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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF5A3B it is the complementary color #30A5C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF5A3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF5A3B shade: #D45A36, #E56C49, #F67E5C, #FF906F and #FFA282

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF5A3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF5A3B shade: #CF5A3B, #BE4828, #AD3615, #9C2402 and #8B1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF5A3B shade: #CF5939 and #CF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF5A3B shade: #CF5939, #CF8139, #CFA939, #CCCF39 and #A4CF39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF5A3B shade matches the following richer shades: #CF5939, #E34D26 and #F64212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF5A3B shade: #CF5939, #BB644D, #A77061, #937B75 and #808789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF5A3B shade: #CF396B, #CF3943, #CF5739, #CF7F39 and #CFA739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF5A3B shade: #933A23, #B4482B, #CF5939, #D7755B and #DF917C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF5A3B shade: #CF5A3B, #93CF39 and #3957CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF5A3B shade: #CF5A3B, #39CF57 and #5739CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF5A3B shade: #CF5A3B, #93CF39, #39B1CF and #7539CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF5A3B shade: #CF5A3B, #66CF39, #39B1CF and #A239CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 71 / 19

HEX #CF5A3B

RGB 207 90 59

HSL 12.57, 0.61%, 0.52%

LAB 52.83, 44.41, 40.19

 

Complementary color

CMYK 76 / 16 / 0 / 23

HEX #30A5C4

RGB 48 165 196

HSL 192.57, 0.61%, 0.48%

LAB 62.95, -21.49, -25.08

 

CMYK 0 / 58 / 75 / 17

HEX #D45A36

RGB 212 90 54

HSL 13.67, 0.65%, 0.52%

LAB 53.57, 46.03, 43.87

 

CMYK 0 / 53 / 68 / 10

HEX #E56C49

RGB 229 108 73

HSL 13.46, 0.75%, 0.59%

LAB 59.77, 44.58, 41.51

 

CMYK 0 / 49 / 63 / 4

HEX #F67E5C

RGB 246 126 92

HSL 13.25, 0.9%, 0.66%

LAB 65.97, 43.18, 39.34

 

CMYK 0 / 44 / 56 / 0

HEX #FF906F

RGB 255 144 111

HSL 13.75, 1%, 0.72%

LAB 71.11, 38.83, 35.82

 

CMYK 0 / 36 / 49 / 0

HEX #FFA282

RGB 255 162 130

HSL 15.36, 1%, 0.75%

LAB 75.27, 31.15, 31.01

 

CMYK 0 / 57 / 71 / 19

HEX #CF5A3B

RGB 207 90 59

HSL 12.57, 0.61%, 0.52%

LAB 52.83, 44.41, 40.19

 

CMYK 0 / 62 / 79 / 25

HEX #BE4828

RGB 190 72 40

HSL 12.8, 0.65%, 0.45%

LAB 46.62, 45.81, 42.71

 

CMYK 0 / 69 / 88 / 32

HEX #AD3615

RGB 173 54 21

HSL 13.03, 0.78%, 0.38%

LAB 40.54, 47.06, 45.07

 

CMYK 0 / 77 / 99 / 39

HEX #9C2402

RGB 156 36 2

HSL 13.25, 0.97%, 0.31%

LAB 34.67, 47.85, 46.76

 

CMYK 0 / 87 / 100 / 45

HEX #8B1200

RGB 139 18 0

HSL 7.77, 1%, 0.27%

LAB 29.21, 47.77, 42.21

 

CMYK 0 / 57 / 72 / 19

HEX #CF5939

RGB 207 89 57

HSL 12.8, 0.61%, 0.52%

LAB 52.63, 44.79, 41.03

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 57 / 72 / 19

HEX #CF5939

RGB 207 89 57

HSL 12.8, 0.61%, 0.52%

LAB 52.63, 44.79, 41.03

 

CMYK 0 / 38 / 72 / 19

HEX #CF8139

RGB 207 129 57

HSL 28.8, 0.61%, 0.52%

LAB 61.01, 24.1, 50.04

 

CMYK 0 / 18 / 72 / 19

HEX #CFA939

RGB 207 169 57

HSL 44.8, 0.61%, 0.52%

LAB 70.83, 2.48, 60

 

CMYK 1 / 0 / 72 / 19

HEX #CCCF39

RGB 204 207 57

HSL 61.2, 0.61%, 0.52%

LAB 80.6, -18.36, 69.38

 

CMYK 21 / 0 / 72 / 19

HEX #A4CF39

RGB 164 207 57

HSL 77.2, 0.61%, 0.52%

LAB 77.76, -34.65, 65.66

 

CMYK 0 / 57 / 72 / 19

HEX #CF5939

RGB 207 89 57

HSL 12.8, 0.61%, 0.52%

LAB 52.63, 44.79, 41.03

 

CMYK 0 / 66 / 83 / 11

HEX #E34D26

RGB 227 77 38

HSL 12.38, 0.77%, 0.52%

LAB 53.79, 56.47, 52.7

 

CMYK 0 / 73 / 93 / 4

HEX #F64212

RGB 246 66 18

HSL 12.63, 0.93%, 0.52%

LAB 55.62, 66.2, 63.05

 

CMYK 0 / 57 / 72 / 19

HEX #CF5939

RGB 207 89 57

HSL 12.8, 0.61%, 0.52%

LAB 52.63, 44.79, 41.03

 

