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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6658 it is the complementary color #3199A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6658. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6658 shade: #D36653, #E47866, #F58A79, #FF9C8C and #FFAE9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6658. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6658 shade: #CE6658, #BD5445, #AC4232, #9B301F and #8A1E0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6658 shade: #CE6658 and #CE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6658 shade: #CE6658, #CE8658, #CEA658, #CEC658 and #B7CE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6658 shade matches the following richer shades: #CE6658, #E05947 and #F14C36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6658 shade: #CE6658, #BD746A, #AC817B, #9A8E8C and #899B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6658 shade: #CE588A, #CE586A, #CE6658, #CE8658 and #CEA558

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6658 shade: #A53D2F, #C54939, #CE6658, #D88478 and #E1A198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6658 shade: #CE6658, #A9CE58 and #587ACE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6658 shade: #CE6658, #58CE66 and #6658CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6658 shade: #CE6658, #A9CE58, #58C1CE and #7E58CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6658 shade: #CE6658, #86CE58, #58C1CE and #A158CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

Complementary color

CMYK 71 / 8 / 0 / 35

HEX #3199A7

RGB 49 153 167

HSL 187.12, 0.55%, 0.42%

LAB 58.25, -24.48, -15.92

 

CMYK 0 / 52 / 61 / 17

HEX #D36653

RGB 211 102 83

HSL 8.91, 0.59%, 0.58%

LAB 56.06, 41.43, 30.92

 

CMYK 0 / 47 / 55 / 11

HEX #E47866

RGB 228 120 102

HSL 8.57, 0.7%, 0.65%

LAB 62.41, 40.15, 28.86

 

CMYK 0 / 44 / 51 / 4

HEX #F58A79

RGB 245 138 121

HSL 8.23, 0.86%, 0.72%

LAB 68.73, 38.94, 27.03

 

CMYK 0 / 39 / 45 / 0

HEX #FF9C8C

RGB 255 156 140

HSL 8.35, 1%, 0.77%

LAB 74.15, 35.2, 24.11

 

CMYK 0 / 32 / 38 / 0

HEX #FFAE9F

RGB 255 174 159

HSL 9.38, 1%, 0.81%

LAB 78.48, 27.85, 19.74

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 56 / 63 / 26

HEX #BD5445

RGB 189 84 69

HSL 7.5, 0.48%, 0.51%

LAB 48.99, 41.2, 29.37

 

CMYK 0 / 62 / 71 / 33

HEX #AC4232

RGB 172 66 50

HSL 7.87, 0.55%, 0.44%

LAB 42.61, 42.46, 32.02

 

CMYK 0 / 69 / 80 / 39

HEX #9B301F

RGB 155 48 31

HSL 8.23, 0.67%, 0.36%

LAB 36.33, 43.56, 35.04

 

CMYK 0 / 78 / 91 / 46

HEX #8A1E0C

RGB 138 30 12

HSL 8.57, 0.84%, 0.29%

LAB 30.3, 44.18, 38.02

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 57 / 57 / 19

HEX #CE5858

RGB 206 88 88

HSL 0, 0.55%, 0.58%

LAB 52.74, 46.8, 23.62

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 35 / 57 / 19

HEX #CE8658

RGB 206 134 88

HSL 23.39, 0.55%, 0.58%

LAB 62.4, 22.95, 35.92

 

CMYK 0 / 19 / 57 / 19

HEX #CEA658

RGB 206 166 88

HSL 39.66, 0.55%, 0.58%

LAB 70.25, 5.59, 45.38

 

CMYK 0 / 4 / 57 / 19

HEX #CEC658

RGB 206 198 88

HSL 55.93, 0.55%, 0.58%

LAB 78.59, -11.17, 54.97

 

CMYK 11 / 0 / 57 / 19

HEX #B7CE58

RGB 183 206 88

HSL 71.69, 0.55%, 0.58%

LAB 78.99, -24.54, 54.94

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 60 / 68 / 12

HEX #E05947

RGB 224 89 71

HSL 7.06, 0.71%, 0.58%

LAB 55.53, 51.59, 37.45

 

CMYK 0 / 68 / 78 / 5

HEX #F14C36

RGB 241 76 54

HSL 7.06, 0.87%, 0.58%

LAB 56.22, 61.9, 48.14

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 39 / 44 / 26

HEX #BD746A

RGB 189 116 106

HSL 7.23, 0.39%, 0.58%

LAB 56.44, 27.57, 17.7

 

