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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE57E4 it is the complementary color #31A81B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE57E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE57E4 shade: #D357DF, #E469F2, #F57BFF, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE57E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE57E4 shade: #CE57E4, #BD45D1, #AC33BE, #9B21AB and #8A0F98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE57E4 shade: #CE58E3, #E358D4, #E358AE, #E35888 and #E35863

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE57E4 shade: #CE58E3, #A858E3, #8258E3, #5D58E3 and #5858E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE57E4 shade matches the following richer shades: #CE58E3 and #D848F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE57E4 shade: #CE58E3, #C368D4, #B877C4, #AD87B4 and #A297A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE57E4 shade: #8258E3, #A758E3, #CC58E3, #E358D5 and #E358B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE57E4 shade: #AE20C8, #C334DE, #CE58E3, #D87BE9 and #E29FEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE57E4 shade: #CE57E4, #E35C58 and #58E394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE57E4 shade: #CE57E4, #E3CC58 and #58E3CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE57E4 shade: #CE57E4, #E35C58, #6FE358 and #58DFE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE57E4 shade: #CE57E4, #E38658, #6FE358 and #58B5E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 62 / 0 / 11

HEX #CE57E4

RGB 206 87 228

HSL 290.64, 0.72%, 0.62%

LAB 57.6, 66.21, -50.57

 

Complementary color

CMYK 71 / 0 / 84 / 34

HEX #31A81B

RGB 49 168 27

HSL 110.64, 0.72%, 0.38%

LAB 60.55, -56.98, 56.87

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 6 / 57 / 0 / 5

HEX #E469F2

RGB 228 105 242

HSL 293.87, 0.84%, 0.68%

LAB 64.17, 66.18, -47.78

 

CMYK 4 / 52 / 0 / 0

HEX #F57BFF

RGB 245 123 255

HSL 295.45, 1%, 0.74%

LAB 70.03, 64.63, -45.53

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 10 / 62 / 0 / 11

HEX #CE57E4

RGB 206 87 228

HSL 290.64, 0.72%, 0.62%

LAB 57.6, 66.21, -50.57

 

CMYK 10 / 67 / 0 / 18

HEX #BD45D1

RGB 189 69 209

HSL 291.43, 0.6%, 0.55%

LAB 51.47, 66.26, -49.7

 

CMYK 9 / 73 / 0 / 25

HEX #AC33BE

RGB 172 51 190

HSL 292.23, 0.58%, 0.47%

LAB 45.44, 65.85, -48.51

 

CMYK 9 / 81 / 0 / 33

HEX #9B21AB

RGB 155 33 171

HSL 293.04, 0.68%, 0.4%

LAB 39.57, 64.69, -46.85

 

CMYK 9 / 90 / 0 / 40

HEX #8A0F98

RGB 138 15 152

HSL 293.87, 0.82%, 0.33%

LAB 34.01, 62.35, -44.49

 

CMYK 9 / 61 / 0 / 11

HEX #CE58E3

RGB 206 88 227

HSL 290.94, 0.71%, 0.62%

LAB 57.7, 65.59, -49.85

 

CMYK 0 / 61 / 7 / 11

HEX #E358D4

RGB 227 88 212

HSL 306.47, 0.71%, 0.62%

LAB 59.95, 68.18, -37.65

 

CMYK 0 / 61 / 23 / 11

HEX #E358AE

RGB 227 88 174

HSL 322.88, 0.71%, 0.62%

LAB 58.38, 62.65, -18.35

 

CMYK 0 / 61 / 40 / 11

HEX #E35888

RGB 227 88 136

HSL 339.28, 0.71%, 0.62%

LAB 57.16, 58.13, 1.98

 

CMYK 0 / 61 / 56 / 11

HEX #E35863

RGB 227 88 99

HSL 355.25, 0.71%, 0.62%

LAB 56.3, 54.83, 22.51

 

CMYK 9 / 61 / 0 / 11

HEX #CE58E3

RGB 206 88 227

HSL 290.94, 0.71%, 0.62%

LAB 57.7, 65.59, -49.85

 

CMYK 26 / 61 / 0 / 11

HEX #A858E3

RGB 168 88 227

HSL 274.53, 0.71%, 0.62%

LAB 52.79, 56.71, -57.98

 

CMYK 43 / 61 / 0 / 11

HEX #8258E3

RGB 130 88 227

HSL 258.13, 0.71%, 0.62%

LAB 48.6, 48.44, -64.94

 

CMYK 59 / 61 / 0 / 11

HEX #5D58E3

RGB 93 88 227

HSL 242.16, 0.71%, 0.62%

LAB 45.43, 41.59, -70.23

 

CMYK 61 / 61 / 0 / 11

HEX #5858E3

RGB 88 88 227

HSL 240, 0.71%, 0.62%

LAB 45.08, 40.8, -70.82

 

CMYK 9 / 61 / 0 / 11

HEX #CE58E3

RGB 206 88 227

HSL 290.94, 0.71%, 0.62%

LAB 57.7, 65.59, -49.85

 

CMYK 11 / 70 / 0 / 5

HEX #D848F3

RGB 216 72 243

HSL 290.53, 0.88%, 0.62%

LAB 57.76, 76.95, -58.63

 

CMYK 9 / 61 / 0 / 11

HEX #CE58E3

RGB 206 88 227

HSL 290.94, 0.71%, 0.62%

LAB 57.7, 65.59, -49.85

 

CMYK 8 / 51 / 0 / 17

HEX #C368D4

RGB 195 104 212

HSL 290.56, 0.56%, 0.62%

LAB 58.28, 52.45, -40.58

 

