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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE4B9B it is the complementary color #31B464. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE4B9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE4B9B shade: #D34B96, #E45DA9, #F56FBC, #FF81CF and #FF93E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE4B9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE4B9B shade: #CE4B9B, #BD3988, #AC2775, #9B1562 and #8A034F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE4B9B shade: #CD4A9A, #CD4A77, #CD4A54 and #CD4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE4B9B shade: #CD4A9A, #CD4ABE, #BA4ACD, #964ACD and #734ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE4B9B shade matches the following richer shades: #CD4A9A, #E0389E and #F225A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE4B9B shade: #CD4A9A, #BB5D96, #A86F92, #95828E and #83958A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE4B9B shade: #BA4ACD, #CD4ABE, #CD4A9B, #CD4A78 and #CD4A55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE4B9B shade: #9B2A6F, #BB3386, #CD4A9A, #D66BAC and #DF8BBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE4B9B shade: #CE4B9B, #CD974A and #4ACDCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE4B9B shade: #CE4B9B, #9BCD4A and #4A9BCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE4B9B shade: #CE4B9B, #CD974A, #4ACD7C and #4A81CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE4B9B shade: #CE4B9B, #CDBE4A, #4ACD7C and #4A5ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 25 / 19

HEX #CE4B9B

RGB 206 75 155

HSL 323.36, 0.57%, 0.55%

LAB 52.42, 59.62, -16.63

 

Complementary color

CMYK 73 / 0 / 44 / 29

HEX #31B464

RGB 49 180 100

HSL 143.36, 0.57%, 0.45%

LAB 65.13, -52.87, 30.91

 

CMYK 0 / 64 / 29 / 17

HEX #D34B96

RGB 211 75 150

HSL 326.91, 0.61%, 0.56%

LAB 53.04, 60.4, -12.66

 

CMYK 0 / 59 / 26 / 11

HEX #E45DA9

RGB 228 93 169

HSL 326.22, 0.71%, 0.63%

LAB 59.15, 60.14, -14.29

 

CMYK 0 / 55 / 23 / 4

HEX #F56FBC

RGB 245 111 188

HSL 325.52, 0.87%, 0.7%

LAB 65.29, 59.65, -15.63

 

CMYK 0 / 49 / 19 / 0

HEX #FF81CF

RGB 255 129 207

HSL 322.86, 1%, 0.75%

LAB 70.5, 56.91, -18.27

 

CMYK 0 / 42 / 11 / 0

HEX #FF93E2

RGB 255 147 226

HSL 316.11, 1%, 0.79%

LAB 74.58, 50.97, -22.54

 

CMYK 0 / 64 / 25 / 19

HEX #CE4B9B

RGB 206 75 155

HSL 323.36, 0.57%, 0.55%

LAB 52.42, 59.62, -16.63

 

CMYK 0 / 70 / 28 / 26

HEX #BD3988

RGB 189 57 136

HSL 324.09, 0.54%, 0.48%

LAB 46.34, 59.54, -14.77

 

CMYK 0 / 77 / 32 / 33

HEX #AC2775

RGB 172 39 117

HSL 324.81, 0.63%, 0.41%

LAB 40.42, 58.84, -12.38

 

CMYK 0 / 86 / 37 / 39

HEX #9B1562

RGB 155 21 98

HSL 325.52, 0.76%, 0.35%

LAB 34.78, 57.16, -9.22

 

CMYK 0 / 98 / 43 / 46

HEX #8A034F

RGB 138 3 79

HSL 326.22, 0.96%, 0.28%

LAB 29.5, 54.21, -5.09

 

CMYK 0 / 64 / 25 / 20

HEX #CD4A9A

RGB 205 74 154

HSL 323.36, 0.57%, 0.55%

LAB 52.07, 59.62, -16.58

 

CMYK 0 / 64 / 42 / 20

HEX #CD4A77

RGB 205 74 119

HSL 339.39, 0.57%, 0.55%

LAB 50.93, 55.52, 2.61

 

CMYK 0 / 64 / 59 / 20

HEX #CD4A54

RGB 205 74 84

HSL 355.42, 0.57%, 0.55%

LAB 50.12, 52.49, 22.51

 

CMYK 0 / 64 / 64 / 20

HEX #CD4A4A

RGB 205 74 74

HSL 0, 0.57%, 0.55%

LAB 49.94, 51.83, 28.21

 

CMYK 0 / 64 / 25 / 20

HEX #CD4A9A

RGB 205 74 154

HSL 323.36, 0.57%, 0.55%

LAB 52.07, 59.62, -16.58

 

