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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE7E59 it is the complementary color #3181A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE7E59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE7E59 shade: #D37E54, #E49067, #F5A27A, #FFB48D and #FFC6A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE7E59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE7E59 shade: #CE7E59, #BD6C46, #AC5A33, #9B4820 and #8A360D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE7E59 shade: #CD7E5A, #CD5F5A and #CD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE7E59 shade: #CD7E5A, #CD9D5A, #CDBD5A, #BFCD5A and #A0CD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE7E59 shade matches the following richer shades: #CD7E5A, #DF7848 and #F07137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE7E59 shade: #CD7E5A, #BC856B, #AB8B7C, #99918E and #88989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE7E59 shade: #CD5A75, #CD5D5A, #CD7C5A, #CD9B5A and #CDBA5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE7E59 shade: #A45531, #C3663A, #CD7E5A, #D79779 and #E0B099

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE7E59 shade: #CE7E59, #93CD5A and #5A65CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE7E59 shade: #CE7E59, #5ACD7C and #7C5ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE7E59 shade: #CE7E59, #93CD5A, #5AABCD and #935ACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE7E59 shade: #CE7E59, #71CD5A, #5AABCD and #B65ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 57 / 19

HEX #CE7E59

RGB 206 126 89

HSL 18.97, 0.54%, 0.58%

LAB 60.57, 27.36, 33.1

 

Complementary color

CMYK 70 / 22 / 0 / 35

HEX #3181A6

RGB 49 129 166

HSL 198.97, 0.54%, 0.42%

LAB 50.81, -11.91, -26.75

 

CMYK 0 / 40 / 60 / 17

HEX #D37E54

RGB 211 126 84

HSL 19.84, 0.59%, 0.58%

LAB 61.14, 29, 36.66

 

CMYK 0 / 37 / 55 / 11

HEX #E49067

RGB 228 144 103

HSL 19.68, 0.7%, 0.65%

LAB 67.59, 27.7, 34.94

 

CMYK 0 / 34 / 50 / 4

HEX #F5A27A

RGB 245 162 122

HSL 19.51, 0.86%, 0.72%

LAB 73.97, 26.54, 33.36

 

CMYK 0 / 29 / 45 / 0

HEX #FFB48D

RGB 255 180 141

HSL 20.53, 1%, 0.78%

LAB 79.51, 22.79, 30.76

 

CMYK 0 / 22 / 37 / 0

HEX #FFC6A0

RGB 255 198 160

HSL 24, 1%, 0.81%

LAB 84.06, 15.4, 26.85

 

CMYK 0 / 39 / 57 / 19

HEX #CE7E59

RGB 206 126 89

HSL 18.97, 0.54%, 0.58%

LAB 60.57, 27.36, 33.1

 

CMYK 0 / 43 / 63 / 26

HEX #BD6C46

RGB 189 108 70

HSL 19.16, 0.47%, 0.51%

LAB 54.01, 28.74, 34.93

 

CMYK 0 / 48 / 70 / 33

HEX #AC5A33

RGB 172 90 51

HSL 19.34, 0.54%, 0.44%

LAB 47.39, 30.3, 36.92

 

CMYK 0 / 54 / 79 / 39

HEX #9B4820

RGB 155 72 32

HSL 19.51, 0.66%, 0.37%

LAB 40.75, 32.02, 38.96

 

CMYK 0 / 61 / 91 / 46

HEX #8A360D

RGB 138 54 13

HSL 19.68, 0.83%, 0.3%

LAB 34.13, 33.87, 40.57

 

CMYK 0 / 39 / 56 / 20

HEX #CD7E5A

RGB 205 126 90

HSL 18.78, 0.53%, 0.58%

LAB 60.46, 27.03, 32.39

 

CMYK 0 / 54 / 56 / 20

HEX #CD5F5A

RGB 205 95 90

HSL 2.61, 0.53%, 0.58%

LAB 53.92, 43.21, 23.98

 

CMYK 0 / 56 / 56 / 20

HEX #CD5A5A

RGB 205 90 90

HSL 0, 0.53%, 0.58%

LAB 52.98, 45.64, 22.74

 

CMYK 0 / 39 / 56 / 20

HEX #CD7E5A

RGB 205 126 90

HSL 18.78, 0.53%, 0.58%

LAB 60.46, 27.03, 32.39

 

CMYK 0 / 23 / 56 / 20

HEX #CD9D5A

RGB 205 157 90

HSL 34.96, 0.53%, 0.58%

LAB 67.9, 10.18, 41.55

 

CMYK 0 / 8 / 56 / 20

HEX #CDBD5A

RGB 205 189 90

HSL 51.65, 0.53%, 0.58%

LAB 76.14, -6.82, 51.24

 

CMYK 7 / 0 / 56 / 20

HEX #BFCD5A

RGB 191 205 90

HSL 67.3, 0.53%, 0.58%

LAB 79.32, -20.68, 54.57

 

CMYK 22 / 0 / 56 / 20

HEX #A0CD5A

RGB 160 205 90

HSL 83.48, 0.53%, 0.58%

LAB 77.21, -32.84, 51.6

 

CMYK 0 / 39 / 56 / 20

HEX #CD7E5A

RGB 205 126 90

HSL 18.78, 0.53%, 0.58%

LAB 60.46, 27.03, 32.39

 

CMYK 0 / 46 / 68 / 13

HEX #DF7848

RGB 223 120 72

HSL 19.07, 0.7%, 0.58%

LAB 61.3, 36.19, 43.57

 

CMYK 0 / 53 / 77 / 6

HEX #F07137

RGB 240 113 55

HSL 18.81, 0.86%, 0.58%

LAB 62.18, 45.46, 53.61

 

