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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF15B9 it is the complementary color #30EA46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF15B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF15B9 shade: #D415B4, #E527C7, #F639DA, #FF4BED and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF15B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF15B9 shade: #CF15B9, #BE03A6, #AD0093, #9C0080 and #8B006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF15B9 shade: #D014BA, #D01487, #D01455, #D01422 and #D01414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF15B9 shade: #D014BA, #B414D0, #8114D0, #4E14D0 and #1C14D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF15B9 shade matches the following richer shades: #D014BA and #E302C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF15B9 shade: #D014BA, #BE27AC, #AB399E, #994C90 and #865E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF15B9 shade: #8214D0, #B414D0, #D014BA, #D01488 and #D01456

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF15B9 shade: #850D77, #AB1099, #D014BA, #E925D2 and #ED4AD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF15B9 shade: #CF15B9, #D05014 and #14D09B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF15B9 shade: #CF15B9, #BAD014 and #14BAD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF15B9 shade: #CF15B9, #D05014, #14D02A and #1495D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF15B9 shade: #CF15B9, #D08814, #14D02A and #145CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 11 / 19

HEX #CF15B9

RGB 207 21 185

HSL 307.1, 0.82%, 0.45%

LAB 48.64, 78.92, -40.13

 

Complementary color

CMYK 79 / 0 / 70 / 8

HEX #30EA46

RGB 48 234 70

HSL 127.1, 0.82%, 0.55%

LAB 81.79, -74.6, 63.76

 

CMYK 0 / 90 / 15 / 17

HEX #D415B4

RGB 212 21 180

HSL 310.05, 0.82%, 0.46%

LAB 49.29, 79.2, -36.13

 

CMYK 0 / 83 / 13 / 10

HEX #E527C7

RGB 229 39 199

HSL 309.47, 0.79%, 0.53%

LAB 54.27, 81.97, -39.12

 

CMYK 0 / 77 / 11 / 4

HEX #F639DA

RGB 246 57 218

HSL 308.89, 0.91%, 0.59%

LAB 59.51, 83.8, -41.52

 

CMYK 0 / 71 / 7 / 0

HEX #FF4BED

RGB 255 75 237

HSL 306, 1%, 0.65%

LAB 63.68, 83.19, -45.52

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 90 / 11 / 19

HEX #CF15B9

RGB 207 21 185

HSL 307.1, 0.82%, 0.45%

LAB 48.64, 78.92, -40.13

 

CMYK 0 / 98 / 13 / 25

HEX #BE03A6

RGB 190 3 166

HSL 307.7, 0.97%, 0.38%

LAB 43.89, 75.12, -36.61

 

CMYK 0 / 100 / 15 / 32

HEX #AD0093

RGB 173 0 147

HSL 309.02, 1%, 0.34%

LAB 39.57, 69.8, -32.19

 

CMYK 0 / 100 / 18 / 39

HEX #9C0080

RGB 156 0 128

HSL 310.77, 1%, 0.31%

LAB 35.25, 64.1, -27.47

 

CMYK 0 / 100 / 22 / 45

HEX #8B006D

RGB 139 0 109

HSL 312.95, 1%, 0.27%

LAB 30.86, 58.29, -22.57

 

CMYK 0 / 90 / 11 / 18

HEX #D014BA

RGB 208 20 186

HSL 307.02, 0.82%, 0.45%

LAB 48.83, 79.38, -40.41

 

CMYK 0 / 90 / 35 / 18

HEX #D01487

RGB 208 20 135

HSL 323.3, 0.82%, 0.45%

LAB 46.52, 73.32, -13.56

 

CMYK 0 / 90 / 59 / 18

HEX #D01455

RGB 208 20 85

HSL 339.26, 0.82%, 0.45%

LAB 45.03, 69.23, 15.19

 

CMYK 0 / 90 / 84 / 18

HEX #D01422

RGB 208 20 34

HSL 355.53, 0.82%, 0.45%

LAB 44.27, 67.07, 44.73

 

CMYK 0 / 90 / 90 / 18

HEX #D01414

RGB 208 20 20

HSL 0, 0.82%, 0.45%

LAB 44.18, 66.8, 51.29

 

CMYK 0 / 90 / 11 / 18

HEX #D014BA

RGB 208 20 186

HSL 307.02, 0.82%, 0.45%

LAB 48.83, 79.38, -40.41

 

CMYK 13 / 90 / 0 / 18

HEX #B414D0

RGB 180 20 208

HSL 291.06, 0.82%, 0.45%

LAB 45.3, 77.93, -59.11

 

CMYK 38 / 90 / 0 / 18

HEX #8114D0

RGB 129 20 208

HSL 274.79, 0.82%, 0.45%

LAB 37.34, 70.87, -72.43

 

CMYK 63 / 90 / 0 / 18

HEX #4E14D0

RGB 78 20 208

HSL 258.51, 0.82%, 0.45%

LAB 31.05, 66.04, -83.01

 

CMYK 87 / 90 / 0 / 18

HEX #1C14D0

RGB 28 20 208

HSL 242.55, 0.82%, 0.45%

LAB 27.58, 63.8, -88.89

 

CMYK 0 / 90 / 11 / 18

HEX #D014BA

RGB 208 20 186

HSL 307.02, 0.82%, 0.45%

LAB 48.83, 79.38, -40.41

 

CMYK 0 / 99 / 12 / 11

HEX #E302C8

RGB 227 2 200

HSL 307.2, 0.98%, 0.45%

LAB 52.45, 86.19, -42.6

 

CMYK 0 / 90 / 11 / 18

HEX #D014BA

RGB 208 20 186

HSL 307.02, 0.82%, 0.45%

LAB 48.83, 79.38, -40.41

 

