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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF405A it is the complementary color #30BFA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF405A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF405A shade: #D44055, #E55268, #F6647B, #FF768E and #FF88A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF405A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF405A shade: #CF405A, #BE2E47, #AD1C34, #9C0A21 and #8B000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF405A shade: #CF3F59 and #CF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF405A shade: #CF3F59, #CF3F80, #CF3FA6, #CF3FCD and #A93FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF405A shade matches the following richer shades: #CF3F59, #E22B4D and #F51840

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF405A shade: #CF3F59, #BB5265, #A86672, #94797E and #818C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF405A shade: #CF3FA6, #CF3F7F, #CF3F59, #CF4B3F and #CF713F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF405A shade: #96253A, #B72D46, #CF3F59, #D76075 and #DF8192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF405A shade: #CF405A, #CCCF3F and #3F93CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF405A shade: #CF405A, #59CF3F and #3F59CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF405A shade: #CF405A, #CCCF3F, #3FCFB4 and #413FCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF405A shade: #CF405A, #A1CF3F, #3FCFB4 and #6C3FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 57 / 19

HEX #CF405A

RGB 207 64 90

HSL 349.09, 0.6%, 0.53%

LAB 49.09, 57.61, 17.6

 

Complementary color

CMYK 75 / 0 / 14 / 25

HEX #30BFA5

RGB 48 191 165

HSL 169.09, 0.6%, 0.47%

LAB 69.9, -43.03, 2.48

 

CMYK 0 / 70 / 60 / 17

HEX #D44055

RGB 212 64 85

HSL 351.49, 0.63%, 0.54%

LAB 49.88, 58.81, 21.83

 

CMYK 0 / 64 / 55 / 10

HEX #E55268

RGB 229 82 104

HSL 351.02, 0.74%, 0.61%

LAB 55.78, 58.4, 18.93

 

CMYK 0 / 59 / 50 / 4

HEX #F6647B

RGB 246 100 123

HSL 350.55, 0.89%, 0.68%

LAB 61.77, 57.73, 16.51

 

CMYK 0 / 54 / 44 / 0

HEX #FF768E

RGB 255 118 142

HSL 349.49, 1%, 0.73%

LAB 66.65, 54.26, 12.65

 

CMYK 0 / 47 / 37 / 0

HEX #FF88A1

RGB 255 136 161

HSL 347.39, 1%, 0.77%

LAB 70.48, 47.58, 7.39

 

CMYK 0 / 69 / 57 / 19

HEX #CF405A

RGB 207 64 90

HSL 349.09, 0.6%, 0.53%

LAB 49.09, 57.61, 17.6

 

CMYK 0 / 76 / 63 / 25

HEX #BE2E47

RGB 190 46 71

HSL 349.58, 0.61%, 0.46%

LAB 43.29, 57.57, 20.95

 

CMYK 0 / 84 / 70 / 32

HEX #AD1C34

RGB 173 28 52

HSL 350.07, 0.72%, 0.39%

LAB 37.78, 56.76, 25.09

 

CMYK 0 / 94 / 79 / 39

HEX #9C0A21

RGB 156 10 33

HSL 350.55, 0.88%, 0.33%

LAB 32.69, 54.78, 30.11

 

CMYK 0 / 100 / 90 / 45

HEX #8B000E

RGB 139 0 14

HSL 353.96, 1%, 0.27%

LAB 28.17, 51.24, 35.47

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 0 / 70 / 70 / 19

HEX #CF3F3F

RGB 207 63 63

HSL 0, 0.6%, 0.53%

LAB 48.49, 56.34, 32.93

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 0 / 70 / 38 / 19

HEX #CF3F80

RGB 207 63 128

HSL 332.92, 0.6%, 0.53%

LAB 49.95, 61.39, -4.2

 

CMYK 0 / 70 / 20 / 19

HEX #CF3FA6

RGB 207 63 166

HSL 317.08, 0.6%, 0.53%

LAB 51.35, 65.99, -24.74

 

CMYK 0 / 70 / 1 / 19

HEX #CF3FCD

RGB 207 63 205

HSL 300.83, 0.6%, 0.53%

LAB 53.2, 71.78, -44.5

 

CMYK 18 / 70 / 0 / 19

HEX #A93FCF

RGB 169 63 207

HSL 284.17, 0.6%, 0.53%

LAB 47.62, 63.94, -54.89

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 0 / 81 / 66 / 11

HEX #E22B4D

RGB 226 43 77

HSL 348.85, 0.76%, 0.53%

LAB 50.02, 68.87, 27.32

 

CMYK 0 / 90 / 74 / 4

HEX #F51840

RGB 245 24 64

HSL 349.14, 0.92%, 0.53%

LAB 52.33, 76.74, 38.67

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 0 / 56 / 46 / 27

HEX #BB5265

RGB 187 82 101

HSL 349.14, 0.44%, 0.53%

LAB 48.93, 44.11, 10.21

 

