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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF95F8 it is the complementary color #306A07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF95F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF95F8 shade: #D495F3, #E5A7FF, #F6B9FF, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF95F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF95F8 shade: #CF95F8, #BE83E5, #AD71D2, #9C5FBF and #8B4DAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF95F8 shade: #CF95F8, #EA95F8, #F895EB, #F895D1 and #F895B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF95F8 shade: #CF95F8, #B495F8, #9A95F8 and #9595F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF95F8 shade matches the following richer shades: #CF95F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF95F8 shade: #CF95F8, #CD9EEF, #CCA7E6, #CAB0DD and #C9B9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF95F8 shade: #9A95F8, #B495F8, #CF95F8, #E995F8 and #F895EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF95F8 shade: #AC47F3, #BD6EF5, #CF95F8, #E0BCFA and #F2E3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF95F8 shade: #CF95F8, #F895AA and #95F8A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF95F8 shade: #CF95F8, #F8CF95 and #95F8CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF95F8 shade: #CF95F8, #F895AA, #BEF895 and #95F8E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF95F8 shade: #CF95F8, #F89D95, #BEF895 and #95F0F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

Complementary color

CMYK 55 / 0 / 93 / 58

HEX #306A07

RGB 48 106 7

HSL 95.15, 0.88%, 0.22%

LAB 39.5, -35.69, 43.12

 

CMYK 13 / 39 / 0 / 5

HEX #D495F3

RGB 212 149 243

HSL 280.21, 0.8%, 0.77%

LAB 70.85, 39.98, -37.99

 

CMYK 10 / 35 / 0 / 0

HEX #E5A7FF

RGB 229 167 255

HSL 282.27, 1%, 0.83%

LAB 76.99, 37.84, -34.83

 

CMYK 4 / 27 / 0 / 0

HEX #F6B9FF

RGB 246 185 255

HSL 292.29, 1%, 0.86%

LAB 82.65, 33.51, -25.99

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 17 / 43 / 0 / 10

HEX #BE83E5

RGB 190 131 229

HSL 276.12, 0.65%, 0.71%

LAB 64.03, 40.35, -41.11

 

CMYK 18 / 46 / 0 / 18

HEX #AD71D2

RGB 173 113 210

HSL 277.11, 0.52%, 0.63%

LAB 57.41, 41.17, -40.99

 

CMYK 18 / 50 / 0 / 25

HEX #9C5FBF

RGB 156 95 191

HSL 278.13, 0.43%, 0.56%

LAB 50.7, 42, -40.85

 

CMYK 19 / 55 / 0 / 33

HEX #8B4DAC

RGB 139 77 172

HSL 279.16, 0.38%, 0.49%

LAB 43.91, 42.83, -40.66

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 6 / 40 / 0 / 3

HEX #EA95F8

RGB 234 149 248

HSL 291.52, 0.88%, 0.78%

LAB 73.39, 47.44, -36.58

 

CMYK 0 / 40 / 5 / 3

HEX #F895EB

RGB 248 149 235

HSL 307.88, 0.88%, 0.78%

LAB 74.48, 49.3, -27.7

 

CMYK 0 / 40 / 16 / 3

HEX #F895D1

RGB 248 149 209

HSL 323.64, 0.88%, 0.78%

LAB 73.58, 45.09, -14.81

 

CMYK 0 / 40 / 27 / 3

HEX #F895B6

RGB 248 149 182

HSL 340, 0.88%, 0.78%

LAB 72.78, 41.19, -1.09

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 27 / 40 / 0 / 3

HEX #B495F8

RGB 180 149 248

HSL 258.79, 0.88%, 0.78%

LAB 68, 31.94, -45.39

 

CMYK 38 / 40 / 0 / 3

HEX #9A95F8

RGB 154 149 248

HSL 243.03, 0.88%, 0.78%

LAB 65.86, 25, -48.91

 

CMYK 40 / 40 / 0 / 3

HEX #9595F8

RGB 149 149 248

HSL 240, 0.88%, 0.78%

LAB 65.48, 23.73, -49.53

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 14 / 34 / 0 / 6

HEX #CD9EEF

RGB 205 158 239

HSL 274.81, 0.72%, 0.78%

LAB 72, 32.17, -34.07

 