CMYK 0 / 79 / 9 / 25

HEX #BE27AC

RGB 190 39 172

HSL 307.15, 0.66%, 0.45%

LAB 46.15, 70.3, -36.62

 

CMYK 0 / 67 / 8 / 33

HEX #AB399E

RGB 171 57 158

HSL 306.84, 0.5%, 0.45%

LAB 44.31, 57.95, -31.4

 

CMYK 0 / 50 / 6 / 40

HEX #994C90

RGB 153 76 144

HSL 307.01, 0.34%, 0.45%

LAB 44.17, 41.75, -23.42

 

CMYK 0 / 30 / 4 / 47

HEX #865E81

RGB 134 94 129

HSL 307.5, 0.18%, 0.45%

LAB 45.16, 22.41, -13.07

 

CMYK 38 / 90 / 0 / 18

HEX #8214D0

RGB 130 20 208

HSL 275.11, 0.82%, 0.45%

LAB 37.48, 70.98, -72.18

 

CMYK 13 / 90 / 0 / 18

HEX #B414D0

RGB 180 20 208

HSL 291.06, 0.82%, 0.45%

LAB 45.3, 77.93, -59.11

 

CMYK 0 / 90 / 11 / 18

HEX #D014BA

RGB 208 20 186

HSL 307.02, 0.82%, 0.45%

LAB 48.83, 79.38, -40.41

 

CMYK 0 / 90 / 35 / 18

HEX #D01488

RGB 208 20 136

HSL 322.98, 0.82%, 0.45%

LAB 46.56, 73.42, -14.11

 

CMYK 0 / 90 / 59 / 18

HEX #D01456

RGB 208 20 86

HSL 338.94, 0.82%, 0.45%

LAB 45.06, 69.29, 14.6

 

CMYK 0 / 90 / 11 / 48

HEX #850D77

RGB 133 13 119

HSL 307, 0.82%, 0.29%

LAB 30.89, 56.45, -28.99

 

CMYK 0 / 91 / 11 / 33

HEX #AB1099

RGB 171 16 153

HSL 306.97, 0.83%, 0.37%

LAB 40.13, 68.42, -34.98

 

CMYK 0 / 90 / 11 / 18

HEX #D014BA

RGB 208 20 186

HSL 307.02, 0.82%, 0.45%

LAB 48.83, 79.38, -40.41

 

CMYK 0 / 84 / 10 / 9

HEX #E925D2

RGB 233 37 210

HSL 307.04, 0.82%, 0.53%

LAB 55.38, 84.6, -43.63

 

CMYK 0 / 69 / 8 / 7

HEX #ED4AD9

RGB 237 74 217

HSL 307.36, 0.82%, 0.61%

LAB 59.81, 76.59, -40.59

 

CMYK 0 / 90 / 11 / 19

HEX #CF15B9

RGB 207 21 185

HSL 307.1, 0.82%, 0.45%

LAB 48.64, 78.92, -40.13

 

CMYK 0 / 62 / 90 / 18

HEX #D05014

RGB 208 80 20

HSL 19.15, 0.82%, 0.45%

LAB 50.92, 48.2, 56.07

 

CMYK 90 / 0 / 25 / 18

HEX #14D09B

RGB 20 208 155

HSL 163.09, 0.82%, 0.45%

LAB 74.59, -54.79, 14.53

 

CMYK 0 / 90 / 11 / 19

HEX #CF15B9

RGB 207 21 185

HSL 307.1, 0.82%, 0.45%

LAB 48.64, 78.92, -40.13

 

CMYK 11 / 0 / 90 / 18

HEX #BAD014

RGB 186 208 20

HSL 67.02, 0.82%, 0.45%

LAB 79.39, -27.51, 76.92

 

CMYK 90 / 11 / 0 / 18

HEX #14BAD0

RGB 20 186 208

HSL 187.02, 0.82%, 0.45%

LAB 69.34, -30.35, -21.97

 

CMYK 0 / 90 / 11 / 19

HEX #CF15B9

RGB 207 21 185

HSL 307.1, 0.82%, 0.45%

LAB 48.64, 78.92, -40.13

 

CMYK 0 / 62 / 90 / 18

HEX #D05014

RGB 208 80 20

HSL 19.15, 0.82%, 0.45%

LAB 50.92, 48.2, 56.07

 

CMYK 90 / 0 / 80 / 18

HEX #14D02A

RGB 20 208 42

HSL 127.02, 0.82%, 0.45%

LAB 73.17, -71.61, 64.32

 

CMYK 90 / 28 / 0 / 18

HEX #1495D0

RGB 20 149 208

HSL 198.83, 0.82%, 0.45%

LAB 58.22, -10.99, -39.17

 

CMYK 0 / 90 / 11 / 19

HEX #CF15B9

RGB 207 21 185

HSL 307.1, 0.82%, 0.45%

LAB 48.64, 78.92, -40.13

 

CMYK 0 / 35 / 90 / 18

HEX #D08814

RGB 208 136 20

HSL 37.02, 0.82%, 0.45%

LAB 62.57, 19.54, 64.72

 

CMYK 90 / 0 / 80 / 18

HEX #14D02A

RGB 20 208 42

HSL 127.02, 0.82%, 0.45%

LAB 73.17, -71.61, 64.32

 

CMYK 90 / 56 / 0 / 18

HEX #145CD0

RGB 20 92 208

HSL 217.02, 0.82%, 0.45%

LAB 41.78, 24.13, -65.48

 

Description

Color code: HEX #CF15B9 | qconv.com Color code: HEX #CF15B9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 21 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 21 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 11 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 11% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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