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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA3EA it is the complementary color #315C15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA3EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA3EA shade: #D3A3E5, #E4B5F8, #F5C7FF, #FFD9FF and #FFEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA3EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA3EA shade: #CEA3EA, #BD91D7, #AC7FC4, #9B6DB1 and #8A5B9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA3EA shade: #CEA3EA, #E1A3EA, #EAA3DF, #EAA3CC and #EAA3B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA3EA shade: #CEA3EA, #BBA3EA, #A8A3EA and #A3A3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA3EA shade matches the following richer shades: #CEA3EA, #D09AF3 and #D291FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA3EA shade: #CEA3EA, #CCACE1, #CAB5D8, #C8BECF and #C6C7C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA3EA shade: #A8A3EA, #BBA3EA, #CDA3EA, #E0A3EA and #EAA3E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA3EA shade: #AA60DA, #BC81E2, #CEA3EA, #E0C5F1 and #F2E6F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA3EA shade: #CEA3EA, #EAA3B1 and #A3EAB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA3EA shade: #CEA3EA, #EACDA3 and #A3EACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA3EA shade: #CEA3EA, #EAA3B1, #BFEAA3 and #A3EADC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA3EA shade: #CEA3EA, #EAAAA3, #BFEAA3 and #A3E3EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

Complementary color

CMYK 47 / 0 / 77 / 64

HEX #315C15

RGB 49 92 21

HSL 96.34, 0.63%, 0.22%

LAB 34.72, -28.47, 34.27

 

CMYK 8 / 29 / 0 / 10

HEX #D3A3E5

RGB 211 163 229

HSL 283.64, 0.56%, 0.77%

LAB 73.35, 29.25, -26.49

 

CMYK 8 / 27 / 0 / 3

HEX #E4B5F8

RGB 228 181 248

HSL 282.09, 0.83%, 0.84%

LAB 79.8, 28.65, -26.77

 

CMYK 4 / 22 / 0 / 0

HEX #F5C7FF

RGB 245 199 255

HSL 289.29, 1%, 0.89%

LAB 85.75, 25.79, -21.3

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 12 / 33 / 0 / 16

HEX #BD91D7

RGB 189 145 215

HSL 277.71, 0.47%, 0.71%

LAB 66.5, 29.35, -29.5

 

CMYK 12 / 35 / 0 / 23

HEX #AC7FC4

RGB 172 127 196

HSL 279.13, 0.37%, 0.63%

LAB 59.83, 30.04, -29.3

 

CMYK 12 / 38 / 0 / 31

HEX #9B6DB1

RGB 155 109 177

HSL 280.59, 0.3%, 0.56%

LAB 53.04, 30.79, -29.11

 

CMYK 13 / 42 / 0 / 38

HEX #8A5B9E

RGB 138 91 158

HSL 282.09, 0.27%, 0.49%

LAB 46.12, 31.6, -28.9

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 4 / 30 / 0 / 8

HEX #E1A3EA

RGB 225 163 234

HSL 292.39, 0.63%, 0.78%

LAB 74.91, 34.65, -26.7

 

CMYK 0 / 30 / 5 / 8

HEX #EAA3DF

RGB 234 163 223

HSL 309.3, 0.63%, 0.78%

LAB 75.46, 35.52, -19.79

 

CMYK 0 / 30 / 13 / 8

HEX #EAA3CC

RGB 234 163 204

HSL 325.35, 0.63%, 0.78%

LAB 74.85, 32.31, -10.32

 

CMYK 0 / 30 / 21 / 8

HEX #EAA3B9

RGB 234 163 185

HSL 341.41, 0.63%, 0.78%

LAB 74.31, 29.36, -0.69

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 20 / 30 / 0 / 8

HEX #BBA3EA

RGB 187 163 234

HSL 260.28, 0.63%, 0.78%

LAB 71.35, 22.88, -32.48

 

CMYK 28 / 30 / 0 / 8

HEX #A8A3EA

RGB 168 163 234

HSL 244.23, 0.63%, 0.78%

LAB 69.8, 17.26, -35.02

 

CMYK 30 / 30 / 0 / 8

HEX #A3A3EA

RGB 163 163 234

HSL 240, 0.63%, 0.78%

LAB 69.41, 15.83, -35.64

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 14 / 37 / 0 / 5

HEX #D09AF3

RGB 208 154 243

HSL 276.4, 0.79%, 0.78%

LAB 71.55, 36.1, -36.93

 

CMYK 17 / 42 / 0 / 1

HEX #D291FC

RGB 210 145 252

HSL 276.45, 0.95%, 0.78%

LAB 70.16, 43.43, -43.98

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 9 / 24 / 0 / 12

HEX #CCACE1

RGB 204 172 225

HSL 276.23, 0.47%, 0.78%

LAB 74.69, 21.29, -22.33

 

