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Color name
HEX #CEA53C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA53C it is the complementary color #315AC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA53C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA53C shade: #D3A537, #E4B74A, #F5C95D, #FFDB70 and #FFED83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA53C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA53C shade: #CEA53C, #BD9329, #AC8116, #9B6F03 and #8A5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA53C shade: #CEA43B, #CE7D3B, #CE553B and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA53C shade: #CEA43B, #CECC3B, #A8CE3B, #80CE3B and #58CE3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA53C shade matches the following richer shades: #CEA43B, #E1AD27 and #F5B613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA53C shade: #CEA43B, #BA9C4E, #A69362, #928A76 and #7E828A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA53C shade: #CE563B, #CE7D3B, #CEA43B, #CECB3B and #A9CE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA53C shade: #927324, #B38D2C, #CEA43B, #D6B35C and #DEC37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA53C shade: #CEA53C, #47CE3B and #693BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA53C shade: #CEA53C, #3BCEA4 and #A43BCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA53C shade: #CEA53C, #47CE3B, #3B64CE and #C13BCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA53C shade: #CEA53C, #3BCE5A, #3B64CE and #CE3BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 71 / 19

HEX #CEA53C

RGB 206 165 60

HSL 43.15, 0.6%, 0.52%

LAB 69.72, 4.33, 57.65

 

Complementary color

CMYK 75 / 54 / 0 / 24

HEX #315AC3

RGB 49 90 195

HSL 223.15, 0.6%, 0.48%

LAB 41.07, 22.86, -59.09

 

CMYK 0 / 22 / 74 / 17

HEX #D3A537

RGB 211 165 55

HSL 42.31, 0.64%, 0.52%

LAB 70.2, 6.26, 60.31

 

CMYK 0 / 20 / 68 / 11

HEX #E4B74A

RGB 228 183 74

HSL 42.47, 0.74%, 0.59%

LAB 76.59, 4.97, 59.54

 

CMYK 0 / 18 / 62 / 4

HEX #F5C95D

RGB 245 201 93

HSL 42.63, 0.88%, 0.66%

LAB 82.9, 3.85, 58.5

 

CMYK 0 / 14 / 56 / 0

HEX #FFDB70

RGB 255 219 112

HSL 44.9, 1%, 0.72%

LAB 88.49, 0.05, 56.44

 

CMYK 0 / 7 / 49 / 0

HEX #FFED83

RGB 255 237 131

HSL 51.29, 1%, 0.76%

LAB 93.22, -7.46, 53.16

 

CMYK 0 / 20 / 71 / 19

HEX #CEA53C

RGB 206 165 60

HSL 43.15, 0.6%, 0.52%

LAB 69.72, 4.33, 57.65

 

CMYK 0 / 22 / 78 / 26

HEX #BD9329

RGB 189 147 41

HSL 42.97, 0.64%, 0.45%

LAB 63.22, 5.74, 58.14

 

CMYK 0 / 25 / 87 / 33

HEX #AC8116

RGB 172 129 22

HSL 42.8, 0.77%, 0.38%

LAB 56.61, 7.4, 57.75

 

CMYK 0 / 28 / 98 / 39

HEX #9B6F03

RGB 155 111 3

HSL 42.63, 0.96%, 0.31%

LAB 49.91, 9.37, 55.94

 

CMYK 0 / 33 / 100 / 46

HEX #8A5D00

RGB 138 93 0

HSL 40.43, 1%, 0.27%

LAB 43.11, 11.73, 51.01

 

CMYK 0 / 20 / 71 / 19

HEX #CEA43B

RGB 206 164 59

HSL 42.86, 0.6%, 0.52%

LAB 69.46, 4.82, 57.8

 

CMYK 0 / 39 / 71 / 19

HEX #CE7D3B

RGB 206 125 59

HSL 26.94, 0.6%, 0.52%

LAB 59.98, 25.94, 47.97

 

CMYK 0 / 59 / 71 / 19

HEX #CE553B

RGB 206 85 59

HSL 10.61, 0.6%, 0.52%

LAB 51.76, 46.42, 38.95

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 20 / 71 / 19

HEX #CEA43B

RGB 206 164 59

HSL 42.86, 0.6%, 0.52%

LAB 69.46, 4.82, 57.8

 

CMYK 0 / 1 / 71 / 19

HEX #CECC3B

RGB 206 204 59

HSL 59.18, 0.6%, 0.52%

LAB 79.97, -15.93, 68.14

 

CMYK 18 / 0 / 71 / 19

HEX #A8CE3B

RGB 168 206 59

HSL 75.51, 0.6%, 0.52%

LAB 77.75, -32.51, 65.03

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 57 / 0 / 71 / 19

HEX #58CE3B

RGB 88 206 59

HSL 108.16, 0.6%, 0.52%

LAB 73.89, -59.24, 59.89

 

CMYK 0 / 20 / 71 / 19

HEX #CEA43B

RGB 206 164 59

HSL 42.86, 0.6%, 0.52%

LAB 69.46, 4.82, 57.8

 

CMYK 0 / 23 / 83 / 12

HEX #E1AD27

RGB 225 173 39

HSL 43.23, 0.76%, 0.52%

LAB 73.57, 7.5, 69.42

 

CMYK 0 / 26 / 92 / 4

HEX #F5B613

RGB 245 182 19

HSL 43.27, 0.92%, 0.52%

LAB 77.83, 10.98, 78.15

 

CMYK 0 / 20 / 71 / 19

HEX #CEA43B

RGB 206 164 59

HSL 42.86, 0.6%, 0.52%

LAB 69.46, 4.82, 57.8

 

