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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF398B it is the complementary color #30C674. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF398B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF398B shade: #D43986, #E54B99, #F65DAC, #FF6FBF and #FF81D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF398B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF398B shade: #CF398B, #BE2778, #AD1565, #9C0352 and #8B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF398B shade: #CF398B, #CF3963, #CF393B and #CF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF398B shade: #CF398B, #CF39B3, #C239CF, #9A39CF and #7139CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF398B shade matches the following richer shades: #CF398B, #E3268D and #F6128F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF398B shade: #CF398B, #BB4D89, #A76187, #937586 and #808984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF398B shade: #C239CF, #CF39B3, #CF398C, #CF3964 and #CF393C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF398B shade: #932360, #B42B76, #CF398B, #D75B9F and #DF7CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF398B shade: #CF398B, #CF9A39 and #39C7CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF398B shade: #CF398B, #8CCF39 and #398CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF398B shade: #CF398B, #CF9A39, #39CF7D and #396ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF398B shade: #CF398B, #CFC739, #39CF7D and #3941CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

Complementary color

CMYK 76 / 0 / 41 / 22

HEX #30C674

RGB 48 198 116

HSL 147.2, 0.61%, 0.48%

LAB 71.06, -56.77, 30.33

 

CMYK 0 / 73 / 37 / 17

HEX #D43986

RGB 212 57 134

HSL 330.19, 0.64%, 0.53%

LAB 50.27, 65.49, -7.25

 

CMYK 0 / 67 / 33 / 10

HEX #E54B99

RGB 229 75 153

HSL 329.61, 0.75%, 0.6%

LAB 56.08, 65.81, -9.57

 

CMYK 0 / 62 / 30 / 4

HEX #F65DAC

RGB 246 93 172

HSL 329.02, 0.89%, 0.66%

LAB 62, 65.72, -11.45

 

CMYK 0 / 56 / 25 / 0

HEX #FF6FBF

RGB 255 111 191

HSL 326.67, 1%, 0.72%

LAB 66.82, 63.01, -14.88

 

CMYK 0 / 49 / 18 / 0

HEX #FF81D2

RGB 255 129 210

HSL 321.43, 1%, 0.75%

LAB 70.6, 57.34, -19.78

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 79 / 37 / 25

HEX #BE2778

RGB 190 39 120

HSL 327.81, 0.66%, 0.45%

LAB 43.88, 63.75, -8.7

 

CMYK 0 / 88 / 42 / 32

HEX #AD1565

RGB 173 21 101

HSL 328.42, 0.78%, 0.38%

LAB 38.48, 61.82, -5.21

 

CMYK 0 / 98 / 47 / 39

HEX #9C0352

RGB 156 3 82

HSL 329.02, 0.96%, 0.31%

LAB 33.44, 58.68, -0.81

 

CMYK 0 / 100 / 55 / 45

HEX #8B003F

RGB 139 0 63

HSL 332.81, 1%, 0.27%

LAB 29.03, 53.54, 4.96

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 72 / 52 / 19

HEX #CF3963

RGB 207 57 99

HSL 343.2, 0.61%, 0.52%

LAB 48.38, 60.84, 11.14

 

CMYK 0 / 72 / 71 / 19

HEX #CF393B

RGB 207 57 59

HSL 359.2, 0.61%, 0.52%

LAB 47.63, 58.35, 34.25

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 72 / 14 / 19

HEX #CF39B3

RGB 207 57 179

HSL 311.2, 0.61%, 0.52%

LAB 51.21, 69.83, -32.59

 

CMYK 6 / 72 / 0 / 19

HEX #C239CF

RGB 194 57 207

HSL 294.8, 0.61%, 0.52%

LAB 50.57, 71.35, -49.95

 

CMYK 26 / 72 / 0 / 19

HEX #9A39CF

RGB 154 57 207

HSL 278.8, 0.61%, 0.52%

LAB 44.66, 63.32, -59.76

 

CMYK 45 / 72 / 0 / 19

HEX #7139CF

RGB 113 57 207

HSL 262.4, 0.61%, 0.52%

LAB 39.48, 55.93, -68.41

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 83 / 38 / 11

HEX #E3268D

RGB 227 38 141

HSL 327.3, 0.77%, 0.52%

LAB 51.43, 75.03, -9.44

 

CMYK 0 / 93 / 42 / 4

HEX #F6128F

RGB 246 18 143

HSL 327.11, 0.93%, 0.52%

LAB 54.04, 82.49, -6.37

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 59 / 27 / 27

HEX #BB4D89

RGB 187 77 137

HSL 327.27, 0.45%, 0.52%

LAB 49.1, 50.73, -11.23

 

