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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5CD1 it is the complementary color #31A32E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5CD1 shade: #D35CCC, #E46EDF, #F580F2, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5CD1 shade: #CE5CD1, #BD4ABE, #AC38AB, #9B2698 and #8A1485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5CD1 shade: #CD5BD0, #D05BB4, #D05B94, #D05B75 and #D05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5CD1 shade: #CD5BD0, #AE5BD0, #8E5BD0, #6F5BD0 and #5B5BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5CD1 shade matches the following richer shades: #CD5BD0, #DE4AE1 and #EE3AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5CD1 shade: #CD5BD0, #BD6CC0, #AD7DAF, #9D8E9E and #8D9F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5CD1 shade: #8E5BD0, #AD5BD0, #CD5BD0, #D05BB5 and #D05B96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5CD1 shade: #A730AA, #C43BC7, #CD5BD0, #D77CDA and #E19CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5CD1 shade: #CE5CD1, #D06F5B and #5BD09E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5CD1 shade: #CE5CD1, #D0CD5B and #5BD0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5CD1 shade: #CE5CD1, #D06F5B, #5FD05B and #5BBDD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5CD1 shade: #CE5CD1, #D0925B, #5FD05B and #5B9AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 56 / 0 / 18

HEX #CE5CD1

RGB 206 92 209

HSL 298.46, 0.56%, 0.59%

LAB 57.44, 60.58, -40.09

 

Complementary color

CMYK 70 / 0 / 72 / 36

HEX #31A32E

RGB 49 163 46

HSL 118.46, 0.56%, 0.41%

LAB 59.02, -54, 49.13

 

CMYK 0 / 56 / 3 / 17

HEX #D35CCC

RGB 211 92 204

HSL 303.53, 0.57%, 0.59%

LAB 57.91, 61.03, -36.48

 

CMYK 0 / 52 / 2 / 11

HEX #E46EDF

RGB 228 110 223

HSL 302.54, 0.69%, 0.66%

LAB 64.14, 60.58, -37.27

 

CMYK 0 / 48 / 1 / 4

HEX #F580F2

RGB 245 128 242

HSL 301.54, 0.85%, 0.73%

LAB 70.36, 60, -37.92

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 1 / 56 / 0 / 18

HEX #CE5CD1

RGB 206 92 209

HSL 298.46, 0.56%, 0.59%

LAB 57.44, 60.58, -40.09

 

CMYK 1 / 61 / 0 / 25

HEX #BD4ABE

RGB 189 74 190

HSL 299.48, 0.47%, 0.52%

LAB 51.19, 60.84, -39.21

 

CMYK 0 / 67 / 1 / 33

HEX #AC38AB

RGB 172 56 171

HSL 300.52, 0.51%, 0.45%

LAB 45, 60.73, -38.04

 

CMYK 0 / 75 / 2 / 39

HEX #9B2698

RGB 155 38 152

HSL 301.54, 0.61%, 0.38%

LAB 38.94, 60, -36.44

 

CMYK 0 / 86 / 4 / 46

HEX #8A1485

RGB 138 20 133

HSL 302.54, 0.75%, 0.31%

LAB 33.13, 58.23, -34.18

 

CMYK 1 / 56 / 0 / 18

HEX #CD5BD0

RGB 205 91 208

HSL 298.46, 0.55%, 0.59%

LAB 57.09, 60.59, -40.09

 

CMYK 0 / 56 / 13 / 18

HEX #D05BB4

RGB 208 91 180

HSL 314.36, 0.55%, 0.59%

LAB 56.27, 56.79, -25.29

 

CMYK 0 / 56 / 29 / 18

HEX #D05B94

RGB 208 91 148

HSL 330.77, 0.55%, 0.59%

LAB 55.1, 52.24, -8.43

 

CMYK 0 / 56 / 44 / 18

HEX #D05B75

RGB 208 91 117

HSL 346.67, 0.55%, 0.59%

LAB 54.21, 48.65, 8.57

 

