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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEDFC3 it is the complementary color #31203C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEDFC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEDFC3 shade: #D3DFBE, #E4F1D1, #F5FFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEDFC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEDFC3 shade: #CEDFC3, #BDCDB0, #ACBB9D, #9BA98A and #8A9777

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEDFC3 shade: #CEDEC3, #D5DEC3, #DDDEC3, #DED9C3 and #DED1C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEDFC3 shade: #CEDEC3, #C6DEC3, #C3DEC7, #C3DECE and #C3DED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEDFC3 shade matches the following richer shades: #CEDEC3, #CCE6BB, #CAEDB4, #C9F5AD and #C7FCA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEDFC3 shade: #CEDEC3, #CFD7CA, #D1D0D2, #D2C8D9 and #D4C1E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEDFC3 shade: #DDDEC3, #D5DEC3, #CEDEC3, #C7DEC3 and #C3DEC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEDFC3 shade: #A2C18D, #B8D0A8, #CEDEC3, #E4EDDE and #FAFBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEDFC3 shade: #CEDFC3, #C3DED9 and #DEC3D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEDFC3 shade: #CEDFC3, #C3CEDE and #DEC3CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEDFC3 shade: #CEDFC3, #C3DED9, #D3C3DE and #DEC3C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEDFC3 shade: #CEDFC3, #C3DCDE, #D3C3DE and #DEC6C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 13 / 13

HEX #CEDFC3

RGB 206 223 195

HSL 96.43, 0.3%, 0.82%

LAB 86.92, -10.7, 11.8

 

Complementary color

CMYK 18 / 47 / 0 / 76

HEX #31203C

RGB 49 32 60

HSL 276.43, 0.3%, 0.18%

LAB 15.55, 14.63, -14.88

 

CMYK 5 / 0 / 15 / 13

HEX #D3DFBE

RGB 211 223 190

HSL 81.82, 0.34%, 0.81%

LAB 87.16, -9.77, 14.82

 

CMYK 5 / 0 / 13 / 5

HEX #E4F1D1

RGB 228 241 209

HSL 84.38, 0.53%, 0.88%

LAB 93.45, -9.83, 14

 

CMYK 4 / 0 / 11 / 0

HEX #F5FFE4

RGB 245 255 228

HSL 82.22, 1%, 0.95%

LAB 98.64, -7.9, 11.77

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 8 / 0 / 13 / 13

HEX #CEDFC3

RGB 206 223 195

HSL 96.43, 0.3%, 0.82%

LAB 86.92, -10.7, 11.8

 

CMYK 8 / 0 / 14 / 20

HEX #BDCDB0

RGB 189 205 176

HSL 93.1, 0.22%, 0.75%

LAB 80.52, -10.68, 12.61

 

CMYK 8 / 0 / 16 / 27

HEX #ACBB9D

RGB 172 187 157

HSL 90, 0.18%, 0.67%

LAB 74.03, -10.66, 13.47

 

CMYK 8 / 0 / 18 / 34

HEX #9BA98A

RGB 155 169 138

HSL 87.1, 0.15%, 0.6%

LAB 67.41, -10.64, 14.37

 

CMYK 9 / 0 / 21 / 41

HEX #8A9777

RGB 138 151 119

HSL 84.38, 0.13%, 0.53%

LAB 60.67, -10.62, 15.33

 

CMYK 7 / 0 / 12 / 13

HEX #CEDEC3

RGB 206 222 195

HSL 95.56, 0.29%, 0.82%

LAB 86.65, -10.19, 11.43

 

CMYK 4 / 0 / 12 / 13

HEX #D5DEC3

RGB 213 222 195

HSL 80, 0.29%, 0.82%

LAB 87.16, -7.75, 12.21

 

CMYK 0 / 0 / 12 / 13

HEX #DDDEC3

RGB 221 222 195

HSL 62.22, 0.29%, 0.82%

LAB 87.75, -4.92, 13.14

 

CMYK 0 / 2 / 12 / 13

HEX #DED9C3

RGB 222 217 195

HSL 48.89, 0.29%, 0.82%

LAB 86.55, -2, 11.44

 

