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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6857 it is the complementary color #3197A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6857 shade: #D36852, #E47A65, #F58C78, #FF9E8B and #FFB09E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6857 shade: #CE6857, #BD5644, #AC4431, #9B321E and #8A200B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6857 shade: #CD6655 and #CD5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6857 shade: #CD6655, #CD8655, #CDA755, #CDC755 and #B2CD55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6857 shade matches the following richer shades: #CD6655, #DF5943 and #F14C31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6857 shade: #CD6655, #BB7266, #AA7F78, #988C8A and #86989C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6857 shade: #CD5585, #CD5565, #CD6555, #CD8555 and #CDA555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6857 shade: #A13F2E, #C14B38, #CD6655, #D68375 and #E09F94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6857 shade: #CE6857, #A5CD55 and #5575CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6857 shade: #CE6857, #55CD65 and #6555CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6857 shade: #CE6857, #A5CD55, #55BDCD and #7D55CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6857 shade: #CE6857, #81CD55, #55BDCD and #A155CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 58 / 19

HEX #CE6857

RGB 206 104 87

HSL 8.57, 0.55%, 0.57%

LAB 55.8, 38.82, 28.16

 

Complementary color

CMYK 71 / 10 / 0 / 34

HEX #3197A8

RGB 49 151 168

HSL 188.57, 0.55%, 0.43%

LAB 57.67, -23.14, -17.37

 

CMYK 0 / 51 / 61 / 17

HEX #D36852

RGB 211 104 82

HSL 10.23, 0.59%, 0.57%

LAB 56.45, 40.35, 31.96

 

CMYK 0 / 46 / 56 / 11

HEX #E47A65

RGB 228 122 101

HSL 9.92, 0.7%, 0.65%

LAB 62.8, 39.05, 29.92

 

CMYK 0 / 43 / 51 / 4

HEX #F58C78

RGB 245 140 120

HSL 9.6, 0.86%, 0.72%

LAB 69.13, 37.83, 28.11

 

CMYK 0 / 38 / 45 / 0

HEX #FF9E8B

RGB 255 158 139

HSL 9.83, 1%, 0.77%

LAB 74.56, 34.07, 25.21

 

CMYK 0 / 31 / 38 / 0

HEX #FFB09E

RGB 255 176 158

HSL 11.13, 1%, 0.81%

LAB 78.91, 26.69, 20.88

 

CMYK 0 / 50 / 58 / 19

HEX #CE6857

RGB 206 104 87

HSL 8.57, 0.55%, 0.57%

LAB 55.8, 38.82, 28.16

 

CMYK 0 / 54 / 64 / 26

HEX #BD5644

RGB 189 86 68

HSL 8.93, 0.48%, 0.5%

LAB 49.36, 40.14, 30.4

 

CMYK 0 / 60 / 72 / 33

HEX #AC4431

RGB 172 68 49

HSL 9.27, 0.56%, 0.43%

LAB 42.95, 41.46, 32.99

 

CMYK 0 / 68 / 81 / 39

HEX #9B321E

RGB 155 50 30

HSL 9.6, 0.68%, 0.36%

LAB 36.64, 42.67, 35.9

 

CMYK 0 / 77 / 92 / 46

HEX #8A200B

RGB 138 32 11

HSL 9.92, 0.85%, 0.29%

LAB 30.55, 43.46, 38.64

 

CMYK 0 / 50 / 59 / 20

HEX #CD6655

RGB 205 102 85

HSL 8.5, 0.55%, 0.57%

LAB 55.21, 39.31, 28.53

 

CMYK 0 / 59 / 59 / 20

HEX #CD5555

RGB 205 85 85

HSL 0, 0.55%, 0.57%

LAB 51.99, 47.63, 24.36

 

CMYK 0 / 50 / 59 / 20

HEX #CD6655

RGB 205 102 85

HSL 8.5, 0.55%, 0.57%

LAB 55.21, 39.31, 28.53

 

CMYK 0 / 35 / 59 / 20

HEX #CD8655

RGB 205 134 85

HSL 24.5, 0.55%, 0.57%

LAB 62.24, 22.3, 37.3

 

CMYK 0 / 19 / 59 / 20

HEX #CDA755

RGB 205 167 85

HSL 41, 0.55%, 0.57%

LAB 70.37, 4.4, 46.97

 

CMYK 0 / 3 / 59 / 20

HEX #CDC755

RGB 205 199 85

HSL 57, 0.55%, 0.57%

LAB 78.74, -12.31, 56.46

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD55

RGB 178 205 85

HSL 73.5, 0.55%, 0.57%

LAB 78.34, -26.29, 55.44

 

CMYK 0 / 50 / 59 / 20

HEX #CD6655

RGB 205 102 85

HSL 8.5, 0.55%, 0.57%

LAB 55.21, 39.31, 28.53

 

CMYK 0 / 60 / 70 / 13

HEX #DF5943

RGB 223 89 67

HSL 8.46, 0.71%, 0.57%

LAB 55.32, 51.04, 39.37

 

CMYK 0 / 68 / 80 / 5

HEX #F14C31

RGB 241 76 49

HSL 8.44, 0.87%, 0.57%

LAB 56.18, 61.74, 50.61

 

