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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3491 it is the complementary color #30CB6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF3491 shade: #D4348C, #E5469F, #F658B2, #FF6AC5 and #FF7CD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF3491 shade: #CF3491, #BE227E, #AD106B, #9C0058 and #8B0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF3491 shade: #CF3491, #CF3467, #CF343D and #CF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF3491 shade: #CF3491, #CF34BB, #B934CF, #9034CF and #6634CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF3491 shade matches the following richer shades: #CF3491, #E32095 and #F70C99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF3491 shade: #CF3491, #BB488D, #A75D89, #927185 and #7E8581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF3491 shade: #BA34CF, #CF34BA, #CF3491, #CF3468 and #CF343E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF3491 shade: #8F2163, #B1297A, #CF3491, #D756A3 and #DF77B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF3491 shade: #CF3491, #CF9134 and #34CFCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF3491 shade: #CF3491, #91CF34 and #3491CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF3491 shade: #CF3491, #CF9134, #34CF72 and #3472CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF3491 shade: #CF3491, #CFC034, #34CF72 and #3444CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

Complementary color

CMYK 76 / 0 / 46 / 20

HEX #30CB6E

RGB 48 203 110

HSL 144, 0.62%, 0.49%

LAB 72.54, -59.62, 35.3

 

CMYK 0 / 75 / 34 / 17

HEX #D4348C

RGB 212 52 140

HSL 327, 0.65%, 0.52%

LAB 49.91, 67.71, -11.39

 

CMYK 0 / 69 / 31 / 10

HEX #E5469F

RGB 229 70 159

HSL 326.42, 0.75%, 0.59%

LAB 55.63, 68.32, -13.77

 

CMYK 0 / 64 / 28 / 4

HEX #F658B2

RGB 246 88 178

HSL 325.82, 0.9%, 0.65%

LAB 61.47, 68.44, -15.69

 

CMYK 0 / 58 / 23 / 0

HEX #FF6AC5

RGB 255 106 197

HSL 323.36, 1%, 0.71%

LAB 66.21, 65.98, -19.18

 

CMYK 0 / 51 / 15 / 0

HEX #FF7CD8

RGB 255 124 216

HSL 317.86, 1%, 0.74%

LAB 69.92, 60.58, -24.15

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 82 / 34 / 25

HEX #BE227E

RGB 190 34 126

HSL 324.62, 0.7%, 0.44%

LAB 43.65, 65.68, -12.74

 

CMYK 0 / 91 / 38 / 32

HEX #AD106B

RGB 173 16 107

HSL 325.22, 0.83%, 0.37%

LAB 38.4, 63.25, -9.13

 

CMYK 0 / 100 / 44 / 39

HEX #9C0058

RGB 156 0 88

HSL 326.15, 1%, 0.31%

LAB 33.5, 59.62, -4.63

 

CMYK 0 / 100 / 50 / 45

HEX #8B0045

RGB 139 0 69

HSL 330.22, 1%, 0.27%

LAB 29.21, 54.02, 1.19

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 75 / 50 / 19

HEX #CF3467

RGB 207 52 103

HSL 340.26, 0.62%, 0.51%

LAB 47.88, 62.83, 7.99

 

CMYK 0 / 75 / 71 / 19

HEX #CF343D

RGB 207 52 61

HSL 356.52, 0.62%, 0.51%

LAB 47.05, 60.14, 32.39

 

CMYK 0 / 75 / 75 / 19

HEX #CF3434

RGB 207 52 52

HSL 0, 0.62%, 0.51%

LAB 46.93, 59.75, 37.48

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 75 / 10 / 19

HEX #CF34BB

RGB 207 52 187

HSL 307.74, 0.62%, 0.51%

LAB 51.05, 72.53, -37.51

 

CMYK 11 / 75 / 0 / 19

HEX #B934CF

RGB 185 52 207

HSL 291.48, 0.62%, 0.51%

LAB 48.61, 71.16, -53.17

 

CMYK 30 / 75 / 0 / 19

HEX #9034CF

RGB 144 52 207

HSL 275.61, 0.62%, 0.51%

LAB 42.6, 63.42, -63.17

 

CMYK 51 / 75 / 0 / 19

HEX #6634CF

RGB 102 52 207

HSL 259.35, 0.62%, 0.51%

LAB 37.46, 56.56, -71.78

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 86 / 34 / 11

HEX #E32095

RGB 227 32 149

HSL 324, 0.78%, 0.51%

LAB 51.31, 77, -14.42

 

