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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB96D it is the complementary color #314692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB96D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB96D shade: #D3B968, #E4CB7B, #F5DD8E, #FFEFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB96D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB96D shade: #CEB96D, #BDA75A, #AC9547, #9B8334 and #8A7121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB96D shade: #CEB96D, #CE9F6D, #CE856D and #CE6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB96D shade: #CEB96D, #C9CE6D, #AFCE6D, #95CE6D and #7BCE6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB96D shade matches the following richer shades: #CEB96D, #DEC25D, #EDCB4E and #FDD43E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB96D shade: #CEB96D, #BEB07D, #AFA78D, #9F9E9C and #8F96AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB96D shade: #CE856D, #CE9F6D, #CEB96D, #C9CE6D and #AFCE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB96D shade: #AF953A, #C4AA4E, #CEB96D, #D8C88C and #E3D7AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB96D shade: #CEB96D, #6FCE6D and #926DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB96D shade: #CEB96D, #6DCEB9 and #B96DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB96D shade: #CEB96D, #6FCE6D, #6D82CE and #CC6DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB96D shade: #CEB96D, #6DCE89, #6D82CE and #CE6DB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

Complementary color

CMYK 66 / 52 / 0 / 43

HEX #314692

RGB 49 70 146

HSL 227.01, 0.5%, 0.38%

LAB 32.05, 17.74, -44.5

 

CMYK 0 / 12 / 51 / 17

HEX #D3B968

RGB 211 185 104

HSL 45.42, 0.55%, 0.62%

LAB 75.79, -1.07, 44.19

 

CMYK 0 / 11 / 46 / 11

HEX #E4CB7B

RGB 228 203 123

HSL 45.71, 0.66%, 0.69%

LAB 82.18, -1.74, 42.95

 

CMYK 0 / 10 / 42 / 4

HEX #F5DD8E

RGB 245 221 142

HSL 46.02, 0.84%, 0.76%

LAB 88.49, -2.31, 41.73

 

CMYK 0 / 6 / 37 / 0

HEX #FFEFA1

RGB 255 239 161

HSL 49.79, 1%, 0.82%

LAB 94.13, -5.49, 39.7

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 0 / 12 / 52 / 26

HEX #BDA75A

RGB 189 167 90

HSL 46.67, 0.43%, 0.55%

LAB 68.89, -1.98, 42.37

 

CMYK 0 / 13 / 59 / 33

HEX #AC9547

RGB 172 149 71

HSL 46.34, 0.42%, 0.48%

LAB 62.27, -1.16, 43.62

 

CMYK 0 / 15 / 66 / 39

HEX #9B8334

RGB 155 131 52

HSL 46.02, 0.5%, 0.41%

LAB 55.53, -0.16, 44.76

 

CMYK 0 / 18 / 76 / 46

HEX #8A7121

RGB 138 113 33

HSL 45.71, 0.61%, 0.34%

LAB 48.66, 1.1, 45.54

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 0 / 23 / 47 / 19

HEX #CE9F6D

RGB 206 159 109

HSL 30.93, 0.5%, 0.62%

LAB 68.77, 11.22, 32.73

 

CMYK 0 / 35 / 47 / 19

HEX #CE856D

RGB 206 133 109

HSL 14.85, 0.5%, 0.62%

LAB 62.51, 25.37, 24.54

 

CMYK 0 / 47 / 47 / 19

HEX #CE6D6D

RGB 206 109 109

HSL 0, 0.5%, 0.62%

LAB 57.23, 38.16, 17.42

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 2 / 0 / 47 / 19

HEX #C9CE6D

RGB 201 206 109

HSL 63.09, 0.5%, 0.62%

LAB 80.55, -15.47, 47.32

 

CMYK 15 / 0 / 47 / 19

HEX #AFCE6D

RGB 175 206 109

HSL 79.18, 0.5%, 0.62%

LAB 78.67, -25.69, 44.6

 

CMYK 28 / 0 / 47 / 19

HEX #95CE6D

RGB 149 206 109

HSL 95.26, 0.5%, 0.62%

LAB 77.06, -35.31, 42.26

 

CMYK 40 / 0 / 47 / 19

HEX #7BCE6D

RGB 123 206 109

HSL 111.34, 0.5%, 0.62%

LAB 75.74, -43.99, 40.32

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 0 / 13 / 58 / 13

HEX #DEC25D

RGB 222 194 93

HSL 46.98, 0.66%, 0.62%

LAB 78.99, -2.08, 53.51

 

CMYK 0 / 14 / 67 / 7

HEX #EDCB4E

RGB 237 203 78

HSL 47.17, 0.82%, 0.62%

LAB 82.52, -1.4, 64.34

 

