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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF522A it is the complementary color #30ADD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF522A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF522A shade: #D45225, #E56438, #F6764B, #FF885E and #FF9A71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF522A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF522A shade: #CF522A, #BE4017, #AD2E04, #9C1C00 and #8B0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF522A shade: #CF522A and #CF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF522A shade: #CF522A, #CF7E2A, #CFAB2A, #C6CF2A and #9ACF2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF522A shade matches the following richer shades: #CF522A, #E34816 and #F73D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF522A shade: #CF522A, #BB5C3E, #A66752, #927167 and #7E7C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF522A shade: #CF2A5B, #CF2A2F, #CF502A, #CF7C2A and #CFA82A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF522A shade: #8A371C, #AD4423, #CF522A, #D96C49 and #E0886B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF522A shade: #CF522A, #87CF2A and #2A45CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF522A shade: #CF522A, #2ACF50 and #502ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF522A shade: #CF522A, #87CF2A, #2AA8CF and #712ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF522A shade: #CF522A, #56CF2A, #2AA8CF and #A32ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

Complementary color

CMYK 77 / 19 / 0 / 16

HEX #30ADD5

RGB 48 173 213

HSL 194.55, 0.66%, 0.51%

LAB 66, -20.06, -29.82

 

CMYK 0 / 61 / 83 / 17

HEX #D45225

RGB 212 82 37

HSL 15.43, 0.7%, 0.49%

LAB 52.02, 49.12, 50.6

 

CMYK 0 / 56 / 76 / 10

HEX #E56438

RGB 229 100 56

HSL 15.26, 0.77%, 0.56%

LAB 58.09, 47.63, 48.43

 

CMYK 0 / 52 / 70 / 4

HEX #F6764B

RGB 246 118 75

HSL 15.09, 0.9%, 0.63%

LAB 64.21, 46.14, 46.21

 

CMYK 0 / 47 / 63 / 0

HEX #FF885E

RGB 255 136 94

HSL 15.65, 1%, 0.68%

LAB 69.24, 41.7, 42.53

 

CMYK 0 / 40 / 56 / 0

HEX #FF9A71

RGB 255 154 113

HSL 17.32, 1%, 0.72%

LAB 73.26, 33.86, 37.48

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 0 / 66 / 88 / 25

HEX #BE4017

RGB 190 64 23

HSL 14.73, 0.78%, 0.42%

LAB 45.19, 48.85, 49.27

 

CMYK 0 / 73 / 98 / 32

HEX #AD2E04

RGB 173 46 4

HSL 14.91, 0.95%, 0.35%

LAB 39.32, 49.91, 50.29

 

CMYK 0 / 82 / 100 / 39

HEX #9C1C00

RGB 156 28 0

HSL 10.77, 1%, 0.31%

LAB 33.77, 50.32, 47.07

 

CMYK 0 / 93 / 100 / 45

HEX #8B0A00

RGB 139 10 0

HSL 4.32, 1%, 0.27%

LAB 28.66, 49.35, 41.77

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 0 / 80 / 80 / 19

HEX #CF2A2A

RGB 207 42 42

HSL 0, 0.66%, 0.49%

LAB 45.76, 62.41, 41.81

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 0 / 39 / 80 / 19

HEX #CF7E2A

RGB 207 126 42

HSL 30.55, 0.66%, 0.49%

LAB 60.21, 25.1, 55.74

 

CMYK 0 / 17 / 80 / 19

HEX #CFAB2A

RGB 207 171 42

HSL 46.91, 0.66%, 0.49%

LAB 71.25, 0.81, 65.78

 

CMYK 4 / 0 / 80 / 19

HEX #C6CF2A

RGB 198 207 42

HSL 63.27, 0.66%, 0.49%

LAB 80.07, -21.46, 73.26

 

CMYK 26 / 0 / 80 / 19

HEX #9ACF2A

RGB 154 207 42

HSL 79.27, 0.66%, 0.49%

LAB 77.08, -39.25, 69.46

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 0 / 68 / 90 / 11

HEX #E34816

RGB 227 72 22

HSL 14.63, 0.82%, 0.49%

LAB 52.98, 58.12, 58.4

 

CMYK 0 / 75 / 99 / 3

HEX #F73D02

RGB 247 61 2

HSL 14.45, 0.98%, 0.49%

LAB 55.19, 67.95, 66.6

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 0 / 51 / 67 / 27

HEX #BB5C3E

RGB 187 92 62

HSL 14.4, 0.5%, 0.49%

LAB 50.18, 35.93, 34.7

 

