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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CECA7F it is the complementary color #313580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CECA7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CECA7F shade: #D3CA7A, #E4DC8D, #F5EEA0, #FFFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CECA7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CECA7F shade: #CECA7F, #BDB86C, #ACA659, #9B9446 and #8A8233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CECA7F shade: #CDC97D, #CDB47D, #CD9E7D, #CD887D and #CD7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CECA7F shade: #CDC97D, #BCCD7D, #A6CD7D, #90CD7D and #7DCD7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CECA7F shade matches the following richer shades: #CDC97D, #DCD66F, #EAE360 and #F9F052

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CECA7F shade: #CDC97D, #BFBC8C, #B1AF9A, #A2A2A8 and #9495B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CECA7F shade: #CD9D7D, #CDB37D, #CDC87D, #BDCD7D and #A8CD7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CECA7F shade: #B4AE44, #C2BD5F, #CDC97D, #D9D69B and #E4E2B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CECA7F shade: #CECA7F, #7DCD88 and #A87DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CECA7F shade: #CECA7F, #7DCDC8 and #C87DCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CECA7F shade: #CECA7F, #7DCD88, #7D82CD and #CD7DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CECA7F shade: #CECA7F, #7DCDA0, #7D82CD and #CD7DAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 38 / 19

HEX #CECA7F

RGB 206 202 127

HSL 56.96, 0.45%, 0.65%

LAB 80.12, -9.6, 37.93

 

Complementary color

CMYK 62 / 59 / 0 / 50

HEX #313580

RGB 49 53 128

HSL 236.96, 0.45%, 0.35%

LAB 26.03, 22.62, -43.09

 

CMYK 0 / 4 / 42 / 17

HEX #D3CA7A

RGB 211 202 122

HSL 53.93, 0.5%, 0.65%

LAB 80.46, -8.15, 40.97

 

CMYK 0 / 4 / 38 / 11

HEX #E4DC8D

RGB 228 220 141

HSL 54.48, 0.62%, 0.72%

LAB 86.8, -8.56, 39.79

 

CMYK 0 / 3 / 35 / 4

HEX #F5EEA0

RGB 245 238 160

HSL 55.06, 0.81%, 0.79%

LAB 93.06, -8.91, 38.65

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 2 / 38 / 19

HEX #CECA7F

RGB 206 202 127

HSL 56.96, 0.45%, 0.65%

LAB 80.12, -9.6, 37.93

 

CMYK 0 / 3 / 43 / 26

HEX #BDB86C

RGB 189 184 108

HSL 56.3, 0.38%, 0.58%

LAB 73.66, -9.2, 39.13

 

CMYK 0 / 3 / 48 / 33

HEX #ACA659

RGB 172 166 89

HSL 55.66, 0.33%, 0.51%

LAB 67.1, -8.72, 40.36

 

CMYK 0 / 5 / 55 / 39

HEX #9B9446

RGB 155 148 70

HSL 55.06, 0.38%, 0.44%

LAB 60.42, -8.12, 41.57

 

CMYK 0 / 6 / 63 / 46

HEX #8A8233

RGB 138 130 51

HSL 54.48, 0.46%, 0.37%

LAB 53.61, -7.37, 42.67

 

CMYK 0 / 2 / 39 / 20

HEX #CDC97D

RGB 205 201 125

HSL 57, 0.44%, 0.65%

LAB 79.75, -9.71, 38.45

 

CMYK 0 / 12 / 39 / 20

HEX #CDB47D

RGB 205 180 125

HSL 41.25, 0.44%, 0.65%

LAB 74.26, 1.24, 31.36

 

CMYK 0 / 23 / 39 / 20

HEX #CD9E7D

RGB 205 158 125

HSL 24.75, 0.44%, 0.65%

LAB 68.69, 13.08, 23.96

 

