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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF15FD it is the complementary color #30EA02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF15FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF15FD shade: #D415F8, #E527FF, #F639FF, #FF4BFF and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF15FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF15FD shade: #CF15FD, #BE03EA, #AD00D7, #9C00C4 and #8B00B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF15FD shade: #CF16FC, #FC16EC, #FC16AE, #FC1670 and #FC1632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF15FD shade: #CF16FC, #9116FC, #5316FC and #1616FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF15FD shade matches the following richer shades: #CF16FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF15FD shade: #CF16FC, #C329E9, #B83CD6, #AC4FC3 and #A162B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF15FD shade: #5416FC, #9116FC, #CE16FC, #FC16ED and #FC16B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF15FD shade: #9901BE, #BA02E7, #CF16FC, #D73FFD and #DF68FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF15FD shade: #CF15FD, #FC1616 and #16FC72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF15FD shade: #CF15FD, #FCCE16 and #16FCCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF15FD shade: #CF15FD, #FC1616, #44FC16 and #16FCFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF15FD shade: #CF15FD, #FC5B16, #44FC16 and #16B7FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 92 / 0 / 1

HEX #CF15FD

RGB 207 21 253

HSL 288.1, 0.98%, 0.54%

LAB 52.83, 89.3, -72.2

 

Complementary color

CMYK 79 / 0 / 99 / 8

HEX #30EA02

RGB 48 234 2

HSL 108.1, 0.98%, 0.46%

LAB 81.55, -77.61, 78.2

 

CMYK 15 / 92 / 0 / 3

HEX #D415F8

RGB 212 21 248

HSL 290.48, 0.94%, 0.53%

LAB 53.29, 89.2, -68.64

 

CMYK 10 / 85 / 0 / 0

HEX #E527FF

RGB 229 39 255

HSL 292.78, 1%, 0.58%

LAB 57.39, 90.18, -65.77

 

CMYK 4 / 78 / 0 / 0

HEX #F639FF

RGB 246 57 255

HSL 297.27, 1%, 0.61%

LAB 61.43, 89.18, -59.15

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 18 / 92 / 0 / 1

HEX #CF15FD

RGB 207 21 253

HSL 288.1, 0.98%, 0.54%

LAB 52.83, 89.3, -72.2

 

CMYK 19 / 99 / 0 / 8

HEX #BE03EA

RGB 190 3 234

HSL 288.57, 0.97%, 0.46%

LAB 48.2, 85.44, -69.18

 

CMYK 20 / 100 / 0 / 16

HEX #AD00D7

RGB 173 0 215

HSL 288.28, 1%, 0.42%

LAB 43.93, 80.2, -65.42

 

CMYK 20 / 100 / 0 / 23

HEX #9C00C4

RGB 156 0 196

HSL 287.76, 1%, 0.38%

LAB 39.67, 74.63, -61.45

 

CMYK 21 / 100 / 0 / 31

HEX #8B00B1

RGB 139 0 177

HSL 287.12, 1%, 0.35%

LAB 35.33, 68.96, -57.42

 

CMYK 18 / 91 / 0 / 1

HEX #CF16FC

RGB 207 22 252

HSL 288.26, 0.97%, 0.54%

LAB 52.8, 89.01, -71.69

 

CMYK 0 / 91 / 6 / 1

HEX #FC16EC

RGB 252 22 236

HSL 304.17, 0.97%, 0.54%

LAB 59.27, 93.64, -51.96

 

CMYK 0 / 91 / 31 / 1

HEX #FC16AE

RGB 252 22 174

HSL 320.35, 0.97%, 0.54%

LAB 56.41, 86.25, -20.98

 

CMYK 0 / 91 / 56 / 1

HEX #FC1670

RGB 252 22 112

HSL 336.52, 0.97%, 0.54%

LAB 54.49, 81.06, 13.05

 

CMYK 0 / 91 / 80 / 1

HEX #FC1632

RGB 252 22 50

HSL 352.7, 0.97%, 0.54%

LAB 53.49, 78.28, 48.16

 

CMYK 18 / 91 / 0 / 1

HEX #CF16FC

RGB 207 22 252

HSL 288.26, 0.97%, 0.54%

LAB 52.8, 89.01, -71.69

 

CMYK 42 / 91 / 0 / 1

HEX #9116FC

RGB 145 22 252

HSL 272.09, 0.97%, 0.54%

LAB 43.69, 81.4, -86.97

 

CMYK 67 / 91 / 0 / 1

HEX #5316FC

RGB 83 22 252

HSL 255.91, 0.97%, 0.54%

LAB 36.82, 76.62, -98.55

 

CMYK 91 / 91 / 0 / 1

HEX #1616FC

RGB 22 22 252

HSL 240, 0.97%, 0.54%

LAB 33.5, 74.75, -104.16

 

CMYK 18 / 91 / 0 / 1

HEX #CF16FC

RGB 207 22 252

HSL 288.26, 0.97%, 0.54%

LAB 52.8, 89.01, -71.69

 

CMYK 18 / 91 / 0 / 1

HEX #CF16FC

RGB 207 22 252

HSL 288.26, 0.97%, 0.54%

LAB 52.8, 89.01, -71.69

 

CMYK 16 / 82 / 0 / 9

HEX #C329E9

RGB 195 41 233

HSL 288.13, 0.81%, 0.54%

LAB 50.77, 80.56, -64.42

 

