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Color name
HEX #CE641B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE641B it is the complementary color #319BE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE641B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE641B shade: #D36416, #E47629, #F5883C, #FF9A4F and #FFAC62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE641B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE641B shade: #CE641B, #BD5208, #AC4000, #9B2E00 and #8A1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE641B shade: #CF641A, #CF331A and #CF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE641B shade: #CF641A, #CF951A, #CFC61A, #A8CF1A and #77CF1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE641B shade matches the following richer shades: #CF641A and #E26107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE641B shade: #CF641A, #BC682D, #A96B40, #966F53 and #837266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE641B shade: #CF1A33, #CF331A, #CF631A, #CF931A and #CFC31A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE641B shade: #864111, #AB5216, #CF641A, #E4792F and #E89054

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE641B shade: #CE641B, #63CF1A and #1A1ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE641B shade: #CE641B, #1ACF63 and #631ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE641B shade: #CE641B, #63CF1A, #1A87CF and #871ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE641B shade: #CE641B, #2DCF1A, #1A87CF and #BD1ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 87 / 19

HEX #CE641B

RGB 206 100 27

HSL 24.47, 0.77%, 0.46%

LAB 54.36, 37.94, 56.23

 

Complementary color

CMYK 79 / 32 / 0 / 11

HEX #319BE4

RGB 49 155 228

HSL 204.47, 0.77%, 0.54%

LAB 61.39, -4.94, -45.3

 

CMYK 0 / 53 / 90 / 17

HEX #D36416

RGB 211 100 22

HSL 24.76, 0.81%, 0.46%

LAB 55.09, 39.82, 58.75

 

CMYK 0 / 48 / 82 / 11

HEX #E47629

RGB 228 118 41

HSL 24.71, 0.78%, 0.53%

LAB 61.32, 37.88, 58.21

 

CMYK 0 / 44 / 76 / 4

HEX #F5883C

RGB 245 136 60

HSL 24.65, 0.9%, 0.6%

LAB 67.54, 36.09, 56.93

 

CMYK 0 / 40 / 69 / 0

HEX #FF9A4F

RGB 255 154 79

HSL 25.57, 1%, 0.65%

LAB 72.85, 31.67, 54.17

 

CMYK 0 / 33 / 62 / 0

HEX #FFAC62

RGB 255 172 98

HSL 28.28, 1%, 0.69%

LAB 77.07, 23.42, 49.78

 

CMYK 0 / 51 / 87 / 19

HEX #CE641B

RGB 206 100 27

HSL 24.47, 0.77%, 0.46%

LAB 54.36, 37.94, 56.23

 

CMYK 0 / 57 / 96 / 26

HEX #BD5208

RGB 189 82 8

HSL 24.53, 0.92%, 0.39%

LAB 48.1, 39.96, 55.88

 

CMYK 0 / 63 / 100 / 33

HEX #AC4000

RGB 172 64 0

HSL 22.33, 1%, 0.34%

LAB 41.9, 41.98, 52.9

 

CMYK 0 / 70 / 100 / 39

HEX #9B2E00

RGB 155 46 0

HSL 17.81, 1%, 0.3%

LAB 35.83, 43.71, 48.08

 

CMYK 0 / 80 / 100 / 46

HEX #8A1C00

RGB 138 28 0

HSL 12.17, 1%, 0.27%

LAB 29.99, 44.64, 42.72

 

CMYK 0 / 52 / 87 / 19

HEX #CF641A

RGB 207 100 26

HSL 24.53, 0.78%, 0.46%

LAB 54.51, 38.32, 56.75

 

CMYK 0 / 75 / 87 / 19

HEX #CF331A

RGB 207 51 26

HSL 8.29, 0.78%, 0.46%

LAB 46.59, 59.32, 50.46

 

CMYK 0 / 87 / 87 / 19

HEX #CF1A1A

RGB 207 26 26

HSL 0, 0.78%, 0.46%

LAB 44.35, 65.66, 48.68

 

CMYK 0 / 52 / 87 / 19

HEX #CF641A

RGB 207 100 26

HSL 24.53, 0.78%, 0.46%

LAB 54.51, 38.32, 56.75

 

CMYK 0 / 28 / 87 / 19

HEX #CF951A

RGB 207 149 26

HSL 40.77, 0.78%, 0.46%

LAB 65.62, 12.17, 65.61

 

CMYK 0 / 4 / 87 / 19

HEX #CFC61A

RGB 207 198 26

HSL 57.02, 0.78%, 0.46%

LAB 78.3, -13.59, 75.74

 

CMYK 19 / 0 / 87 / 19

HEX #A8CF1A

RGB 168 207 26

HSL 72.93, 0.78%, 0.46%

LAB 77.89, -34.27, 74.2

 

CMYK 43 / 0 / 87 / 19

HEX #77CF1A

RGB 119 207 26

HSL 89.17, 0.78%, 0.46%

LAB 75.22, -52.33, 70.88

 

CMYK 0 / 52 / 87 / 19

HEX #CF641A

RGB 207 100 26

HSL 24.53, 0.78%, 0.46%

LAB 54.51, 38.32, 56.75

 

CMYK 0 / 57 / 97 / 11

HEX #E26107

RGB 226 97 7

HSL 24.66, 0.94%, 0.46%

LAB 56.81, 46.82, 64.51

 

CMYK 0 / 52 / 87 / 19

HEX #CF641A

RGB 207 100 26

HSL 24.53, 0.78%, 0.46%

LAB 54.51, 38.32, 56.75

 