CMYK 0 / 50 / 59 / 20

HEX #CD6655

RGB 205 102 85

HSL 8.5, 0.55%, 0.57%

LAB 55.21, 39.31, 28.53

 

CMYK 0 / 39 / 45 / 27

HEX #BB7266

RGB 187 114 102

HSL 8.47, 0.38%, 0.57%

LAB 55.64, 27.45, 18.88

 

CMYK 0 / 25 / 29 / 33

HEX #AA7F78

RGB 170 127 120

HSL 8.4, 0.23%, 0.57%

LAB 57.15, 15.61, 10.29

 

CMYK 0 / 8 / 9 / 40

HEX #988C8A

RGB 152 140 138

HSL 8.57, 0.06%, 0.57%

LAB 59.22, 4.11, 2.67

 

CMYK 14 / 3 / 0 / 39

HEX #86989C

RGB 134 152 156

HSL 190.91, 0.1%, 0.57%

LAB 61.59, -5.51, -4.27

 

CMYK 0 / 59 / 35 / 20

HEX #CD5585

RGB 205 85 133

HSL 336, 0.55%, 0.57%

LAB 53.13, 52.21, -2.54

 

CMYK 0 / 59 / 51 / 20

HEX #CD5565

RGB 205 85 101

HSL 352, 0.55%, 0.57%

LAB 52.3, 48.92, 15.33

 

CMYK 0 / 51 / 59 / 20

HEX #CD6555

RGB 205 101 85

HSL 8, 0.55%, 0.57%

LAB 55.01, 39.81, 28.27

 

CMYK 0 / 35 / 59 / 20

HEX #CD8555

RGB 205 133 85

HSL 24, 0.55%, 0.57%

LAB 62.01, 22.84, 37.01

 

CMYK 0 / 20 / 59 / 20

HEX #CDA555

RGB 205 165 85

HSL 40, 0.55%, 0.57%

LAB 69.86, 5.47, 46.37

 

CMYK 0 / 61 / 71 / 37

HEX #A13F2E

RGB 161 63 46

HSL 8.87, 0.56%, 0.41%

LAB 40.13, 39.6, 30.98

 

CMYK 0 / 61 / 71 / 24

HEX #C14B38

RGB 193 75 56

HSL 8.32, 0.55%, 0.49%

LAB 47.82, 46.21, 35.54

 

CMYK 0 / 50 / 59 / 20

HEX #CD6655

RGB 205 102 85

HSL 8.5, 0.55%, 0.57%

LAB 55.21, 39.31, 28.53

 

CMYK 0 / 39 / 45 / 16

HEX #D68375

RGB 214 131 117

HSL 8.66, 0.54%, 0.65%

LAB 63.19, 30.4, 21.14

 

CMYK 0 / 29 / 34 / 12

HEX #E09F94

RGB 224 159 148

HSL 8.68, 0.55%, 0.73%

LAB 71.41, 22.75, 15.39

 

CMYK 0 / 50 / 58 / 19

HEX #CE6857

RGB 206 104 87

HSL 8.57, 0.55%, 0.57%

LAB 55.8, 38.82, 28.16

 

CMYK 20 / 0 / 59 / 20

HEX #A5CD55

RGB 165 205 85

HSL 80, 0.55%, 0.57%

LAB 77.47, -31.38, 54.23

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 0 / 50 / 58 / 19

HEX #CE6857

RGB 206 104 87

HSL 8.57, 0.55%, 0.57%

LAB 55.8, 38.82, 28.16

 

CMYK 59 / 0 / 51 / 20

HEX #55CD65

RGB 85 205 101

HSL 128, 0.55%, 0.57%

LAB 73.89, -55.06, 41.63

 

CMYK 51 / 59 / 0 / 20

HEX #6555CD

RGB 101 85 205

HSL 248, 0.55%, 0.57%

LAB 43.76, 38, -60.35

 

CMYK 0 / 50 / 58 / 19

HEX #CE6857

RGB 206 104 87

HSL 8.57, 0.55%, 0.57%

LAB 55.8, 38.82, 28.16

 

CMYK 20 / 0 / 59 / 20

HEX #A5CD55

RGB 165 205 85

HSL 80, 0.55%, 0.57%

LAB 77.47, -31.38, 54.23

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 39 / 59 / 0 / 20

HEX #7D55CD

RGB 125 85 205

HSL 260, 0.55%, 0.57%

LAB 45.99, 43.11, -56.63

 

CMYK 0 / 50 / 58 / 19

HEX #CE6857

RGB 206 104 87

HSL 8.57, 0.55%, 0.57%

LAB 55.8, 38.82, 28.16

 

CMYK 37 / 0 / 59 / 20

HEX #81CD55

RGB 129 205 85

HSL 98, 0.55%, 0.57%

LAB 75.44, -44.42, 51.39

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 21 / 59 / 0 / 20

HEX #A155CD

RGB 161 85 205

HSL 278, 0.55%, 0.57%

LAB 50.08, 51.67, -49.86

 

Description

Color code: HEX #CE6857 | qconv.com Color code: HEX #CE6857 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 104 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 104 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 58 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 58% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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