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Color name
HEX #CE548C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE548C it is the complementary color #31AB73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE548C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE548C shade: #D35487, #E4669A, #F578AD, #FF8AC0 and #FF9CD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE548C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE548C shade: #CE548C, #BD4279, #AC3066, #9B1E53 and #8A0C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE548C shade: #CD558C, #CD556B and #CD5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE548C shade: #CD558C, #CD55AC, #CD55CD, #AD55CD and #8C55CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE548C shade matches the following richer shades: #CD558C, #DF438A and #F13189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE548C shade: #CD558C, #BB668D, #AA788F, #988A90 and #869C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE548C shade: #CD55CD, #CD55AD, #CD558D, #CD556D and #CD5D55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE548C shade: #A12E63, #C13877, #CD558C, #D675A1 and #E094B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE548C shade: #CE548C, #CDAD55 and #55BDCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE548C shade: #CE548C, #8DCD55 and #558DCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE548C shade: #CE548C, #CDAD55, #55CD95 and #5575CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE548C shade: #CE548C, #C9CD55, #55CD95 and #5955CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 32 / 19

HEX #CE548C

RGB 206 84 140

HSL 332.46, 0.55%, 0.57%

LAB 53.34, 53.82, -6.38

 

Complementary color

CMYK 71 / 0 / 33 / 33

HEX #31AB73

RGB 49 171 115

HSL 152.46, 0.55%, 0.43%

LAB 62.52, -46.49, 19.45

 

CMYK 0 / 60 / 36 / 17

HEX #D35487

RGB 211 84 135

HSL 335.91, 0.59%, 0.58%

LAB 53.96, 54.79, -2.4

 

CMYK 0 / 55 / 32 / 11

HEX #E4669A

RGB 228 102 154

HSL 335.24, 0.7%, 0.65%

LAB 60.19, 54.19, -4.06

 

CMYK 0 / 51 / 29 / 4

HEX #F578AD

RGB 245 120 173

HSL 334.56, 0.86%, 0.72%

LAB 66.41, 53.48, -5.46

 

CMYK 0 / 46 / 25 / 0

HEX #FF8AC0

RGB 255 138 192

HSL 332.31, 1%, 0.77%

LAB 71.72, 50.44, -8.1

 

CMYK 0 / 39 / 17 / 0

HEX #FF9CD3

RGB 255 156 211

HSL 326.67, 1%, 0.81%

LAB 75.91, 44.1, -12.33

 

CMYK 0 / 59 / 32 / 19

HEX #CE548C

RGB 206 84 140

HSL 332.46, 0.55%, 0.57%

LAB 53.34, 53.82, -6.38

 

CMYK 0 / 65 / 36 / 26

HEX #BD4279

RGB 189 66 121

HSL 333.17, 0.48%, 0.5%

LAB 47.1, 54.19, -4.53

 

CMYK 0 / 72 / 41 / 33

HEX #AC3066

RGB 172 48 102

HSL 333.87, 0.56%, 0.43%

LAB 40.97, 54.15, -2.19

 

CMYK 0 / 81 / 46 / 39

HEX #9B1E53

RGB 155 30 83

HSL 334.56, 0.68%, 0.36%

LAB 35.05, 53.4, 0.86

 

CMYK 0 / 91 / 54 / 46

HEX #8A0C40

RGB 138 12 64

HSL 335.24, 0.84%, 0.29%

LAB 29.5, 51.43, 4.94

 

CMYK 0 / 59 / 32 / 20

HEX #CD558C

RGB 205 85 140

HSL 332.5, 0.55%, 0.57%

LAB 53.35, 53.06, -6.37

 

CMYK 0 / 59 / 48 / 20

HEX #CD556B

RGB 205 85 107

HSL 349, 0.55%, 0.57%

LAB 52.44, 49.47, 11.94

 

CMYK 0 / 59 / 59 / 20

HEX #CD5555

RGB 205 85 85

HSL 0, 0.55%, 0.57%

LAB 51.99, 47.63, 24.36

 

CMYK 0 / 59 / 32 / 20

HEX #CD558C

RGB 205 85 140

HSL 332.5, 0.55%, 0.57%

LAB 53.35, 53.06, -6.37

 

CMYK 0 / 59 / 16 / 20

HEX #CD55AC

RGB 205 85 172

HSL 316.5, 0.55%, 0.57%

LAB 54.51, 57.43, -23.41

 

CMYK 0 / 59 / 0 / 20

HEX #CD55CD

RGB 205 85 205

HSL 300, 0.55%, 0.57%

LAB 55.97, 62.73, -40.14

 

CMYK 16 / 59 / 0 / 20

HEX #AD55CD

RGB 173 85 205

HSL 284, 0.55%, 0.57%

LAB 51.6, 54.65, -47.34

 

CMYK 32 / 59 / 0 / 20

HEX #8C55CD

RGB 140 85 205

HSL 267.5, 0.55%, 0.57%

LAB 47.6, 46.58, -53.97

 

CMYK 0 / 59 / 32 / 20

HEX #CD558C

RGB 205 85 140

HSL 332.5, 0.55%, 0.57%

LAB 53.35, 53.06, -6.37

 

CMYK 0 / 70 / 38 / 13

HEX #DF438A

RGB 223 67 138

HSL 332.69, 0.71%, 0.57%

LAB 53.53, 65.46, -4.59

 