CMYK 0 / 56 / 56 / 18

HEX #D05B5B

RGB 208 91 91

HSL 0, 0.55%, 0.59%

LAB 53.65, 46.31, 23.12

 

CMYK 1 / 56 / 0 / 18

HEX #CD5BD0

RGB 205 91 208

HSL 298.46, 0.55%, 0.59%

LAB 57.09, 60.59, -40.09

 

CMYK 16 / 56 / 0 / 18

HEX #AE5BD0

RGB 174 91 208

HSL 282.56, 0.55%, 0.59%

LAB 52.99, 52.57, -46.84

 

CMYK 32 / 56 / 0 / 18

HEX #8E5BD0

RGB 142 91 208

HSL 266.15, 0.55%, 0.59%

LAB 49.24, 44.55, -53.05

 

CMYK 47 / 56 / 0 / 18

HEX #6F5BD0

RGB 111 91 208

HSL 250.26, 0.55%, 0.59%

LAB 46.2, 37.41, -58.09

 

CMYK 56 / 56 / 0 / 18

HEX #5B5BD0

RGB 91 91 208

HSL 240, 0.55%, 0.59%

LAB 44.6, 33.37, -60.75

 

CMYK 1 / 56 / 0 / 18

HEX #CD5BD0

RGB 205 91 208

HSL 298.46, 0.55%, 0.59%

LAB 57.09, 60.59, -40.09

 

CMYK 1 / 67 / 0 / 12

HEX #DE4AE1

RGB 222 74 225

HSL 298.81, 0.72%, 0.59%

LAB 57.91, 74.46, -48.25

 

CMYK 2 / 76 / 0 / 5

HEX #EE3AF2

RGB 238 58 242

HSL 298.7, 0.88%, 0.59%

LAB 59.54, 85.43, -55.03

 

CMYK 1 / 56 / 0 / 18

HEX #CD5BD0

RGB 205 91 208

HSL 298.46, 0.55%, 0.59%

LAB 57.09, 60.59, -40.09

 

CMYK 2 / 44 / 0 / 25

HEX #BD6CC0

RGB 189 108 192

HSL 297.86, 0.4%, 0.59%

LAB 57.41, 44.86, -30.62

 

CMYK 1 / 29 / 0 / 31

HEX #AD7DAF

RGB 173 125 175

HSL 297.6, 0.24%, 0.59%

LAB 58.65, 27.19, -19.16

 

CMYK 1 / 10 / 0 / 38

HEX #9D8E9E

RGB 157 142 158

HSL 296.25, 0.08%, 0.59%

LAB 60.77, 8.59, -6.42

 

CMYK 11 / 0 / 11 / 38

HEX #8D9F8D

RGB 141 159 141

HSL 120, 0.09%, 0.59%

LAB 63.66, -9.91, 7.25

 

CMYK 32 / 56 / 0 / 18

HEX #8E5BD0

RGB 142 91 208

HSL 266.15, 0.55%, 0.59%

LAB 49.24, 44.55, -53.05

 

CMYK 17 / 56 / 0 / 18

HEX #AD5BD0

RGB 173 91 208

HSL 282.05, 0.55%, 0.59%

LAB 52.86, 52.31, -47.05

 

CMYK 1 / 56 / 0 / 18

HEX #CD5BD0

RGB 205 91 208

HSL 298.46, 0.55%, 0.59%

LAB 57.09, 60.59, -40.09

 

CMYK 0 / 56 / 13 / 18

HEX #D05BB5

RGB 208 91 181

HSL 313.85, 0.55%, 0.59%

LAB 56.32, 56.94, -25.81

 

CMYK 0 / 56 / 28 / 18

HEX #D05B96

RGB 208 91 150

HSL 329.74, 0.55%, 0.59%

LAB 55.17, 52.5, -9.51

 