CMYK 0 / 95 / 38 / 3

HEX #F70C99

RGB 247 12 153

HSL 324, 0.94%, 0.51%

LAB 54.38, 84.11, -11.78

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 61 / 25 / 27

HEX #BB488D

RGB 187 72 141

HSL 324, 0.46%, 0.51%

LAB 48.41, 53.53, -14.67

 

CMYK 0 / 44 / 18 / 35

HEX #A75D89

RGB 167 93 137

HSL 324.32, 0.3%, 0.51%

LAB 49.31, 36.1, -11.2

 

CMYK 0 / 23 / 9 / 43

HEX #927185

RGB 146 113 133

HSL 323.64, 0.13%, 0.51%

LAB 51.4, 16.45, -5.96

 

CMYK 5 / 0 / 3 / 48

HEX #7E8581

RGB 126 133 129

HSL 145.71, 0.03%, 0.51%

LAB 54.86, -3.39, 1.25

 

CMYK 10 / 75 / 0 / 19

HEX #BA34CF

RGB 186 52 207

HSL 291.87, 0.62%, 0.51%

LAB 48.76, 71.36, -52.92

 

CMYK 0 / 75 / 10 / 19

HEX #CF34BA

RGB 207 52 186

HSL 308.13, 0.62%, 0.51%

LAB 51, 72.39, -37

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 75 / 50 / 19

HEX #CF3468

RGB 207 52 104

HSL 339.87, 0.62%, 0.51%

LAB 47.91, 62.91, 7.42

 

CMYK 0 / 75 / 70 / 19

HEX #CF343E

RGB 207 52 62

HSL 356.13, 0.62%, 0.51%

LAB 47.07, 60.18, 31.82

 

CMYK 0 / 77 / 31 / 44

HEX #8F2163

RGB 143 33 99

HSL 324, 0.63%, 0.35%

LAB 33.62, 50.94, -11.83

 

CMYK 0 / 77 / 31 / 31

HEX #B1297A

RGB 177 41 122

HSL 324.26, 0.62%, 0.43%

LAB 41.75, 60.1, -13.38

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 60 / 24 / 16

HEX #D756A3

RGB 215 86 163

HSL 324.19, 0.62%, 0.59%

LAB 55.83, 58.6, -16.01

 

CMYK 0 / 47 / 19 / 13

HEX #DF77B5

RGB 223 119 181

HSL 324.23, 0.62%, 0.67%

LAB 63.52, 47.99, -14.62

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 30 / 75 / 19

HEX #CF9134

RGB 207 145 52

HSL 36, 0.62%, 0.51%

LAB 64.77, 15.19, 56.05

 

CMYK 75 / 0 / 0 / 19

HEX #34CFCF

RGB 52 207 207

HSL 180, 0.62%, 0.51%

LAB 75.98, -38.13, -11.36

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 30 / 0 / 75 / 19

HEX #91CF34

RGB 145 207 52

HSL 84, 0.62%, 0.51%

LAB 76.61, -42.15, 65.84

 

CMYK 75 / 30 / 0 / 19

HEX #3491CF

RGB 52 145 207

HSL 204, 0.62%, 0.51%

LAB 57.55, -6.32, -39.63

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 30 / 75 / 19

HEX #CF9134

RGB 207 145 52

HSL 36, 0.62%, 0.51%

LAB 64.77, 15.19, 56.05

 

CMYK 75 / 0 / 45 / 19

HEX #34CF72

RGB 52 207 114

HSL 144, 0.62%, 0.51%

LAB 73.91, -59.83, 35.06

 

CMYK 75 / 45 / 0 / 19

HEX #3472CF

RGB 52 114 207

HSL 216, 0.62%, 0.51%

LAB 48.6, 12.35, -53.84

 

CMYK 0 / 75 / 30 / 19

HEX #CF3491

RGB 207 52 145

HSL 324, 0.62%, 0.51%

LAB 49.21, 67.01, -15.54

 

CMYK 0 / 7 / 75 / 19

HEX #CFC034

RGB 207 192 52

HSL 54.19, 0.62%, 0.51%

LAB 76.81, -9.75, 67.57

 

CMYK 75 / 0 / 45 / 19

HEX #34CF72

RGB 52 207 114

HSL 144, 0.62%, 0.51%

LAB 73.91, -59.83, 35.06

 

CMYK 75 / 67 / 0 / 19

HEX #3444CF

RGB 52 68 207

HSL 233.81, 0.62%, 0.51%

LAB 36.69, 41.57, -73.19

 

Description

Color code: HEX #CF3491 | qconv.com Color code: HEX #CF3491 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 52 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 52 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 30 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 30% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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