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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEE30B it is the complementary color #311CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEE30B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEE30B shade: #D3E306, #E4F519, #F5FF2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEE30B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEE30B shade: #CEE30B, #BDD100, #ACBF00, #9BAD00 and #8A9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEE30B shade: #CFE40A, #E4BF0A, #E4840A, #E4490A and #E40E0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEE30B shade: #CFE40A, #94E40A, #5AE40A, #1FE40A and #0AE431

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEE30B shade matches the following richer shades: #CFE40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEE30B shade: #CFE40A, #C0D11E, #B0BE31, #A0AA44 and #919758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEE30B shade: #E4820A, #E4BC0A, #D2E40A, #98E40A and #5EE40A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEE30B shade: #889607, #ABBD08, #CFE40A, #E0F424 and #E5F64B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEE30B shade: #CEE30B, #0AE448 and #9F0AE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEE30B shade: #CEE30B, #0AD2E4 and #E40AD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEE30B shade: #CEE30B, #0AE448, #1C0AE4 and #E40AA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEE30B shade: #CEE30B, #0AE48A, #1C0AE4 and #E40A65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 95 / 11

HEX #CEE30B

RGB 206 227 11

HSL 65.83, 0.91%, 0.47%

LAB 86.05, -28.36, 83.75

 

Complementary color

CMYK 80 / 89 / 0 / 4

HEX #311CF4

RGB 49 28 244

HSL 245.83, 0.91%, 0.53%

LAB 34.01, 71.61, -98.78

 

CMYK 7 / 0 / 97 / 11

HEX #D3E306

RGB 211 227 6

HSL 64.34, 0.95%, 0.46%

LAB 86.41, -26.35, 84.59

 

CMYK 7 / 0 / 90 / 4

HEX #E4F519

RGB 228 245 25

HSL 64.64, 0.92%, 0.53%

LAB 92.52, -27.63, 87.85

 

CMYK 4 / 0 / 83 / 0

HEX #F5FF2C

RGB 245 255 44

HSL 62.84, 1%, 0.59%

LAB 96.46, -25.02, 88.18

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 9 / 0 / 95 / 11

HEX #CEE30B

RGB 206 227 11

HSL 65.83, 0.91%, 0.47%

LAB 86.05, -28.36, 83.75

 

CMYK 10 / 0 / 100 / 18

HEX #BDD100

RGB 189 209 0

HSL 65.74, 1%, 0.41%

LAB 79.85, -26.99, 79.51

 

CMYK 10 / 0 / 100 / 25

HEX #ACBF00

RGB 172 191 0

HSL 65.97, 1%, 0.37%

LAB 73.57, -25.5, 74.28

 

CMYK 10 / 0 / 100 / 32

HEX #9BAD00

RGB 155 173 0

HSL 66.24, 1%, 0.34%

LAB 67.17, -23.98, 68.96

 

CMYK 11 / 0 / 100 / 39

HEX #8A9B00

RGB 138 155 0

HSL 66.58, 1%, 0.3%

LAB 60.65, -22.43, 63.53

 

CMYK 9 / 0 / 96 / 11

HEX #CFE40A

RGB 207 228 10

HSL 65.78, 0.92%, 0.47%

LAB 86.39, -28.43, 84.13

 

CMYK 0 / 16 / 96 / 11

HEX #E4BF0A

RGB 228 191 10

HSL 49.82, 0.92%, 0.47%

LAB 78.33, -1.15, 78.89

 

CMYK 0 / 42 / 96 / 11

HEX #E4840A

RGB 228 132 10

HSL 33.58, 0.92%, 0.47%

LAB 64.18, 30.05, 68.9

 

CMYK 0 / 68 / 96 / 11

HEX #E4490A

RGB 228 73 10

HSL 17.34, 0.92%, 0.47%

LAB 53.26, 57.92, 61.96

 

CMYK 0 / 94 / 96 / 11

HEX #E40E0A

RGB 228 14 10

HSL 1.1, 0.92%, 0.47%

LAB 48.05, 72.53, 59.12

 

CMYK 9 / 0 / 96 / 11

HEX #CFE40A

RGB 207 228 10

HSL 65.78, 0.92%, 0.47%

LAB 86.39, -28.43, 84.13

 

CMYK 35 / 0 / 96 / 11

HEX #94E40A

RGB 148 228 10

HSL 82.02, 0.92%, 0.47%

LAB 82.81, -51.17, 79.8

 

CMYK 61 / 0 / 96 / 11

HEX #5AE40A

RGB 90 228 10

HSL 97.98, 0.92%, 0.47%

LAB 80.56, -68.33, 77.06

 

CMYK 86 / 0 / 96 / 11

HEX #1FE40A

RGB 31 228 10

HSL 114.22, 0.92%, 0.47%

LAB 79.5, -77.51, 75.75

 

CMYK 96 / 0 / 79 / 11

HEX #0AE431

RGB 10 228 49

HSL 130.73, 0.92%, 0.47%

LAB 79.48, -77.21, 68.28

 

CMYK 9 / 0 / 96 / 11

HEX #CFE40A

RGB 207 228 10

HSL 65.78, 0.92%, 0.47%

LAB 86.39, -28.43, 84.13

 

CMYK 9 / 0 / 96 / 11

HEX #CFE40A

RGB 207 228 10

HSL 65.78, 0.92%, 0.47%

LAB 86.39, -28.43, 84.13

 

CMYK 8 / 0 / 86 / 18

HEX #C0D11E

RGB 192 209 30

HSL 65.7, 0.75%, 0.47%

LAB 80.12, -25.29, 75.94

 