CMYK 6 / 39 / 0 / 23

HEX #B877C4

RGB 184 119 196

HSL 290.65, 0.39%, 0.62%

LAB 59.31, 38.23, -30

 

CMYK 4 / 25 / 0 / 29

HEX #AD87B4

RGB 173 135 180

HSL 290.67, 0.23%, 0.62%

LAB 61.23, 22.53, -18.08

 

CMYK 2 / 8 / 0 / 35

HEX #A297A5

RGB 162 151 165

HSL 287.14, 0.07%, 0.62%

LAB 63.78, 6.68, -5.87

 

CMYK 43 / 61 / 0 / 11

HEX #8258E3

RGB 130 88 227

HSL 258.13, 0.71%, 0.62%

LAB 48.6, 48.44, -64.94

 

CMYK 26 / 61 / 0 / 11

HEX #A758E3

RGB 167 88 227

HSL 274.1, 0.71%, 0.62%

LAB 52.66, 56.48, -58.18

 

CMYK 10 / 61 / 0 / 11

HEX #CC58E3

RGB 204 88 227

HSL 290.07, 0.71%, 0.62%

LAB 57.43, 65.12, -50.3

 

CMYK 0 / 61 / 6 / 11

HEX #E358D5

RGB 227 88 213

HSL 306.04, 0.71%, 0.62%

LAB 59.99, 68.34, -38.15

 

CMYK 0 / 61 / 22 / 11

HEX #E358B0

RGB 227 88 176

HSL 322.01, 0.71%, 0.62%

LAB 58.46, 62.92, -19.39

 

CMYK 13 / 84 / 0 / 22

HEX #AE20C8

RGB 174 32 200

HSL 290.71, 0.72%, 0.45%

LAB 44.52, 73.39, -55.79

 

CMYK 12 / 77 / 0 / 13

HEX #C334DE

RGB 195 52 222

HSL 290.47, 0.72%, 0.54%

LAB 51.07, 75.7, -57.7

 

CMYK 9 / 61 / 0 / 11

HEX #CE58E3

RGB 206 88 227

HSL 290.94, 0.71%, 0.62%

LAB 57.7, 65.59, -49.85

 

CMYK 7 / 47 / 0 / 9

HEX #D87BE9

RGB 216 123 233

HSL 290.73, 0.71%, 0.7%

LAB 65.47, 52.74, -40.85

 

CMYK 5 / 33 / 0 / 6

HEX #E29FEF

RGB 226 159 239

HSL 290.25, 0.71%, 0.78%

LAB 74.32, 38.05, -30.33

 

CMYK 10 / 62 / 0 / 11

HEX #CE57E4

RGB 206 87 228

HSL 290.64, 0.72%, 0.62%

LAB 57.6, 66.21, -50.57

 

CMYK 0 / 59 / 61 / 11

HEX #E35C58

RGB 227 92 88

HSL 1.73, 0.71%, 0.62%

LAB 56.77, 52.29, 29.49

 

CMYK 61 / 0 / 35 / 11

HEX #58E394

RGB 88 227 148

HSL 145.9, 0.71%, 0.62%

LAB 81.37, -55.17, 27.71

 

CMYK 10 / 62 / 0 / 11

HEX #CE57E4

RGB 206 87 228

HSL 290.64, 0.72%, 0.62%

LAB 57.6, 66.21, -50.57

 

CMYK 0 / 10 / 61 / 11

HEX #E3CC58

RGB 227 204 88

HSL 50.07, 0.71%, 0.62%

LAB 81.96, -5.49, 59.22

 

CMYK 61 / 0 / 10 / 11

HEX #58E3CC

RGB 88 227 204

HSL 170.07, 0.71%, 0.62%

LAB 82.58, -42.89, 0.07

 

CMYK 10 / 62 / 0 / 11

HEX #CE57E4

RGB 206 87 228

HSL 290.64, 0.72%, 0.62%

LAB 57.6, 66.21, -50.57

 

CMYK 0 / 59 / 61 / 11

HEX #E35C58

RGB 227 92 88

HSL 1.73, 0.71%, 0.62%

LAB 56.77, 52.29, 29.49

 

CMYK 51 / 0 / 61 / 11

HEX #6FE358

RGB 111 227 88

HSL 110.07, 0.71%, 0.62%

LAB 81.3, -58.37, 56.52

 

CMYK 61 / 2 / 0 / 11

HEX #58DFE3

RGB 88 223 227

HSL 181.73, 0.71%, 0.62%

LAB 82.05, -35.04, -12.9

 

CMYK 10 / 62 / 0 / 11

HEX #CE57E4

RGB 206 87 228

HSL 290.64, 0.72%, 0.62%

LAB 57.6, 66.21, -50.57

 

CMYK 0 / 41 / 61 / 11

HEX #E38658

RGB 227 134 88

HSL 19.86, 0.71%, 0.62%

LAB 65.03, 31.46, 39.73

 

CMYK 51 / 0 / 61 / 11

HEX #6FE358

RGB 111 227 88

HSL 110.07, 0.71%, 0.62%

LAB 81.3, -58.37, 56.52

 

CMYK 61 / 20 / 0 / 11

HEX #58B5E3

RGB 88 181 227

HSL 199.86, 0.71%, 0.62%

LAB 69.94, -14.07, -31.32

 

Description

Color code: HEX #CE57E4 | qconv.com Color code: HEX #CE57E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 87 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 87 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 62 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 62% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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