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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6978 it is the complementary color #319687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6978 shade: #D36973, #E47B86, #F58D99, #FF9FAC and #FFB1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6978 shade: #CE6978, #BD5765, #AC4552, #9B333F and #8A212C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6978 shade: #CE6877 and #CE6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6978 shade: #CE6877, #CE6893, #CE68AE, #CE68C9 and #B768CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6978 shade matches the following richer shades: #CE6877, #DE586C, #EE4861 and #FE3855

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6978 shade: #CE6877, #BE7883, #AE898E, #9D9999 and #8DA9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6978 shade: #CE68AE, #CE6893, #CE6878, #CE7468 and #CE8F68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6978 shade: #AC3849, #C4495B, #CE6877, #D88793 and #E2A7AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6978 shade: #CE6978, #C9CE68 and #68A0CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6978 shade: #CE6978, #78CE68 and #6878CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6978 shade: #CE6978, #C9CE68, #68CEBF and #6D68CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6978 shade: #CE6978, #AACE68, #68CEBF and #8C68CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 42 / 19

HEX #CE6978

RGB 206 105 120

HSL 351.09, 0.51%, 0.61%

LAB 56.66, 41.36, 10.23

 

Complementary color

CMYK 67 / 0 / 10 / 41

HEX #319687

RGB 49 150 135

HSL 171.09, 0.51%, 0.39%

LAB 56.3, -32.46, -0.56

 

CMYK 0 / 50 / 45 / 17

HEX #D36973

RGB 211 105 115

HSL 354.34, 0.55%, 0.62%

LAB 57.26, 42.64, 14.09

 

CMYK 0 / 46 / 41 / 11

HEX #E47B86

RGB 228 123 134

HSL 353.71, 0.66%, 0.69%

LAB 63.66, 41.62, 12.44

 

CMYK 0 / 42 / 38 / 4

HEX #F58D99

RGB 245 141 153

HSL 353.08, 0.84%, 0.76%

LAB 70.01, 40.64, 11.01

 

CMYK 0 / 38 / 33 / 0

HEX #FF9FAC

RGB 255 159 172

HSL 351.88, 1%, 0.81%

LAB 75.47, 37.21, 8.43

 

CMYK 0 / 31 / 25 / 0

HEX #FFB1BF

RGB 255 177 191

HSL 349.23, 1%, 0.85%

LAB 79.88, 30.31, 4.41

 

CMYK 0 / 49 / 42 / 19

HEX #CE6978

RGB 206 105 120

HSL 351.09, 0.51%, 0.61%

LAB 56.66, 41.36, 10.23

 

CMYK 0 / 54 / 47 / 26

HEX #BD5765

RGB 189 87 101

HSL 351.76, 0.44%, 0.54%

LAB 50.19, 42.36, 12.01

 

CMYK 0 / 60 / 52 / 33

HEX #AC4552

RGB 172 69 82

HSL 352.43, 0.43%, 0.47%

LAB 43.71, 43.3, 14.16

 

CMYK 0 / 67 / 59 / 39

HEX #9B333F

RGB 155 51 63

HSL 353.08, 0.5%, 0.4%

LAB 37.29, 44.05, 16.84

 

CMYK 0 / 76 / 68 / 46

HEX #8A212C

RGB 138 33 44

HSL 353.71, 0.61%, 0.34%

LAB 31.05, 44.35, 20.28

 

CMYK 0 / 50 / 42 / 19

HEX #CE6877

RGB 206 104 119

HSL 351.18, 0.51%, 0.61%

LAB 56.44, 41.76, 10.5

 

CMYK 0 / 50 / 50 / 19

HEX #CE6868

RGB 206 104 104

HSL 0, 0.51%, 0.61%

LAB 56.11, 40.26, 18.79

 

CMYK 0 / 50 / 42 / 19

HEX #CE6877

RGB 206 104 119

HSL 351.18, 0.51%, 0.61%

LAB 56.44, 41.76, 10.5

 

CMYK 0 / 50 / 29 / 19

HEX #CE6893

RGB 206 104 147

HSL 334.71, 0.51%, 0.61%

LAB 57.2, 45.13, -4.76

 

CMYK 0 / 50 / 16 / 19

HEX #CE68AE

RGB 206 104 174

HSL 318.82, 0.51%, 0.61%

LAB 58.11, 49.04, -19.04

 

CMYK 0 / 50 / 2 / 19

HEX #CE68C9

RGB 206 104 201

HSL 302.94, 0.51%, 0.61%

LAB 59.2, 53.51, -32.81

 

CMYK 11 / 50 / 0 / 19

HEX #B768CE

RGB 183 104 206

HSL 286.47, 0.51%, 0.61%

LAB 56.51, 47.94, -40.06

 

CMYK 0 / 50 / 42 / 19

HEX #CE6877

RGB 206 104 119

HSL 351.18, 0.51%, 0.61%

LAB 56.44, 41.76, 10.5

 

CMYK 0 / 60 / 51 / 13

HEX #DE586C

RGB 222 88 108

HSL 351.04, 0.67%, 0.61%

LAB 55.68, 53.88, 16.25

 

CMYK 0 / 70 / 59 / 7

HEX #EE4861

RGB 238 72 97

HSL 350.96, 0.83%, 0.61%

LAB 55.76, 64.55, 23.3

 

CMYK 0 / 78 / 67 / 0

HEX #FE3855

RGB 254 56 85

HSL 351.21, 0.99%, 0.61%

LAB 56.64, 73.47, 32.04

 

CMYK 0 / 50 / 42 / 19

HEX #CE6877

RGB 206 104 119

HSL 351.18, 0.51%, 0.61%

LAB 56.44, 41.76, 10.5

 

