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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5B35 it is the complementary color #31A4CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5B35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5B35 shade: #D35B30, #E46D43, #F57F56, #FF9169 and #FFA37C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5B35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5B35 shade: #CE5B35, #BD4922, #AC370F, #9B2500 and #8A1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5B35 shade: #CE5B35 and #CE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5B35 shade: #CE5B35, #CE8435, #CEAD35, #C5CE35 and #9CCE35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5B35 shade matches the following richer shades: #CE5B35, #E25121 and #F6470D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5B35 shade: #CE5B35, #BA654A, #A5705E, #917A72 and #7D8486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5B35 shade: #CE3563, #CE353A, #CE5935, #CE8235 and #CEAA35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5B35 shade: #8E3D22, #B04B2A, #CE5B35, #D67657 and #DE9178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5B35 shade: #CE5B35, #8CCE35 and #354FCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5B35 shade: #CE5B35, #35CE59 and #5935CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5B35 shade: #CE5B35, #8CCE35, #35AACE and #7735CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5B35 shade: #CE5B35, #5ECE35, #35AACE and #A535CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

Complementary color

CMYK 76 / 19 / 0 / 21

HEX #31A4CA

RGB 49 164 202

HSL 194.9, 0.61%, 0.49%

LAB 62.9, -18.87, -28.5

 

CMYK 0 / 57 / 77 / 17

HEX #D35B30

RGB 211 91 48

HSL 15.83, 0.65%, 0.51%

LAB 53.54, 44.94, 46.81

 

CMYK 0 / 52 / 71 / 11

HEX #E46D43

RGB 228 109 67

HSL 15.65, 0.75%, 0.58%

LAB 59.74, 43.41, 44.59

 

CMYK 0 / 48 / 65 / 4

HEX #F57F56

RGB 245 127 86

HSL 15.47, 0.89%, 0.65%

LAB 65.95, 41.93, 42.47

 

CMYK 0 / 43 / 59 / 0

HEX #FF9169

RGB 255 145 105

HSL 16, 1%, 0.71%

LAB 71.24, 37.88, 39.17

 

CMYK 0 / 36 / 51 / 0

HEX #FFA37C

RGB 255 163 124

HSL 17.86, 1%, 0.74%

LAB 75.4, 30.09, 34.37

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 0 / 61 / 82 / 26

HEX #BD4922

RGB 189 73 34

HSL 15.1, 0.7%, 0.44%

LAB 46.58, 44.79, 45.56

 

CMYK 0 / 68 / 91 / 33

HEX #AC370F

RGB 172 55 15

HSL 15.29, 0.84%, 0.37%

LAB 40.47, 46.18, 47.32

 

CMYK 0 / 76 / 100 / 39

HEX #9B2500

RGB 155 37 0

HSL 14.32, 1%, 0.3%

LAB 34.58, 47.15, 47.42

 

CMYK 0 / 86 / 100 / 46

HEX #8A1300

RGB 138 19 0

HSL 8.26, 1%, 0.27%

LAB 29.08, 47.22, 42.01

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 0 / 74 / 74 / 19

HEX #CE3535

RGB 206 53 53

HSL 0, 0.61%, 0.51%

LAB 46.88, 59.16, 36.79

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 0 / 36 / 74 / 19

HEX #CE8435

RGB 206 132 53

HSL 30.98, 0.61%, 0.51%

LAB 61.55, 21.87, 52.37

 

CMYK 0 / 16 / 74 / 19

HEX #CEAD35

RGB 206 173 53

HSL 47.06, 0.61%, 0.51%

LAB 71.74, -0.26, 62.39

 

CMYK 4 / 0 / 74 / 19

HEX #C5CE35

RGB 197 206 53

HSL 63.53, 0.61%, 0.51%

LAB 79.77, -20.97, 69.71

 

CMYK 24 / 0 / 74 / 19

HEX #9CCE35

RGB 156 206 53

HSL 79.61, 0.61%, 0.51%

LAB 76.96, -37.52, 66.06

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 0 / 64 / 85 / 11

HEX #E25121

RGB 226 81 33

HSL 14.92, 0.77%, 0.51%

LAB 54.2, 54.36, 55.14

 

CMYK 0 / 71 / 95 / 4

HEX #F6470D

RGB 246 71 13

HSL 14.94, 0.93%, 0.51%

LAB 56.22, 64.45, 64.7

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 0 / 46 / 60 / 27

HEX #BA654A

RGB 186 101 74

HSL 14.46, 0.45%, 0.51%

LAB 52.11, 31.58, 30.28

 

