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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEDDDC it is the complementary color #312223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEDDDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEDDDC shade: #D3DDD7, #E4EFEA and #F5FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEDDDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEDDDC shade: #CEDDDC, #BDCBC9, #ACB9B6, #9BA7A3 and #8A9590

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEDDDC shade: #CEDDDC, #CEDDD8, #CEDDD4, #CEDDD0 and #D0DDCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEDDDC shade: #CEDDDC, #CEDADD, #CED6DD, #CED2DD and #CECEDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEDDDC shade matches the following richer shades: #CEDDDC, #C8E4E2, #C1EAE8, #BBF1ED and #B4F7F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEDDDC shade: #CEDDDC, #D5D6D6, #DCD0D1, #E2C9CB and #E9C3C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEDDDC shade: #CEDDD4, #CEDDD8, #CEDDDC, #CEDADD and #CED6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEDDDC shade: #9EBBB9, #B6CCCB, #CEDDDC and #E7EEED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEDDDC shade: #CEDDDC, #D0CEDD and #DDD6CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEDDDC shade: #CEDDDC, #DCCEDD and #DDDCCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEDDDC shade: #CEDDDC, #D0CEDD, #DDCECF and #DBDDCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEDDDC shade: #CEDDDC, #D5CEDD, #DDCECF and #D7DDCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

Complementary color

CMYK 0 / 31 / 29 / 81

HEX #312223

RGB 49 34 35

HSL 356, 0.18%, 0.16%

LAB 15.05, 7.38, 2.15

 

CMYK 5 / 0 / 3 / 13

HEX #D3DDD7

RGB 211 221 215

HSL 144, 0.13%, 0.85%

LAB 87.23, -4.45, 1.77

 

CMYK 5 / 0 / 2 / 6

HEX #E4EFEA

RGB 228 239 234

HSL 152.73, 0.26%, 0.92%

LAB 93.52, -4.54, 1.14

 

CMYK 4 / 0 / 1 / 0

HEX #F5FFFD

RGB 245 255 253

HSL 168, 1%, 0.98%

LAB 99.23, -3.62, -0.19

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 7 / 0 / 1 / 20

HEX #BDCBC9

RGB 189 203 201

HSL 171.43, 0.12%, 0.77%

LAB 80.6, -5.13, -0.65

 

CMYK 7 / 0 / 2 / 27

HEX #ACB9B6

RGB 172 185 182

HSL 166.15, 0.08%, 0.7%

LAB 74.09, -5.07, -0.04

 

CMYK 7 / 0 / 2 / 35

HEX #9BA7A3

RGB 155 167 163

HSL 160, 0.06%, 0.63%

LAB 67.46, -5.01, 0.6

 

CMYK 7 / 0 / 3 / 42

HEX #8A9590

RGB 138 149 144

HSL 152.73, 0.05%, 0.56%

LAB 60.7, -4.95, 1.27

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 7 / 0 / 2 / 13

HEX #CEDDD8

RGB 206 221 216

HSL 160, 0.18%, 0.84%

LAB 86.9, -5.94, 0.71

 

CMYK 7 / 0 / 4 / 13

HEX #CEDDD4

RGB 206 221 212

HSL 144, 0.18%, 0.84%

LAB 86.79, -6.68, 2.68

 

CMYK 7 / 0 / 6 / 13

HEX #CEDDD0

RGB 206 221 208

HSL 128, 0.18%, 0.84%

LAB 86.7, -7.41, 4.64

 

CMYK 6 / 0 / 7 / 13

HEX #D0DDCE

RGB 208 221 206

HSL 112, 0.18%, 0.84%

LAB 86.79, -7.09, 5.85

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 7 / 1 / 0 / 13

HEX #CEDADD

RGB 206 218 221

HSL 192, 0.18%, 0.84%

LAB 86.25, -3.45, -2.87

 

CMYK 7 / 3 / 0 / 13

HEX #CED6DD

RGB 206 214 221

HSL 208, 0.18%, 0.84%

LAB 85.22, -1.37, -4.39

 

CMYK 7 / 5 / 0 / 13

HEX #CED2DD

RGB 206 210 221

HSL 224, 0.18%, 0.84%

LAB 84.19, 0.72, -5.9

 

CMYK 7 / 7 / 0 / 13

HEX #CECEDD

RGB 206 206 221

HSL 240, 0.18%, 0.84%

LAB 83.17, 2.83, -7.41

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 12 / 0 / 1 / 11

HEX #C8E4E2

RGB 200 228 226

HSL 175.71, 0.34%, 0.84%

LAB 88.57, -9.56, -2.15

 

CMYK 18 / 0 / 1 / 8

HEX #C1EAE8

RGB 193 234 232

HSL 177.07, 0.49%, 0.84%

LAB 89.86, -13.59, -3.45

 

