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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF31FF it is the complementary color #30CE00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF31FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF31FF shade: #D431FA, #E543FF, #F655FF, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF31FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF31FF shade: #CF31FF, #BE1FEC, #AD0DD9, #9C00C6 and #8B00B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF31FF shade: #CF32FF, #FF32F7, #FF32C0, #FF3289 and #FF3252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF31FF shade: #CF32FF, #9832FF, #6132FF and #3232FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF31FF shade matches the following richer shades: #CF32FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF31FF shade: #CF32FF, #C643EE, #BD54DD, #B564CD and #AC75BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF31FF shade: #6232FF, #9932FF, #CF32FF, #FF32F8 and #FF32C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF31FF shade: #AB00DF, #C509FF, #CF32FF, #D95CFF and #E285FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF31FF shade: #CF31FF, #FF3239 and #32FF7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF31FF shade: #CF31FF, #FFCF32 and #32FFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF31FF shade: #CF31FF, #FF3239, #62FF32 and #32FFF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF31FF shade: #CF31FF, #FF6932, #62FF32 and #32C8FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 81 / 0 / 0

HEX #CF31FF

RGB 207 49 255

HSL 286.02, 1%, 0.6%

LAB 54.74, 84.42, -70.22

 

Complementary color

CMYK 77 / 0 / 100 / 19

HEX #30CE00

RGB 48 206 0

HSL 106.02, 1%, 0.4%

LAB 72.74, -69.62, 71.33

 

CMYK 15 / 80 / 0 / 2

HEX #D431FA

RGB 212 49 250

HSL 288.66, 0.95%, 0.59%

LAB 55.17, 84.38, -66.71

 

CMYK 10 / 74 / 0 / 0

HEX #E543FF

RGB 229 67 255

HSL 291.7, 1%, 0.63%

LAB 59.79, 83.22, -61.92

 

CMYK 4 / 67 / 0 / 0

HEX #F655FF

RGB 246 85 255

HSL 296.82, 1%, 0.67%

LAB 64.41, 80.66, -54.4

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 19 / 81 / 0 / 0

HEX #CF31FF

RGB 207 49 255

HSL 286.02, 1%, 0.6%

LAB 54.74, 84.42, -70.22

 

CMYK 19 / 87 / 0 / 7

HEX #BE1FEC

RGB 190 31 236

HSL 286.54, 0.84%, 0.52%

LAB 49.48, 82.42, -68.24

 

CMYK 20 / 94 / 0 / 15

HEX #AD0DD9

RGB 173 13 217

HSL 287.06, 0.89%, 0.45%

LAB 44.49, 79.32, -65.65

 

CMYK 21 / 100 / 0 / 22

HEX #9C00C6

RGB 156 0 198

HSL 287.27, 1%, 0.39%

LAB 39.82, 74.98, -62.37

 

CMYK 22 / 100 / 0 / 30

HEX #8B00B3

RGB 139 0 179

HSL 286.59, 1%, 0.35%

LAB 35.49, 69.32, -58.36

 

CMYK 19 / 80 / 0 / 0

HEX #CF32FF

RGB 207 50 255

HSL 285.95, 1%, 0.6%

LAB 54.83, 84.17, -70.08

 

CMYK 0 / 80 / 3 / 0

HEX #FF32F7

RGB 255 50 247

HSL 302.34, 1%, 0.6%

LAB 61.87, 91.26, -53.93

 

CMYK 0 / 80 / 25 / 0

HEX #FF32C0

RGB 255 50 192

HSL 318.44, 1%, 0.6%

LAB 59.29, 84.12, -26.93

 

CMYK 0 / 80 / 46 / 0

HEX #FF3289

RGB 255 50 137

HSL 334.54, 1%, 0.6%

LAB 57.41, 78.66, 2.35

 

CMYK 0 / 80 / 68 / 0

HEX #FF3252

RGB 255 50 82

HSL 350.63, 1%, 0.6%

LAB 56.24, 75.14, 33.33

 

CMYK 19 / 80 / 0 / 0

HEX #CF32FF

RGB 207 50 255

HSL 285.95, 1%, 0.6%

LAB 54.83, 84.17, -70.08

 

CMYK 40 / 80 / 0 / 0

HEX #9832FF

RGB 152 50 255

HSL 269.85, 1%, 0.6%

LAB 47.21, 75.9, -82.83

 

CMYK 62 / 80 / 0 / 0

HEX #6132FF

RGB 97 50 255

HSL 253.76, 1%, 0.6%

LAB 41.28, 69.64, -92.79

 

CMYK 80 / 80 / 0 / 0

HEX #3232FF

RGB 50 50 255

HSL 240, 1%, 0.6%

LAB 38.16, 66.42, -98.06

 

CMYK 19 / 80 / 0 / 0

HEX #CF32FF

RGB 207 50 255

HSL 285.95, 1%, 0.6%

LAB 54.83, 84.17, -70.08

 

CMYK 19 / 80 / 0 / 0

HEX #CF32FF

RGB 207 50 255

HSL 285.95, 1%, 0.6%

LAB 54.83, 84.17, -70.08

 

CMYK 17 / 72 / 0 / 7

HEX #C643EE

RGB 198 67 238

HSL 285.96, 0.83%, 0.6%

LAB 54.23, 74.23, -61.63

 

