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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE736A it is the complementary color #318C95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE736A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE736A shade: #D37365, #E48578, #F5978B, #FFA99E and #FFBBB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE736A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE736A shade: #CE736A, #BD6157, #AC4F44, #9B3D31 and #8A2B1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE736A shade: #CE7168 and #CE6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE736A shade: #CE7168, #CE8D68, #CEA868, #CEC468 and #BDCE68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE736A shade matches the following richer shades: #CE7168, #DE6458, #EE5748 and #FE4A38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE736A shade: #CE7168, #BE7F78, #AE8C89, #9D9999 and #8DA6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE736A shade: #CE6896, #CE687B, #CE7168, #CE8C68 and #CEA768

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE736A shade: #AC4238, #C45449, #CE7168, #D88F87 and #E2ACA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE736A shade: #CE736A, #B1CE68 and #6888CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE736A shade: #CE736A, #68CE71 and #7168CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE736A shade: #CE736A, #B1CE68, #68C5CE and #8568CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE736A shade: #CE736A, #93CE68, #68C5CE and #A468CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 49 / 19

HEX #CE736A

RGB 206 115 106

HSL 5.4, 0.51%, 0.61%

LAB 58.44, 34.73, 20.78

 

Complementary color

CMYK 67 / 6 / 0 / 42

HEX #318C95

RGB 49 140 149

HSL 185.4, 0.51%, 0.39%

LAB 53.58, -23.43, -12.67

 

CMYK 0 / 45 / 52 / 17

HEX #D37365

RGB 211 115 101

HSL 7.64, 0.56%, 0.61%

LAB 59.02, 36.19, 24.54

 

CMYK 0 / 42 / 47 / 11

HEX #E48578

RGB 228 133 120

HSL 7.22, 0.67%, 0.68%

LAB 65.46, 35.02, 22.82

 

CMYK 0 / 38 / 43 / 4

HEX #F5978B

RGB 245 151 139

HSL 6.79, 0.84%, 0.75%

LAB 71.83, 33.95, 21.31

 

CMYK 0 / 34 / 38 / 0

HEX #FFA99E

RGB 255 169 158

HSL 6.8, 1%, 0.81%

LAB 77.34, 30.35, 18.71

 

CMYK 0 / 27 / 31 / 0

HEX #FFBBB1

RGB 255 187 177

HSL 7.69, 1%, 0.85%

LAB 81.82, 23.21, 14.73

 

CMYK 0 / 44 / 49 / 19

HEX #CE736A

RGB 206 115 106

HSL 5.4, 0.51%, 0.61%

LAB 58.44, 34.73, 20.78

 

CMYK 0 / 49 / 54 / 26

HEX #BD6157

RGB 189 97 87

HSL 5.88, 0.44%, 0.54%

LAB 51.9, 35.93, 22.63

 

CMYK 0 / 54 / 60 / 33

HEX #AC4F44

RGB 172 79 68

HSL 6.35, 0.43%, 0.47%

LAB 45.33, 37.2, 24.78

 

CMYK 0 / 61 / 68 / 39

HEX #9B3D31

RGB 155 61 49

HSL 6.79, 0.52%, 0.4%

LAB 38.77, 38.48, 27.36

 

CMYK 0 / 69 / 78 / 46

HEX #8A2B1E

RGB 138 43 30

HSL 7.22, 0.64%, 0.33%

LAB 32.31, 39.62, 30.42

 

CMYK 0 / 45 / 50 / 19

HEX #CE7168

RGB 206 113 104

HSL 5.29, 0.51%, 0.61%

LAB 57.97, 35.59, 21.3

 

CMYK 0 / 50 / 50 / 19

HEX #CE6868

RGB 206 104 104

HSL 0, 0.51%, 0.61%

LAB 56.11, 40.26, 18.79

 

CMYK 0 / 45 / 50 / 19

HEX #CE7168

RGB 206 113 104

HSL 5.29, 0.51%, 0.61%

LAB 57.97, 35.59, 21.3

 

CMYK 0 / 32 / 50 / 19

HEX #CE8D68

RGB 206 141 104

HSL 21.76, 0.51%, 0.61%

LAB 64.3, 20.53, 29.66

 

CMYK 0 / 18 / 50 / 19

HEX #CEA868

RGB 206 168 104

HSL 37.65, 0.51%, 0.61%

LAB 70.96, 5.88, 38.13

 

CMYK 0 / 5 / 50 / 19

HEX #CEC468

RGB 206 196 104

HSL 54.12, 0.51%, 0.61%

LAB 78.23, -8.84, 47.04

 

CMYK 8 / 0 / 50 / 19

HEX #BDCE68

RGB 189 206 104

HSL 70, 0.51%, 0.61%

LAB 79.59, -20.74, 48.35

 

CMYK 0 / 45 / 50 / 19

HEX #CE7168

RGB 206 113 104

HSL 5.29, 0.51%, 0.61%

LAB 57.97, 35.59, 21.3

 

CMYK 0 / 55 / 60 / 13

HEX #DE6458

RGB 222 100 88

HSL 5.37, 0.67%, 0.61%

LAB 57.41, 46.8, 30.14

 

CMYK 0 / 63 / 70 / 7

HEX #EE5748

RGB 238 87 72

HSL 5.42, 0.83%, 0.61%

LAB 57.52, 57.28, 39.82

 

CMYK 0 / 71 / 78 / 0

HEX #FE4A38

RGB 254 74 56

HSL 5.45, 0.99%, 0.61%

LAB 58.28, 66.73, 49.95

 

CMYK 0 / 45 / 50 / 19

HEX #CE7168

RGB 206 113 104

HSL 5.29, 0.51%, 0.61%

LAB 57.97, 35.59, 21.3

 

