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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5ED7 it is the complementary color #31A128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5ED7 shade: #D35ED2, #E470E5, #F582F8, #FF94FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5ED7 shade: #CE5ED7, #BD4CC4, #AC3AB1, #9B289E and #8A168B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5ED7 shade: #CE5FD7, #D75FBF, #D75F9F, #D75F7F and #D75F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5ED7 shade: #CE5FD7, #AE5FD7, #8D5FD7, #6D5FD7 and #5F5FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5ED7 shade matches the following richer shades: #CE5FD7, #DC4FE7 and #E93FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5ED7 shade: #CE5FD7, #C06FC7, #B280B7, #A590A6 and #97A096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5ED7 shade: #8D5FD7, #AD5FD7, #CD5FD7, #D75FC1 and #D75FA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5ED7 shade: #AC2DB6, #C43ECE, #CE5FD7, #D880DF and #E2A1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5ED7 shade: #CE5ED7, #D76D5F and #5FD79D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5ED7 shade: #CE5ED7, #D7CD5F and #5FD7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5ED7 shade: #CE5ED7, #D76D5F, #69D75F and #5FC9D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5ED7 shade: #CE5ED7, #D7915F, #69D75F and #5FA5D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 56 / 0 / 16

HEX #CE5ED7

RGB 206 94 215

HSL 295.54, 0.6%, 0.61%

LAB 58.07, 60.73, -42.51

 

Complementary color

CMYK 70 / 0 / 75 / 37

HEX #31A128

RGB 49 161 40

HSL 115.54, 0.6%, 0.39%

LAB 58.32, -53.82, 50.68

 

CMYK 0 / 55 / 0 / 17

HEX #D35ED2

RGB 211 94 210

HSL 300.51, 0.57%, 0.6%

LAB 58.52, 61.15, -38.93

 

CMYK 0 / 51 / 0 / 10

HEX #E470E5

RGB 228 112 229

HSL 299.49, 0.69%, 0.67%

LAB 64.76, 60.68, -39.65

 

CMYK 1 / 48 / 0 / 3

HEX #F582F8

RGB 245 130 248

HSL 298.47, 0.89%, 0.74%

LAB 70.98, 60.08, -40.24

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 4 / 56 / 0 / 16

HEX #CE5ED7

RGB 206 94 215

HSL 295.54, 0.6%, 0.61%

LAB 58.07, 60.73, -42.51

 

CMYK 4 / 61 / 0 / 23

HEX #BD4CC4

RGB 189 76 196

HSL 296.5, 0.5%, 0.53%

LAB 51.81, 61.04, -41.71

 

CMYK 3 / 67 / 0 / 31

HEX #AC3AB1

RGB 172 58 177

HSL 297.48, 0.51%, 0.46%

LAB 45.59, 60.99, -40.64

 

CMYK 2 / 75 / 0 / 38

HEX #9B289E

RGB 155 40 158

HSL 298.47, 0.6%, 0.39%

LAB 39.5, 60.36, -39.17

 

CMYK 1 / 84 / 0 / 45

HEX #8A168B

RGB 138 22 139

HSL 299.49, 0.73%, 0.32%

LAB 33.65, 58.74, -37.07

 

CMYK 4 / 56 / 0 / 16

HEX #CE5FD7

RGB 206 95 215

HSL 295.5, 0.6%, 0.61%

LAB 58.24, 60.28, -42.24

 

CMYK 0 / 56 / 11 / 16

HEX #D75FBF

RGB 215 95 191

HSL 312, 0.6%, 0.61%

LAB 58.41, 58.66, -28.24

 

CMYK 0 / 56 / 26 / 16

HEX #D75F9F

RGB 215 95 159

HSL 328, 0.6%, 0.61%

LAB 57.21, 54, -11.6

 

CMYK 0 / 56 / 41 / 16

HEX #D75F7F

RGB 215 95 127

HSL 344, 0.6%, 0.61%

LAB 56.25, 50.16, 5.72

 

CMYK 0 / 56 / 56 / 16

HEX #D75F5F

RGB 215 95 95

HSL 0, 0.6%, 0.61%

LAB 55.54, 47.2, 23.49

 

CMYK 4 / 56 / 0 / 16

HEX #CE5FD7

RGB 206 95 215

HSL 295.5, 0.6%, 0.61%

LAB 58.24, 60.28, -42.24

 

CMYK 19 / 56 / 0 / 16

HEX #AE5FD7

RGB 174 95 215

HSL 279.5, 0.6%, 0.61%

LAB 54.12, 52.04, -49.02

 

CMYK 34 / 56 / 0 / 16

HEX #8D5FD7

RGB 141 95 215

HSL 263, 0.6%, 0.61%

LAB 50.4, 43.87, -55.18

 

CMYK 49 / 56 / 0 / 16

HEX #6D5FD7

RGB 109 95 215

HSL 247, 0.6%, 0.61%

LAB 47.42, 36.69, -60.13

 

CMYK 56 / 56 / 0 / 16

HEX #5F5FD7

RGB 95 95 215

HSL 240, 0.6%, 0.61%

LAB 46.34, 33.92, -61.92

 

CMYK 4 / 56 / 0 / 16

HEX #CE5FD7

RGB 206 95 215

HSL 295.5, 0.6%, 0.61%

LAB 58.24, 60.28, -42.24

 

CMYK 5 / 66 / 0 / 9

HEX #DC4FE7

RGB 220 79 231

HSL 295.66, 0.76%, 0.61%

LAB 58.58, 73.17, -50.57

 

CMYK 6 / 74 / 0 / 3

HEX #E93FF7

RGB 233 63 247

HSL 295.43, 0.92%, 0.61%

LAB 59.52, 83.87, -57.89

 

