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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEACAE it is the complementary color #315351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEACAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEACAE shade: #D3ACA9, #E4BEBC, #F5D0CF, #FFE2E2 and #FFF4F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEACAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEACAE shade: #CEACAE, #BD9A9B, #AC8888, #9B7675 and #8A6462

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEACAE shade: #CDABAD and #CDABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEACAE shade: #CDABAD, #CDABB6, #CDABC0, #CDABC9 and #C9ABCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEACAE shade matches the following richer shades: #CDABAD, #D8A0A4, #E3969A, #EE8B91 and #F88087

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEACAE shade: #CDABAD, #C3B6B6, #B8C0C0, #ADCBC9 and #A3D6D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEACAE shade: #CDABC0, #CDABB6, #CDABAD, #CDB2AB and #CDBBAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEACAE shade: #AF777A, #BE9194, #CDABAD, #DDC5C6 and #ECDFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEACAE shade: #CEACAE, #C9CDAB and #ABBBCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEACAE shade: #CEACAE, #ADCDAB and #ABADCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEACAE shade: #CEACAE, #C9CDAB, #ABCDCB and #B0ABCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEACAE shade: #CEACAE, #BECDAB, #ABCDCB and #BAABCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 16 / 19

HEX #CEACAE

RGB 206 172 174

HSL 356.47, 0.26%, 0.74%

LAB 73.34, 12.66, 3.59

 

Complementary color

CMYK 41 / 0 / 2 / 67

HEX #315351

RGB 49 83 81

HSL 176.47, 0.26%, 0.26%

LAB 32.77, -12.88, -2.74

 

CMYK 0 / 18 / 20 / 17

HEX #D3ACA9

RGB 211 172 169

HSL 4.29, 0.32%, 0.75%

LAB 73.69, 13.73, 6.9

 

CMYK 0 / 17 / 18 / 11

HEX #E4BEBC

RGB 228 190 188

HSL 3, 0.43%, 0.82%

LAB 80.15, 13.24, 6.08

 

CMYK 0 / 15 / 16 / 4

HEX #F5D0CF

RGB 245 208 207

HSL 1.58, 0.66%, 0.89%

LAB 86.52, 12.79, 5.31

 

CMYK 0 / 11 / 11 / 0

HEX #FFE2E2

RGB 255 226 226

HSL 0, 1%, 0.94%

LAB 92.2, 9.94, 3.64

 

CMYK 0 / 4 / 4 / 0

HEX #FFF4F5

RGB 255 244 245

HSL 354.55, 1%, 0.98%

LAB 97.05, 3.85, 0.82

 

CMYK 0 / 17 / 16 / 19

HEX #CEACAE

RGB 206 172 174

HSL 356.47, 0.26%, 0.74%

LAB 73.34, 12.66, 3.59

 

CMYK 0 / 19 / 18 / 26

HEX #BD9A9B

RGB 189 154 155

HSL 358.29, 0.21%, 0.67%

LAB 66.75, 13.15, 4.38

 

CMYK 0 / 21 / 21 / 33

HEX #AC8888

RGB 172 136 136

HSL 0, 0.18%, 0.6%

LAB 60.03, 13.7, 5.23

 

CMYK 0 / 24 / 25 / 39

HEX #9B7675

RGB 155 118 117

HSL 1.58, 0.16%, 0.53%

LAB 53.18, 14.33, 6.15

 

CMYK 0 / 28 / 29 / 46

HEX #8A6462

RGB 138 100 98

HSL 3, 0.17%, 0.46%

LAB 46.18, 15.05, 7.18

 

CMYK 0 / 17 / 16 / 20

HEX #CDABAD

RGB 205 171 173

HSL 356.47, 0.25%, 0.74%

LAB 72.97, 12.68, 3.6

 

CMYK 0 / 17 / 17 / 20

HEX #CDABAB

RGB 205 171 171

HSL 0, 0.25%, 0.74%

LAB 72.92, 12.36, 4.62

 