CMYK 0 / 16 / 75 / 1

HEX #FDD43E

RGB 253 212 62

HSL 47.12, 0.98%, 0.62%

LAB 86.16, -0.03, 74.43

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 0 / 7 / 34 / 25

HEX #BEB07D

RGB 190 176 125

HSL 47.08, 0.33%, 0.62%

LAB 71.88, -2.65, 27.98

 

CMYK 0 / 5 / 19 / 31

HEX #AFA78D

RGB 175 167 141

HSL 45.88, 0.18%, 0.62%

LAB 68.51, -1.5, 14.5

 

CMYK 0 / 1 / 2 / 38

HEX #9F9E9C

RGB 159 158 156

HSL 40, 0.02%, 0.62%

LAB 65.14, -0.01, 1.16

 

CMYK 17 / 13 / 0 / 33

HEX #8F96AC

RGB 143 150 172

HSL 225.52, 0.15%, 0.62%

LAB 62.19, 2.17, -12.34

 

CMYK 0 / 35 / 47 / 19

HEX #CE856D

RGB 206 133 109

HSL 14.85, 0.5%, 0.62%

LAB 62.51, 25.37, 24.54

 

CMYK 0 / 23 / 47 / 19

HEX #CE9F6D

RGB 206 159 109

HSL 30.93, 0.5%, 0.62%

LAB 68.77, 11.22, 32.73

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 2 / 0 / 47 / 19

HEX #C9CE6D

RGB 201 206 109

HSL 63.09, 0.5%, 0.62%

LAB 80.55, -15.47, 47.32

 

CMYK 15 / 0 / 47 / 19

HEX #AFCE6D

RGB 175 206 109

HSL 79.18, 0.5%, 0.62%

LAB 78.67, -25.69, 44.6

 

CMYK 0 / 15 / 67 / 31

HEX #AF953A

RGB 175 149 58

HSL 46.67, 0.5%, 0.46%

LAB 62.44, -0.74, 49.99

 

CMYK 0 / 13 / 60 / 23

HEX #C4AA4E

RGB 196 170 78

HSL 46.78, 0.5%, 0.54%

LAB 70.2, -1.56, 49.89

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 0 / 7 / 35 / 15

HEX #D8C88C

RGB 216 200 140

HSL 47.37, 0.49%, 0.7%

LAB 80.63, -3.14, 32.07

 

CMYK 0 / 5 / 25 / 11

HEX #E3D7AB

RGB 227 215 171

HSL 47.14, 0.5%, 0.78%

LAB 85.94, -2.7, 23.24

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 46 / 0 / 47 / 19

HEX #6FCE6D

RGB 111 206 109

HSL 118.76, 0.5%, 0.62%

LAB 75.22, -47.58, 39.56

 

CMYK 29 / 47 / 0 / 19

HEX #926DCE

RGB 146 109 206

HSL 262.89, 0.5%, 0.62%

LAB 53.5, 34.96, -45.09

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 47 / 0 / 10 / 19

HEX #6DCEB9

RGB 109 206 185

HSL 167.01, 0.5%, 0.62%

LAB 76.62, -33.68, 1.6

 

CMYK 10 / 47 / 0 / 19

HEX #B96DCE

RGB 185 109 206

HSL 287.01, 0.5%, 0.62%

LAB 57.76, 45.89, -38.09

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 46 / 0 / 47 / 19

HEX #6FCE6D

RGB 111 206 109

HSL 118.76, 0.5%, 0.62%

LAB 75.22, -47.58, 39.56

 

CMYK 47 / 37 / 0 / 19

HEX #6D82CE

RGB 109 130 206

HSL 227.01, 0.5%, 0.62%

LAB 55.76, 12.88, -41.71

 

CMYK 1 / 47 / 0 / 19

HEX #CC6DCE

RGB 204 109 206

HSL 298.76, 0.5%, 0.62%

LAB 60.1, 51.35, -34.26

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 47 / 0 / 33 / 19

HEX #6DCE89

RGB 109 206 137

HSL 137.32, 0.5%, 0.62%

LAB 75.58, -43.68, 25.71

 

CMYK 47 / 37 / 0 / 19

HEX #6D82CE

RGB 109 130 206

HSL 227.01, 0.5%, 0.62%

LAB 55.76, 12.88, -41.71

 

CMYK 0 / 47 / 13 / 19

HEX #CE6DB3

RGB 206 109 179

HSL 316.7, 0.5%, 0.62%

LAB 59.26, 47.32, -20.15

 

Description

Color code: HEX #CEB96D | qconv.com Color code: HEX #CEB96D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 185 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 185 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 47 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 47% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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