CMYK 0 / 47 / 59 / 27

HEX #BB644D

RGB 187 100 77

HSL 12.55, 0.45%, 0.52%

LAB 52.08, 32.75, 28.57

 

CMYK 0 / 33 / 42 / 35

HEX #A77061

RGB 167 112 97

HSL 12.86, 0.28%, 0.52%

LAB 52.58, 19.92, 17.21

 

CMYK 0 / 16 / 20 / 42

HEX #937B75

RGB 147 123 117

HSL 12, 0.12%, 0.52%

LAB 53.66, 8.26, 6.73

 

CMYK 7 / 1 / 0 / 46

HEX #808789

RGB 128 135 137

HSL 193.33, 0.04%, 0.52%

LAB 55.81, -2.15, -1.97

 

CMYK 0 / 72 / 48 / 19

HEX #CF396B

RGB 207 57 107

HSL 340, 0.61%, 0.52%

LAB 48.58, 61.51, 6.54

 

CMYK 0 / 72 / 68 / 19

HEX #CF3943

RGB 207 57 67

HSL 356, 0.61%, 0.52%

LAB 47.75, 58.74, 29.69

 

CMYK 0 / 58 / 72 / 19

HEX #CF5739

RGB 207 87 57

HSL 12, 0.61%, 0.52%

LAB 52.26, 45.74, 40.63

 

CMYK 0 / 39 / 72 / 19

HEX #CF7F39

RGB 207 127 57

HSL 28, 0.61%, 0.52%

LAB 60.55, 25.18, 49.55

 

CMYK 0 / 19 / 72 / 19

HEX #CFA739

RGB 207 167 57

HSL 44, 0.61%, 0.52%

LAB 70.31, 3.55, 59.5

 

CMYK 0 / 61 / 76 / 42

HEX #933A23

RGB 147 58 35

HSL 12.32, 0.62%, 0.36%

LAB 36.65, 36.16, 32.71

 

CMYK 0 / 60 / 76 / 29

HEX #B4482B

RGB 180 72 43

HSL 12.7, 0.61%, 0.44%

LAB 44.96, 42.25, 38.9

 

CMYK 0 / 57 / 72 / 19

HEX #CF5939

RGB 207 89 57

HSL 12.8, 0.61%, 0.52%

LAB 52.63, 44.79, 41.03

 

CMYK 0 / 46 / 58 / 16

HEX #D7755B

RGB 215 117 91

HSL 12.58, 0.61%, 0.6%

LAB 59.82, 35.86, 31.3

 

CMYK 0 / 35 / 44 / 13

HEX #DF917C

RGB 223 145 124

HSL 12.73, 0.61%, 0.68%

LAB 67.57, 27.14, 23.35

 

CMYK 0 / 57 / 71 / 19

HEX #CF5A3B

RGB 207 90 59

HSL 12.57, 0.61%, 0.52%

LAB 52.83, 44.41, 40.19

 

CMYK 29 / 0 / 72 / 19

HEX #93CF39

RGB 147 207 57

HSL 84, 0.61%, 0.52%

LAB 76.75, -41.13, 64.33

 

CMYK 72 / 58 / 0 / 19

HEX #3957CF

RGB 57 87 207

HSL 228, 0.61%, 0.52%

LAB 41.52, 30.2, -65.27

 

CMYK 0 / 57 / 71 / 19

HEX #CF5A3B

RGB 207 90 59

HSL 12.57, 0.61%, 0.52%

LAB 52.83, 44.41, 40.19

 

CMYK 72 / 0 / 58 / 19

HEX #39CF57

RGB 57 207 87

HSL 132, 0.61%, 0.52%

LAB 73.66, -63.08, 47.8

 

CMYK 58 / 72 / 0 / 19

HEX #5739CF

RGB 87 57 207

HSL 252, 0.61%, 0.52%

LAB 36.85, 52, -72.83

 

CMYK 0 / 57 / 71 / 19

HEX #CF5A3B

RGB 207 90 59

HSL 12.57, 0.61%, 0.52%

LAB 52.83, 44.41, 40.19

 

CMYK 29 / 0 / 72 / 19

HEX #93CF39

RGB 147 207 57

HSL 84, 0.61%, 0.52%

LAB 76.75, -41.13, 64.33

 

CMYK 72 / 14 / 0 / 19

HEX #39B1CF

RGB 57 177 207

HSL 192, 0.61%, 0.52%

LAB 67.14, -23.03, -24.73

 

CMYK 43 / 72 / 0 / 19

HEX #7539CF

RGB 117 57 207

HSL 264, 0.61%, 0.52%

LAB 39.94, 56.59, -67.65

 

CMYK 0 / 57 / 71 / 19

HEX #CF5A3B

RGB 207 90 59

HSL 12.57, 0.61%, 0.52%

LAB 52.83, 44.41, 40.19

 

CMYK 51 / 0 / 72 / 19

HEX #66CF39

RGB 102 207 57

HSL 102, 0.61%, 0.52%

LAB 74.66, -56.01, 61.55

 

CMYK 72 / 14 / 0 / 19

HEX #39B1CF

RGB 57 177 207

HSL 192, 0.61%, 0.52%

LAB 67.14, -23.03, -24.73

 

CMYK 22 / 72 / 0 / 19

HEX #A239CF

RGB 162 57 207

HSL 282, 0.61%, 0.52%

LAB 45.79, 64.88, -57.88

 

Description

Color code: HEX #CF5A3B | qconv.com Color code: HEX #CF5A3B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 90 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 90 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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