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Color name
HEX #CE9B5F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9B5F it is the complementary color #3164A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9B5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9B5F shade: #D39B5A, #E4AD6D, #F5BF80, #FFD193 and #FFE3A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9B5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9B5F shade: #CE9B5F, #BD894C, #AC7739, #9B6526 and #8A5313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9B5F shade: #CD9A5F, #CD7D5F, #CD5F5F and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9B5F shade: #CD9A5F, #CDB85F, #C5CD5F, #A7CD5F and #89CD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9B5F shade matches the following richer shades: #CD9A5F, #DE9C4E and #EF9D3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9B5F shade: #CD9A5F, #BC996F, #AC9880, #9B9691 and #8A95A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9B5F shade: #CD5F5F, #CD7C5F, #CD9A5F, #CDB75F and #C6CD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9B5F shade: #A77133, #C4873F, #CD9A5F, #D7AE7E and #E1C29E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9B5F shade: #CE9B5F, #7CCD5F and #6D5FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9B5F shade: #CE9B5F, #5FCD9A and #9A5FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9B5F shade: #CE9B5F, #7CCD5F, #5F92CD and #B05FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9B5F shade: #CE9B5F, #5FCD62, #5F92CD and #CD5FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 54 / 19

HEX #CE9B5F

RGB 206 155 95

HSL 32.43, 0.53%, 0.59%

LAB 67.57, 12.1, 38.6

 

Complementary color

CMYK 69 / 38 / 0 / 37

HEX #3164A0

RGB 49 100 160

HSL 212.43, 0.53%, 0.41%

LAB 41.7, 3.31, -37.51

 

CMYK 0 / 27 / 57 / 17

HEX #D39B5A

RGB 211 155 90

HSL 32.23, 0.58%, 0.59%

LAB 68.04, 13.78, 41.88

 

CMYK 0 / 24 / 52 / 11

HEX #E4AD6D

RGB 228 173 109

HSL 32.27, 0.69%, 0.66%

LAB 74.5, 12.73, 40.45

 

CMYK 0 / 22 / 48 / 4

HEX #F5BF80

RGB 245 191 128

HSL 32.31, 0.85%, 0.73%

LAB 80.87, 11.82, 39.09

 

CMYK 0 / 18 / 42 / 0

HEX #FFD193

RGB 255 209 147

HSL 34.44, 1%, 0.79%

LAB 86.49, 8.28, 36.81

 

CMYK 0 / 11 / 35 / 0

HEX #FFE3A6

RGB 255 227 166

HSL 41.12, 1%, 0.83%

LAB 91.21, 1.13, 33.34

 

CMYK 0 / 25 / 54 / 19

HEX #CE9B5F

RGB 206 155 95

HSL 32.43, 0.53%, 0.59%

LAB 67.57, 12.1, 38.6

 

CMYK 0 / 28 / 60 / 26

HEX #BD894C

RGB 189 137 76

HSL 32.39, 0.46%, 0.52%

LAB 60.99, 13.21, 40.06

 

CMYK 0 / 31 / 67 / 33

HEX #AC7739

RGB 172 119 57

HSL 32.35, 0.5%, 0.45%

LAB 54.3, 14.53, 41.53

 

CMYK 0 / 35 / 75 / 39

HEX #9B6526

RGB 155 101 38

HSL 32.31, 0.61%, 0.38%

LAB 47.52, 16.1, 42.88

 

CMYK 0 / 40 / 86 / 46

HEX #8A5313

RGB 138 83 19

HSL 32.27, 0.76%, 0.31%

LAB 40.63, 18, 43.66

 

CMYK 0 / 25 / 54 / 20

HEX #CD9A5F

RGB 205 154 95

HSL 32.18, 0.52%, 0.59%

LAB 67.21, 12.22, 38.14

 

CMYK 0 / 39 / 54 / 20

HEX #CD7D5F

RGB 205 125 95

HSL 16.36, 0.52%, 0.59%

LAB 60.31, 27.99, 29.44

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 25 / 54 / 20

HEX #CD9A5F

RGB 205 154 95

HSL 32.18, 0.52%, 0.59%

LAB 67.21, 12.22, 38.14

 

CMYK 0 / 10 / 54 / 20

HEX #CDB85F

RGB 205 184 95

HSL 48.55, 0.52%, 0.59%

LAB 74.88, -3.81, 47.39

 

CMYK 4 / 0 / 54 / 20

HEX #C5CD5F

RGB 197 205 95

HSL 64.36, 0.52%, 0.59%

LAB 79.82, -17.84, 52.99

 

CMYK 19 / 0 / 54 / 20

HEX #A7CD5F

RGB 167 205 95

HSL 80.73, 0.52%, 0.59%

LAB 77.7, -29.71, 49.99

 

CMYK 33 / 0 / 54 / 20

HEX #89CD5F

RGB 137 205 95

HSL 97.09, 0.52%, 0.59%

LAB 75.95, -40.66, 47.49

 

CMYK 0 / 25 / 54 / 20

HEX #CD9A5F

RGB 205 154 95

HSL 32.18, 0.52%, 0.59%

LAB 67.21, 12.22, 38.14

 

CMYK 0 / 30 / 65 / 13

HEX #DE9C4E

RGB 222 156 78

HSL 32.5, 0.69%, 0.59%

LAB 69.37, 17.03, 49.69

 

CMYK 0 / 34 / 74 / 6

HEX #EF9D3D

RGB 239 157 61

HSL 32.36, 0.85%, 0.59%

LAB 71.42, 22.73, 60.13

 