CMYK 7 / 0 / 74 / 25

HEX #B0BE31

RGB 176 190 49

HSL 65.96, 0.59%, 0.47%

LAB 73.73, -22.09, 64.78

 

CMYK 6 / 0 / 60 / 33

HEX #A0AA44

RGB 160 170 68

HSL 65.88, 0.43%, 0.47%

LAB 67.01, -17.67, 50.07

 

CMYK 4 / 0 / 42 / 41

HEX #919758

RGB 145 151 88

HSL 65.71, 0.26%, 0.47%

LAB 60.66, -12.18, 32.41

 

CMYK 0 / 43 / 96 / 11

HEX #E4820A

RGB 228 130 10

HSL 33.03, 0.92%, 0.47%

LAB 63.74, 31.09, 68.61

 

CMYK 0 / 18 / 96 / 11

HEX #E4BC0A

RGB 228 188 10

HSL 48.99, 0.92%, 0.47%

LAB 77.57, 0.4, 78.33

 

CMYK 8 / 0 / 96 / 11

HEX #D2E40A

RGB 210 228 10

HSL 64.95, 0.92%, 0.47%

LAB 86.61, -27.2, 84.39

 

CMYK 33 / 0 / 96 / 11

HEX #98E40A

RGB 152 228 10

HSL 80.92, 0.92%, 0.47%

LAB 83.01, -49.76, 80.05

 

CMYK 59 / 0 / 96 / 11

HEX #5EE40A

RGB 94 228 10

HSL 96.88, 0.92%, 0.47%

LAB 80.68, -67.38, 77.2

 

CMYK 9 / 0 / 95 / 41

HEX #889607

RGB 136 150 7

HSL 65.87, 0.91%, 0.31%

LAB 59.03, -20.67, 61.19

 

CMYK 10 / 0 / 96 / 26

HEX #ABBD08

RGB 171 189 8

HSL 65.97, 0.92%, 0.39%

LAB 72.94, -24.85, 72.91

 

CMYK 9 / 0 / 96 / 11

HEX #CFE40A

RGB 207 228 10

HSL 65.78, 0.92%, 0.47%

LAB 86.39, -28.43, 84.13

 

CMYK 8 / 0 / 85 / 4

HEX #E0F424

RGB 224 244 36

HSL 65.77, 0.9%, 0.55%

LAB 91.99, -28.57, 85.48

 

CMYK 7 / 0 / 70 / 4

HEX #E5F64B

RGB 229 246 75

HSL 65.96, 0.9%, 0.63%

LAB 93.05, -26.07, 75.89

 

CMYK 9 / 0 / 95 / 11

HEX #CEE30B

RGB 206 227 11

HSL 65.83, 0.91%, 0.47%

LAB 86.05, -28.36, 83.75

 

CMYK 96 / 0 / 68 / 11

HEX #0AE448

RGB 10 228 72

HSL 137.06, 0.92%, 0.47%

LAB 79.62, -75.42, 60.64

 

CMYK 30 / 96 / 0 / 11

HEX #9F0AE4

RGB 159 10 228

HSL 281.01, 0.92%, 0.47%

LAB 43.05, 79.8, -74.39

 

CMYK 9 / 0 / 95 / 11

HEX #CEE30B

RGB 206 227 11

HSL 65.83, 0.91%, 0.47%

LAB 86.05, -28.36, 83.75

 

CMYK 96 / 8 / 0 / 11

HEX #0AD2E4

RGB 10 210 228

HSL 184.95, 0.92%, 0.47%

LAB 77.14, -35.79, -20.96

 

CMYK 0 / 96 / 8 / 11

HEX #E40AD2

RGB 228 10 210

HSL 304.95, 0.92%, 0.47%

LAB 53.35, 87.11, -46.91

 

CMYK 9 / 0 / 95 / 11

HEX #CEE30B

RGB 206 227 11

HSL 65.83, 0.91%, 0.47%

LAB 86.05, -28.36, 83.75

 

CMYK 96 / 0 / 68 / 11

HEX #0AE448

RGB 10 228 72

HSL 137.06, 0.92%, 0.47%

LAB 79.62, -75.42, 60.64

 

CMYK 88 / 96 / 0 / 11

HEX #1C0AE4

RGB 28 10 228

HSL 244.95, 0.92%, 0.47%

LAB 29.58, 71.27, -97.1

 

CMYK 0 / 96 / 27 / 11

HEX #E40AA7

RGB 228 10 167

HSL 316.79, 0.92%, 0.47%

LAB 51.27, 81.84, -25.16

 

CMYK 9 / 0 / 95 / 11

HEX #CEE30B

RGB 206 227 11

HSL 65.83, 0.91%, 0.47%

LAB 86.05, -28.36, 83.75

 

CMYK 96 / 0 / 39 / 11

HEX #0AE48A

RGB 10 228 138

HSL 155.23, 0.92%, 0.47%

LAB 80.4, -66.02, 31.3

 

CMYK 88 / 96 / 0 / 11

HEX #1C0AE4

RGB 28 10 228

HSL 244.95, 0.92%, 0.47%

LAB 29.58, 71.27, -97.1

 

CMYK 0 / 96 / 56 / 11

HEX #E40A65

RGB 228 10 101

HSL 334.95, 0.92%, 0.47%

LAB 49.07, 76.03, 11.48

 

Description

Color code: HEX #CEE30B | qconv.com Color code: HEX #CEE30B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 227 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 227 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 95 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 95% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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