CMYK 0 / 34 / 39 / 20

HEX #CD887D

RGB 205 136 125

HSL 8.25, 0.44%, 0.65%

LAB 63.4, 25.08, 16.75

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7D

RGB 205 125 125

HSL 0, 0.44%, 0.65%

LAB 60.89, 31.03, 13.26

 

CMYK 0 / 2 / 39 / 20

HEX #CDC97D

RGB 205 201 125

HSL 57, 0.44%, 0.65%

LAB 79.75, -9.71, 38.45

 

CMYK 8 / 0 / 39 / 20

HEX #BCCD7D

RGB 188 205 125

HSL 72.75, 0.44%, 0.65%

LAB 79.52, -18.39, 37.9

 

CMYK 19 / 0 / 39 / 20

HEX #A6CD7D

RGB 166 205 125

HSL 89.25, 0.44%, 0.65%

LAB 78.02, -26.68, 35.68

 

CMYK 30 / 0 / 39 / 20

HEX #90CD7D

RGB 144 205 125

HSL 105.75, 0.44%, 0.65%

LAB 76.72, -34.47, 33.74

 

CMYK 39 / 0 / 38 / 20

HEX #7DCD7F

RGB 125 205 127

HSL 121.5, 0.44%, 0.65%

LAB 75.8, -40.32, 31.32

 

CMYK 0 / 2 / 39 / 20

HEX #CDC97D

RGB 205 201 125

HSL 57, 0.44%, 0.65%

LAB 79.75, -9.71, 38.45

 

CMYK 0 / 3 / 50 / 14

HEX #DCD66F

RGB 220 214 111

HSL 56.7, 0.61%, 0.65%

LAB 84.2, -11.67, 51.11

 

CMYK 0 / 3 / 59 / 8

HEX #EAE360

RGB 234 227 96

HSL 56.96, 0.77%, 0.65%

LAB 88.58, -13.64, 63.19

 

CMYK 0 / 4 / 67 / 2

HEX #F9F052

RGB 249 240 82

HSL 56.77, 0.93%, 0.65%

LAB 93.04, -14.75, 73.88

 

CMYK 0 / 2 / 39 / 20

HEX #CDC97D

RGB 205 201 125

HSL 57, 0.44%, 0.65%

LAB 79.75, -9.71, 38.45

 

CMYK 0 / 2 / 27 / 25

HEX #BFBC8C

RGB 191 188 140

HSL 56.47, 0.28%, 0.65%

LAB 75.41, -6.63, 24.74

 

CMYK 0 / 1 / 13 / 31

HEX #B1AF9A

RGB 177 175 154

HSL 54.78, 0.13%, 0.65%

LAB 71.1, -2.97, 11.03

 

CMYK 4 / 4 / 0 / 34

HEX #A2A2A8

RGB 162 162 168

HSL 240, 0.03%, 0.65%

LAB 66.79, 1.17, -3.11

 

CMYK 19 / 19 / 0 / 28

HEX #9495B7

RGB 148 149 183

HSL 238.29, 0.2%, 0.65%

LAB 62.68, 6.89, -17.77

 

CMYK 0 / 23 / 39 / 20

HEX #CD9D7D

RGB 205 157 125

HSL 24, 0.44%, 0.65%

LAB 68.44, 13.62, 23.63

 

CMYK 0 / 13 / 39 / 20

HEX #CDB37D

RGB 205 179 125

HSL 40.5, 0.44%, 0.65%

LAB 74, 1.77, 31.02

 

CMYK 0 / 2 / 39 / 20

HEX #CDC87D

RGB 205 200 125

HSL 56.25, 0.44%, 0.65%

LAB 79.48, -9.19, 38.12

 

CMYK 8 / 0 / 39 / 20

HEX #BDCD7D

RGB 189 205 125

HSL 72, 0.44%, 0.65%

LAB 79.59, -18, 38.01

 

CMYK 18 / 0 / 39 / 20

HEX #A8CD7D

RGB 168 205 125

HSL 87.75, 0.44%, 0.65%

LAB 78.15, -25.95, 35.87

 