CMYK 4 / 56 / 0 / 16

HEX #CE5FD7

RGB 206 95 215

HSL 295.5, 0.6%, 0.61%

LAB 58.24, 60.28, -42.24

 

CMYK 4 / 44 / 0 / 22

HEX #C06FC7

RGB 192 111 199

HSL 295.23, 0.44%, 0.61%

LAB 58.69, 45.51, -32.59

 

CMYK 3 / 30 / 0 / 28

HEX #B280B7

RGB 178 128 183

HSL 294.55, 0.28%, 0.61%

LAB 60.18, 28.75, -21.34

 

CMYK 1 / 13 / 0 / 35

HEX #A590A6

RGB 165 144 166

HSL 297.27, 0.11%, 0.61%

LAB 62.25, 11.89, -8.67

 

CMYK 6 / 0 / 6 / 37

HEX #97A096

RGB 151 160 150

HSL 114, 0.05%, 0.61%

LAB 64.9, -5.14, 4.1

 

CMYK 34 / 56 / 0 / 16

HEX #8D5FD7

RGB 141 95 215

HSL 263, 0.6%, 0.61%

LAB 50.4, 43.87, -55.18

 

CMYK 20 / 56 / 0 / 16

HEX #AD5FD7

RGB 173 95 215

HSL 279, 0.6%, 0.61%

LAB 54, 51.78, -49.22

 

CMYK 5 / 56 / 0 / 16

HEX #CD5FD7

RGB 205 95 215

HSL 295, 0.6%, 0.61%

LAB 58.1, 60.02, -42.46

 

CMYK 0 / 56 / 10 / 16

HEX #D75FC1

RGB 215 95 193

HSL 311, 0.6%, 0.61%

LAB 58.49, 58.97, -29.25

 

CMYK 0 / 56 / 25 / 16

HEX #D75FA1

RGB 215 95 161

HSL 327, 0.6%, 0.61%

LAB 57.27, 54.27, -12.66

 

CMYK 5 / 75 / 0 / 29

HEX #AC2DB6

RGB 172 45 182

HSL 295.62, 0.6%, 0.45%

LAB 44.27, 66.43, -45.69

 

CMYK 5 / 70 / 0 / 19

HEX #C43ECE

RGB 196 62 206

HSL 295.83, 0.6%, 0.53%

LAB 51.42, 69.89, -48

 

CMYK 4 / 56 / 0 / 16

HEX #CE5FD7

RGB 206 95 215

HSL 295.5, 0.6%, 0.61%

LAB 58.24, 60.28, -42.24

 

CMYK 3 / 43 / 0 / 13

HEX #D880DF

RGB 216 128 223

HSL 295.58, 0.6%, 0.69%

LAB 66.03, 48.31, -34.44

 

CMYK 2 / 30 / 0 / 9

HEX #E2A1E7

RGB 226 161 231

HSL 295.71, 0.59%, 0.77%

LAB 74.46, 35.47, -25.75

 

CMYK 4 / 56 / 0 / 16

HEX #CE5ED7

RGB 206 94 215

HSL 295.54, 0.6%, 0.61%

LAB 58.07, 60.73, -42.51

 

CMYK 0 / 49 / 56 / 16

HEX #D76D5F

RGB 215 109 95

HSL 7, 0.6%, 0.61%

LAB 58.24, 40.29, 27.02

 

CMYK 56 / 0 / 27 / 16

HEX #5FD79D

RGB 95 215 157

HSL 151, 0.6%, 0.61%

LAB 78.15, -47.08, 18.65

 

CMYK 4 / 56 / 0 / 16

HEX #CE5ED7

RGB 206 94 215

HSL 295.54, 0.6%, 0.61%

LAB 58.07, 60.73, -42.51

 

CMYK 0 / 5 / 56 / 16

HEX #D7CD5F

RGB 215 205 95

HSL 55, 0.6%, 0.61%

LAB 81.26, -10.48, 55.02

 

CMYK 56 / 0 / 5 / 16

HEX #5FD7CD

RGB 95 215 205

HSL 175, 0.6%, 0.61%

LAB 79.29, -35.94, -5.26

 

CMYK 4 / 56 / 0 / 16

HEX #CE5ED7

RGB 206 94 215

HSL 295.54, 0.6%, 0.61%

LAB 58.07, 60.73, -42.51

 

CMYK 0 / 49 / 56 / 16

HEX #D76D5F

RGB 215 109 95

HSL 7, 0.6%, 0.61%

LAB 58.24, 40.29, 27.02

 

CMYK 51 / 0 / 56 / 16

HEX #69D75F

RGB 105 215 95

HSL 115, 0.6%, 0.61%

LAB 77.54, -54.65, 49.02

 

CMYK 56 / 7 / 0 / 16

HEX #5FC9D7

RGB 95 201 215

HSL 187, 0.6%, 0.61%

LAB 75.52, -26.56, -16.26

 

CMYK 4 / 56 / 0 / 16

HEX #CE5ED7

RGB 206 94 215

HSL 295.54, 0.6%, 0.61%

LAB 58.07, 60.73, -42.51

 

CMYK 0 / 33 / 56 / 16

HEX #D7915F

RGB 215 145 95

HSL 25, 0.6%, 0.61%

LAB 66.15, 21.25, 37.07

 

CMYK 51 / 0 / 56 / 16

HEX #69D75F

RGB 105 215 95

HSL 115, 0.6%, 0.61%

LAB 77.54, -54.65, 49.02

 

CMYK 56 / 23 / 0 / 16

HEX #5FA5D7

RGB 95 165 215

HSL 205, 0.6%, 0.61%

LAB 65.16, -7.74, -32.1

 

Description

Color code: HEX #CE5ED7 | qconv.com Color code: HEX #CE5ED7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 94 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 94 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 56 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 56% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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