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Color name
HEX #CF38A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF38A2 it is the complementary color #30C75D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF38A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF38A2 shade: #D4389D, #E54AB0, #F65CC3, #FF6ED6 and #FF80E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF38A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF38A2 shade: #CF38A2, #BE268F, #AD147C, #9C0269 and #8B0056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF38A2 shade: #CF39A2, #CF397A, #CF3952 and #CF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF38A2 shade: #CF39A2, #CF39CB, #AB39CF, #8239CF and #5A39CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF38A2 shade matches the following richer shades: #CF39A2, #E326AA and #F612B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF38A2 shade: #CF39A2, #BB4D9A, #A76192, #93758A and #808982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF38A2 shade: #A939CF, #CF39CC, #CF39A4, #CF397D and #CF3955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF38A2 shade: #932371, #B42B8B, #CF39A2, #D75BB2 and #DF7CC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF38A2 shade: #CF38A2, #CF8239 and #39CFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF38A2 shade: #CF38A2, #A4CF39 and #39A4CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF38A2 shade: #CF38A2, #CF8239, #39CF64 and #3987CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF38A2 shade: #CF38A2, #CFAE39, #39CF64 and #395ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 22 / 19

HEX #CF38A2

RGB 207 56 162

HSL 317.88, 0.61%, 0.52%

LAB 50.34, 67.84, -23.94

 

Complementary color

CMYK 76 / 0 / 53 / 22

HEX #30C75D

RGB 48 199 93

HSL 137.88, 0.61%, 0.48%

LAB 71.05, -60.89, 41.83

 

CMYK 0 / 74 / 26 / 17

HEX #D4389D

RGB 212 56 157

HSL 321.15, 0.64%, 0.53%

LAB 50.99, 68.44, -19.91

 

CMYK 0 / 68 / 23 / 10

HEX #E54AB0

RGB 229 74 176

HSL 320.52, 0.75%, 0.59%

LAB 56.77, 68.96, -21.94

 

CMYK 0 / 63 / 21 / 4

HEX #F65CC3

RGB 246 92 195

HSL 319.87, 0.9%, 0.66%

LAB 62.67, 69.03, -23.58

 

CMYK 0 / 57 / 16 / 0

HEX #FF6ED6

RGB 255 110 214

HSL 316.97, 1%, 0.72%

LAB 67.48, 66.6, -26.78

 

CMYK 0 / 50 / 9 / 0

HEX #FF80E9

RGB 255 128 233

HSL 310.39, 1%, 0.75%

LAB 71.27, 61.32, -31.46

 

CMYK 0 / 73 / 22 / 19

HEX #CF38A2

RGB 207 56 162

HSL 317.88, 0.61%, 0.52%

LAB 50.34, 67.84, -23.94

 

CMYK 0 / 80 / 25 / 25

HEX #BE268F

RGB 190 38 143

HSL 318.55, 0.67%, 0.45%

LAB 44.68, 66.65, -21.54

 

CMYK 0 / 88 / 28 / 32

HEX #AD147C

RGB 173 20 124

HSL 319.22, 0.79%, 0.38%

LAB 39.31, 64.45, -18.42

 

CMYK 0 / 99 / 33 / 39

HEX #9C0269

RGB 156 2 105

HSL 319.87, 0.97%, 0.31%

LAB 34.25, 61.07, -14.48

 

CMYK 0 / 100 / 38 / 45

HEX #8B0056

RGB 139 0 86

HSL 322.88, 1%, 0.27%

LAB 29.81, 55.61, -9.23

 

CMYK 0 / 72 / 22 / 19

HEX #CF39A2

RGB 207 57 162

HSL 318, 0.61%, 0.52%

LAB 50.45, 67.51, -23.77

 

CMYK 0 / 72 / 41 / 19

HEX #CF397A

RGB 207 57 122

HSL 334, 0.61%, 0.52%

LAB 49, 62.9, -1.97

 

CMYK 0 / 72 / 60 / 19

HEX #CF3952

RGB 207 57 82

HSL 350, 0.61%, 0.52%

LAB 48.01, 59.62, 21

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 72 / 22 / 19

HEX #CF39A2

RGB 207 57 162

HSL 318, 0.61%, 0.52%

LAB 50.45, 67.51, -23.77

 

CMYK 0 / 72 / 2 / 19

HEX #CF39CB

RGB 207 57 203

HSL 301.6, 0.61%, 0.52%

LAB 52.4, 73.43, -44.62

 

CMYK 17 / 72 / 0 / 19

HEX #AB39CF

RGB 171 57 207

HSL 285.6, 0.61%, 0.52%

LAB 47.09, 66.66, -55.72

 

CMYK 37 / 72 / 0 / 19

HEX #8239CF

RGB 130 57 207

HSL 269.2, 0.61%, 0.52%

LAB 41.5, 58.85, -65.04

 

CMYK 57 / 72 / 0 / 19

HEX #5A39CF

RGB 90 57 207

HSL 253.2, 0.61%, 0.52%

LAB 37.12, 52.41, -72.37

 

CMYK 0 / 72 / 22 / 19

HEX #CF39A2

RGB 207 57 162

HSL 318, 0.61%, 0.52%

LAB 50.45, 67.51, -23.77

 

CMYK 0 / 83 / 25 / 11

HEX #E326AA

RGB 227 38 170

HSL 318.1, 0.77%, 0.52%

LAB 52.53, 78.14, -24.99

 

CMYK 0 / 93 / 28 / 4

HEX #F612B2

RGB 246 18 178

HSL 317.89, 0.93%, 0.52%

LAB 55.32, 85.89, -25.09

 

CMYK 0 / 72 / 22 / 19

HEX #CF39A2

RGB 207 57 162

HSL 318, 0.61%, 0.52%

LAB 50.45, 67.51, -23.77

 

