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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB130 it is the complementary color #314ECF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB130 shade: #D3B12B, #E4C33E, #F5D551, #FFE764 and #FFF977

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB130 shade: #CEB130, #BD9F1D, #AC8D0A, #9B7B00 and #8A6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB130 shade: #CEB130, #CE8630, #CE5C30, #CE3130 and #CE3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB130 shade: #CEB130, #C0CE30, #96CE30, #6BCE30 and #41CE30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB130 shade matches the following richer shades: #CEB130, #E3BE1B and #F7CB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB130 shade: #CEB130, #B9A445, #A59759, #908A6E and #7C7D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB130 shade: #CE5A30, #CE8430, #CEAE30, #C4CE30 and #99CE30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB130 shade: #8B7820, #AD9428, #CEB130, #D6BE51 and #DECA73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB130 shade: #CEB130, #30CE30 and #6F30CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB130 shade: #CEB130, #30CEAE and #AE30CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB130 shade: #CEB130, #30CE30, #3050CE and #CE30CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB130 shade: #CEB130, #30CE5F, #3050CE and #CE309F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

Complementary color

CMYK 76 / 62 / 0 / 19

HEX #314ECF

RGB 49 78 207

HSL 228.99, 0.62%, 0.5%

LAB 38.91, 35.03, -69.55

 

CMYK 0 / 16 / 80 / 17

HEX #D3B12B

RGB 211 177 43

HSL 47.86, 0.66%, 0.5%

LAB 73.2, -0.57, 67.34

 

CMYK 0 / 14 / 73 / 11

HEX #E4C33E

RGB 228 195 62

HSL 48.07, 0.75%, 0.57%

LAB 79.54, -1.88, 67.31

 

CMYK 0 / 13 / 67 / 4

HEX #F5D551

RGB 245 213 81

HSL 48.29, 0.89%, 0.64%

LAB 85.8, -3.01, 66.75

 

CMYK 0 / 9 / 61 / 0

HEX #FFE764

RGB 255 231 100

HSL 50.71, 1%, 0.7%

LAB 91.38, -6.82, 65.06

 

CMYK 0 / 2 / 53 / 0

HEX #FFF977

RGB 255 249 119

HSL 57.35, 1%, 0.73%

LAB 96.14, -14.35, 62.12

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 0 / 16 / 85 / 26

HEX #BD9F1D

RGB 189 159 29

HSL 48.75, 0.73%, 0.43%

LAB 66.29, -1.15, 64.6

 

CMYK 0 / 18 / 94 / 33

HEX #AC8D0A

RGB 172 141 10

HSL 48.52, 0.89%, 0.36%

LAB 59.75, 0.53, 62.7

 

CMYK 0 / 21 / 100 / 39

HEX #9B7B00

RGB 155 123 0

HSL 47.61, 1%, 0.3%

LAB 53.1, 2.51, 58.77

 

CMYK 0 / 24 / 100 / 46

HEX #8A6900

RGB 138 105 0

HSL 45.65, 1%, 0.27%

LAB 46.32, 4.74, 53.19

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 0 / 35 / 77 / 19

HEX #CE8630

RGB 206 134 48

HSL 32.66, 0.62%, 0.5%

LAB 61.99, 20.57, 54.94

 

CMYK 0 / 55 / 77 / 19

HEX #CE5C30

RGB 206 92 48

HSL 16.71, 0.62%, 0.5%

LAB 52.94, 42.58, 45.94

 

CMYK 0 / 76 / 77 / 19

HEX #CE3130

RGB 206 49 48

HSL 0.38, 0.62%, 0.5%

LAB 46.35, 60.26, 39.05

 

CMYK 0 / 77 / 77 / 19

HEX #CE3030

RGB 206 48 48

HSL 0, 0.62%, 0.5%

LAB 46.24, 60.57, 38.93

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 7 / 0 / 77 / 19

HEX #C0CE30

RGB 192 206 48

HSL 65.32, 0.62%, 0.5%

LAB 79.36, -23.26, 70.76

 

CMYK 27 / 0 / 77 / 19

HEX #96CE30

RGB 150 206 48

HSL 81.27, 0.62%, 0.5%

LAB 76.58, -40.06, 67.17

 

CMYK 48 / 0 / 77 / 19

HEX #6BCE30

RGB 107 206 48

HSL 97.59, 0.62%, 0.5%

LAB 74.5, -54.75, 64.46

 

CMYK 68 / 0 / 77 / 19

HEX #41CE30

RGB 65 206 48

HSL 113.54, 0.62%, 0.5%

LAB 73.21, -65.07, 62.77

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 0 / 16 / 88 / 11

HEX #E3BE1B

RGB 227 190 27

HSL 48.9, 0.79%, 0.5%

LAB 78.01, -0.83, 76.08

 