CMYK 0 / 39 / 56 / 20

HEX #CD7E5A

RGB 205 126 90

HSL 18.78, 0.53%, 0.58%

LAB 60.46, 27.03, 32.39

 

CMYK 0 / 29 / 43 / 26

HEX #BC856B

RGB 188 133 107

HSL 19.26, 0.38%, 0.58%

LAB 60.36, 17.89, 22.42

 

CMYK 0 / 19 / 27 / 33

HEX #AB8B7C

RGB 171 139 124

HSL 19.15, 0.22%, 0.58%

LAB 60.41, 9.82, 12.59

 

CMYK 0 / 5 / 7 / 40

HEX #99918E

RGB 153 145 142

HSL 16.36, 0.05%, 0.58%

LAB 60.76, 2.4, 2.64

 

CMYK 14 / 4 / 0 / 38

HEX #88989F

RGB 136 152 159

HSL 198.26, 0.11%, 0.58%

LAB 61.82, -4.18, -5.61

 

CMYK 0 / 56 / 43 / 20

HEX #CD5A75

RGB 205 90 117

HSL 345.91, 0.53%, 0.58%

LAB 53.57, 48.11, 7.6

 

CMYK 0 / 55 / 56 / 20

HEX #CD5D5A

RGB 205 93 90

HSL 1.57, 0.53%, 0.58%

LAB 53.54, 44.19, 23.48

 

CMYK 0 / 40 / 56 / 20

HEX #CD7C5A

RGB 205 124 90

HSL 17.74, 0.53%, 0.58%

LAB 60.01, 28.11, 31.82

 

CMYK 0 / 24 / 56 / 20

HEX #CD9B5A

RGB 205 155 90

HSL 33.91, 0.53%, 0.58%

LAB 67.4, 11.26, 40.95

 

CMYK 0 / 9 / 56 / 20

HEX #CDBA5A

RGB 205 186 90

HSL 50.09, 0.53%, 0.58%

LAB 75.35, -5.26, 50.34

 

CMYK 0 / 48 / 70 / 36

HEX #A45531

RGB 164 85 49

HSL 18.78, 0.54%, 0.42%

LAB 45.1, 29.58, 35.09

 

CMYK 0 / 48 / 70 / 24

HEX #C3663A

RGB 195 102 58

HSL 19.27, 0.54%, 0.5%

LAB 53.4, 33.66, 40.85

 

CMYK 0 / 39 / 56 / 20

HEX #CD7E5A

RGB 205 126 90

HSL 18.78, 0.53%, 0.58%

LAB 60.46, 27.03, 32.39

 

CMYK 0 / 30 / 44 / 16

HEX #D79779

RGB 215 151 121

HSL 19.15, 0.54%, 0.66%

LAB 67.99, 20.44, 25.4

 

CMYK 0 / 21 / 32 / 12

HEX #E0B099

RGB 224 176 153

HSL 19.44, 0.53%, 0.74%

LAB 75.57, 14.26, 18.46

 

CMYK 0 / 39 / 57 / 19

HEX #CE7E59

RGB 206 126 89

HSL 18.97, 0.54%, 0.58%

LAB 60.57, 27.36, 33.1

 

CMYK 28 / 0 / 56 / 20

HEX #93CD5A

RGB 147 205 90

HSL 90.26, 0.53%, 0.58%

LAB 76.44, -37.65, 50.52

 

CMYK 56 / 51 / 0 / 20

HEX #5A65CD

RGB 90 101 205

HSL 234.26, 0.53%, 0.58%

LAB 46.83, 26.04, -55.44

 

CMYK 0 / 39 / 57 / 19

HEX #CE7E59

RGB 206 126 89

HSL 18.97, 0.54%, 0.58%

LAB 60.57, 27.36, 33.1

 

CMYK 56 / 0 / 40 / 20

HEX #5ACD7C

RGB 90 205 124

HSL 137.74, 0.53%, 0.58%

LAB 74.38, -50.31, 30.74

 

CMYK 40 / 56 / 0 / 20

HEX #7C5ACD

RGB 124 90 205

HSL 257.74, 0.53%, 0.58%

LAB 46.98, 40.05, -55.05

 

CMYK 0 / 39 / 57 / 19

HEX #CE7E59

RGB 206 126 89

HSL 18.97, 0.54%, 0.58%

LAB 60.57, 27.36, 33.1

 

CMYK 28 / 0 / 56 / 20

HEX #93CD5A

RGB 147 205 90

HSL 90.26, 0.53%, 0.58%

LAB 76.44, -37.65, 50.52

 

CMYK 56 / 17 / 0 / 20

HEX #5AABCD

RGB 90 171 205

HSL 197.74, 0.53%, 0.58%

LAB 66.3, -15.05, -24.84

 

CMYK 28 / 56 / 0 / 20

HEX #935ACD

RGB 147 90 205

HSL 269.74, 0.53%, 0.58%

LAB 49.4, 45.59, -51.03

 

CMYK 0 / 39 / 57 / 19

HEX #CE7E59

RGB 206 126 89

HSL 18.97, 0.54%, 0.58%

LAB 60.57, 27.36, 33.1

 

CMYK 45 / 0 / 56 / 20

HEX #71CD5A

RGB 113 205 90

HSL 108, 0.53%, 0.58%

LAB 74.77, -48.98, 48.15

 

CMYK 56 / 17 / 0 / 20

HEX #5AABCD

RGB 90 171 205

HSL 197.74, 0.53%, 0.58%

LAB 66.3, -15.05, -24.84

 

CMYK 11 / 56 / 0 / 20

HEX #B65ACD

RGB 182 90 205

HSL 288, 0.53%, 0.58%

LAB 53.67, 54.52, -43.98

 

Description

Color code: HEX #CE7E59 | qconv.com Color code: HEX #CE7E59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 126 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 126 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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