

LAB 94.41, -5.77, 39.07

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 0 / 21 / 62 / 25

HEX #BE9649

RGB 190 150 73

HSL 39.49, 0.47%, 0.52%

LAB 64.36, 6.28, 45.5

 

CMYK 0 / 24 / 69 / 32

HEX #AD8436

RGB 173 132 54

HSL 39.33, 0.52%, 0.45%

LAB 57.71, 7.5, 46.72

 

CMYK 0 / 27 / 78 / 39

HEX #9C7223

RGB 156 114 35

HSL 39.17, 0.63%, 0.37%

LAB 50.95, 8.98, 47.61

 

CMYK 0 / 31 / 88 / 45

HEX #8B6010

RGB 139 96 16

HSL 39.02, 0.79%, 0.3%

LAB 44.08, 10.79, 47.62

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 0 / 34 / 56 / 19

HEX #CF895C

RGB 207 137 92

HSL 23.48, 0.55%, 0.59%

LAB 63.28, 22.05, 34.9

 

CMYK 0 / 49 / 56 / 19

HEX #CF6A5C

RGB 207 106 92

HSL 7.3, 0.55%, 0.59%

LAB 56.43, 38.56, 26.16

 

CMYK 0 / 56 / 56 / 19

HEX #CF5C5C

RGB 207 92 92

HSL 0, 0.55%, 0.59%

LAB 53.7, 45.55, 22.57

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 0 / 4 / 56 / 19

HEX #CFC75C

RGB 207 199 92

HSL 55.83, 0.55%, 0.59%

LAB 78.97, -10.96, 53.61

 

CMYK 11 / 0 / 56 / 19

HEX #B8CF5C

RGB 184 207 92

HSL 72, 0.55%, 0.59%

LAB 79.38, -24.29, 53.6

 

CMYK 26 / 0 / 56 / 19

HEX #99CF5C

RGB 153 207 92

HSL 88.17, 0.55%, 0.59%

LAB 77.38, -36.18, 50.78

 

CMYK 41 / 0 / 56 / 19

HEX #7ACF5C

RGB 122 207 92

HSL 104.35, 0.55%, 0.59%

LAB 75.78, -46.81, 48.51

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 0 / 22 / 66 / 12

HEX #E0AE4C

RGB 224 174 76

HSL 39.73, 0.7%, 0.59%

LAB 73.96, 8.14, 55.74

 

CMYK 0 / 26 / 76 / 5

HEX #F1B33B

RGB 241 179 59

HSL 39.56, 0.87%, 0.59%

LAB 76.83, 11.87, 66.27

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 0 / 15 / 43 / 25

HEX #BFA36D

RGB 191 163 109

HSL 39.51, 0.39%, 0.59%

LAB 68.3, 2.86, 31.83

 

CMYK 0 / 9 / 28 / 32

HEX #AE9E7E

RGB 174 158 126

HSL 40, 0.23%, 0.59%

LAB 65.72, 0.78, 18.88

 

CMYK 0 / 3 / 9 / 38

HEX #9D988F

RGB 157 152 143

HSL 38.57, 0.07%, 0.59%

LAB 63.02, 0.18, 5.37

 

CMYK 13 / 8 / 0 / 37

HEX #8C93A0

RGB 140 147 160

HSL 219, 0.1%, 0.59%

LAB 60.76, 0.19, -7.71

 

CMYK 0 / 49 / 56 / 19

HEX #CF6A5C

RGB 207 106 92

HSL 7.3, 0.55%, 0.59%

LAB 56.43, 38.56, 26.16

 

CMYK 0 / 34 / 56 / 19

HEX #CF895C

RGB 207 137 92

HSL 23.48, 0.55%, 0.59%

LAB 63.28, 22.05, 34.9

 

CMYK 0 / 19 / 56 / 19

HEX #CFA75C

RGB 207 167 92

HSL 39.13, 0.55%, 0.59%

LAB 70.65, 5.79, 43.89

 

CMYK 0 / 4 / 56 / 19

HEX #CFC65C

RGB 207 198 92

HSL 55.3, 0.55%, 0.59%

LAB 78.71, -10.45, 53.31

 

CMYK 10 / 0 / 56 / 19

HEX #BACF5C

RGB 186 207 92

HSL 70.96, 0.55%, 0.59%

LAB 79.52, -23.5, 53.8

 

CMYK 0 / 24 / 71 / 34

HEX #A98031

RGB 169 128 49

HSL 39.5, 0.55%, 0.43%

LAB 56.18, 7.66, 47.27

 

CMYK 0 / 24 / 70 / 22

HEX #C6973C

RGB 198 151 60

HSL 39.57, 0.55%, 0.51%

LAB 65.33, 8.4, 52.87

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 0 / 15 / 43 / 15

HEX #D9B97C

RGB 217 185 124

HSL 39.35, 0.55%, 0.67%

LAB 76.62, 3.32, 35.17

 

CMYK 0 / 11 / 31 / 11

HEX #E2CA9C

RGB 226 202 156

HSL 39.43, 0.55%, 0.75%

LAB 82.28, 1.67, 26.07

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 47 / 0 / 56 / 19

HEX #6ECF5C

RGB 110 207 92

HSL 110.61, 0.55%, 0.59%

LAB 75.27, -50.45, 47.78

 

CMYK 42 / 56 / 0 / 19

HEX #795CCF

RGB 121 92 207

HSL 255.13, 0.55%, 0.59%

LAB 47.27, 38.76, -55.75

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 56 / 0 / 19 / 19

HEX #5CCFA7

RGB 92 207 167

HSL 159.13, 0.55%, 0.59%

LAB 75.88, -42.14, 10.13

 

CMYK 19 / 56 / 0 / 19

HEX #A75CCF

RGB 167 92 207

HSL 279.13, 0.55%, 0.59%

LAB 52.26, 50.05, -47.48

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 47 / 0 / 56 / 19

HEX #6ECF5C

RGB 110 207 92

HSL 110.61, 0.55%, 0.59%

LAB 75.27, -50.45, 47.78

 

CMYK 56 / 36 / 0 / 19

HEX #5C85CF

RGB 92 133 207

HSL 218.61, 0.55%, 0.59%

LAB 55.64, 7.52, -42.53

 

CMYK 8 / 56 / 0 / 19

HEX #BE5CCF

RGB 190 92 207

HSL 291.13, 0.55%, 0.59%

LAB 55.18, 56.03, -42.67

 

CMYK 0 / 19 / 56 / 19

HEX #CFA85C

RGB 207 168 92

HSL 39.65, 0.55%, 0.59%

LAB 70.9, 5.25, 44.19

 

CMYK 56 / 0 / 47 / 19

HEX #5CCF6E

RGB 92 207 110

HSL 129.39, 0.55%, 0.59%

LAB 74.84, -52.87, 38.44

 

CMYK 56 / 36 / 0 / 19

HEX #5C85CF

RGB 92 133 207

HSL 218.61, 0.55%, 0.59%

LAB 55.64, 7.52, -42.53

 

CMYK 0 / 56 / 8 / 19

HEX #CF5CBE

RGB 207 92 190

HSL 308.87, 0.55%, 0.59%

LAB 56.72, 57.63, -30.37

 

Description

Color code: HEX #CFA85C | qconv.com Color code: HEX #CFA85C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 168 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 168 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 56% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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