CMYK 11 / 27 / 0 / 10

HEX #CCA7E6

RGB 204 167 230

HSL 275.24, 0.56%, 0.78%

LAB 73.67, 25.06, -26.61

 

CMYK 9 / 20 / 0 / 13

HEX #CAB0DD

RGB 202 176 221

HSL 274.67, 0.4%, 0.78%

LAB 75.34, 17.65, -19.17

 

CMYK 5 / 12 / 0 / 17

HEX #C9B9D3

RGB 201 185 211

HSL 276.92, 0.23%, 0.78%

LAB 77.17, 10.44, -11

 

CMYK 38 / 40 / 0 / 3

HEX #9A95F8

RGB 154 149 248

HSL 243.03, 0.88%, 0.78%

LAB 65.86, 25, -48.91

 

CMYK 27 / 40 / 0 / 3

HEX #B495F8

RGB 180 149 248

HSL 258.79, 0.88%, 0.78%

LAB 68, 31.94, -45.39

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 6 / 40 / 0 / 3

HEX #E995F8

RGB 233 149 248

HSL 290.91, 0.88%, 0.78%

LAB 73.28, 47.14, -36.76

 

CMYK 0 / 40 / 5 / 3

HEX #F895EC

RGB 248 149 236

HSL 307.27, 0.88%, 0.78%

LAB 74.51, 49.47, -28.19

 

CMYK 29 / 71 / 0 / 5

HEX #AC47F3

RGB 172 71 243

HSL 275.23, 0.88%, 0.62%

LAB 51.55, 68.72, -68.93

 

CMYK 23 / 55 / 0 / 4

HEX #BD6EF5

RGB 189 110 245

HSL 275.11, 0.87%, 0.7%

LAB 60.39, 54.68, -55.73

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 10 / 25 / 0 / 2

HEX #E0BCFA

RGB 224 188 250

HSL 274.84, 0.86%, 0.86%

LAB 81.14, 24.03, -25.82

 

CMYK 4 / 10 / 0 / 1

HEX #F2E3FD

RGB 242 227 253

HSL 274.62, 0.87%, 0.94%

LAB 92.09, 9.73, -10.75

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 0 / 40 / 31 / 3

HEX #F895AA

RGB 248 149 170

HSL 347.27, 0.88%, 0.78%

LAB 72.46, 39.63, 5.11

 

CMYK 40 / 0 / 33 / 3

HEX #95F8A7

RGB 149 248 167

HSL 130.91, 0.88%, 0.78%

LAB 90.01, -45.54, 30.03

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 0 / 17 / 40 / 3

HEX #F8CF95

RGB 248 207 149

HSL 35.15, 0.88%, 0.78%

LAB 85.38, 6.79, 34.21

 

CMYK 40 / 0 / 17 / 3

HEX #95F8CF

RGB 149 248 207

HSL 155.15, 0.88%, 0.78%

LAB 90.79, -38.12, 10.63

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 0 / 40 / 31 / 3

HEX #F895AA

RGB 248 149 170

HSL 347.27, 0.88%, 0.78%

LAB 72.46, 39.63, 5.11

 

CMYK 23 / 0 / 40 / 3

HEX #BEF895

RGB 190 248 149

HSL 95.15, 0.88%, 0.78%

LAB 91.8, -35.19, 41.73

 

CMYK 40 / 0 / 9 / 3

HEX #95F8E2

RGB 149 248 226

HSL 166.67, 0.88%, 0.78%

LAB 91.24, -34.07, 1.43

 

CMYK 17 / 40 / 0 / 3

HEX #CF95F8

RGB 207 149 248

HSL 275.15, 0.88%, 0.78%

LAB 70.55, 39.57, -41.22

 

CMYK 0 / 37 / 40 / 3

HEX #F89D95

RGB 248 157 149

HSL 4.85, 0.88%, 0.78%

LAB 73.7, 33, 18.44

 

CMYK 23 / 0 / 40 / 3

HEX #BEF895

RGB 190 248 149

HSL 95.15, 0.88%, 0.78%

LAB 91.8, -35.19, 41.73

 

CMYK 40 / 3 / 0 / 3

HEX #95F0F8

RGB 149 240 248

HSL 184.85, 0.88%, 0.78%

LAB 89.62, -25.16, -12.42

 

Description

Color code: HEX #CF95F8 | qconv.com Color code: HEX #CF95F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 149 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 149 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 40 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 40% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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