CMYK 0 / 38 / 51 / 35

HEX #A66752

RGB 166 103 82

HSL 15, 0.34%, 0.49%

LAB 50, 22.98, 22.45

 

CMYK 0 / 23 / 29 / 43

HEX #927167

RGB 146 113 103

HSL 13.95, 0.17%, 0.49%

LAB 50.57, 11.48, 10.54

 

CMYK 0 / 2 / 2 / 51

HEX #7E7C7B

RGB 126 124 123

HSL 20, 0.01%, 0.49%

LAB 52.15, 0.56, 0.81

 

CMYK 0 / 80 / 56 / 19

HEX #CF2A5B

RGB 207 42 91

HSL 342.18, 0.66%, 0.49%

LAB 46.55, 64.86, 13.51

 

CMYK 0 / 80 / 77 / 19

HEX #CF2A2F

RGB 207 42 47

HSL 358.18, 0.66%, 0.49%

LAB 45.81, 62.57, 39.08

 

CMYK 0 / 61 / 80 / 19

HEX #CF502A

RGB 207 80 42

HSL 13.82, 0.66%, 0.49%

LAB 50.89, 48.38, 46.89

 

CMYK 0 / 40 / 80 / 19

HEX #CF7C2A

RGB 207 124 42

HSL 29.82, 0.66%, 0.49%

LAB 59.75, 26.17, 55.32

 

CMYK 0 / 19 / 80 / 19

HEX #CFA82A

RGB 207 168 42

HSL 45.82, 0.66%, 0.49%

LAB 70.48, 2.41, 65.09

 

CMYK 0 / 60 / 80 / 46

HEX #8A371C

RGB 138 55 28

HSL 14.73, 0.66%, 0.33%

LAB 34.44, 33.83, 33.76

 

CMYK 0 / 61 / 80 / 32

HEX #AD4423

RGB 173 68 35

HSL 14.35, 0.66%, 0.41%

LAB 42.97, 41.22, 40.65

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 0 / 50 / 66 / 15

HEX #D96C49

RGB 217 108 73

HSL 14.58, 0.65%, 0.57%

LAB 58, 40.04, 39

 

CMYK 0 / 39 / 52 / 12

HEX #E0886B

RGB 224 136 107

HSL 14.87, 0.65%, 0.65%

LAB 65.37, 30.7, 29.83

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 35 / 0 / 80 / 19

HEX #87CF2A

RGB 135 207 42

HSL 86.18, 0.66%, 0.49%

LAB 76.03, -46.27, 68.13

 

CMYK 80 / 67 / 0 / 19

HEX #2A45CF

RGB 42 69 207

HSL 230.18, 0.66%, 0.49%

LAB 36.47, 40.06, -73.56

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 80 / 0 / 61 / 19

HEX #2ACF50

RGB 42 207 80

HSL 133.82, 0.66%, 0.49%

LAB 73.35, -65.98, 50.51

 

CMYK 61 / 80 / 0 / 19

HEX #502ACF

RGB 80 42 207

HSL 253.82, 0.66%, 0.49%

LAB 33.7, 58.34, -78.03

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 35 / 0 / 80 / 19

HEX #87CF2A

RGB 135 207 42

HSL 86.18, 0.66%, 0.49%

LAB 76.03, -46.27, 68.13

 

CMYK 80 / 19 / 0 / 19

HEX #2AA8CF

RGB 42 168 207

HSL 194.18, 0.66%, 0.49%

LAB 64.16, -20.04, -29.34

 

CMYK 45 / 80 / 0 / 19

HEX #712ACF

RGB 113 42 207

HSL 265.82, 0.66%, 0.49%

LAB 37.25, 62.33, -72.07

 

CMYK 0 / 60 / 80 / 19

HEX #CF522A

RGB 207 82 42

HSL 14.55, 0.66%, 0.49%

LAB 51.23, 47.47, 47.22

 

CMYK 58 / 0 / 80 / 19

HEX #56CF2A

RGB 86 207 42

HSL 104, 0.66%, 0.49%

LAB 74.04, -61.19, 65.56

 

CMYK 80 / 19 / 0 / 19

HEX #2AA8CF

RGB 42 168 207

HSL 194.18, 0.66%, 0.49%

LAB 64.16, -20.04, -29.34

 

CMYK 21 / 80 / 0 / 19

HEX #A32ACF

RGB 163 42 207

HSL 284, 0.66%, 0.49%

LAB 44.16, 70.17, -60.51

 

Description

Color code: HEX #CF522A | qconv.com Color code: HEX #CF522A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 82 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 82 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 80 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 80% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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