CMYK 0 / 16 / 58 / 27

HEX #BA9C4E

RGB 186 156 78

HSL 43.33, 0.44%, 0.52%

LAB 65.57, 1.66, 44.34

 

CMYK 0 / 11 / 41 / 35

HEX #A69362

RGB 166 147 98

HSL 43.24, 0.28%, 0.52%

LAB 61.53, -0.05, 28.52

 

CMYK 0 / 5 / 19 / 43

HEX #928A76

RGB 146 138 118

HSL 42.86, 0.11%, 0.52%

LAB 57.65, -0.5, 11.79

 

CMYK 9 / 6 / 0 / 46

HEX #7E828A

RGB 126 130 138

HSL 220, 0.05%, 0.52%

LAB 54.28, 0.19, -4.83

 

CMYK 0 / 58 / 71 / 19

HEX #CE563B

RGB 206 86 59

HSL 11.02, 0.6%, 0.52%

LAB 51.94, 45.95, 39.15

 

CMYK 0 / 39 / 71 / 19

HEX #CE7D3B

RGB 206 125 59

HSL 26.94, 0.6%, 0.52%

LAB 59.98, 25.94, 47.97

 

CMYK 0 / 20 / 71 / 19

HEX #CEA43B

RGB 206 164 59

HSL 42.86, 0.6%, 0.52%

LAB 69.46, 4.82, 57.8

 

CMYK 0 / 1 / 71 / 19

HEX #CECB3B

RGB 206 203 59

HSL 58.78, 0.6%, 0.52%

LAB 79.7, -15.43, 67.88

 

CMYK 18 / 0 / 71 / 19

HEX #A9CE3B

RGB 169 206 59

HSL 75.1, 0.6%, 0.52%

LAB 77.81, -32.11, 65.12

 

CMYK 0 / 21 / 75 / 43

HEX #927324

RGB 146 115 36

HSL 43.09, 0.6%, 0.36%

LAB 50.1, 3.84, 45.98

 

CMYK 0 / 21 / 75 / 30

HEX #B38D2C

RGB 179 141 44

HSL 43.11, 0.61%, 0.44%

LAB 60.62, 4.68, 54.18

 

CMYK 0 / 20 / 71 / 19

HEX #CEA43B

RGB 206 164 59

HSL 42.86, 0.6%, 0.52%

LAB 69.46, 4.82, 57.8

 

CMYK 0 / 16 / 57 / 16

HEX #D6B35C

RGB 214 179 92

HSL 42.79, 0.6%, 0.6%

LAB 74.39, 2.35, 48.48

 

CMYK 0 / 12 / 44 / 13

HEX #DEC37D

RGB 222 195 125

HSL 43.3, 0.6%, 0.68%

LAB 79.64, 0.2, 38.61

 

CMYK 0 / 20 / 71 / 19

HEX #CEA53C

RGB 206 165 60

HSL 43.15, 0.6%, 0.52%

LAB 69.72, 4.33, 57.65

 

CMYK 66 / 0 / 71 / 19

HEX #47CE3B

RGB 71 206 59

HSL 115.1, 0.6%, 0.52%

LAB 73.41, -63.1, 59.25

 

CMYK 49 / 71 / 0 / 19

HEX #693BCE

RGB 105 59 206

HSL 258.78, 0.6%, 0.52%

LAB 38.88, 53.39, -68.86

 

CMYK 0 / 20 / 71 / 19

HEX #CEA53C

RGB 206 165 60

HSL 43.15, 0.6%, 0.52%

LAB 69.72, 4.33, 57.65

 

CMYK 71 / 0 / 20 / 19

HEX #3BCEA4

RGB 59 206 164

HSL 162.86, 0.6%, 0.52%

LAB 74.67, -48.22, 9.9

 

CMYK 20 / 71 / 0 / 19

HEX #A43BCE

RGB 164 59 206

HSL 282.86, 0.6%, 0.52%

LAB 46.28, 64.3, -56.5

 

CMYK 0 / 20 / 71 / 19

HEX #CEA53C

RGB 206 165 60

HSL 43.15, 0.6%, 0.52%

LAB 69.72, 4.33, 57.65

 

CMYK 66 / 0 / 71 / 19

HEX #47CE3B

RGB 71 206 59

HSL 115.1, 0.6%, 0.52%

LAB 73.41, -63.1, 59.25

 

CMYK 71 / 51 / 0 / 19

HEX #3B64CE

RGB 59 100 206

HSL 223.27, 0.6%, 0.52%

LAB 44.94, 21.77, -59.14

 

CMYK 6 / 71 / 0 / 19

HEX #C13BCE

RGB 193 59 206

HSL 294.69, 0.6%, 0.52%

LAB 50.6, 70.3, -49.35

 

CMYK 0 / 20 / 71 / 19

HEX #CEA53C

RGB 206 165 60

HSL 43.15, 0.6%, 0.52%

LAB 69.72, 4.33, 57.65

 

CMYK 71 / 0 / 56 / 19

HEX #3BCE5A

RGB 59 206 90

HSL 132.65, 0.6%, 0.52%

LAB 73.42, -62.03, 46.15

 

CMYK 71 / 51 / 0 / 19

HEX #3B64CE

RGB 59 100 206

HSL 223.27, 0.6%, 0.52%

LAB 44.94, 21.77, -59.14

 

CMYK 0 / 71 / 16 / 19

HEX #CE3BAE

RGB 206 59 174

HSL 313.06, 0.6%, 0.52%

LAB 51.04, 68.23, -29.93

 

Description

Color code: HEX #CEA53C | qconv.com Color code: HEX #CEA53C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 165 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 165 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 71% 19% C M Y K

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Provide designers and agencies with accurate color values.

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