CMYK 0 / 25 / 54 / 20

HEX #CD9A5F

RGB 205 154 95

HSL 32.18, 0.52%, 0.59%

LAB 67.21, 12.22, 38.14

 

CMYK 0 / 19 / 41 / 26

HEX #BC996F

RGB 188 153 111

HSL 32.73, 0.36%, 0.59%

LAB 65.45, 7.29, 26.98

 

CMYK 0 / 12 / 26 / 33

HEX #AC9880

RGB 172 152 128

HSL 32.73, 0.21%, 0.59%

LAB 63.99, 3.56, 15.35

 

CMYK 0 / 3 / 6 / 39

HEX #9B9691

RGB 155 150 145

HSL 30, 0.05%, 0.59%

LAB 62.36, 0.9, 3.28

 

CMYK 15 / 8 / 0 / 36

HEX #8A95A2

RGB 138 149 162

HSL 212.5, 0.11%, 0.59%

LAB 61.23, -1.17, -8.17

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 40 / 54 / 20

HEX #CD7C5F

RGB 205 124 95

HSL 15.82, 0.52%, 0.59%

LAB 60.09, 28.53, 29.15

 

CMYK 0 / 25 / 54 / 20

HEX #CD9A5F

RGB 205 154 95

HSL 32.18, 0.52%, 0.59%

LAB 67.21, 12.22, 38.14

 

CMYK 0 / 11 / 54 / 20

HEX #CDB75F

RGB 205 183 95

HSL 48, 0.52%, 0.59%

LAB 74.62, -3.29, 47.09

 

CMYK 3 / 0 / 54 / 20

HEX #C6CD5F

RGB 198 205 95

HSL 63.82, 0.52%, 0.59%

LAB 79.89, -17.43, 53.1

 

CMYK 0 / 32 / 69 / 35

HEX #A77133

RGB 167 113 51

HSL 32.07, 0.53%, 0.43%

LAB 52.14, 15.34, 41.96

 

CMYK 0 / 31 / 68 / 23

HEX #C4873F

RGB 196 135 63

HSL 32.48, 0.53%, 0.51%

LAB 61.15, 16.46, 46.95

 

CMYK 0 / 25 / 54 / 20

HEX #CD9A5F

RGB 205 154 95

HSL 32.18, 0.52%, 0.59%

LAB 67.21, 12.22, 38.14

 

CMYK 0 / 19 / 41 / 16

HEX #D7AE7E

RGB 215 174 126

HSL 32.36, 0.53%, 0.67%

LAB 73.69, 8.58, 30.26

 

CMYK 0 / 14 / 30 / 12

HEX #E1C29E

RGB 225 194 158

HSL 32.24, 0.53%, 0.75%

LAB 80.21, 5.73, 22.19

 

CMYK 0 / 25 / 54 / 19

HEX #CE9B5F

RGB 206 155 95

HSL 32.43, 0.53%, 0.59%

LAB 67.57, 12.1, 38.6

 

CMYK 40 / 0 / 54 / 20

HEX #7CCD5F

RGB 124 205 95

HSL 104.18, 0.52%, 0.59%

LAB 75.31, -44.99, 46.57

 

CMYK 47 / 54 / 0 / 20

HEX #6D5FCD

RGB 109 95 205

HSL 247.64, 0.52%, 0.59%

LAB 46.77, 33.71, -55.46

 

CMYK 0 / 25 / 54 / 19

HEX #CE9B5F

RGB 206 155 95

HSL 32.43, 0.53%, 0.59%

LAB 67.57, 12.1, 38.6

 

CMYK 54 / 0 / 25 / 20

HEX #5FCD9A

RGB 95 205 154

HSL 152.18, 0.52%, 0.59%

LAB 75.09, -43.43, 15.99

 

CMYK 25 / 54 / 0 / 20

HEX #9A5FCD

RGB 154 95 205

HSL 272.18, 0.52%, 0.59%

LAB 51.22, 44.66, -48.08

 

CMYK 0 / 25 / 54 / 19

HEX #CE9B5F

RGB 206 155 95

HSL 32.43, 0.53%, 0.59%

LAB 67.57, 12.1, 38.6

 

CMYK 40 / 0 / 54 / 20

HEX #7CCD5F

RGB 124 205 95

HSL 104.18, 0.52%, 0.59%

LAB 75.31, -44.99, 46.57

 

CMYK 54 / 29 / 0 / 20

HEX #5F92CD

RGB 95 146 205

HSL 212.18, 0.52%, 0.59%

LAB 59.34, -0.1, -35.58

 

CMYK 14 / 54 / 0 / 20

HEX #B05FCD

RGB 176 95 205

HSL 284.18, 0.52%, 0.59%

LAB 53.84, 50.45, -43.77

 

CMYK 0 / 25 / 54 / 19

HEX #CE9B5F

RGB 206 155 95

HSL 32.43, 0.53%, 0.59%

LAB 67.57, 12.1, 38.6

 

CMYK 54 / 0 / 52 / 20

HEX #5FCD62

RGB 95 205 98

HSL 121.64, 0.52%, 0.59%

LAB 74.18, -53.03, 43.5

 

CMYK 54 / 29 / 0 / 20

HEX #5F92CD

RGB 95 146 205

HSL 212.18, 0.52%, 0.59%

LAB 59.34, -0.1, -35.58

 

CMYK 0 / 54 / 1 / 20

HEX #CD5FCA

RGB 205 95 202

HSL 301.64, 0.52%, 0.59%

LAB 57.49, 57.71, -36.05

 

Description

Color code: HEX #CE9B5F | qconv.com Color code: HEX #CE9B5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 155 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 155 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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