CMYK 14 / 72 / 0 / 16

HEX #B83CD6

RGB 184 60 214

HSL 288.31, 0.65%, 0.54%

LAB 49.83, 69.51, -55.23

 

CMYK 12 / 59 / 0 / 24

HEX #AC4FC3

RGB 172 79 195

HSL 288.1, 0.49%, 0.54%

LAB 49.86, 55.26, -44.36

 

CMYK 9 / 44 / 0 / 31

HEX #A162B0

RGB 161 98 176

HSL 288.46, 0.33%, 0.54%

LAB 51.21, 38.6, -31.33

 

CMYK 67 / 91 / 0 / 1

HEX #5416FC

RGB 84 22 252

HSL 256.17, 0.97%, 0.54%

LAB 36.91, 76.68, -98.4

 

CMYK 42 / 91 / 0 / 1

HEX #9116FC

RGB 145 22 252

HSL 272.09, 0.97%, 0.54%

LAB 43.69, 81.4, -86.97

 

CMYK 18 / 91 / 0 / 1

HEX #CE16FC

RGB 206 22 252

HSL 288, 0.97%, 0.54%

LAB 52.65, 88.87, -71.96

 

CMYK 0 / 91 / 6 / 1

HEX #FC16ED

RGB 252 22 237

HSL 303.91, 0.97%, 0.54%

LAB 59.33, 93.77, -52.43

 

CMYK 0 / 91 / 30 / 1

HEX #FC16B0

RGB 252 22 176

HSL 319.83, 0.97%, 0.54%

LAB 56.49, 86.46, -22.03

 

CMYK 19 / 99 / 0 / 25

HEX #9901BE

RGB 153 1 190

HSL 288.25, 0.99%, 0.37%

LAB 38.75, 73.06, -59.46

 

CMYK 19 / 99 / 0 / 9

HEX #BA02E7

RGB 186 2 231

HSL 288.21, 0.98%, 0.46%

LAB 47.3, 84.48, -68.97

 

CMYK 18 / 91 / 0 / 1

HEX #CF16FC

RGB 207 22 252

HSL 288.26, 0.97%, 0.54%

LAB 52.8, 89.01, -71.69

 

CMYK 15 / 75 / 0 / 1

HEX #D73FFD

RGB 215 63 253

HSL 288, 0.98%, 0.62%

LAB 57.17, 81.5, -65.14

 

CMYK 12 / 59 / 0 / 1

HEX #DF68FD

RGB 223 104 253

HSL 287.92, 0.97%, 0.7%

LAB 63.9, 67.43, -54.31

 

CMYK 18 / 92 / 0 / 1

HEX #CF15FD

RGB 207 21 253

HSL 288.1, 0.98%, 0.54%

LAB 52.83, 89.3, -72.2

 

CMYK 0 / 91 / 91 / 1

HEX #FC1616

RGB 252 22 22

HSL 0, 0.97%, 0.54%

LAB 53.31, 77.75, 60.91

 

CMYK 91 / 0 / 55 / 1

HEX #16FC72

RGB 22 252 114

HSL 144, 0.97%, 0.54%

LAB 87.49, -77.15, 51.83

 

CMYK 18 / 92 / 0 / 1

HEX #CF15FD

RGB 207 21 253

HSL 288.1, 0.98%, 0.54%

LAB 52.83, 89.3, -72.2

 

CMYK 0 / 18 / 91 / 1

HEX #FCCE16

RGB 252 206 22

HSL 48, 0.97%, 0.54%

LAB 84.43, 1.58, 82.92

 

CMYK 91 / 0 / 18 / 1

HEX #16FCCE

RGB 22 252 206

HSL 168, 0.97%, 0.54%

LAB 89.04, -59.39, 8.25

 

CMYK 18 / 92 / 0 / 1

HEX #CF15FD

RGB 207 21 253

HSL 288.1, 0.98%, 0.54%

LAB 52.83, 89.3, -72.2

 

CMYK 0 / 91 / 91 / 1

HEX #FC1616

RGB 252 22 22

HSL 0, 0.97%, 0.54%

LAB 53.31, 77.75, 60.91

 

CMYK 73 / 0 / 91 / 1

HEX #44FC16

RGB 68 252 22

HSL 108, 0.97%, 0.54%

LAB 87.44, -79.67, 81.2

 

CMYK 91 / 0 / 0 / 1

HEX #16FCFC

RGB 22 252 252

HSL 180, 0.97%, 0.54%

LAB 90.24, -47.13, -13.89

 

CMYK 18 / 92 / 0 / 1

HEX #CF15FD

RGB 207 21 253

HSL 288.1, 0.98%, 0.54%

LAB 52.83, 89.3, -72.2

 

CMYK 0 / 64 / 91 / 1

HEX #FC5B16

RGB 252 91 22

HSL 18, 0.97%, 0.54%

LAB 60.1, 58.86, 65.35

 

CMYK 73 / 0 / 91 / 1

HEX #44FC16

RGB 68 252 22

HSL 108, 0.97%, 0.54%

LAB 87.44, -79.67, 81.2

 

CMYK 91 / 27 / 0 / 1

HEX #16B7FC

RGB 22 183 252

HSL 198, 0.97%, 0.54%

LAB 70.22, -13.83, -44.56

 

Description

Color code: HEX #CF15FD | qconv.com Color code: HEX #CF15FD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 21 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 21 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 92 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 92% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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