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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3850 it is the complementary color #30C7AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3850. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF3850 shade: #D4384B, #E54A5E, #F65C71, #FF6E84 and #FF8097

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3850. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF3850 shade: #CF3850, #BE263D, #AD142A, #9C0217 and #8B0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF3850 shade: #CF3951 and #CF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF3850 shade: #CF3951, #CF3979, #CF39A2, #CF39CA and #AB39CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF3850 shade matches the following richer shades: #CF3951, #E32644 and #F61236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF3850 shade: #CF3951, #BB4D5F, #A7616C, #93757A and #808987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF3850 shade: #CF39A2, #CF397A, #CF3952, #CF4839 and #CF7039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF3850 shade: #932335, #B42B41, #CF3951, #D75B6E and #DF7C8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF3850 shade: #CF3850, #CACF39 and #398ECF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF3850 shade: #CF3850, #52CF39 and #3952CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF3850 shade: #CF3850, #CACF39, #39CFB6 and #3E39CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF3850 shade: #CF3850, #9DCF39, #39CFB6 and #6B39CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 61 / 19

HEX #CF3850

RGB 207 56 80

HSL 350.46, 0.61%, 0.52%

LAB 47.85, 59.83, 22

 

Complementary color

CMYK 76 / 0 / 12 / 22

HEX #30C7AF

RGB 48 199 175

HSL 170.46, 0.61%, 0.48%

LAB 72.61, -43.86, 0.97

 

CMYK 0 / 74 / 65 / 17

HEX #D4384B

RGB 212 56 75

HSL 352.69, 0.64%, 0.53%

LAB 48.68, 61.03, 26.27

 

CMYK 0 / 68 / 59 / 10

HEX #E54A5E

RGB 229 74 94

HSL 352.26, 0.75%, 0.59%

LAB 54.41, 60.87, 23

 

CMYK 0 / 63 / 54 / 4

HEX #F65C71

RGB 246 92 113

HSL 351.82, 0.9%, 0.66%

LAB 60.28, 60.35, 20.25

 

CMYK 0 / 57 / 48 / 0

HEX #FF6E84

RGB 255 110 132

HSL 350.9, 1%, 0.72%

LAB 65.02, 57.01, 16.06

 

CMYK 0 / 50 / 41 / 0

HEX #FF8097

RGB 255 128 151

HSL 349.13, 1%, 0.75%

LAB 68.7, 50.41, 10.46

 

CMYK 0 / 73 / 61 / 19

HEX #CF3850

RGB 207 56 80

HSL 350.46, 0.61%, 0.52%

LAB 47.85, 59.83, 22

 

CMYK 0 / 80 / 68 / 25

HEX #BE263D

RGB 190 38 61

HSL 350.92, 0.67%, 0.45%

LAB 42.26, 59.41, 25.81

 

CMYK 0 / 88 / 76 / 32

HEX #AD142A

RGB 173 20 42

HSL 351.37, 0.79%, 0.38%

LAB 37.03, 58.05, 30.41

 

CMYK 0 / 99 / 85 / 39

HEX #9C0217

RGB 156 2 23

HSL 351.82, 0.97%, 0.31%

LAB 32.2, 55.59, 35.55

 

CMYK 0 / 100 / 97 / 45

HEX #8B0004

RGB 139 0 4

HSL 358.27, 1%, 0.27%

LAB 28.11, 51.07, 39.68

 

CMYK 0 / 72 / 61 / 19

HEX #CF3951

RGB 207 57 81

HSL 350.4, 0.61%, 0.52%

LAB 47.99, 59.55, 21.58

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 72 / 61 / 19

HEX #CF3951

RGB 207 57 81

HSL 350.4, 0.61%, 0.52%

LAB 47.99, 59.55, 21.58

 

CMYK 0 / 72 / 42 / 19

HEX #CF3979

RGB 207 57 121

HSL 334.4, 0.61%, 0.52%

LAB 48.97, 62.8, -1.41

 

CMYK 0 / 72 / 22 / 19

HEX #CF39A2

RGB 207 57 162

HSL 318, 0.61%, 0.52%

LAB 50.45, 67.51, -23.77

 

CMYK 0 / 72 / 2 / 19

HEX #CF39CA

RGB 207 57 202

HSL 302, 0.61%, 0.52%

LAB 52.35, 73.27, -44.12

 

CMYK 17 / 72 / 0 / 19

HEX #AB39CF

RGB 171 57 207

HSL 285.6, 0.61%, 0.52%

LAB 47.09, 66.66, -55.72

 

CMYK 0 / 72 / 61 / 19

HEX #CF3951

RGB 207 57 81

HSL 350.4, 0.61%, 0.52%

LAB 47.99, 59.55, 21.58

 

CMYK 0 / 83 / 70 / 11

HEX #E32644

RGB 227 38 68

HSL 350.48, 0.77%, 0.52%

LAB 49.66, 69.88, 32.3

 

CMYK 0 / 93 / 78 / 4

HEX #F61236

RGB 246 18 54

HSL 350.53, 0.93%, 0.52%

LAB 52.17, 77.37, 44.24

 

CMYK 0 / 72 / 61 / 19

HEX #CF3951

RGB 207 57 81

HSL 350.4, 0.61%, 0.52%

LAB 47.99, 59.55, 21.58

 

CMYK 0 / 59 / 49 / 27

HEX #BB4D5F

RGB 187 77 95

HSL 350.18, 0.45%, 0.52%

LAB 47.88, 45.93, 12.36

 