CMYK 14 / 62 / 0 / 13

HEX #BD54DD

RGB 189 84 221

HSL 285.99, 0.67%, 0.6%

LAB 54.43, 62.2, -51.81

 

CMYK 12 / 51 / 0 / 20

HEX #B564CD

RGB 181 100 205

HSL 286.29, 0.51%, 0.6%

LAB 55.43, 49.25, -41.22

 

CMYK 9 / 38 / 0 / 26

HEX #AC75BC

RGB 172 117 188

HSL 286.48, 0.35%, 0.6%

LAB 57.2, 33.96, -28.83

 

CMYK 62 / 80 / 0 / 0

HEX #6232FF

RGB 98 50 255

HSL 254.05, 1%, 0.6%

LAB 41.37, 69.74, -92.64

 

CMYK 40 / 80 / 0 / 0

HEX #9932FF

RGB 153 50 255

HSL 270.15, 1%, 0.6%

LAB 47.33, 76.04, -82.62

 

CMYK 19 / 80 / 0 / 0

HEX #CF32FF

RGB 207 50 255

HSL 285.95, 1%, 0.6%

LAB 54.83, 84.17, -70.08

 

CMYK 0 / 80 / 3 / 0

HEX #FF32F8

RGB 255 50 248

HSL 302.05, 1%, 0.6%

LAB 61.93, 91.4, -54.4

 

CMYK 0 / 80 / 24 / 0

HEX #FF32C1

RGB 255 50 193

HSL 318.15, 1%, 0.6%

LAB 59.33, 84.24, -27.44

 

CMYK 23 / 100 / 0 / 13

HEX #AB00DF

RGB 171 0 223

HSL 286.01, 1%, 0.44%

LAB 44.21, 81.33, -69.56

 

CMYK 23 / 96 / 0 / 0

HEX #C509FF

RGB 197 9 255

HSL 285.85, 1%, 0.52%

LAB 51.02, 89.45, -76.33

 

CMYK 19 / 80 / 0 / 0

HEX #CF32FF

RGB 207 50 255

HSL 285.95, 1%, 0.6%

LAB 54.83, 84.17, -70.08

 

CMYK 15 / 64 / 0 / 0

HEX #D95CFF

RGB 217 92 255

HSL 286.01, 1%, 0.68%

LAB 61.33, 71.63, -59.55

 

CMYK 11 / 48 / 0 / 0

HEX #E285FF

RGB 226 133 255

HSL 285.74, 1%, 0.76%

LAB 69.59, 54.71, -46.4

 

CMYK 19 / 81 / 0 / 0

HEX #CF31FF

RGB 207 49 255

HSL 286.02, 1%, 0.6%

LAB 54.74, 84.42, -70.22

 

CMYK 0 / 80 / 78 / 0

HEX #FF3239

RGB 255 50 57

HSL 357.95, 1%, 0.6%

LAB 55.92, 74.17, 47.07

 

CMYK 80 / 0 / 51 / 0

HEX #32FF7D

RGB 50 255 125

HSL 141.95, 1%, 0.6%

LAB 88.77, -74.49, 48.4

 

CMYK 19 / 81 / 0 / 0

HEX #CF31FF

RGB 207 49 255

HSL 286.02, 1%, 0.6%

LAB 54.74, 84.42, -70.22

 

CMYK 0 / 19 / 80 / 0

HEX #FFCF32

RGB 255 207 50

HSL 45.95, 1%, 0.6%

LAB 85.06, 2.95, 77.29

 

CMYK 80 / 0 / 19 / 0

HEX #32FFCF

RGB 50 255 207

HSL 165.95, 1%, 0.6%

LAB 90.18, -58.59, 9.41

 

CMYK 19 / 81 / 0 / 0

HEX #CF31FF

RGB 207 49 255

HSL 286.02, 1%, 0.6%

LAB 54.74, 84.42, -70.22

 

CMYK 0 / 80 / 78 / 0

HEX #FF3239

RGB 255 50 57

HSL 357.95, 1%, 0.6%

LAB 55.92, 74.17, 47.07

 

CMYK 62 / 0 / 80 / 0

HEX #62FF32

RGB 98 255 50

HSL 105.95, 1%, 0.6%

LAB 89.09, -74.03, 77.46

 

CMYK 80 / 0 / 3 / 0

HEX #32FFF8

RGB 50 255 248

HSL 177.95, 1%, 0.6%

LAB 91.22, -48.01, -10.32

 

CMYK 19 / 81 / 0 / 0

HEX #CF31FF

RGB 207 49 255

HSL 286.02, 1%, 0.6%

LAB 54.74, 84.42, -70.22

 

CMYK 0 / 59 / 80 / 0

HEX #FF6932

RGB 255 105 50

HSL 16.1, 1%, 0.6%

LAB 63.01, 54.47, 57.47

 

CMYK 62 / 0 / 80 / 0

HEX #62FF32

RGB 98 255 50

HSL 105.95, 1%, 0.6%

LAB 89.09, -74.03, 77.46

 

CMYK 80 / 22 / 0 / 0

HEX #32C8FF

RGB 50 200 255

HSL 196.1, 1%, 0.6%

LAB 75.58, -19.98, -37.8

 

Description

Color code: HEX #CF31FF | qconv.com Color code: HEX #CF31FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 49 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 49 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 81 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 81% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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