CMYK 22 / 0 / 2 / 5

HEX #BBF1ED

RGB 187 241 237

HSL 175.56, 0.66%, 0.84%

LAB 91.5, -17.86, -3.69

 

CMYK 27 / 0 / 2 / 3

HEX #B4F7F3

RGB 180 247 243

HSL 176.42, 0.81%, 0.84%

LAB 92.88, -21.55, -4.82

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 0 / 0 / 0 / 16

HEX #D5D6D6

RGB 213 214 214

HSL 180, 0.01%, 0.84%

LAB 85.55, -0.34, -0.13

 

CMYK 0 / 5 / 5 / 14

HEX #DCD0D1

RGB 220 208 209

HSL 355, 0.15%, 0.84%

LAB 84.45, 4.32, 0.98

 

CMYK 0 / 11 / 10 / 11

HEX #E2C9CB

RGB 226 201 203

HSL 355.2, 0.3%, 0.84%

LAB 83.05, 9.09, 2.2

 

CMYK 0 / 16 / 15 / 9

HEX #E9C3C5

RGB 233 195 197

HSL 356.84, 0.46%, 0.84%

LAB 82.05, 13.79, 4.04

 

CMYK 7 / 0 / 4 / 13

HEX #CEDDD4

RGB 206 221 212

HSL 144, 0.18%, 0.84%

LAB 86.79, -6.68, 2.68

 

CMYK 7 / 0 / 2 / 13

HEX #CEDDD8

RGB 206 221 216

HSL 160, 0.18%, 0.84%

LAB 86.9, -5.94, 0.71

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 7 / 1 / 0 / 13

HEX #CEDADD

RGB 206 218 221

HSL 192, 0.18%, 0.84%

LAB 86.25, -3.45, -2.87

 

CMYK 7 / 3 / 0 / 13

HEX #CED6DD

RGB 206 214 221

HSL 208, 0.18%, 0.84%

LAB 85.22, -1.37, -4.39

 

CMYK 16 / 0 / 1 / 27

HEX #9EBBB9

RGB 158 187 185

HSL 175.86, 0.18%, 0.68%

LAB 73.75, -10.2, -2.29

 

CMYK 11 / 0 / 0 / 20

HEX #B6CCCB

RGB 182 204 203

HSL 177.27, 0.18%, 0.76%

LAB 80.43, -7.58, -2.03

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 3 / 0 / 0 / 7

HEX #E7EEED

RGB 231 238 237

HSL 171.43, 0.17%, 0.92%

LAB 93.56, -2.5, -0.34

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 6 / 7 / 0 / 13

HEX #D0CEDD

RGB 208 206 221

HSL 248, 0.18%, 0.84%

LAB 83.32, 3.49, -7.17

 

CMYK 0 / 3 / 7 / 13

HEX #DDD6CE

RGB 221 214 206

HSL 32, 0.18%, 0.84%

LAB 85.97, 1.02, 4.79

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 0 / 7 / 0 / 13

HEX #DCCEDD

RGB 220 206 221

HSL 296, 0.18%, 0.84%

LAB 84.27, 7.51, -5.67

 

CMYK 0 / 0 / 7 / 13

HEX #DDDCCE

RGB 221 220 206

HSL 56, 0.18%, 0.84%

LAB 87.49, -2.09, 6.99

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 6 / 7 / 0 / 13

HEX #D0CEDD

RGB 208 206 221

HSL 248, 0.18%, 0.84%

LAB 83.32, 3.49, -7.17

 

CMYK 0 / 7 / 6 / 13

HEX #DDCECF

RGB 221 206 207

HSL 356, 0.18%, 0.84%

LAB 83.98, 5.37, 1.37

 

CMYK 1 / 0 / 7 / 13

HEX #DBDDCE

RGB 219 221 206

HSL 68, 0.18%, 0.84%

LAB 87.6, -3.3, 7.12

 

CMYK 7 / 0 / 0 / 13

HEX #CEDDDC

RGB 206 221 220

HSL 176, 0.18%, 0.84%

LAB 87, -5.19, -1.25

 

CMYK 4 / 7 / 0 / 13

HEX #D5CEDD

RGB 213 206 221

HSL 268, 0.18%, 0.84%

LAB 83.71, 5.16, -6.56

 

CMYK 0 / 7 / 6 / 13

HEX #DDCECF

RGB 221 206 207

HSL 356, 0.18%, 0.84%

LAB 83.98, 5.37, 1.37

 

CMYK 3 / 0 / 7 / 13

HEX #D7DDCE

RGB 215 221 206

HSL 84, 0.18%, 0.84%

LAB 87.3, -4.69, 6.65

 

Description

Color code: HEX #CEDDDC | qconv.com Color code: HEX #CEDDDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 221 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 221 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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