CMYK 0 / 42 / 19 / 35

HEX #A76187

RGB 167 97 135

HSL 327.43, 0.28%, 0.52%

LAB 50.11, 33.6, -8.8

 

CMYK 0 / 20 / 9 / 42

HEX #937586

RGB 147 117 134

HSL 326, 0.12%, 0.52%

LAB 52.56, 14.68, -4.82

 

CMYK 7 / 0 / 4 / 46

HEX #808984

RGB 128 137 132

HSL 146.67, 0.04%, 0.52%

LAB 56.23, -4.3, 1.54

 

CMYK 6 / 72 / 0 / 19

HEX #C239CF

RGB 194 57 207

HSL 294.8, 0.61%, 0.52%

LAB 50.57, 71.35, -49.95

 

CMYK 0 / 72 / 14 / 19

HEX #CF39B3

RGB 207 57 179

HSL 311.2, 0.61%, 0.52%

LAB 51.21, 69.83, -32.59

 

CMYK 0 / 72 / 32 / 19

HEX #CF398C

RGB 207 57 140

HSL 326.8, 0.61%, 0.52%

LAB 49.6, 64.82, -11.95

 

CMYK 0 / 72 / 52 / 19

HEX #CF3964

RGB 207 57 100

HSL 342.8, 0.61%, 0.52%

LAB 48.4, 60.92, 10.56

 

CMYK 0 / 72 / 71 / 19

HEX #CF393C

RGB 207 57 60

HSL 358.8, 0.61%, 0.52%

LAB 47.65, 58.4, 33.68

 

CMYK 0 / 76 / 35 / 42

HEX #932360

RGB 147 35 96

HSL 327.32, 0.62%, 0.36%

LAB 34.5, 51, -8.51

 

CMYK 0 / 76 / 34 / 29

HEX #B42B76

RGB 180 43 118

HSL 327.15, 0.61%, 0.44%

LAB 42.37, 59.8, -9.92

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 58 / 26 / 16

HEX #D75B9F

RGB 215 91 159

HSL 327.1, 0.61%, 0.6%

LAB 56.52, 55.84, -12.64

 

CMYK 0 / 44 / 20 / 13

HEX #DF7CB2

RGB 223 124 178

HSL 327.27, 0.61%, 0.68%

LAB 64.42, 45.01, -11.58

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 26 / 72 / 19

HEX #CF9A39

RGB 207 154 57

HSL 38.8, 0.61%, 0.52%

LAB 67.03, 10.54, 56.21

 

CMYK 72 / 4 / 0 / 19

HEX #39C7CF

RGB 57 199 207

HSL 183.2, 0.61%, 0.52%

LAB 73.69, -33.85, -14.79

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 32 / 0 / 72 / 19

HEX #8CCF39

RGB 140 207 57

HSL 86.8, 0.61%, 0.52%

LAB 76.37, -43.69, 63.82

 

CMYK 72 / 32 / 0 / 19

HEX #398CCF

RGB 57 140 207

HSL 206.8, 0.61%, 0.52%

LAB 56.22, -2.77, -41.71

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 26 / 72 / 19

HEX #CF9A39

RGB 207 154 57

HSL 38.8, 0.61%, 0.52%

LAB 67.03, 10.54, 56.21

 

CMYK 72 / 0 / 40 / 19

HEX #39CF7D

RGB 57 207 125

HSL 147.2, 0.61%, 0.52%

LAB 74.17, -57.18, 29.81

 

CMYK 72 / 47 / 0 / 19

HEX #396ECF

RGB 57 110 207

HSL 218.8, 0.61%, 0.52%

LAB 47.66, 15.51, -55.34

 

CMYK 0 / 72 / 33 / 19

HEX #CF398B

RGB 207 57 139

HSL 327.2, 0.61%, 0.52%

LAB 49.56, 64.71, -11.41

 

CMYK 0 / 4 / 72 / 19

HEX #CFC739

RGB 207 199 57

HSL 56.8, 0.61%, 0.52%

LAB 78.7, -13.09, 67.65

 

CMYK 72 / 0 / 40 / 19

HEX #39CF7D

RGB 57 207 125

HSL 147.2, 0.61%, 0.52%

LAB 74.17, -57.18, 29.81

 

CMYK 72 / 69 / 0 / 19

HEX #3941CF

RGB 57 65 207

HSL 236.8, 0.61%, 0.52%

LAB 36.28, 43.89, -73.84

 

Description

Color code: HEX #CF398B | qconv.com Color code: HEX #CF398B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 57 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 57 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 33 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 33% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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