CMYK 0 / 32 / 43 / 35

HEX #A5705E

RGB 165 112 94

HSL 15.21, 0.28%, 0.51%

LAB 52.28, 18.75, 18.5

 

CMYK 0 / 16 / 21 / 43

HEX #917A72

RGB 145 122 114

HSL 15.48, 0.12%, 0.51%

LAB 53.12, 7.55, 7.68

 

CMYK 7 / 1 / 0 / 47

HEX #7D8486

RGB 125 132 134

HSL 193.33, 0.04%, 0.51%

LAB 54.64, -2.16, -1.98

 

CMYK 0 / 74 / 52 / 19

HEX #CE3563

RGB 206 53 99

HSL 341.96, 0.61%, 0.51%

LAB 47.71, 61.9, 10.18

 

CMYK 0 / 74 / 72 / 19

HEX #CE353A

RGB 206 53 58

HSL 358.04, 0.61%, 0.51%

LAB 46.94, 59.37, 33.97

 

CMYK 0 / 57 / 74 / 19

HEX #CE5935

RGB 206 89 53

HSL 14.12, 0.61%, 0.51%

LAB 52.42, 44.24, 42.87

 

CMYK 0 / 37 / 74 / 19

HEX #CE8235

RGB 206 130 53

HSL 30.2, 0.61%, 0.51%

LAB 61.08, 22.95, 51.89

 

CMYK 0 / 17 / 74 / 19

HEX #CEAA35

RGB 206 170 53

HSL 45.88, 0.61%, 0.51%

LAB 70.96, 1.33, 61.64

 

CMYK 0 / 57 / 76 / 44

HEX #8E3D22

RGB 142 61 34

HSL 15, 0.61%, 0.35%

LAB 36.37, 32.61, 32.72

 

CMYK 0 / 57 / 76 / 31

HEX #B04B2A

RGB 176 75 42

HSL 14.78, 0.61%, 0.43%

LAB 44.84, 39.24, 39.1

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 0 / 45 / 59 / 16

HEX #D67657

RGB 214 118 87

HSL 14.65, 0.61%, 0.59%

LAB 59.84, 34.65, 33.51

 

CMYK 0 / 35 / 46 / 13

HEX #DE9178

RGB 222 145 120

HSL 14.71, 0.61%, 0.67%

LAB 67.38, 26.34, 25.28

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 32 / 0 / 74 / 19

HEX #8CCE35

RGB 140 206 53

HSL 85.88, 0.61%, 0.51%

LAB 76.05, -43.49, 64.87

 

CMYK 74 / 62 / 0 / 19

HEX #354FCE

RGB 53 79 206

HSL 229.8, 0.61%, 0.51%

LAB 39.25, 34.46, -68.4

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 74 / 0 / 57 / 19

HEX #35CE59

RGB 53 206 89

HSL 134.12, 0.61%, 0.51%

LAB 73.3, -63.09, 46.44

 

CMYK 57 / 74 / 0 / 19

HEX #5935CE

RGB 89 53 206

HSL 254.12, 0.61%, 0.51%

LAB 36.23, 54, -73.27

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 32 / 0 / 74 / 19

HEX #8CCE35

RGB 140 206 53

HSL 85.88, 0.61%, 0.51%

LAB 76.05, -43.49, 64.87

 

CMYK 74 / 17 / 0 / 19

HEX #35AACE

RGB 53 170 206

HSL 194.12, 0.61%, 0.51%

LAB 64.93, -20.23, -27.58

 

CMYK 42 / 74 / 0 / 19

HEX #7735CE

RGB 119 53 206

HSL 265.88, 0.61%, 0.51%

LAB 39.45, 58.48, -67.85

 

CMYK 0 / 56 / 74 / 19

HEX #CE5B35

RGB 206 91 53

HSL 14.9, 0.61%, 0.51%

LAB 52.8, 43.28, 43.27

 

CMYK 54 / 0 / 74 / 19

HEX #5ECE35

RGB 94 206 53

HSL 103.92, 0.61%, 0.51%

LAB 74.05, -58.12, 62.23

 

CMYK 74 / 17 / 0 / 19

HEX #35AACE

RGB 53 170 206

HSL 194.12, 0.61%, 0.51%

LAB 64.93, -20.23, -27.58

 

CMYK 20 / 74 / 0 / 19

HEX #A535CE

RGB 165 53 206

HSL 283.92, 0.61%, 0.51%

LAB 45.64, 66.74, -57.53

 

Description

Color code: HEX #CE5B35 | qconv.com Color code: HEX #CE5B35 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 91 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 91 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 74 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 74% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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