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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBC63 it is the complementary color #31439C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBC63 shade: #D3BC5E, #E4CE71, #F5E084, #FFF297 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBC63 shade: #CEBC63, #BDAA50, #AC983D, #9B862A and #8A7417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBC63 shade: #CEBC63, #CE9F63, #CE8263, #CE6663 and #CE6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBC63 shade: #CEBC63, #C3CE63, #A6CE63, #8ACE63 and #6DCE63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBC63 shade matches the following richer shades: #CEBC63, #DEC753 and #EFD242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBC63 shade: #CEBC63, #BDB174, #ADA684, #9C9B95 and #8C90A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBC63 shade: #CE8263, #CE9E63, #CEBA63, #C5CE63 and #A8CE63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBC63 shade: #A99635, #C4AE44, #CEBC63, #D7C983 and #E1D7A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBC63 shade: #CEBC63, #63CE65 and #9063CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBC63 shade: #CEBC63, #63CEBA and #BA63CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBC63 shade: #CEBC63, #63CE65, #6377CE and #CE63CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBC63 shade: #CEBC63, #63CE85, #6377CE and #CE63AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

Complementary color

CMYK 69 / 57 / 0 / 39

HEX #31439C

RGB 49 67 156

HSL 229.91, 0.52%, 0.4%

LAB 31.96, 23.47, -50.73

 

CMYK 0 / 11 / 55 / 17

HEX #D3BC5E

RGB 211 188 94

HSL 48.21, 0.57%, 0.6%

LAB 76.45, -3.48, 49.85

 

CMYK 0 / 10 / 50 / 11

HEX #E4CE71

RGB 228 206 113

HSL 48.52, 0.68%, 0.67%

LAB 82.82, -4.2, 48.65

 

CMYK 0 / 9 / 46 / 4

HEX #F5E084

RGB 245 224 132

HSL 48.85, 0.85%, 0.74%

LAB 89.11, -4.81, 47.45

 

CMYK 0 / 5 / 41 / 0

HEX #FFF297

RGB 255 242 151

HSL 52.5, 1%, 0.8%

LAB 94.74, -8.05, 45.42

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 0 / 10 / 58 / 26

HEX #BDAA50

RGB 189 170 80

HSL 49.54, 0.45%, 0.53%

LAB 69.57, -4.4, 48.06

 

CMYK 0 / 12 / 65 / 33

HEX #AC983D

RGB 172 152 61

HSL 49.19, 0.48%, 0.46%

LAB 62.98, -3.5, 49.14

 

CMYK 0 / 14 / 73 / 39

HEX #9B862A

RGB 155 134 42

HSL 48.85, 0.57%, 0.39%

LAB 56.27, -2.4, 49.9

 

CMYK 0 / 16 / 83 / 46

HEX #8A7417

RGB 138 116 23

HSL 48.52, 0.71%, 0.32%

LAB 49.44, -1.02, 49.93

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 0 / 23 / 52 / 19

HEX #CE9F63

RGB 206 159 99

HSL 33.64, 0.52%, 0.6%

LAB 68.62, 10.28, 37.82

 

CMYK 0 / 37 / 52 / 19

HEX #CE8263

RGB 206 130 99

HSL 17.38, 0.52%, 0.6%

LAB 61.64, 26.04, 28.97

 

CMYK 0 / 50 / 52 / 19

HEX #CE6663

RGB 206 102 99

HSL 1.68, 0.52%, 0.6%

LAB 55.61, 40.82, 21.02

 

CMYK 0 / 52 / 52 / 19

HEX #CE6363

RGB 206 99 99

HSL 0, 0.52%, 0.6%

LAB 55.02, 42.33, 20.22

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 5 / 0 / 52 / 19

HEX #C3CE63

RGB 195 206 99

HSL 66.17, 0.52%, 0.6%

LAB 79.98, -18.8, 51.28

 

CMYK 19 / 0 / 52 / 19

HEX #A6CE63

RGB 166 206 99

HSL 82.43, 0.52%, 0.6%

LAB 77.96, -30.17, 48.41

 

CMYK 33 / 0 / 52 / 19

HEX #8ACE63

RGB 138 206 99

HSL 98.13, 0.52%, 0.6%

LAB 76.34, -40.31, 46.08

 

CMYK 47 / 0 / 52 / 19

HEX #6DCE63

RGB 109 206 99

HSL 114.39, 0.52%, 0.6%

LAB 75.01, -49.49, 44.16

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 0 / 10 / 63 / 13

HEX #DEC753

RGB 222 199 83

HSL 50.07, 0.68%, 0.6%

LAB 80.18, -5.35, 59.33

 

