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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE614C it is the complementary color #319EB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE614C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE614C shade: #D36147, #E4735A, #F5856D, #FF9780 and #FFA993

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE614C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE614C shade: #CE614C, #BD4F39, #AC3D26, #9B2B13 and #8A1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE614C shade: #CD5F4A and #CD4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE614C shade: #CD5F4A, #CD834A, #CDA64A, #CDC94A and #AECD4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE614C shade matches the following richer shades: #CD5F4A, #E05338 and #F24625

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE614C shade: #CD5F4A, #BB6C5D, #A8796F, #958582 and #839295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE614C shade: #CD4A7C, #CD4A5A, #CD5E4A, #CD814A and #CDA44A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE614C shade: #9B3C2A, #BB4933, #CD5F4A, #D67C6B and #DF998B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE614C shade: #CE614C, #9FCD4A and #4A6BCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE614C shade: #CE614C, #4ACD5E and #5E4ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE614C shade: #CE614C, #9FCD4A, #4ABACD and #784ACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE614C shade: #CE614C, #78CD4A, #4ABACD and #9F4ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 63 / 19

HEX #CE614C

RGB 206 97 76

HSL 9.69, 0.57%, 0.55%

LAB 54.23, 41.57, 32.43

 

Complementary color

CMYK 73 / 12 / 0 / 30

HEX #319EB3

RGB 49 158 179

HSL 189.69, 0.57%, 0.45%

LAB 60.21, -23.24, -19.73

 

CMYK 0 / 54 / 66 / 17

HEX #D36147

RGB 211 97 71

HSL 11.14, 0.61%, 0.55%

LAB 54.92, 43.14, 36.23

 

CMYK 0 / 50 / 61 / 11

HEX #E4735A

RGB 228 115 90

HSL 10.87, 0.72%, 0.62%

LAB 61.21, 41.78, 34

 

CMYK 0 / 46 / 56 / 4

HEX #F5856D

RGB 245 133 109

HSL 10.59, 0.87%, 0.69%

LAB 67.5, 40.49, 32.01

 

CMYK 0 / 41 / 50 / 0

HEX #FF9780

RGB 255 151 128

HSL 10.87, 1%, 0.75%

LAB 72.86, 36.65, 28.91

 

CMYK 0 / 34 / 42 / 0

HEX #FFA993

RGB 255 169 147

HSL 12.22, 1%, 0.79%

LAB 77.13, 29.16, 24.36

 

CMYK 0 / 53 / 63 / 19

HEX #CE614C

RGB 206 97 76

HSL 9.69, 0.57%, 0.55%

LAB 54.23, 41.57, 32.43

 

CMYK 0 / 58 / 70 / 26

HEX #BD4F39

RGB 189 79 57

HSL 10, 0.54%, 0.48%

LAB 47.89, 42.92, 34.89

 

CMYK 0 / 65 / 78 / 33

HEX #AC3D26

RGB 172 61 38

HSL 10.3, 0.64%, 0.41%

LAB 41.61, 44.21, 37.64

 

CMYK 0 / 72 / 88 / 39

HEX #9B2B13

RGB 155 43 19

HSL 10.59, 0.78%, 0.34%

LAB 35.49, 45.24, 40.41

 

CMYK 0 / 82 / 100 / 46

HEX #8A1900

RGB 138 25 0

HSL 10.87, 1%, 0.27%

LAB 29.66, 45.58, 42.46

 

CMYK 0 / 54 / 64 / 20

HEX #CD5F4A

RGB 205 95 74

HSL 9.62, 0.57%, 0.55%

LAB 53.66, 42.06, 32.82

 

CMYK 0 / 64 / 64 / 20

HEX #CD4A4A

RGB 205 74 74

HSL 0, 0.57%, 0.55%

LAB 49.94, 51.83, 28.21

 

CMYK 0 / 54 / 64 / 20

HEX #CD5F4A

RGB 205 95 74

HSL 9.62, 0.57%, 0.55%

LAB 53.66, 42.06, 32.82

 

CMYK 0 / 36 / 64 / 20

HEX #CD834A

RGB 205 131 74

HSL 26.11, 0.57%, 0.55%

LAB 61.4, 23.15, 42.05

 

CMYK 0 / 19 / 64 / 20

HEX #CDA64A

RGB 205 166 74

HSL 42.14, 0.57%, 0.55%

LAB 70, 4.17, 51.77

 

CMYK 0 / 2 / 64 / 20

HEX #CDC94A

RGB 205 201 74

HSL 58.17, 0.57%, 0.55%

LAB 79.18, -14.05, 61.63

 

CMYK 15 / 0 / 64 / 20

HEX #AECD4A

RGB 174 205 74

HSL 74.2, 0.57%, 0.55%

LAB 77.97, -28.71, 59.64

 

CMYK 0 / 54 / 64 / 20

HEX #CD5F4A

RGB 205 95 74

HSL 9.62, 0.57%, 0.55%

LAB 53.66, 42.06, 32.82

 

CMYK 0 / 63 / 75 / 12

HEX #E05338

RGB 224 83 56

HSL 9.64, 0.73%, 0.55%

LAB 54.36, 53.54, 44.26

 

CMYK 0 / 71 / 85 / 5

HEX #F24625

RGB 242 70 37

HSL 9.66, 0.89%, 0.55%

LAB 55.47, 63.92, 55.64

 

CMYK 0 / 54 / 64 / 20

HEX #CD5F4A

RGB 205 95 74

HSL 9.62, 0.57%, 0.55%

LAB 53.66, 42.06, 32.82

 