CMYK 0 / 45 / 76 / 26

HEX #BC682D

RGB 188 104 45

HSL 24.76, 0.61%, 0.46%

LAB 52.71, 29.09, 46.3

 

CMYK 0 / 37 / 62 / 34

HEX #A96B40

RGB 169 107 64

HSL 24.57, 0.45%, 0.46%

LAB 51.06, 20.46, 34.03

 

CMYK 0 / 26 / 45 / 41

HEX #966F53

RGB 150 111 83

HSL 25.07, 0.29%, 0.46%

LAB 50.07, 11.73, 21.61

 

CMYK 0 / 13 / 22 / 49

HEX #837266

RGB 131 114 102

HSL 24.83, 0.12%, 0.46%

LAB 49.28, 4.57, 9.08

 

CMYK 0 / 87 / 75 / 19

HEX #CF1A33

RGB 207 26 51

HSL 351.71, 0.78%, 0.46%

LAB 44.58, 66.34, 35.43

 

CMYK 0 / 75 / 87 / 19

HEX #CF331A

RGB 207 51 26

HSL 8.29, 0.78%, 0.46%

LAB 46.59, 59.32, 50.46

 

CMYK 0 / 52 / 87 / 19

HEX #CF631A

RGB 207 99 26

HSL 24.2, 0.78%, 0.46%

LAB 54.31, 38.82, 56.59

 

CMYK 0 / 29 / 87 / 19

HEX #CF931A

RGB 207 147 26

HSL 40.11, 0.78%, 0.46%

LAB 65.13, 13.25, 65.21

 

CMYK 0 / 6 / 87 / 19

HEX #CFC31A

RGB 207 195 26

HSL 56.02, 0.78%, 0.46%

LAB 77.5, -12.08, 75.1

 

CMYK 0 / 51 / 87 / 47

HEX #864111

RGB 134 65 17

HSL 24.62, 0.77%, 0.3%

LAB 35.77, 26.44, 40.04

 

CMYK 0 / 52 / 87 / 33

HEX #AB5216

RGB 171 82 22

HSL 24.16, 0.77%, 0.38%

LAB 45.29, 33, 48.42

 

CMYK 0 / 52 / 87 / 19

HEX #CF641A

RGB 207 100 26

HSL 24.53, 0.78%, 0.46%

LAB 54.51, 38.32, 56.75

 

CMYK 0 / 47 / 79 / 11

HEX #E4792F

RGB 228 121 47

HSL 24.53, 0.77%, 0.54%

LAB 61.98, 36.54, 56.36

 

CMYK 0 / 38 / 64 / 9

HEX #E89054

RGB 232 144 84

HSL 24.32, 0.76%, 0.62%

LAB 67.83, 27.93, 45.28

 

CMYK 0 / 51 / 87 / 19

HEX #CE641B

RGB 206 100 27

HSL 24.47, 0.77%, 0.46%

LAB 54.36, 37.94, 56.23

 

CMYK 52 / 0 / 87 / 19

HEX #63CF1A

RGB 99 207 26

HSL 95.8, 0.78%, 0.46%

LAB 74.41, -58.44, 69.88

 

CMYK 87 / 87 / 0 / 19

HEX #1A1ACF

RGB 26 26 207

HSL 240, 0.78%, 0.46%

LAB 28.02, 61.51, -87.58

 

CMYK 0 / 51 / 87 / 19

HEX #CE641B

RGB 206 100 27

HSL 24.47, 0.77%, 0.46%

LAB 54.36, 37.94, 56.23

 

CMYK 87 / 0 / 52 / 19

HEX #1ACF63

RGB 26 207 99

HSL 144.2, 0.78%, 0.46%

LAB 73.38, -64.94, 41.72

 

CMYK 52 / 87 / 0 / 19

HEX #631ACF

RGB 99 26 207

HSL 264.2, 0.78%, 0.46%

LAB 33.77, 65.97, -77.86

 

CMYK 0 / 51 / 87 / 19

HEX #CE641B

RGB 206 100 27

HSL 24.47, 0.77%, 0.46%

LAB 54.36, 37.94, 56.23

 

CMYK 52 / 0 / 87 / 19

HEX #63CF1A

RGB 99 207 26

HSL 95.8, 0.78%, 0.46%

LAB 74.41, -58.44, 69.88

 

CMYK 87 / 35 / 0 / 19

HEX #1A87CF

RGB 26 135 207

HSL 203.87, 0.78%, 0.46%

LAB 54.08, -2.95, -45.13

 

CMYK 35 / 87 / 0 / 19

HEX #871ACF

RGB 135 26 207

HSL 276.13, 0.78%, 0.46%

LAB 38.54, 70.14, -69.84

 

CMYK 0 / 51 / 87 / 19

HEX #CE641B

RGB 206 100 27

HSL 24.47, 0.77%, 0.46%

LAB 54.36, 37.94, 56.23

 

CMYK 78 / 0 / 87 / 19

HEX #2DCF1A

RGB 45 207 26

HSL 113.7, 0.78%, 0.46%

LAB 73.06, -69.7, 68.18

 

CMYK 87 / 35 / 0 / 19

HEX #1A87CF

RGB 26 135 207

HSL 203.87, 0.78%, 0.46%

LAB 54.08, -2.95, -45.13

 

CMYK 9 / 87 / 0 / 19

HEX #BD1ACF

RGB 189 26 207

HSL 294.03, 0.78%, 0.46%

LAB 47.06, 78.27, -55.63

 

Description

Color code: HEX #CE641B | qconv.com Color code: HEX #CE641B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 100 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 100 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 87 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 87% 19% C M Y K

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Provide designers and agencies with accurate color values.

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