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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE799D it is the complementary color #318662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE799D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE799D shade: #D37998, #E48BAB, #F59DBE, #FFAFD1 and #FFC1E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE799D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE799D shade: #CE799D, #BD678A, #AC5577, #9B4364 and #8A3151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE799D shade: #CD789C, #CD7885 and #CD7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE799D shade: #CD789C, #CD78B3, #CD78CA, #B978CD and #A378CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE799D shade matches the following richer shades: #CD789C, #DC6A9A, #EB5B98 and #F94C95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE799D shade: #CD789C, #BE879F, #AF96A1, #A0A5A3 and #92B4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE799D shade: #CD78CA, #CD78B4, #CD789D, #CD7887 and #CD8178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE799D shade: #B24171, #C25A86, #CD789C, #D897B2 and #E3B5C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE799D shade: #CE799D, #CDB978 and #78BFCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE799D shade: #CE799D, #9DCD78 and #789DCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE799D shade: #CE799D, #CDB978, #78CDA8 and #788CCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE799D shade: #CE799D, #C7CD78, #78CDA8 and #7E78CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 24 / 19

HEX #CE799D

RGB 206 121 157

HSL 334.59, 0.46%, 0.64%

LAB 60.98, 37.72, -4.94

 

Complementary color

CMYK 63 / 0 / 27 / 47

HEX #318662

RGB 49 134 98

HSL 154.59, 0.46%, 0.36%

LAB 50.2, -34.53, 11.98

 

CMYK 0 / 43 / 28 / 17

HEX #D37998

RGB 211 121 152

HSL 339.33, 0.51%, 0.65%

LAB 61.47, 38.78, -1.28

 

CMYK 0 / 39 / 25 / 11

HEX #E48BAB

RGB 228 139 171

HSL 338.43, 0.62%, 0.72%

LAB 67.95, 37.93, -2.32

 

CMYK 0 / 36 / 22 / 4

HEX #F59DBE

RGB 245 157 190

HSL 337.5, 0.81%, 0.79%

LAB 74.35, 37.12, -3.25

 

CMYK 0 / 31 / 18 / 0

HEX #FFAFD1

RGB 255 175 209

HSL 334.5, 1%, 0.84%

LAB 79.91, 33.96, -5.29

 

CMYK 0 / 24 / 11 / 0

HEX #FFC1E4

RGB 255 193 228

HSL 326.13, 1%, 0.88%

LAB 84.48, 27.5, -8.73

 

CMYK 0 / 41 / 24 / 19

HEX #CE799D

RGB 206 121 157

HSL 334.59, 0.46%, 0.64%

LAB 60.98, 37.72, -4.94

 

CMYK 0 / 46 / 27 / 26

HEX #BD678A

RGB 189 103 138

HSL 335.58, 0.39%, 0.57%

LAB 54.4, 38.58, -3.89

 

CMYK 0 / 51 / 31 / 33

HEX #AC5577

RGB 172 85 119

HSL 336.55, 0.34%, 0.5%

LAB 47.75, 39.44, -2.65

 

CMYK 0 / 57 / 35 / 39

HEX #9B4364

RGB 155 67 100

HSL 337.5, 0.4%, 0.44%

LAB 41.06, 40.24, -1.14

 

CMYK 0 / 64 / 41 / 46

HEX #8A3151

RGB 138 49 81

HSL 338.43, 0.48%, 0.37%

LAB 34.38, 40.87, 0.8

 

CMYK 0 / 41 / 24 / 20

HEX #CD789C

RGB 205 120 156

HSL 334.59, 0.46%, 0.64%

LAB 60.62, 37.76, -4.93

 

CMYK 0 / 41 / 35 / 20

HEX #CD7885

RGB 205 120 133

HSL 350.82, 0.46%, 0.64%

LAB 59.98, 34.67, 7.39

 

