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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9160 it is the complementary color #316E9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9160 shade: #D3915B, #E4A36E, #F5B581, #FFC794 and #FFD9A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9160 shade: #CE9160, #BD7F4D, #AC6D3A, #9B5B27 and #8A4914

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9160 shade: #CD905F, #CD725F and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9160 shade: #CD905F, #CDAE5F, #CDCC5F, #B1CD5F and #93CD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9160 shade matches the following richer shades: #CD905F, #DE8E4E and #EF8C3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9160 shade: #CD905F, #BC926F, #AC9480, #9B9591 and #8A97A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9160 shade: #CD5F6A, #CD715F, #CD8F5F, #CDAC5F and #CDCA5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9160 shade: #A76633, #C47A3F, #CD905F, #D7A67E and #E1BC9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9160 shade: #CE9160, #87CD5F and #625FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9160 shade: #CE9160, #5FCD8F and #8F5FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9160 shade: #CE9160, #87CD5F, #5F9DCD and #A55FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9160 shade: #CE9160, #66CD5F, #5F9DCD and #C65FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 53 / 19

HEX #CE9160

RGB 206 145 96

HSL 26.73, 0.53%, 0.59%

LAB 65.13, 17.62, 35.05

 

Complementary color

CMYK 69 / 31 / 0 / 38

HEX #316E9F

RGB 49 110 159

HSL 206.73, 0.53%, 0.41%

LAB 44.67, -3.24, -32.23

 

CMYK 0 / 31 / 57 / 17

HEX #D3915B

RGB 211 145 91

HSL 27, 0.58%, 0.59%

LAB 65.64, 19.28, 38.44

 

CMYK 0 / 29 / 52 / 11

HEX #E4A36E

RGB 228 163 110

HSL 26.95, 0.69%, 0.66%

LAB 72.1, 18.15, 36.93

 

CMYK 0 / 26 / 47 / 4

HEX #F5B581

RGB 245 181 129

HSL 26.9, 0.85%, 0.73%

LAB 78.49, 17.17, 35.52

 

CMYK 0 / 22 / 42 / 0

HEX #FFC794

RGB 255 199 148

HSL 28.6, 1%, 0.79%

LAB 84.09, 13.57, 33.15

 

CMYK 0 / 15 / 35 / 0

HEX #FFD9A7

RGB 255 217 167

HSL 34.09, 1%, 0.83%

LAB 88.77, 6.36, 29.56

 

CMYK 0 / 30 / 53 / 19

HEX #CE9160

RGB 206 145 96

HSL 26.73, 0.53%, 0.59%

LAB 65.13, 17.62, 35.05

 

CMYK 0 / 33 / 59 / 26

HEX #BD7F4D

RGB 189 127 77

HSL 26.79, 0.46%, 0.52%

LAB 58.54, 18.82, 36.61

 

CMYK 0 / 37 / 66 / 33

HEX #AC6D3A

RGB 172 109 58

HSL 26.84, 0.5%, 0.45%

LAB 51.85, 20.22, 38.26

 

CMYK 0 / 41 / 75 / 39

HEX #9B5B27

RGB 155 91 39

HSL 26.9, 0.6%, 0.38%

LAB 45.08, 21.86, 39.9

 

CMYK 0 / 47 / 86 / 46

HEX #8A4914

RGB 138 73 20

HSL 26.95, 0.75%, 0.31%

LAB 38.23, 23.79, 41.18

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 0 / 44 / 54 / 20

HEX #CD725F

RGB 205 114 95

HSL 10.36, 0.52%, 0.59%

LAB 57.88, 33.87, 26.3

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 0 / 15 / 54 / 20

HEX #CDAE5F

RGB 205 174 95

HSL 43.09, 0.52%, 0.59%

LAB 72.28, 1.46, 44.3

 

CMYK 0 / 0 / 54 / 20

HEX #CDCC5F

RGB 205 204 95

HSL 59.45, 0.52%, 0.59%

LAB 80.17, -14.08, 53.56

 

CMYK 14 / 0 / 54 / 20

HEX #B1CD5F

RGB 177 205 95

HSL 75.27, 0.52%, 0.59%

LAB 78.37, -25.83, 50.93

 

CMYK 28 / 0 / 54 / 20

HEX #93CD5F

RGB 147 205 95

HSL 91.64, 0.52%, 0.59%

LAB 76.49, -37.15, 48.26

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 0 / 36 / 65 / 13

HEX #DE8E4E

RGB 222 142 78

HSL 26.67, 0.69%, 0.59%

LAB 66.08, 24.53, 45.96

 

CMYK 0 / 41 / 74 / 6

HEX #EF8C3D

RGB 239 140 61

HSL 26.63, 0.85%, 0.59%

LAB 67.61, 31.66, 56.3

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 0 / 22 / 41 / 26

HEX #BC926F

RGB 188 146 111

HSL 27.27, 0.36%, 0.59%

LAB 63.67, 11.14, 24.62

 

CMYK 0 / 14 / 26 / 33

HEX #AC9480

RGB 172 148 128

HSL 27.27, 0.21%, 0.59%

LAB 62.93, 5.78, 13.88

 