CMYK 0 / 33 / 37 / 25

HEX #BE7F78

RGB 190 127 120

HSL 6, 0.35%, 0.61%

LAB 59.42, 23.54, 13.79

 

CMYK 0 / 20 / 21 / 32

HEX #AE8C89

RGB 174 140 137

HSL 4.86, 0.19%, 0.61%

LAB 61.27, 12.38, 6.47

 

CMYK 0 / 3 / 3 / 38

HEX #9D9999

RGB 157 153 153

HSL 0, 0.02%, 0.61%

LAB 63.55, 1.46, 0.51

 

CMYK 17 / 2 / 0 / 34

HEX #8DA6A9

RGB 141 166 169

HSL 186.43, 0.14%, 0.61%

LAB 66.37, -7.98, -4.46

 

CMYK 0 / 50 / 27 / 19

HEX #CE6896

RGB 206 104 150

HSL 332.94, 0.51%, 0.61%

LAB 57.29, 45.54, -6.37

 

CMYK 0 / 50 / 40 / 19

HEX #CE687B

RGB 206 104 123

HSL 348.82, 0.51%, 0.61%

LAB 56.54, 42.2, 8.3

 

CMYK 0 / 45 / 50 / 19

HEX #CE7168

RGB 206 113 104

HSL 5.29, 0.51%, 0.61%

LAB 57.97, 35.59, 21.3

 

CMYK 0 / 32 / 50 / 19

HEX #CE8C68

RGB 206 140 104

HSL 21.18, 0.51%, 0.61%

LAB 64.06, 21.07, 29.35

 

CMYK 0 / 19 / 50 / 19

HEX #CEA768

RGB 206 167 104

HSL 37.06, 0.51%, 0.61%

LAB 70.7, 6.42, 37.82

 

CMYK 0 / 62 / 67 / 33

HEX #AC4238

RGB 172 66 56

HSL 5.17, 0.51%, 0.45%

LAB 42.69, 42.8, 28.61

 

CMYK 0 / 57 / 63 / 23

HEX #C45449

RGB 196 84 73

HSL 5.37, 0.51%, 0.53%

LAB 50.17, 44.05, 28.75

 

CMYK 0 / 45 / 50 / 19

HEX #CE7168

RGB 206 113 104

HSL 5.29, 0.51%, 0.61%

LAB 57.97, 35.59, 21.3

 

CMYK 0 / 34 / 38 / 15

HEX #D88F87

RGB 216 143 135

HSL 5.93, 0.51%, 0.69%

LAB 66.51, 26.72, 15.65

 

CMYK 0 / 24 / 26 / 11

HEX #E2ACA7

RGB 226 172 167

HSL 5.08, 0.5%, 0.77%

LAB 75.12, 19.04, 10.23

 

CMYK 0 / 44 / 49 / 19

HEX #CE736A

RGB 206 115 106

HSL 5.4, 0.51%, 0.61%

LAB 58.44, 34.73, 20.78

 

CMYK 14 / 0 / 50 / 19

HEX #B1CE68

RGB 177 206 104

HSL 77.06, 0.51%, 0.61%

LAB 78.75, -25.44, 47.14

 

CMYK 50 / 34 / 0 / 19

HEX #6888CE

RGB 104 136 206

HSL 221.18, 0.51%, 0.61%

LAB 57.08, 8.12, -39.65

 

CMYK 0 / 44 / 49 / 19

HEX #CE736A

RGB 206 115 106

HSL 5.4, 0.51%, 0.61%

LAB 58.44, 34.73, 20.78

 

CMYK 50 / 0 / 45 / 19

HEX #68CE71

RGB 104 206 113

HSL 125.29, 0.51%, 0.61%

LAB 75, -48.95, 37.24

 

CMYK 45 / 50 / 0 / 19

HEX #7168CE

RGB 113 104 206

HSL 245.29, 0.51%, 0.61%

LAB 49.34, 29.51, -51.9

 

CMYK 0 / 44 / 49 / 19

HEX #CE736A

RGB 206 115 106

HSL 5.4, 0.51%, 0.61%

LAB 58.44, 34.73, 20.78

 

CMYK 14 / 0 / 50 / 19

HEX #B1CE68

RGB 177 206 104

HSL 77.06, 0.51%, 0.61%

LAB 78.75, -25.44, 47.14

 

CMYK 50 / 4 / 0 / 19

HEX #68C5CE

RGB 104 197 206

HSL 185.29, 0.51%, 0.61%

LAB 74.4, -25.19, -13.04

 

CMYK 35 / 50 / 0 / 19

HEX #8568CE

RGB 133 104 206

HSL 257.06, 0.51%, 0.61%

LAB 51.09, 34.42, -49

 

CMYK 0 / 44 / 49 / 19

HEX #CE736A

RGB 206 115 106

HSL 5.4, 0.51%, 0.61%

LAB 58.44, 34.73, 20.78

 

CMYK 29 / 0 / 50 / 19

HEX #93CE68

RGB 147 206 104

HSL 94.71, 0.51%, 0.61%

LAB 76.89, -36.61, 44.45

 

CMYK 50 / 4 / 0 / 19

HEX #68C5CE

RGB 104 197 206

HSL 185.29, 0.51%, 0.61%

LAB 74.4, -25.19, -13.04

 

CMYK 20 / 50 / 0 / 19

HEX #A468CE

RGB 164 104 206

HSL 275.29, 0.51%, 0.61%

LAB 54.29, 42.67, -43.71

 

Description

Color code: HEX #CE736A | qconv.com Color code: HEX #CE736A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 115 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 115 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 49 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 49% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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