CMYK 0 / 41 / 41 / 20

HEX #CD7878

RGB 205 120 120

HSL 0, 0.46%, 0.64%

LAB 59.68, 33.15, 14.43

 

CMYK 0 / 41 / 24 / 20

HEX #CD789C

RGB 205 120 156

HSL 334.59, 0.46%, 0.64%

LAB 60.62, 37.76, -4.93

 

CMYK 0 / 41 / 13 / 20

HEX #CD78B3

RGB 205 120 179

HSL 318.35, 0.46%, 0.64%

LAB 61.37, 41.32, -16.97

 

CMYK 0 / 41 / 1 / 20

HEX #CD78CA

RGB 205 120 202

HSL 302.12, 0.46%, 0.64%

LAB 62.23, 45.29, -28.68

 

CMYK 10 / 41 / 0 / 20

HEX #B978CD

RGB 185 120 205

HSL 285.88, 0.46%, 0.64%

LAB 60.03, 39.8, -33.97

 

CMYK 20 / 41 / 0 / 20

HEX #A378CD

RGB 163 120 205

HSL 270.35, 0.46%, 0.64%

LAB 57.68, 33.26, -37.81

 

CMYK 0 / 41 / 24 / 20

HEX #CD789C

RGB 205 120 156

HSL 334.59, 0.46%, 0.64%

LAB 60.62, 37.76, -4.93

 

CMYK 0 / 52 / 30 / 14

HEX #DC6A9A

RGB 220 106 154

HSL 334.74, 0.62%, 0.64%

LAB 59.76, 49.71, -4.82

 

CMYK 0 / 61 / 35 / 8

HEX #EB5B98

RGB 235 91 152

HSL 334.58, 0.78%, 0.64%

LAB 59.35, 61.02, -4.01

 

CMYK 0 / 69 / 40 / 2

HEX #F94C95

RGB 249 76 149

HSL 334.68, 0.94%, 0.64%

LAB 59.41, 70.54, -1.91

 

CMYK 0 / 41 / 24 / 20

HEX #CD789C

RGB 205 120 156

HSL 334.59, 0.46%, 0.64%

LAB 60.62, 37.76, -4.93

 

CMYK 0 / 29 / 16 / 25

HEX #BE879F

RGB 190 135 159

HSL 333.82, 0.3%, 0.64%

LAB 62.32, 24.7, -4.32

 

CMYK 0 / 14 / 8 / 31

HEX #AF96A1

RGB 175 150 161

HSL 333.6, 0.14%, 0.64%

LAB 64.56, 11.19, -2.33

 

CMYK 3 / 0 / 1 / 35

HEX #A0A5A3

RGB 160 165 163

HSL 156, 0.03%, 0.64%

LAB 67.3, -2.16, 0.41

 

CMYK 19 / 0 / 8 / 29

HEX #92B4A5

RGB 146 180 165

HSL 153.53, 0.18%, 0.64%

LAB 70.5, -14.59, 3.84

 

CMYK 0 / 41 / 1 / 20

HEX #CD78CA

RGB 205 120 202

HSL 302.12, 0.46%, 0.64%

LAB 62.23, 45.29, -28.68

 

CMYK 0 / 41 / 12 / 20

HEX #CD78B4

RGB 205 120 180

HSL 317.65, 0.46%, 0.64%

LAB 61.4, 41.48, -17.48

 

CMYK 0 / 41 / 23 / 20

HEX #CD789D

RGB 205 120 157

HSL 333.88, 0.46%, 0.64%

LAB 60.65, 37.9, -5.46

 

CMYK 0 / 41 / 34 / 20

HEX #CD7887

RGB 205 120 135

HSL 349.41, 0.46%, 0.64%

LAB 60.03, 34.92, 6.31

 

CMYK 0 / 37 / 41 / 20

HEX #CD8178

RGB 205 129 120

HSL 6.35, 0.46%, 0.64%

LAB 61.69, 28.31, 17.21

 