CMYK 0 / 12 / 72 / 6

HEX #EFD242

RGB 239 210 66

HSL 49.94, 0.84%, 0.6%

LAB 84.4, -4.73, 70.91

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 0 / 6 / 39 / 26

HEX #BDB174

RGB 189 177 116

HSL 50.14, 0.36%, 0.6%

LAB 71.91, -4.66, 32.76

 

CMYK 0 / 4 / 24 / 32

HEX #ADA684

RGB 173 166 132

HSL 49.76, 0.2%, 0.6%

LAB 67.89, -3.09, 18.55

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B95

RGB 156 155 149

HSL 51.43, 0.03%, 0.6%

LAB 63.9, -0.76, 3.26

 

CMYK 15 / 13 / 0 / 35

HEX #8C90A5

RGB 140 144 165

HSL 230.4, 0.12%, 0.6%

LAB 60.1, 2.99, -11.54

 

CMYK 0 / 37 / 52 / 19

HEX #CE8263

RGB 206 130 99

HSL 17.38, 0.52%, 0.6%

LAB 61.64, 26.04, 28.97

 

CMYK 0 / 23 / 52 / 19

HEX #CE9E63

RGB 206 158 99

HSL 33.08, 0.52%, 0.6%

LAB 68.37, 10.82, 37.51

 

CMYK 0 / 10 / 52 / 19

HEX #CEBA63

RGB 206 186 99

HSL 48.79, 0.52%, 0.6%

LAB 75.54, -4.1, 46.25

 

CMYK 4 / 0 / 52 / 19

HEX #C5CE63

RGB 197 206 99

HSL 65.05, 0.52%, 0.6%

LAB 80.13, -17.99, 51.5

 

CMYK 18 / 0 / 52 / 19

HEX #A8CE63

RGB 168 206 99

HSL 81.31, 0.52%, 0.6%

LAB 78.09, -29.41, 48.59

 

CMYK 0 / 11 / 69 / 34

HEX #A99635

RGB 169 150 53

HSL 50.17, 0.52%, 0.44%

LAB 62.09, -4.24, 51.62

 

CMYK 0 / 11 / 65 / 23

HEX #C4AE44

RGB 196 174 68

HSL 49.69, 0.52%, 0.52%

LAB 71.16, -4.33, 55.46

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 0 / 7 / 39 / 16

HEX #D7C983

RGB 215 201 131

HSL 50, 0.51%, 0.68%

LAB 80.66, -5.08, 36.74

 

CMYK 0 / 4 / 28 / 12

HEX #E1D7A2

RGB 225 215 162

HSL 50.48, 0.51%, 0.76%

LAB 85.61, -4.65, 27.45

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 52 / 0 / 51 / 19

HEX #63CE65

RGB 99 206 101

HSL 121.12, 0.52%, 0.6%

LAB 74.66, -51.98, 42.68

 

CMYK 30 / 52 / 0 / 19

HEX #9063CE

RGB 144 99 206

HSL 265.23, 0.52%, 0.6%

LAB 51.05, 40.11, -49

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 52 / 0 / 10 / 19

HEX #63CEBA

RGB 99 206 186

HSL 168.79, 0.52%, 0.6%

LAB 76.28, -35.72, 0.53

 

CMYK 10 / 52 / 0 / 19

HEX #BA63CE

RGB 186 99 206

HSL 288.79, 0.52%, 0.6%

LAB 55.91, 51.33, -40.99

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 52 / 0 / 51 / 19

HEX #63CE65

RGB 99 206 101

HSL 121.12, 0.52%, 0.6%

LAB 74.66, -51.98, 42.68

 

CMYK 52 / 42 / 0 / 19

HEX #6377CE

RGB 99 119 206

HSL 228.79, 0.52%, 0.6%

LAB 52.18, 17.18, -47.42

 

CMYK 0 / 52 / 1 / 19

HEX #CE63CC

RGB 206 99 204

HSL 301.12, 0.52%, 0.6%

LAB 58.42, 56.45, -35.72

 

CMYK 0 / 9 / 52 / 19

HEX #CEBC63

RGB 206 188 99

HSL 49.91, 0.52%, 0.6%

LAB 76.06, -5.14, 46.88

 

CMYK 52 / 0 / 35 / 19

HEX #63CE85

RGB 99 206 133

HSL 139.07, 0.52%, 0.6%

LAB 75.13, -46.98, 27.14

 

CMYK 52 / 42 / 0 / 19

HEX #6377CE

RGB 99 119 206

HSL 228.79, 0.52%, 0.6%

LAB 52.18, 17.18, -47.42

 

CMYK 0 / 52 / 17 / 19

HEX #CE63AC

RGB 206 99 172

HSL 319.07, 0.52%, 0.6%

LAB 57.1, 51.19, -19.43

 

Description

Color code: HEX #CEBC63 | qconv.com Color code: HEX #CEBC63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 188 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 188 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 52 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 52% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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