CMYK 0 / 3 / 62 / 29

HEX #B4AE44

RGB 180 174 68

HSL 56.79, 0.45%, 0.49%

LAB 69.75, -11.22, 53.52

 

CMYK 0 / 3 / 51 / 24

HEX #C2BD5F

RGB 194 189 95

HSL 56.97, 0.45%, 0.57%

LAB 75.26, -10.98, 47.61

 

CMYK 0 / 2 / 39 / 20

HEX #CDC97D

RGB 205 201 125

HSL 57, 0.44%, 0.65%

LAB 79.75, -9.71, 38.45

 

CMYK 0 / 1 / 29 / 15

HEX #D9D69B

RGB 217 214 155

HSL 57.1, 0.45%, 0.73%

LAB 84.59, -8.09, 29.59

 

CMYK 0 / 1 / 19 / 11

HEX #E4E2B9

RGB 228 226 185

HSL 57.21, 0.44%, 0.81%

LAB 89.11, -5.97, 20.33

 

CMYK 0 / 2 / 38 / 19

HEX #CECA7F

RGB 206 202 127

HSL 56.96, 0.45%, 0.65%

LAB 80.12, -9.6, 37.93

 

CMYK 39 / 0 / 34 / 20

HEX #7DCD88

RGB 125 205 136

HSL 128.25, 0.44%, 0.65%

LAB 75.95, -38.85, 26.85

 

CMYK 18 / 39 / 0 / 20

HEX #A87DCD

RGB 168 125 205

HSL 272.25, 0.44%, 0.65%

LAB 59.34, 31.92, -35.18

 

CMYK 0 / 2 / 38 / 19

HEX #CECA7F

RGB 206 202 127

HSL 56.96, 0.45%, 0.65%

LAB 80.12, -9.6, 37.93

 

CMYK 39 / 0 / 2 / 20

HEX #7DCDC8

RGB 125 205 200

HSL 176.25, 0.44%, 0.65%

LAB 77.4, -25.66, -5.25

 

CMYK 2 / 39 / 0 / 20

HEX #C87DCD

RGB 200 125 205

HSL 296.25, 0.44%, 0.65%

LAB 62.81, 41.68, -29.53

 

CMYK 0 / 2 / 38 / 19

HEX #CECA7F

RGB 206 202 127

HSL 56.96, 0.45%, 0.65%

LAB 80.12, -9.6, 37.93

 

CMYK 39 / 0 / 34 / 20

HEX #7DCD88

RGB 125 205 136

HSL 128.25, 0.44%, 0.65%

LAB 75.95, -38.85, 26.85

 

CMYK 39 / 37 / 0 / 20

HEX #7D82CD

RGB 125 130 205

HSL 236.25, 0.44%, 0.65%

LAB 56.81, 16.68, -39.41

 

CMYK 0 / 39 / 5 / 20

HEX #CD7DC3

RGB 205 125 195

HSL 307.5, 0.44%, 0.65%

LAB 63, 41.41, -23.55

 

CMYK 0 / 2 / 38 / 19

HEX #CECA7F

RGB 206 202 127

HSL 56.96, 0.45%, 0.65%

LAB 80.12, -9.6, 37.93

 

CMYK 39 / 0 / 22 / 20

HEX #7DCDA0

RGB 125 205 160

HSL 146.25, 0.44%, 0.65%

LAB 76.41, -34.45, 14.81

 

CMYK 39 / 37 / 0 / 20

HEX #7D82CD

RGB 125 130 205

HSL 236.25, 0.44%, 0.65%

LAB 56.81, 16.68, -39.41

 

CMYK 0 / 39 / 17 / 20

HEX #CD7DAB

RGB 205 125 171

HSL 325.5, 0.44%, 0.65%

LAB 62.16, 37.38, -11.22

 

Description

Color code: HEX #CECA7F | qconv.com Color code: HEX #CECA7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 202 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 202 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 38 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 38% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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