CMYK 0 / 80 / 43 / 5

HEX #F13189

RGB 241 49 137

HSL 332.5, 0.87%, 0.57%

LAB 54.77, 75.48, -1.82

 

CMYK 0 / 59 / 32 / 20

HEX #CD558C

RGB 205 85 140

HSL 332.5, 0.55%, 0.57%

LAB 53.35, 53.06, -6.37

 

CMYK 0 / 45 / 25 / 27

HEX #BB668D

RGB 187 102 141

HSL 332.47, 0.38%, 0.57%

LAB 54.02, 38.83, -6.25

 

CMYK 0 / 29 / 16 / 33

HEX #AA788F

RGB 170 120 143

HSL 332.4, 0.23%, 0.57%

LAB 56.05, 23.13, -4.64

 

CMYK 0 / 9 / 5 / 40

HEX #988A90

RGB 152 138 144

HSL 334.29, 0.06%, 0.57%

LAB 58.85, 6.34, -1.3

 

CMYK 14 / 0 / 6 / 39

HEX #869C92

RGB 134 156 146

HSL 152.73, 0.1%, 0.57%

LAB 62.44, -9.79, 2.63

 

CMYK 0 / 59 / 0 / 20

HEX #CD55CD

RGB 205 85 205

HSL 300, 0.55%, 0.57%

LAB 55.97, 62.73, -40.14

 

CMYK 0 / 59 / 16 / 20

HEX #CD55AD

RGB 205 85 173

HSL 316, 0.55%, 0.57%

LAB 54.55, 57.58, -23.93

 

CMYK 0 / 59 / 31 / 20

HEX #CD558D

RGB 205 85 141

HSL 332, 0.55%, 0.57%

LAB 53.38, 53.18, -6.91

 

CMYK 0 / 59 / 47 / 20

HEX #CD556D

RGB 205 85 109

HSL 348, 0.55%, 0.57%

LAB 52.49, 49.66, 10.82

 

CMYK 0 / 55 / 59 / 20

HEX #CD5D55

RGB 205 93 85

HSL 4, 0.55%, 0.57%

LAB 53.45, 43.81, 26.27

 

CMYK 0 / 71 / 39 / 37

HEX #A12E63

RGB 161 46 99

HSL 332.35, 0.56%, 0.41%

LAB 38.61, 51.37, -4.01

 

CMYK 0 / 71 / 38 / 24

HEX #C13877

RGB 193 56 119

HSL 332.41, 0.55%, 0.49%

LAB 46.31, 59.04, -4.4

 

CMYK 0 / 59 / 32 / 20

HEX #CD558C

RGB 205 85 140

HSL 332.5, 0.55%, 0.57%

LAB 53.35, 53.06, -6.37

 

CMYK 0 / 45 / 25 / 16

HEX #D675A1

RGB 214 117 161

HSL 332.78, 0.54%, 0.65%

LAB 61.3, 43.14, -6.66

 

CMYK 0 / 34 / 18 / 12

HEX #E094B7

RGB 224 148 183

HSL 332.37, 0.55%, 0.73%

LAB 69.79, 33.53, -6.37

 

CMYK 0 / 59 / 32 / 19

HEX #CE548C

RGB 206 84 140

HSL 332.46, 0.55%, 0.57%

LAB 53.34, 53.82, -6.38

 

CMYK 0 / 16 / 59 / 20

HEX #CDAD55

RGB 205 173 85

HSL 44, 0.55%, 0.57%

LAB 71.91, 1.2, 48.75

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 0 / 59 / 32 / 19

HEX #CE548C

RGB 206 84 140

HSL 332.46, 0.55%, 0.57%

LAB 53.34, 53.82, -6.38

 

CMYK 31 / 0 / 59 / 20

HEX #8DCD55

RGB 141 205 85

HSL 92, 0.55%, 0.57%

LAB 76.06, -40.29, 52.25

 

CMYK 59 / 31 / 0 / 20

HEX #558DCD

RGB 85 141 205

HSL 212, 0.55%, 0.57%

LAB 57.45, 0.7, -38.57

 

CMYK 0 / 59 / 32 / 19

HEX #CE548C

RGB 206 84 140

HSL 332.46, 0.55%, 0.57%

LAB 53.34, 53.82, -6.38

 

CMYK 0 / 16 / 59 / 20

HEX #CDAD55

RGB 205 173 85

HSL 44, 0.55%, 0.57%

LAB 71.91, 1.2, 48.75

 

CMYK 59 / 0 / 27 / 20

HEX #55CD95

RGB 85 205 149

HSL 152, 0.55%, 0.57%

LAB 74.68, -46.66, 18.02

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 0 / 59 / 32 / 19

HEX #CE548C

RGB 206 84 140

HSL 332.46, 0.55%, 0.57%

LAB 53.34, 53.82, -6.38

 

CMYK 2 / 0 / 59 / 20

HEX #C9CD55

RGB 201 205 85

HSL 62, 0.55%, 0.57%

LAB 80.03, -16.98, 57.79

 

CMYK 59 / 0 / 27 / 20

HEX #55CD95

RGB 85 205 149

HSL 152, 0.55%, 0.57%

LAB 74.68, -46.66, 18.02

 

CMYK 57 / 59 / 0 / 20

HEX #5955CD

RGB 89 85 205

HSL 242, 0.55%, 0.57%

LAB 42.81, 35.7, -61.94

 

Description

Color code: HEX #CE548C | qconv.com Color code: HEX #CE548C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 84 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 84 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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