CMYK 0 / 6 / 12 / 13

HEX #DED1C3

RGB 222 209 195

HSL 31.11, 0.29%, 0.82%

LAB 84.52, 2.15, 8.54

 

CMYK 7 / 0 / 12 / 13

HEX #CEDEC3

RGB 206 222 195

HSL 95.56, 0.29%, 0.82%

LAB 86.65, -10.19, 11.43

 

CMYK 11 / 0 / 12 / 13

HEX #C6DEC3

RGB 198 222 195

HSL 113.33, 0.29%, 0.82%

LAB 86.1, -12.94, 10.56

 

CMYK 12 / 0 / 10 / 13

HEX #C3DEC7

RGB 195 222 199

HSL 128.89, 0.29%, 0.82%

LAB 85.99, -13.25, 8.27

 

CMYK 12 / 0 / 7 / 13

HEX #C3DECE

RGB 195 222 206

HSL 144.44, 0.29%, 0.82%

LAB 86.16, -11.97, 4.82

 

CMYK 12 / 0 / 4 / 13

HEX #C3DED6

RGB 195 222 214

HSL 162.22, 0.29%, 0.82%

LAB 86.36, -10.45, 0.89

 

CMYK 7 / 0 / 12 / 13

HEX #CEDEC3

RGB 206 222 195

HSL 95.56, 0.29%, 0.82%

LAB 86.65, -10.19, 11.43

 

CMYK 11 / 0 / 19 / 10

HEX #CCE6BB

RGB 204 230 187

HSL 96.28, 0.46%, 0.82%

LAB 88.46, -16.22, 18.13

 

CMYK 15 / 0 / 24 / 7

HEX #CAEDB4

RGB 202 237 180

HSL 96.84, 0.61%, 0.82%

LAB 90.05, -21.46, 23.94

 

CMYK 18 / 0 / 29 / 4

HEX #C9F5AD

RGB 201 245 173

HSL 96.67, 0.78%, 0.82%

LAB 92.02, -26.7, 30.17

 

CMYK 21 / 0 / 35 / 1

HEX #C7FCA5

RGB 199 252 165

HSL 96.55, 0.94%, 0.82%

LAB 93.66, -31.8, 36.36

 

CMYK 7 / 0 / 12 / 13

HEX #CEDEC3

RGB 206 222 195

HSL 95.56, 0.29%, 0.82%

LAB 86.65, -10.19, 11.43

 

CMYK 4 / 0 / 6 / 16

HEX #CFD7CA

RGB 207 215 202

HSL 96.92, 0.14%, 0.82%

LAB 85.06, -5.05, 5.46

 

CMYK 0 / 1 / 0 / 18

HEX #D1D0D2

RGB 209 208 210

HSL 270, 0.02%, 0.82%

LAB 83.61, 0.71, -0.88

 

CMYK 3 / 8 / 0 / 15

HEX #D2C8D9

RGB 210 200 217

HSL 275.29, 0.18%, 0.82%

LAB 81.85, 6.58, -7.2

 

CMYK 6 / 14 / 0 / 12

HEX #D4C1E1

RGB 212 193 225

HSL 275.63, 0.35%, 0.82%

LAB 80.5, 12.52, -13.48

 

CMYK 0 / 0 / 12 / 13

HEX #DDDEC3

RGB 221 222 195

HSL 62.22, 0.29%, 0.82%

LAB 87.75, -4.92, 13.14

 

CMYK 4 / 0 / 12 / 13

HEX #D5DEC3

RGB 213 222 195

HSL 80, 0.29%, 0.82%

LAB 87.16, -7.75, 12.21

 

CMYK 7 / 0 / 12 / 13

HEX #CEDEC3

RGB 206 222 195

HSL 95.56, 0.29%, 0.82%

LAB 86.65, -10.19, 11.43

 

CMYK 10 / 0 / 12 / 13

HEX #C7DEC3

RGB 199 222 195

HSL 111.11, 0.29%, 0.82%

LAB 86.17, -12.6, 10.67

 