CMYK 0 / 17 / 16 / 20

HEX #CDABAD

RGB 205 171 173

HSL 356.47, 0.25%, 0.74%

LAB 72.97, 12.68, 3.6

 

CMYK 0 / 17 / 11 / 20

HEX #CDABB6

RGB 205 171 182

HSL 340.59, 0.25%, 0.74%

LAB 73.21, 14.16, -1

 

CMYK 0 / 17 / 6 / 20

HEX #CDABC0

RGB 205 171 192

HSL 322.94, 0.25%, 0.74%

LAB 73.49, 15.89, -6.08

 

CMYK 0 / 17 / 2 / 20

HEX #CDABC9

RGB 205 171 201

HSL 307.06, 0.25%, 0.74%

LAB 73.75, 17.52, -10.62

 

CMYK 2 / 17 / 0 / 20

HEX #C9ABCD

RGB 201 171 205

HSL 292.94, 0.25%, 0.74%

LAB 73.51, 16.9, -13.21

 

CMYK 0 / 17 / 16 / 20

HEX #CDABAD

RGB 205 171 173

HSL 356.47, 0.25%, 0.74%

LAB 72.97, 12.68, 3.6

 

CMYK 0 / 26 / 24 / 15

HEX #D8A0A4

RGB 216 160 164

HSL 355.71, 0.42%, 0.74%

LAB 71.16, 21.35, 6.09

 

CMYK 0 / 34 / 32 / 11

HEX #E3969A

RGB 227 150 154

HSL 356.88, 0.58%, 0.74%

LAB 69.81, 29.46, 9.86

 

CMYK 0 / 42 / 39 / 7

HEX #EE8B91

RGB 238 139 145

HSL 356.36, 0.74%, 0.74%

LAB 68.52, 38.23, 13.26

 

CMYK 0 / 48 / 46 / 3

HEX #F88087

RGB 248 128 135

HSL 356.5, 0.9%, 0.74%

LAB 67.38, 46.36, 17.48

 

CMYK 0 / 17 / 16 / 20

HEX #CDABAD

RGB 205 171 173

HSL 356.47, 0.25%, 0.74%

LAB 72.97, 12.68, 3.6

 

CMYK 0 / 7 / 7 / 24

HEX #C3B6B6

RGB 195 182 182

HSL 0, 0.1%, 0.74%

LAB 75.1, 4.61, 1.65

 

CMYK 4 / 0 / 0 / 25

HEX #B8C0C0

RGB 184 192 192

HSL 180, 0.06%, 0.74%

LAB 77.1, -2.75, -0.97

 

CMYK 15 / 0 / 1 / 20

HEX #ADCBC9

RGB 173 203 201

HSL 176, 0.22%, 0.74%

LAB 79.51, -10.39, -2.38

 

CMYK 24 / 0 / 1 / 16

HEX #A3D6D3

RGB 163 214 211

HSL 176.47, 0.38%, 0.74%

LAB 82.15, -17.02, -3.91

 

CMYK 0 / 17 / 6 / 20

HEX #CDABC0

RGB 205 171 192

HSL 322.94, 0.25%, 0.74%

LAB 73.49, 15.89, -6.08

 

CMYK 0 / 17 / 11 / 20

HEX #CDABB6

RGB 205 171 182

HSL 340.59, 0.25%, 0.74%

LAB 73.21, 14.16, -1

 

CMYK 0 / 17 / 16 / 20

HEX #CDABAD

RGB 205 171 173

HSL 356.47, 0.25%, 0.74%

LAB 72.97, 12.68, 3.6

 

CMYK 0 / 13 / 17 / 20

HEX #CDB2AB

RGB 205 178 171

HSL 12.35, 0.25%, 0.74%

LAB 74.67, 8.57, 7.15

 