CMYK 0 / 59 / 18 / 27

HEX #BB4D9A

RGB 187 77 154

HSL 318, 0.45%, 0.52%

LAB 49.74, 53.15, -20.39

 

CMYK 0 / 42 / 13 / 35

HEX #A76192

RGB 167 97 146

HSL 318, 0.28%, 0.52%

LAB 50.5, 35.42, -14.75

 

CMYK 0 / 20 / 6 / 42

HEX #93758A

RGB 147 117 138

HSL 318, 0.12%, 0.52%

LAB 52.69, 15.43, -6.98

 

CMYK 7 / 0 / 5 / 46

HEX #808982

RGB 128 137 130

HSL 133.33, 0.04%, 0.52%

LAB 56.18, -4.7, 2.61

 

CMYK 18 / 72 / 0 / 19

HEX #A939CF

RGB 169 57 207

HSL 284.8, 0.61%, 0.52%

LAB 46.8, 66.26, -56.2

 

CMYK 0 / 72 / 1 / 19

HEX #CF39CC

RGB 207 57 204

HSL 301.2, 0.61%, 0.52%

LAB 52.45, 73.58, -45.11

 

CMYK 0 / 72 / 21 / 19

HEX #CF39A4

RGB 207 57 164

HSL 317.2, 0.61%, 0.52%

LAB 50.54, 67.78, -24.82

 

CMYK 0 / 72 / 40 / 19

HEX #CF397D

RGB 207 57 125

HSL 332.8, 0.61%, 0.52%

LAB 49.1, 63.2, -3.66

 

CMYK 0 / 72 / 59 / 19

HEX #CF3955

RGB 207 57 85

HSL 348.8, 0.61%, 0.52%

LAB 48.07, 59.81, 19.25

 

CMYK 0 / 76 / 23 / 42

HEX #932371

RGB 147 35 113

HSL 318.21, 0.62%, 0.36%

LAB 35.2, 53.16, -18.27

 

CMYK 0 / 76 / 23 / 29

HEX #B42B8B

RGB 180 43 139

HSL 317.96, 0.61%, 0.44%

LAB 43.2, 62.35, -21.54

 

CMYK 0 / 72 / 22 / 19

HEX #CF39A2

RGB 207 57 162

HSL 318, 0.61%, 0.52%

LAB 50.45, 67.51, -23.77

 

CMYK 0 / 58 / 17 / 16

HEX #D75BB2

RGB 215 91 178

HSL 317.9, 0.61%, 0.6%

LAB 57.22, 58.49, -22.6

 

CMYK 0 / 44 / 13 / 13

HEX #DF7CC1

RGB 223 124 193

HSL 318.18, 0.61%, 0.68%

LAB 64.93, 47.31, -19.28

 

CMYK 0 / 73 / 22 / 19

HEX #CF38A2

RGB 207 56 162

HSL 317.88, 0.61%, 0.52%

LAB 50.34, 67.84, -23.94

 

CMYK 0 / 37 / 72 / 19

HEX #CF8239

RGB 207 130 57

HSL 29.2, 0.61%, 0.52%

LAB 61.24, 23.56, 50.28

 

CMYK 72 / 0 / 9 / 19

HEX #39CFBD

RGB 57 207 189

HSL 172.8, 0.61%, 0.52%

LAB 75.56, -42.56, -2.28

 

CMYK 0 / 73 / 22 / 19

HEX #CF38A2

RGB 207 56 162

HSL 317.88, 0.61%, 0.52%

LAB 50.34, 67.84, -23.94

 

CMYK 21 / 0 / 72 / 19

HEX #A4CF39

RGB 164 207 57

HSL 77.2, 0.61%, 0.52%

LAB 77.76, -34.65, 65.66

 

CMYK 72 / 21 / 0 / 19

HEX #39A4CF

RGB 57 164 207

HSL 197.2, 0.61%, 0.52%

LAB 63.28, -16.22, -30.68

 

CMYK 0 / 73 / 22 / 19

HEX #CF38A2

RGB 207 56 162

HSL 317.88, 0.61%, 0.52%

LAB 50.34, 67.84, -23.94

 

CMYK 0 / 37 / 72 / 19

HEX #CF8239

RGB 207 130 57

HSL 29.2, 0.61%, 0.52%

LAB 61.24, 23.56, 50.28

 

CMYK 72 / 0 / 52 / 19

HEX #39CF64

RGB 57 207 100

HSL 137.2, 0.61%, 0.52%

LAB 73.81, -61.31, 41.87

 

CMYK 72 / 35 / 0 / 19

HEX #3987CF

RGB 57 135 207

HSL 208.8, 0.61%, 0.52%

LAB 54.76, 0.17, -44.01

 

CMYK 0 / 73 / 22 / 19

HEX #CF38A2

RGB 207 56 162

HSL 317.88, 0.61%, 0.52%

LAB 50.34, 67.84, -23.94

 

CMYK 0 / 16 / 72 / 19

HEX #CFAE39

RGB 207 174 57

HSL 46.8, 0.61%, 0.52%

LAB 72.12, -0.17, 61.28

 

CMYK 72 / 0 / 52 / 19

HEX #39CF64

RGB 57 207 100

HSL 137.2, 0.61%, 0.52%

LAB 73.81, -61.31, 41.87

 

CMYK 72 / 57 / 0 / 19

HEX #395ACF

RGB 57 90 207

HSL 226.8, 0.61%, 0.52%

LAB 42.29, 28.28, -64.02

 

Description

Color code: HEX #CF38A2 | qconv.com Color code: HEX #CF38A2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 56 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 56 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 22% 19% C M Y K

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Provide designers and agencies with accurate color values.

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