CMYK 12 / 0 / 10 / 13

HEX #C3DEC7

RGB 195 222 199

HSL 128.89, 0.29%, 0.82%

LAB 85.99, -13.25, 8.27

 

CMYK 16 / 0 / 27 / 24

HEX #A2C18D

RGB 162 193 141

HSL 95.77, 0.3%, 0.65%

LAB 74.66, -19.95, 22.83

 

CMYK 12 / 0 / 19 / 18

HEX #B8D0A8

RGB 184 208 168

HSL 96, 0.3%, 0.74%

LAB 80.81, -15.31, 17.21

 

CMYK 7 / 0 / 12 / 13

HEX #CEDEC3

RGB 206 222 195

HSL 95.56, 0.29%, 0.82%

LAB 86.65, -10.19, 11.43

 

CMYK 4 / 0 / 6 / 7

HEX #E4EDDE

RGB 228 237 222

HSL 96, 0.29%, 0.9%

LAB 92.72, -5.65, 6.22

 

CMYK 0 / 0 / 1 / 2

HEX #FAFBF8

RGB 250 251 248

HSL 80, 0.27%, 0.98%

LAB 98.47, -0.85, 1.31

 

CMYK 8 / 0 / 13 / 13

HEX #CEDFC3

RGB 206 223 195

HSL 96.43, 0.3%, 0.82%

LAB 86.92, -10.7, 11.8

 

CMYK 12 / 0 / 2 / 13

HEX #C3DED9

RGB 195 222 217

HSL 168.89, 0.29%, 0.82%

LAB 86.43, -9.87, -0.58

 

CMYK 0 / 12 / 2 / 13

HEX #DEC3D9

RGB 222 195 217

HSL 311.11, 0.29%, 0.82%

LAB 81.6, 13.31, -7.45

 

CMYK 8 / 0 / 13 / 13

HEX #CEDFC3

RGB 206 223 195

HSL 96.43, 0.3%, 0.82%

LAB 86.92, -10.7, 11.8

 

CMYK 12 / 7 / 0 / 13

HEX #C3CEDE

RGB 195 206 222

HSL 215.56, 0.29%, 0.82%

LAB 82.39, -0.57, -9.2

 

CMYK 0 / 12 / 7 / 13

HEX #DEC3CE

RGB 222 195 206

HSL 335.56, 0.29%, 0.82%

LAB 81.3, 11.37, -2

 

CMYK 8 / 0 / 13 / 13

HEX #CEDFC3

RGB 206 223 195

HSL 96.43, 0.3%, 0.82%

LAB 86.92, -10.7, 11.8

 

CMYK 12 / 0 / 2 / 13

HEX #C3DED9

RGB 195 222 217

HSL 168.89, 0.29%, 0.82%

LAB 86.43, -9.87, -0.58

 

CMYK 5 / 12 / 0 / 13

HEX #D3C3DE

RGB 211 195 222

HSL 275.56, 0.29%, 0.82%

LAB 80.82, 10.53, -11.4

 

CMYK 0 / 12 / 10 / 13

HEX #DEC3C8

RGB 222 195 200

HSL 348.89, 0.29%, 0.82%

LAB 81.14, 10.35, 1

 

CMYK 8 / 0 / 13 / 13

HEX #CEDFC3

RGB 206 223 195

HSL 96.43, 0.3%, 0.82%

LAB 86.92, -10.7, 11.8

 

CMYK 12 / 1 / 0 / 13

HEX #C3DCDE

RGB 195 220 222

HSL 184.44, 0.29%, 0.82%

LAB 86.04, -7.86, -3.8

 

CMYK 5 / 12 / 0 / 13

HEX #D3C3DE

RGB 211 195 222

HSL 275.56, 0.29%, 0.82%

LAB 80.82, 10.53, -11.4

 

CMYK 0 / 11 / 12 / 13

HEX #DEC6C3

RGB 222 198 195

HSL 6.67, 0.29%, 0.82%

LAB 81.76, 7.94, 4.57

 

Description

Color code: HEX #CEDFC3 | qconv.com Color code: HEX #CEDFC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 223 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 223 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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