CMYK 0 / 63 / 37 / 30

HEX #B24171

RGB 178 65 113

HSL 334.51, 0.47%, 0.48%

LAB 44.85, 50.31, -3.16

 

CMYK 0 / 54 / 31 / 24

HEX #C25A86

RGB 194 90 134

HSL 334.62, 0.46%, 0.56%

LAB 52.4, 46.38, -4.4

 

CMYK 0 / 41 / 24 / 20

HEX #CD789C

RGB 205 120 156

HSL 334.59, 0.46%, 0.64%

LAB 60.62, 37.76, -4.93

 

CMYK 0 / 30 / 18 / 15

HEX #D897B2

RGB 216 151 178

HSL 335.08, 0.45%, 0.72%

LAB 69.43, 28.33, -4.21

 

CMYK 0 / 20 / 12 / 11

HEX #E3B5C8

RGB 227 181 200

HSL 335.22, 0.45%, 0.8%

LAB 78.2, 19.6, -3.26

 

CMYK 0 / 41 / 24 / 19

HEX #CE799D

RGB 206 121 157

HSL 334.59, 0.46%, 0.64%

LAB 60.98, 37.72, -4.94

 

CMYK 0 / 10 / 41 / 20

HEX #CDB978

RGB 205 185 120

HSL 45.88, 0.46%, 0.64%

LAB 75.47, -1.95, 35.55

 

CMYK 41 / 7 / 0 / 20

HEX #78BFCD

RGB 120 191 205

HSL 189.88, 0.46%, 0.64%

LAB 73.33, -18.65, -14.05

 

CMYK 0 / 41 / 24 / 19

HEX #CE799D

RGB 206 121 157

HSL 334.59, 0.46%, 0.64%

LAB 60.98, 37.72, -4.94

 

CMYK 23 / 0 / 41 / 20

HEX #9DCD78

RGB 157 205 120

HSL 93.88, 0.46%, 0.64%

LAB 77.39, -30.61, 37.29

 

CMYK 41 / 23 / 0 / 20

HEX #789DCD

RGB 120 157 205

HSL 213.88, 0.46%, 0.64%

LAB 63.77, -0.31, -28.61

 

CMYK 0 / 41 / 24 / 19

HEX #CE799D

RGB 206 121 157

HSL 334.59, 0.46%, 0.64%

LAB 60.98, 37.72, -4.94

 

CMYK 0 / 10 / 41 / 20

HEX #CDB978

RGB 205 185 120

HSL 45.88, 0.46%, 0.64%

LAB 75.47, -1.95, 35.55

 

CMYK 41 / 0 / 18 / 20

HEX #78CDA8

RGB 120 205 168

HSL 153.88, 0.46%, 0.64%

LAB 76.36, -34.21, 10.43

 

CMYK 41 / 32 / 0 / 20

HEX #788CCD

RGB 120 140 205

HSL 225.88, 0.46%, 0.64%

LAB 59.12, 9.47, -35.82

 

CMYK 0 / 41 / 24 / 19

HEX #CE799D

RGB 206 121 157

HSL 334.59, 0.46%, 0.64%

LAB 60.98, 37.72, -4.94

 

CMYK 3 / 0 / 41 / 20

HEX #C7CD78

RGB 199 205 120

HSL 64.24, 0.46%, 0.64%

LAB 80.27, -14.65, 41.54

 

CMYK 41 / 0 / 18 / 20

HEX #78CDA8

RGB 120 205 168

HSL 153.88, 0.46%, 0.64%

LAB 76.36, -34.21, 10.43

 

CMYK 39 / 41 / 0 / 20

HEX #7E78CD

RGB 126 120 205

HSL 244.24, 0.46%, 0.64%

LAB 54.32, 22.88, -43.34

 

Description

Color code: HEX #CE799D | qconv.com Color code: HEX #CE799D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 121 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 121 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 24 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 24% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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