CMYK 0 / 42 / 50 / 27

HEX #BB6C5D

RGB 187 108 93

HSL 9.57, 0.41%, 0.55%

LAB 54.11, 29.82, 22.02

 

CMYK 0 / 28 / 34 / 34

HEX #A8796F

RGB 168 121 111

HSL 10.53, 0.25%, 0.55%

LAB 55.22, 16.97, 12.74

 

CMYK 0 / 11 / 13 / 42

HEX #958582

RGB 149 133 130

HSL 9.47, 0.08%, 0.55%

LAB 56.86, 5.51, 3.81

 

CMYK 12 / 2 / 0 / 42

HEX #839295

RGB 131 146 149

HSL 190, 0.08%, 0.55%

LAB 59.48, -4.73, -3.42

 

CMYK 0 / 64 / 40 / 20

HEX #CD4A7C

RGB 205 74 124

HSL 337.1, 0.57%, 0.55%

LAB 51.07, 56.04, -0.19

 

CMYK 0 / 64 / 56 / 20

HEX #CD4A5A

RGB 205 74 90

HSL 352.67, 0.57%, 0.55%

LAB 50.23, 52.93, 19.08

 

CMYK 0 / 54 / 64 / 20

HEX #CD5E4A

RGB 205 94 74

HSL 9.16, 0.57%, 0.55%

LAB 53.47, 42.56, 32.59

 

CMYK 0 / 37 / 64 / 20

HEX #CD814A

RGB 205 129 74

HSL 25.19, 0.57%, 0.55%

LAB 60.93, 24.23, 41.51

 

CMYK 0 / 20 / 64 / 20

HEX #CDA44A

RGB 205 164 74

HSL 41.22, 0.57%, 0.55%

LAB 69.49, 5.24, 51.2

 

CMYK 0 / 61 / 73 / 39

HEX #9B3C2A

RGB 155 60 42

HSL 9.56, 0.57%, 0.39%

LAB 38.49, 38.58, 31.15

 

CMYK 0 / 61 / 73 / 27

HEX #BB4933

RGB 187 73 51

HSL 9.71, 0.57%, 0.47%

LAB 46.4, 44.72, 36.45

 

CMYK 0 / 54 / 64 / 20

HEX #CD5F4A

RGB 205 95 74

HSL 9.62, 0.57%, 0.55%

LAB 53.66, 42.06, 32.82

 

CMYK 0 / 42 / 50 / 16

HEX #D67C6B

RGB 214 124 107

HSL 9.53, 0.57%, 0.63%

LAB 61.46, 33.15, 24.45

 

CMYK 0 / 31 / 38 / 13

HEX #DF998B

RGB 223 153 139

HSL 10, 0.57%, 0.71%

LAB 69.71, 24.5, 17.97

 

CMYK 0 / 53 / 63 / 19

HEX #CE614C

RGB 206 97 76

HSL 9.69, 0.57%, 0.55%

LAB 54.23, 41.57, 32.43

 

CMYK 22 / 0 / 64 / 20

HEX #9FCD4A

RGB 159 205 74

HSL 81.07, 0.57%, 0.55%

LAB 77, -34.57, 58.31

 

CMYK 64 / 48 / 0 / 20

HEX #4A6BCD

RGB 74 107 205

HSL 224.89, 0.57%, 0.55%

LAB 47.47, 19.3, -54.46

 

CMYK 0 / 53 / 63 / 19

HEX #CE614C

RGB 206 97 76

HSL 9.69, 0.57%, 0.55%

LAB 54.23, 41.57, 32.43

 

CMYK 64 / 0 / 54 / 20

HEX #4ACD5E

RGB 74 205 94

HSL 129.16, 0.57%, 0.55%

LAB 73.5, -58.4, 44.44

 

CMYK 54 / 64 / 0 / 20

HEX #5E4ACD

RGB 94 74 205

HSL 249.16, 0.57%, 0.55%

LAB 40.71, 43.14, -65.33

 

CMYK 0 / 53 / 63 / 19

HEX #CE614C

RGB 206 97 76

HSL 9.69, 0.57%, 0.55%

LAB 54.23, 41.57, 32.43

 

CMYK 22 / 0 / 64 / 20

HEX #9FCD4A

RGB 159 205 74

HSL 81.07, 0.57%, 0.55%

LAB 77, -34.57, 58.31

 

CMYK 64 / 9 / 0 / 20

HEX #4ABACD

RGB 74 186 205

HSL 188.7, 0.57%, 0.55%

LAB 70.16, -25.74, -18.99

 

CMYK 41 / 64 / 0 / 20

HEX #784ACD

RGB 120 74 205

HSL 261.07, 0.57%, 0.55%

LAB 43.21, 48.08, -61.16

 

CMYK 0 / 53 / 63 / 19

HEX #CE614C

RGB 206 97 76

HSL 9.69, 0.57%, 0.55%

LAB 54.23, 41.57, 32.43

 

CMYK 41 / 0 / 64 / 20

HEX #78CD4A

RGB 120 205 74

HSL 98.93, 0.57%, 0.55%

LAB 74.92, -48.41, 55.46

 

CMYK 64 / 9 / 0 / 20

HEX #4ABACD

RGB 74 186 205

HSL 188.7, 0.57%, 0.55%

LAB 70.16, -25.74, -18.99

 

CMYK 22 / 64 / 0 / 20

HEX #9F4ACD

RGB 159 74 205

HSL 278.93, 0.57%, 0.55%

LAB 47.85, 56.55, -53.44

 

Description

Color code: HEX #CE614C | qconv.com Color code: HEX #CE614C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 97 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 97 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 63 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 63% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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