CMYK 0 / 18 / 97 / 3

HEX #F7CB07

RGB 247 203 7

HSL 49, 0.94%, 0.5%

LAB 83.18, 0.83, 83.51

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 0 / 11 / 63 / 27

HEX #B9A445

RGB 185 164 69

HSL 49.14, 0.46%, 0.5%

LAB 67.5, -3.73, 50.76

 

CMYK 0 / 8 / 46 / 35

HEX #A59759

RGB 165 151 89

HSL 48.95, 0.3%, 0.5%

LAB 62.38, -3.64, 34.42

 

CMYK 0 / 4 / 24 / 44

HEX #908A6E

RGB 144 138 110

HSL 49.41, 0.13%, 0.5%

LAB 57.3, -2.56, 15.83

 

CMYK 5 / 4 / 0 / 49

HEX #7C7D82

RGB 124 125 130

HSL 230, 0.02%, 0.5%

LAB 52.47, 0.65, -2.85

 

CMYK 0 / 56 / 77 / 19

HEX #CE5A30

RGB 206 90 48

HSL 15.95, 0.62%, 0.5%

LAB 52.56, 43.55, 45.56

 

CMYK 0 / 36 / 77 / 19

HEX #CE8430

RGB 206 132 48

HSL 31.9, 0.62%, 0.5%

LAB 61.51, 21.65, 54.49

 

CMYK 0 / 16 / 77 / 19

HEX #CEAE30

RGB 206 174 48

HSL 47.85, 0.62%, 0.5%

LAB 71.97, -0.99, 64.39

 

CMYK 5 / 0 / 77 / 19

HEX #C4CE30

RGB 196 206 48

HSL 63.8, 0.62%, 0.5%

LAB 79.67, -21.59, 71.14

 

CMYK 26 / 0 / 77 / 19

HEX #99CE30

RGB 153 206 48

HSL 80.13, 0.62%, 0.5%

LAB 76.76, -38.92, 67.4

 

CMYK 0 / 14 / 77 / 45

HEX #8B7820

RGB 139 120 32

HSL 49.35, 0.63%, 0.34%

LAB 50.72, -2.45, 47.94

 

CMYK 0 / 14 / 77 / 32

HEX #AD9428

RGB 173 148 40

HSL 48.72, 0.62%, 0.42%

LAB 61.84, -2.01, 56.64

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 0 / 11 / 62 / 16

HEX #D6BE51

RGB 214 190 81

HSL 49.17, 0.62%, 0.58%

LAB 77.11, -4.2, 56.66

 

CMYK 0 / 9 / 48 / 13

HEX #DECA73

RGB 222 202 115

HSL 48.79, 0.62%, 0.66%

LAB 81.3, -4.4, 45.7

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 77 / 0 / 77 / 19

HEX #30CE30

RGB 48 206 48

HSL 120, 0.62%, 0.5%

LAB 72.88, -67.86, 62.34

 

CMYK 46 / 77 / 0 / 19

HEX #6F30CE

RGB 111 48 206

HSL 263.92, 0.62%, 0.5%

LAB 37.75, 59.39, -70.68

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 77 / 0 / 16 / 19

HEX #30CEAE

RGB 48 206 174

HSL 167.85, 0.62%, 0.5%

LAB 74.72, -47.1, 4.57

 

CMYK 16 / 77 / 0 / 19

HEX #AE30CE

RGB 174 48 206

HSL 287.85, 0.62%, 0.5%

LAB 46.4, 70.13, -56.23

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 77 / 0 / 77 / 19

HEX #30CE30

RGB 48 206 48

HSL 120, 0.62%, 0.5%

LAB 72.88, -67.86, 62.34

 

CMYK 77 / 61 / 0 / 19

HEX #3050CE

RGB 48 80 206

HSL 227.85, 0.62%, 0.5%

LAB 39.28, 33.29, -68.37

 

CMYK 0 / 77 / 0 / 19

HEX #CE30CE

RGB 206 48 206

HSL 300, 0.62%, 0.5%

LAB 51.49, 76.32, -47.8

 

CMYK 0 / 14 / 77 / 19

HEX #CEB130

RGB 206 177 48

HSL 48.99, 0.62%, 0.5%

LAB 72.75, -2.57, 65.12

 

CMYK 77 / 0 / 54 / 19

HEX #30CE5F

RGB 48 206 95

HSL 137.85, 0.62%, 0.5%

LAB 73.28, -62.97, 43.58

 

CMYK 77 / 61 / 0 / 19

HEX #3050CE

RGB 48 80 206

HSL 227.85, 0.62%, 0.5%

LAB 39.28, 33.29, -68.37

 

CMYK 0 / 77 / 23 / 19

HEX #CE309F

RGB 206 48 159

HSL 317.85, 0.62%, 0.5%

LAB 49.18, 69.66, -23.97

 

Description

Color code: HEX #CEB130 | qconv.com Color code: HEX #CEB130 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 177 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 177 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 77% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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