CMYK 0 / 25 / 28 / 33

HEX #AC817B

RGB 172 129 123

HSL 7.35, 0.23%, 0.58%

LAB 57.94, 15.7, 9.7

 

CMYK 0 / 8 / 9 / 40

HEX #9A8E8C

RGB 154 142 140

HSL 8.57, 0.06%, 0.58%

LAB 59.99, 4.1, 2.67

 

CMYK 13 / 2 / 0 / 38

HEX #899B9E

RGB 137 155 158

HSL 188.57, 0.1%, 0.58%

LAB 62.7, -5.71, -3.73

 

CMYK 0 / 57 / 33 / 19

HEX #CE588A

RGB 206 88 138

HSL 334.58, 0.55%, 0.58%

LAB 53.96, 51.75, -4.27

 

CMYK 0 / 57 / 49 / 19

HEX #CE586A

RGB 206 88 106

HSL 350.85, 0.55%, 0.58%

LAB 53.1, 48.31, 13.49

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 35 / 57 / 19

HEX #CE8658

RGB 206 134 88

HSL 23.39, 0.55%, 0.58%

LAB 62.4, 22.95, 35.92

 

CMYK 0 / 20 / 57 / 19

HEX #CEA558

RGB 206 165 88

HSL 39.15, 0.55%, 0.58%

LAB 69.99, 6.12, 45.08

 

CMYK 0 / 63 / 72 / 35

HEX #A53D2F

RGB 165 61 47

HSL 7.12, 0.56%, 0.42%

LAB 40.48, 42.08, 30.98

 

CMYK 0 / 63 / 71 / 23

HEX #C54939

RGB 197 73 57

HSL 6.86, 0.55%, 0.5%

LAB 48.17, 48.58, 35.56

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 39 / 44 / 15

HEX #D88478

RGB 216 132 120

HSL 7.5, 0.55%, 0.66%

LAB 63.72, 30.95, 20.22

 

CMYK 0 / 28 / 32 / 12

HEX #E1A198

RGB 225 161 152

HSL 7.4, 0.55%, 0.74%

LAB 72.07, 22.56, 14.13

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 18 / 0 / 57 / 19

HEX #A9CE58

RGB 169 206 88

HSL 78.81, 0.55%, 0.58%

LAB 78.04, -30.05, 53.61

 

CMYK 57 / 41 / 0 / 19

HEX #587ACE

RGB 88 122 206

HSL 222.71, 0.55%, 0.58%

LAB 52.34, 13, -47.2

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 57 / 0 / 50 / 19

HEX #58CE66

RGB 88 206 102

HSL 127.12, 0.55%, 0.58%

LAB 74.3, -54.6, 41.67

 

CMYK 50 / 57 / 0 / 19

HEX #6658CE

RGB 102 88 206

HSL 247.12, 0.55%, 0.58%

LAB 44.6, 36.71, -59.56

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 18 / 0 / 57 / 19

HEX #A9CE58

RGB 169 206 88

HSL 78.81, 0.55%, 0.58%

LAB 78.04, -30.05, 53.61

 

CMYK 57 / 6 / 0 / 19

HEX #58C1CE

RGB 88 193 206

HSL 186.61, 0.55%, 0.58%

LAB 72.67, -26.47, -15.7

 

CMYK 39 / 57 / 0 / 19

HEX #7E58CE

RGB 126 88 206

HSL 259.32, 0.55%, 0.58%

LAB 46.81, 41.92, -55.89

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 35 / 0 / 57 / 19

HEX #86CE58

RGB 134 206 88

HSL 96.61, 0.55%, 0.58%

LAB 76.02, -42.86, 50.76

 

CMYK 57 / 6 / 0 / 19

HEX #58C1CE

RGB 88 193 206

HSL 186.61, 0.55%, 0.58%

LAB 72.67, -26.47, -15.7

 

CMYK 22 / 57 / 0 / 19

HEX #A158CE

RGB 161 88 206

HSL 277.12, 0.55%, 0.58%

LAB 50.7, 50.36, -49.43

 

Description

Color code: HEX #CE6658 | qconv.com Color code: HEX #CE6658 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 102 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 102 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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