CMYK 2 / 72 / 0 / 33

HEX #A730AA

RGB 167 48 170

HSL 298.52, 0.56%, 0.43%

LAB 43.11, 62.33, -40.49

 

CMYK 2 / 70 / 0 / 22

HEX #C43BC7

RGB 196 59 199

HSL 298.71, 0.56%, 0.51%

LAB 50.67, 69.76, -45.17

 

CMYK 1 / 56 / 0 / 18

HEX #CD5BD0

RGB 205 91 208

HSL 298.46, 0.55%, 0.59%

LAB 57.09, 60.59, -40.09

 

CMYK 1 / 43 / 0 / 15

HEX #D77CDA

RGB 215 124 218

HSL 298.09, 0.56%, 0.67%

LAB 64.9, 49.14, -33.42

 

CMYK 1 / 31 / 0 / 11

HEX #E19CE3

RGB 225 156 227

HSL 298.31, 0.56%, 0.75%

LAB 73.11, 37.07, -25.65

 

CMYK 1 / 56 / 0 / 18

HEX #CE5CD1

RGB 206 92 209

HSL 298.46, 0.56%, 0.59%

LAB 57.44, 60.58, -40.09

 

CMYK 0 / 47 / 56 / 18

HEX #D06F5B

RGB 208 111 91

HSL 10.26, 0.55%, 0.59%

LAB 57.59, 36.28, 28.26

 

CMYK 56 / 0 / 24 / 18

HEX #5BD09E

RGB 91 208 158

HSL 154.36, 0.55%, 0.59%

LAB 75.95, -44.76, 15.03

 

CMYK 1 / 56 / 0 / 18

HEX #CE5CD1

RGB 206 92 209

HSL 298.46, 0.56%, 0.59%

LAB 57.44, 60.58, -40.09

 

CMYK 0 / 1 / 56 / 18

HEX #D0CD5B

RGB 208 205 91

HSL 58.46, 0.55%, 0.59%

LAB 80.64, -13.66, 55.98

 

CMYK 56 / 0 / 1 / 18

HEX #5BD0CD

RGB 91 208 205

HSL 178.46, 0.55%, 0.59%

LAB 77.13, -33.43, -8.48

 

CMYK 1 / 56 / 0 / 18

HEX #CE5CD1

RGB 206 92 209

HSL 298.46, 0.56%, 0.59%

LAB 57.44, 60.58, -40.09

 

CMYK 0 / 47 / 56 / 18

HEX #D06F5B

RGB 208 111 91

HSL 10.26, 0.55%, 0.59%

LAB 57.59, 36.28, 28.26

 

CMYK 54 / 0 / 56 / 18

HEX #5FD05B

RGB 95 208 91

HSL 117.95, 0.55%, 0.59%

LAB 75.01, -55.06, 47.8

 

CMYK 56 / 9 / 0 / 18

HEX #5BBDD0

RGB 91 189 208

HSL 189.74, 0.55%, 0.59%

LAB 71.67, -23.32, -18.29

 

CMYK 1 / 56 / 0 / 18

HEX #CE5CD1

RGB 206 92 209

HSL 298.46, 0.56%, 0.59%

LAB 57.44, 60.58, -40.09

 

CMYK 0 / 30 / 56 / 18

HEX #D0925B

RGB 208 146 91

HSL 28.21, 0.55%, 0.59%

LAB 65.53, 17.49, 38.24

 

CMYK 54 / 0 / 56 / 18

HEX #5FD05B

RGB 95 208 91

HSL 117.95, 0.55%, 0.59%

LAB 75.01, -55.06, 47.8

 

CMYK 56 / 26 / 0 / 18

HEX #5B9AD0

RGB 91 154 208

HSL 207.69, 0.55%, 0.59%

LAB 61.56, -4.59, -33.82

 

Description

Color code: HEX #CE5CD1 | qconv.com Color code: HEX #CE5CD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 92 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 92 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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