CMYK 0 / 39 / 32 / 34

HEX #A86672

RGB 168 102 114

HSL 349.09, 0.28%, 0.53%

LAB 50.74, 28.09, 4.62

 

CMYK 0 / 18 / 15 / 42

HEX #94797E

RGB 148 121 126

HSL 348.89, 0.11%, 0.53%

LAB 53.47, 11.32, 1.21

 

CMYK 8 / 0 / 1 / 45

HEX #818C8A

RGB 129 140 138

HSL 169.09, 0.05%, 0.53%

LAB 57.33, -4.4, -0.31

 

CMYK 0 / 70 / 20 / 19

HEX #CF3FA6

RGB 207 63 166

HSL 317.08, 0.6%, 0.53%

LAB 51.35, 65.99, -24.74

 

CMYK 0 / 70 / 39 / 19

HEX #CF3F7F

RGB 207 63 127

HSL 333.33, 0.6%, 0.53%

LAB 49.92, 61.29, -3.65

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 0 / 64 / 70 / 19

HEX #CF4B3F

RGB 207 75 63

HSL 5, 0.6%, 0.53%

LAB 50.28, 51.47, 35.06

 

CMYK 0 / 45 / 70 / 19

HEX #CF713F

RGB 207 113 63

HSL 20.83, 0.6%, 0.53%

LAB 57.5, 32.97, 43.31

 

CMYK 0 / 75 / 61 / 41

HEX #96253A

RGB 150 37 58

HSL 348.85, 0.6%, 0.37%

LAB 34.22, 47.63, 15.78

 

CMYK 0 / 75 / 62 / 28

HEX #B72D46

RGB 183 45 70

HSL 349.13, 0.61%, 0.45%

LAB 41.82, 55.75, 19.39

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 0 / 55 / 46 / 16

HEX #D76075

RGB 215 96 117

HSL 349.41, 0.6%, 0.61%

LAB 56.18, 48.66, 11.5

 

CMYK 0 / 42 / 35 / 13

HEX #DF8192

RGB 223 129 146

HSL 349.15, 0.59%, 0.69%

LAB 64.53, 38.1, 6.77

 

CMYK 0 / 69 / 57 / 19

HEX #CF405A

RGB 207 64 90

HSL 349.09, 0.6%, 0.53%

LAB 49.09, 57.61, 17.6

 

CMYK 1 / 0 / 70 / 19

HEX #CCCF3F

RGB 204 207 63

HSL 61.25, 0.6%, 0.53%

LAB 80.64, -18.07, 67.32

 

CMYK 70 / 29 / 0 / 19

HEX #3F93CF

RGB 63 147 207

HSL 205, 0.6%, 0.53%

LAB 58.44, -5.96, -38.2

 

CMYK 0 / 69 / 57 / 19

HEX #CF405A

RGB 207 64 90

HSL 349.09, 0.6%, 0.53%

LAB 49.09, 57.61, 17.6

 

CMYK 57 / 0 / 70 / 19

HEX #59CF3F

RGB 89 207 63

HSL 109.17, 0.6%, 0.53%

LAB 74.26, -59.03, 58.79

 

CMYK 70 / 57 / 0 / 19

HEX #3F59CF

RGB 63 89 207

HSL 229.17, 0.6%, 0.53%

LAB 42.32, 29.71, -63.96

 

CMYK 0 / 69 / 57 / 19

HEX #CF405A

RGB 207 64 90

HSL 349.09, 0.6%, 0.53%

LAB 49.09, 57.61, 17.6

 

CMYK 1 / 0 / 70 / 19

HEX #CCCF3F

RGB 204 207 63

HSL 61.25, 0.6%, 0.53%

LAB 80.64, -18.07, 67.32

 

CMYK 70 / 0 / 13 / 19

HEX #3FCFB4

RGB 63 207 180

HSL 168.75, 0.6%, 0.53%

LAB 75.44, -44.13, 2.41

 

CMYK 69 / 70 / 0 / 19

HEX #413FCF

RGB 65 63 207

HSL 240.83, 0.6%, 0.53%

LAB 36.34, 45.93, -73.74

 

CMYK 0 / 69 / 57 / 19

HEX #CF405A

RGB 207 64 90

HSL 349.09, 0.6%, 0.53%

LAB 49.09, 57.61, 17.6

 

CMYK 22 / 0 / 70 / 19

HEX #A1CF3F

RGB 161 207 63

HSL 79.17, 0.6%, 0.53%

LAB 77.62, -35.47, 63.3

 

CMYK 70 / 0 / 13 / 19

HEX #3FCFB4

RGB 63 207 180

HSL 168.75, 0.6%, 0.53%

LAB 75.44, -44.13, 2.41

 

CMYK 48 / 70 / 0 / 19

HEX #6C3FCF

RGB 108 63 207

HSL 258.75, 0.6%, 0.53%

LAB 40, 52.14, -67.6

 

Description

Color code: HEX #CF405A | qconv.com Color code: HEX #CF405A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 64 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 64 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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