CMYK 0 / 37 / 31 / 25

HEX #BE7883

RGB 190 120 131

HSL 350.57, 0.35%, 0.61%

LAB 58.05, 28.81, 5.53

 

CMYK 0 / 21 / 18 / 32

HEX #AE898E

RGB 174 137 142

HSL 351.89, 0.19%, 0.61%

LAB 60.64, 14.86, 2.71

 

CMYK 0 / 3 / 3 / 38

HEX #9D9999

RGB 157 153 153

HSL 0, 0.02%, 0.61%

LAB 63.55, 1.46, 0.51

 

CMYK 17 / 0 / 2 / 34

HEX #8DA9A5

RGB 141 169 165

HSL 171.43, 0.14%, 0.61%

LAB 67.09, -10.45, -1.17

 

CMYK 0 / 50 / 16 / 19

HEX #CE68AE

RGB 206 104 174

HSL 318.82, 0.51%, 0.61%

LAB 58.11, 49.04, -19.04

 

CMYK 0 / 50 / 29 / 19

HEX #CE6893

RGB 206 104 147

HSL 334.71, 0.51%, 0.61%

LAB 57.2, 45.13, -4.76

 

CMYK 0 / 50 / 42 / 19

HEX #CE6878

RGB 206 104 120

HSL 350.59, 0.51%, 0.61%

LAB 56.46, 41.87, 9.95

 

CMYK 0 / 44 / 50 / 19

HEX #CE7468

RGB 206 116 104

HSL 7.06, 0.51%, 0.61%

LAB 58.61, 34.01, 22.16

 

CMYK 0 / 31 / 50 / 19

HEX #CE8F68

RGB 206 143 104

HSL 22.94, 0.51%, 0.61%

LAB 64.78, 19.44, 30.28

 

CMYK 0 / 67 / 58 / 33

HEX #AC3849

RGB 172 56 73

HSL 351.21, 0.51%, 0.45%

LAB 41.34, 48.38, 16.52

 

CMYK 0 / 63 / 54 / 23

HEX #C4495B

RGB 196 73 91

HSL 351.22, 0.51%, 0.53%

LAB 48.58, 50.46, 15.98

 

CMYK 0 / 50 / 42 / 19

HEX #CE6877

RGB 206 104 119

HSL 351.18, 0.51%, 0.61%

LAB 56.44, 41.76, 10.5

 

CMYK 0 / 38 / 32 / 15

HEX #D88793

RGB 216 135 147

HSL 351.11, 0.51%, 0.69%

LAB 64.99, 32.5, 6.74

 

CMYK 0 / 26 / 23 / 11

HEX #E2A7AF

RGB 226 167 175

HSL 351.86, 0.5%, 0.77%

LAB 74.13, 22.86, 4.43

 

CMYK 0 / 49 / 42 / 19

HEX #CE6978

RGB 206 105 120

HSL 351.09, 0.51%, 0.61%

LAB 56.66, 41.36, 10.23

 

CMYK 2 / 0 / 50 / 19

HEX #C9CE68

RGB 201 206 104

HSL 62.94, 0.51%, 0.61%

LAB 80.49, -15.94, 49.65

 

CMYK 50 / 22 / 0 / 19

HEX #68A0CE

RGB 104 160 206

HSL 207.06, 0.51%, 0.61%

LAB 63.79, -5.69, -29.2

 

CMYK 0 / 49 / 42 / 19

HEX #CE6978

RGB 206 105 120

HSL 351.09, 0.51%, 0.61%

LAB 56.66, 41.36, 10.23

 

CMYK 42 / 0 / 50 / 19

HEX #78CE68

RGB 120 206 104

HSL 110.59, 0.51%, 0.61%

LAB 75.54, -45.57, 42.49

 

CMYK 50 / 42 / 0 / 19

HEX #6878CE

RGB 104 120 206

HSL 230.59, 0.51%, 0.61%

LAB 52.77, 17.71, -46.47

 

CMYK 0 / 49 / 42 / 19

HEX #CE6978

RGB 206 105 120

HSL 351.09, 0.51%, 0.61%

LAB 56.66, 41.36, 10.23

 

CMYK 2 / 0 / 50 / 19

HEX #C9CE68

RGB 201 206 104

HSL 62.94, 0.51%, 0.61%

LAB 80.49, -15.94, 49.65

 

CMYK 50 / 0 / 7 / 19

HEX #68CEBF

RGB 104 206 191

HSL 171.18, 0.51%, 0.61%

LAB 76.59, -33.39, -1.69

 

CMYK 47 / 50 / 0 / 19

HEX #6D68CE

RGB 109 104 206

HSL 242.94, 0.51%, 0.61%

LAB 49.02, 28.59, -52.42

 

CMYK 0 / 49 / 42 / 19

HEX #CE6978

RGB 206 105 120

HSL 351.09, 0.51%, 0.61%

LAB 56.66, 41.36, 10.23

 

CMYK 17 / 0 / 50 / 19

HEX #AACE68

RGB 170 206 104

HSL 81.18, 0.51%, 0.61%

LAB 78.28, -28.13, 46.47

 

CMYK 50 / 0 / 7 / 19

HEX #68CEBF

RGB 104 206 191

HSL 171.18, 0.51%, 0.61%

LAB 76.59, -33.39, -1.69

 

CMYK 32 / 50 / 0 / 19

HEX #8C68CE

RGB 140 104 206

HSL 261.18, 0.51%, 0.61%

LAB 51.76, 36.23, -47.89

 

Description

Color code: HEX #CE6978 | qconv.com Color code: HEX #CE6978 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 105 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 105 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 42 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 42% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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