CMYK 0 / 42 / 35 / 35

HEX #A7616C

RGB 167 97 108

HSL 350.57, 0.28%, 0.52%

LAB 49.31, 29.69, 6.14

 

CMYK 0 / 20 / 17 / 42

HEX #93757A

RGB 147 117 122

HSL 350, 0.12%, 0.52%

LAB 52.21, 12.56, 1.72

 

CMYK 7 / 0 / 1 / 46

HEX #808987

RGB 128 137 135

HSL 166.67, 0.04%, 0.52%

LAB 56.32, -3.69, -0.07

 

CMYK 0 / 72 / 22 / 19

HEX #CF39A2

RGB 207 57 162

HSL 318, 0.61%, 0.52%

LAB 50.45, 67.51, -23.77

 

CMYK 0 / 72 / 41 / 19

HEX #CF397A

RGB 207 57 122

HSL 334, 0.61%, 0.52%

LAB 49, 62.9, -1.97

 

CMYK 0 / 72 / 60 / 19

HEX #CF3952

RGB 207 57 82

HSL 350, 0.61%, 0.52%

LAB 48.01, 59.62, 21

 

CMYK 0 / 65 / 72 / 19

HEX #CF4839

RGB 207 72 57

HSL 6, 0.61%, 0.52%

LAB 49.73, 52.46, 37.8

 

CMYK 0 / 46 / 72 / 19

HEX #CF7039

RGB 207 112 57

HSL 22, 0.61%, 0.52%

LAB 57.22, 33.19, 46.03

 

CMYK 0 / 76 / 64 / 42

HEX #932335

RGB 147 35 53

HSL 350.36, 0.62%, 0.36%

LAB 33.27, 47.06, 17.65

 

CMYK 0 / 76 / 64 / 29

HEX #B42B41

RGB 180 43 65

HSL 350.36, 0.61%, 0.44%

LAB 40.92, 55.2, 21.22

 

CMYK 0 / 72 / 61 / 19

HEX #CF3951

RGB 207 57 81

HSL 350.4, 0.61%, 0.52%

LAB 47.99, 59.55, 21.58

 

CMYK 0 / 58 / 49 / 16

HEX #D75B6E

RGB 215 91 110

HSL 350.81, 0.61%, 0.6%

LAB 55.13, 50.35, 14.15

 

CMYK 0 / 44 / 37 / 13

HEX #DF7C8C

RGB 223 124 140

HSL 350.3, 0.61%, 0.68%

LAB 63.34, 39.98, 8.48

 

CMYK 0 / 73 / 61 / 19

HEX #CF3850

RGB 207 56 80

HSL 350.46, 0.61%, 0.52%

LAB 47.85, 59.83, 22

 

CMYK 2 / 0 / 72 / 19

HEX #CACF39

RGB 202 207 57

HSL 62, 0.61%, 0.52%

LAB 80.45, -19.19, 69.17

 

CMYK 72 / 31 / 0 / 19

HEX #398ECF

RGB 57 142 207

HSL 206, 0.61%, 0.52%

LAB 56.8, -3.94, -40.79

 

CMYK 0 / 73 / 61 / 19

HEX #CF3850

RGB 207 56 80

HSL 350.46, 0.61%, 0.52%

LAB 47.85, 59.83, 22

 

CMYK 60 / 0 / 72 / 19

HEX #52CF39

RGB 82 207 57

HSL 110, 0.61%, 0.52%

LAB 74.01, -61.19, 60.67

 

CMYK 72 / 60 / 0 / 19

HEX #3952CF

RGB 57 82 207

HSL 230, 0.61%, 0.52%

LAB 40.26, 33.38, -67.32

 

CMYK 0 / 73 / 61 / 19

HEX #CF3850

RGB 207 56 80

HSL 350.46, 0.61%, 0.52%

LAB 47.85, 59.83, 22

 

CMYK 2 / 0 / 72 / 19

HEX #CACF39

RGB 202 207 57

HSL 62, 0.61%, 0.52%

LAB 80.45, -19.19, 69.17

 

CMYK 72 / 0 / 12 / 19

HEX #39CFB6

RGB 57 207 182

HSL 170, 0.61%, 0.52%

LAB 75.37, -44.41, 1.23

 

CMYK 70 / 72 / 0 / 19

HEX #3E39CF

RGB 62 57 207

HSL 242, 0.61%, 0.52%

LAB 34.91, 49.01, -76.08

 

CMYK 0 / 73 / 61 / 19

HEX #CF3850

RGB 207 56 80

HSL 350.46, 0.61%, 0.52%

LAB 47.85, 59.83, 22

 

CMYK 24 / 0 / 72 / 19

HEX #9DCF39

RGB 157 207 57

HSL 80, 0.61%, 0.52%

LAB 77.33, -37.36, 65.09

 

CMYK 72 / 0 / 12 / 19

HEX #39CFB6

RGB 57 207 182

HSL 170, 0.61%, 0.52%

LAB 75.37, -44.41, 1.23

 

CMYK 48 / 72 / 0 / 19

HEX #6B39CF

RGB 107 57 207

HSL 260, 0.61%, 0.52%

LAB 38.82, 54.96, -69.52

 

Description

Color code: HEX #CF3850 | qconv.com Color code: HEX #CF3850 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 56 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 56 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 61 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 61% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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