CMYK 6 / 16 / 0 / 15

HEX #CAB5D8

RGB 202 181 216

HSL 276, 0.31%, 0.78%

LAB 76.41, 13.92, -14.84

 

CMYK 3 / 8 / 0 / 19

HEX #C8BECF

RGB 200 190 207

HSL 275.29, 0.15%, 0.78%

LAB 78.23, 6.64, -7.27

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C5

RGB 198 199 197

HSL 90, 0.02%, 0.78%

LAB 80.11, -0.71, 0.87

HEX #C6C7C5

CMYK 28 / 30 / 0 / 8

HEX #A8A3EA

RGB 168 163 234

HSL 244.23, 0.63%, 0.78%

LAB 69.8, 17.26, -35.02

 

CMYK 20 / 30 / 0 / 8

HEX #BBA3EA

RGB 187 163 234

HSL 260.28, 0.63%, 0.78%

LAB 71.35, 22.88, -32.48

 

CMYK 12 / 30 / 0 / 8

HEX #CDA3EA

RGB 205 163 234

HSL 275.49, 0.63%, 0.78%

LAB 72.97, 28.39, -29.86

 

CMYK 4 / 30 / 0 / 8

HEX #E0A3EA

RGB 224 163 234

HSL 291.55, 0.63%, 0.78%

LAB 74.81, 34.33, -26.86

 

CMYK 0 / 30 / 4 / 8

HEX #EAA3E0

RGB 234 163 224

HSL 308.45, 0.63%, 0.78%

LAB 75.49, 35.7, -20.29

 

CMYK 22 / 56 / 0 / 15

HEX #AA60DA

RGB 170 96 218

HSL 276.39, 0.62%, 0.62%

LAB 54, 51.17, -50.94

 

CMYK 17 / 43 / 0 / 11

HEX #BC81E2

RGB 188 129 226

HSL 276.49, 0.63%, 0.7%

LAB 63.25, 40.22, -40.68

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 7 / 18 / 0 / 5

HEX #E0C5F1

RGB 224 197 241

HSL 276.82, 0.61%, 0.86%

LAB 82.98, 17.42, -18.21

 

CMYK 3 / 8 / 0 / 2

HEX #F2E6F9

RGB 242 230 249

HSL 277.89, 0.61%, 0.94%

LAB 92.71, 7.43, -7.74

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 0 / 30 / 24 / 8

HEX #EAA3B1

RGB 234 163 177

HSL 348.17, 0.63%, 0.78%

LAB 74.1, 28.2, 3.4

 

CMYK 30 / 0 / 24 / 8

HEX #A3EAB1

RGB 163 234 177

HSL 131.83, 0.63%, 0.78%

LAB 86.9, -33.39, 20.78

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 0 / 12 / 30 / 8

HEX #EACDA3

RGB 234 205 163

HSL 35.49, 0.63%, 0.78%

LAB 83.86, 4.07, 24.67

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACD

RGB 163 234 205

HSL 155.49, 0.63%, 0.78%

LAB 87.5, -28.11, 7.05

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 0 / 30 / 24 / 8

HEX #EAA3B1

RGB 234 163 177

HSL 348.17, 0.63%, 0.78%

LAB 74.1, 28.2, 3.4

 

CMYK 18 / 0 / 30 / 8

HEX #BFEAA3

RGB 191 234 163

HSL 96.34, 0.63%, 0.78%

LAB 88.24, -26.39, 30.06

 

CMYK 30 / 0 / 6 / 8

HEX #A3EADC

RGB 163 234 220

HSL 168.17, 0.63%, 0.78%

LAB 87.87, -24.98, -0.28

 

CMYK 12 / 30 / 0 / 8

HEX #CEA3EA

RGB 206 163 234

HSL 276.34, 0.63%, 0.78%

LAB 73.06, 28.7, -29.7

 

CMYK 0 / 27 / 30 / 8

HEX #EAAAA3

RGB 234 170 163

HSL 5.92, 0.63%, 0.78%

LAB 75.38, 22.57, 12.9

 

CMYK 18 / 0 / 30 / 8

HEX #BFEAA3

RGB 191 234 163

HSL 96.34, 0.63%, 0.78%

LAB 88.24, -26.39, 30.06

 

CMYK 30 / 3 / 0 / 8

HEX #A3E3EA

RGB 163 227 234

HSL 185.92, 0.63%, 0.78%

LAB 86.34, -18.42, -9.9

 

Description

Color code: HEX #CEA3EA | qconv.com Color code: HEX #CEA3EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 163 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 163 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 30 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 30% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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