CMYK 0 / 9 / 17 / 20

HEX #CDBBAB

RGB 205 187 171

HSL 28.24, 0.25%, 0.74%

LAB 76.96, 3.75, 10.41

 

CMYK 0 / 32 / 30 / 31

HEX #AF777A

RGB 175 119 122

HSL 356.79, 0.26%, 0.58%

LAB 55.8, 22.38, 7.28

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 0 / 17 / 16 / 20

HEX #CDABAD

RGB 205 171 173

HSL 356.47, 0.25%, 0.74%

LAB 72.97, 12.68, 3.6

 

CMYK 0 / 11 / 10 / 13

HEX #DDC5C6

RGB 221 197 198

HSL 357.5, 0.26%, 0.82%

LAB 81.5, 8.6, 2.58

 

CMYK 0 / 6 / 5 / 7

HEX #ECDFE0

RGB 236 223 224

HSL 355.38, 0.25%, 0.9%

LAB 89.85, 4.6, 1.09

 

CMYK 0 / 17 / 16 / 19

HEX #CEACAE

RGB 206 172 174

HSL 356.47, 0.26%, 0.74%

LAB 73.34, 12.66, 3.59

 

CMYK 2 / 0 / 17 / 20

HEX #C9CDAB

RGB 201 205 171

HSL 67.06, 0.25%, 0.74%

LAB 81.3, -7.17, 16.49

 

CMYK 17 / 9 / 0 / 20

HEX #ABBBCD

RGB 171 187 205

HSL 211.76, 0.25%, 0.74%

LAB 75.21, -1.75, -10.92

 

CMYK 0 / 17 / 16 / 19

HEX #CEACAE

RGB 206 172 174

HSL 356.47, 0.26%, 0.74%

LAB 73.34, 12.66, 3.59

 

CMYK 16 / 0 / 17 / 20

HEX #ADCDAB

RGB 173 205 171

HSL 116.47, 0.25%, 0.74%

LAB 79.32, -17.12, 13.42

 

CMYK 17 / 16 / 0 / 20

HEX #ABADCD

RGB 171 173 205

HSL 236.47, 0.25%, 0.74%

LAB 71.52, 5.86, -16.45

 

CMYK 0 / 17 / 16 / 19

HEX #CEACAE

RGB 206 172 174

HSL 356.47, 0.26%, 0.74%

LAB 73.34, 12.66, 3.59

 

CMYK 2 / 0 / 17 / 20

HEX #C9CDAB

RGB 201 205 171

HSL 67.06, 0.25%, 0.74%

LAB 81.3, -7.17, 16.49

 

CMYK 17 / 0 / 1 / 20

HEX #ABCDCB

RGB 171 205 203

HSL 176.47, 0.25%, 0.74%

LAB 79.97, -11.65, -2.78

 

CMYK 14 / 17 / 0 / 20

HEX #B0ABCD

RGB 176 171 205

HSL 248.82, 0.25%, 0.74%

LAB 71.39, 8.58, -16.61

 

CMYK 0 / 17 / 16 / 19

HEX #CEACAE

RGB 206 172 174

HSL 356.47, 0.26%, 0.74%

LAB 73.34, 12.66, 3.59

 

CMYK 7 / 0 / 17 / 20

HEX #BECDAB

RGB 190 205 171

HSL 86.47, 0.25%, 0.74%

LAB 80.49, -11.15, 15.23

 

CMYK 17 / 0 / 1 / 20

HEX #ABCDCB

RGB 171 205 203

HSL 176.47, 0.25%, 0.74%

LAB 79.97, -11.65, -2.78

 

CMYK 9 / 17 / 0 / 20

HEX #BAABCD

RGB 186 171 205

HSL 266.47, 0.25%, 0.74%

LAB 72.21, 11.87, -15.3

 

Description

Color code: HEX #CEACAE | qconv.com Color code: HEX #CEACAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 172 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 172 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 16 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 16% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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