CMYK 0 / 4 / 6 / 39

HEX #9B9591

RGB 155 149 145

HSL 24, 0.05%, 0.59%

LAB 62.09, 1.46, 2.88

 

CMYK 15 / 7 / 0 / 36

HEX #8A97A2

RGB 138 151 162

HSL 207.5, 0.11%, 0.59%

LAB 61.78, -2.29, -7.35

 

CMYK 0 / 54 / 48 / 20

HEX #CD5F6A

RGB 205 95 106

HSL 354, 0.52%, 0.59%

LAB 54.24, 44.59, 15.04

 

CMYK 0 / 45 / 54 / 20

HEX #CD715F

RGB 205 113 95

HSL 9.82, 0.52%, 0.59%

LAB 57.67, 34.4, 26.02

 

CMYK 0 / 30 / 54 / 20

HEX #CD8F5F

RGB 205 143 95

HSL 26.18, 0.52%, 0.59%

LAB 64.52, 18.21, 34.79

 

CMYK 0 / 16 / 54 / 20

HEX #CDAC5F

RGB 205 172 95

HSL 42, 0.52%, 0.59%

LAB 71.77, 2.52, 43.68

 

CMYK 0 / 1 / 54 / 20

HEX #CDCA5F

RGB 205 202 95

HSL 58.36, 0.52%, 0.59%

LAB 79.64, -13.07, 52.95

 

CMYK 0 / 39 / 69 / 35

HEX #A76633

RGB 167 102 51

HSL 26.38, 0.53%, 0.43%

LAB 49.44, 21.55, 39.01

 

CMYK 0 / 38 / 68 / 23

HEX #C47A3F

RGB 196 122 63

HSL 26.62, 0.53%, 0.51%

LAB 58.05, 23.59, 43.52

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 0 / 23 / 41 / 16

HEX #D7A67E

RGB 215 166 126

HSL 26.97, 0.53%, 0.67%

LAB 71.71, 12.87, 27.64

 

CMYK 0 / 16 / 30 / 12

HEX #E1BC9E

RGB 225 188 158

HSL 26.87, 0.53%, 0.75%

LAB 78.72, 8.9, 20.13

 

CMYK 0 / 30 / 53 / 19

HEX #CE9160

RGB 206 145 96

HSL 26.73, 0.53%, 0.59%

LAB 65.13, 17.62, 35.05

 

CMYK 34 / 0 / 54 / 20

HEX #87CD5F

RGB 135 205 95

HSL 98.18, 0.52%, 0.59%

LAB 75.85, -41.35, 47.34

 

CMYK 52 / 54 / 0 / 20

HEX #625FCD

RGB 98 95 205

HSL 241.64, 0.52%, 0.59%

LAB 45.89, 31.36, -56.92

 

CMYK 0 / 30 / 53 / 19

HEX #CE9160

RGB 206 145 96

HSL 26.73, 0.53%, 0.59%

LAB 65.13, 17.62, 35.05

 

CMYK 54 / 0 / 30 / 20

HEX #5FCD8F

RGB 95 205 143

HSL 146.18, 0.52%, 0.59%

LAB 74.87, -45.65, 21.52

 

CMYK 30 / 54 / 0 / 20

HEX #8F5FCD

RGB 143 95 205

HSL 266.18, 0.52%, 0.59%

LAB 50.02, 41.84, -50.08

 

CMYK 0 / 30 / 53 / 19

HEX #CE9160

RGB 206 145 96

HSL 26.73, 0.53%, 0.59%

LAB 65.13, 17.62, 35.05

 

CMYK 34 / 0 / 54 / 20

HEX #87CD5F

RGB 135 205 95

HSL 98.18, 0.52%, 0.59%

LAB 75.85, -41.35, 47.34

 

CMYK 54 / 23 / 0 / 20

HEX #5F9DCD

RGB 95 157 205

HSL 206.18, 0.52%, 0.59%

LAB 62.47, -6.35, -30.72

 

CMYK 20 / 54 / 0 / 20

HEX #A55FCD

RGB 165 95 205

HSL 278.18, 0.52%, 0.59%

LAB 52.5, 47.54, -45.97

 

CMYK 0 / 30 / 53 / 19

HEX #CE9160

RGB 206 145 96

HSL 26.73, 0.53%, 0.59%

LAB 65.13, 17.62, 35.05

 

CMYK 50 / 0 / 54 / 20

HEX #66CD5F

RGB 102 205 95

HSL 116.18, 0.52%, 0.59%

LAB 74.39, -51.55, 45.25

 

CMYK 54 / 23 / 0 / 20

HEX #5F9DCD

RGB 95 157 205

HSL 206.18, 0.52%, 0.59%

LAB 62.47, -6.35, -30.72

 

CMYK 3 / 54 / 0 / 20

HEX #C65FCD

RGB 198 95 205

HSL 296.18, 0.52%, 0.59%

LAB 56.68, 56.35, -39.09

 

Description

Color code: HEX #CE9160 | qconv.com Color code: HEX #CE9160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 145 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 145 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 53 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 53% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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