CMYK 0 / 64 / 7 / 20

HEX #CD4ABE

RGB 205 74 190

HSL 306.87, 0.57%, 0.55%

LAB 53.59, 64.84, -35.27

 

CMYK 9 / 64 / 0 / 20

HEX #BA4ACD

RGB 186 74 205

HSL 291.3, 0.57%, 0.55%

LAB 51.55, 62.8, -47.32

 

CMYK 27 / 64 / 0 / 20

HEX #964ACD

RGB 150 74 205

HSL 274.81, 0.57%, 0.55%

LAB 46.7, 54.52, -55.35

 

CMYK 44 / 64 / 0 / 20

HEX #734ACD

RGB 115 74 205

HSL 258.78, 0.57%, 0.55%

LAB 42.69, 47.07, -62.03

 

CMYK 0 / 64 / 25 / 20

HEX #CD4A9A

RGB 205 74 154

HSL 323.36, 0.57%, 0.55%

LAB 52.07, 59.62, -16.58

 

CMYK 0 / 75 / 29 / 12

HEX #E0389E

RGB 224 56 158

HSL 323.57, 0.73%, 0.55%

LAB 53.11, 71.52, -17.08

 

CMYK 0 / 85 / 33 / 5

HEX #F225A2

RGB 242 37 162

HSL 323.41, 0.89%, 0.55%

LAB 54.88, 80.71, -16.45

 

CMYK 0 / 64 / 25 / 20

HEX #CD4A9A

RGB 205 74 154

HSL 323.36, 0.57%, 0.55%

LAB 52.07, 59.62, -16.58

 

CMYK 0 / 50 / 20 / 27

HEX #BB5D96

RGB 187 93 150

HSL 323.62, 0.41%, 0.55%

LAB 52.5, 44.83, -13.82

 

CMYK 0 / 34 / 13 / 34

HEX #A86F92

RGB 168 111 146

HSL 323.16, 0.25%, 0.55%

LAB 53.78, 27.99, -9.79

 

CMYK 0 / 13 / 5 / 42

HEX #95828E

RGB 149 130 142

HSL 322.11, 0.08%, 0.55%

LAB 56.39, 9.42, -3.79

 

CMYK 12 / 0 / 7 / 42

HEX #83958A

RGB 131 149 138

HSL 143.33, 0.08%, 0.55%

LAB 60.03, -8.66, 3.63

 

CMYK 9 / 64 / 0 / 20

HEX #BA4ACD

RGB 186 74 205

HSL 291.3, 0.57%, 0.55%

LAB 51.55, 62.8, -47.32

 

CMYK 0 / 64 / 7 / 20

HEX #CD4ABE

RGB 205 74 190

HSL 306.87, 0.57%, 0.55%

LAB 53.59, 64.84, -35.27

 

CMYK 0 / 64 / 24 / 20

HEX #CD4A9B

RGB 205 74 155

HSL 322.9, 0.57%, 0.55%

LAB 52.11, 59.75, -17.11

 

CMYK 0 / 64 / 41 / 20

HEX #CD4A78

RGB 205 74 120

HSL 338.93, 0.57%, 0.55%

LAB 50.96, 55.62, 2.05

 

CMYK 0 / 64 / 59 / 20

HEX #CD4A55

RGB 205 74 85

HSL 354.96, 0.57%, 0.55%

LAB 50.14, 52.56, 21.94

 

CMYK 0 / 73 / 28 / 39

HEX #9B2A6F

RGB 155 42 111

HSL 323.36, 0.57%, 0.39%

LAB 37.43, 52.59, -13.46

 

CMYK 0 / 73 / 28 / 27

HEX #BB3386

RGB 187 51 134

HSL 323.38, 0.57%, 0.47%

LAB 45.16, 60.89, -15.39

 

CMYK 0 / 64 / 25 / 20

HEX #CD4A9A

RGB 205 74 154

HSL 323.36, 0.57%, 0.55%

LAB 52.07, 59.62, -16.58

 

CMYK 0 / 50 / 20 / 16

HEX #D66BAC

RGB 214 107 172

HSL 323.55, 0.57%, 0.63%

LAB 59.7, 49.76, -15.38

 

CMYK 0 / 38 / 15 / 13

HEX #DF8BBE

RGB 223 139 190

HSL 323.57, 0.57%, 0.71%

LAB 67.93, 39.06, -13.07

 

CMYK 0 / 64 / 25 / 19

HEX #CE4B9B

RGB 206 75 155

HSL 323.36, 0.57%, 0.55%

LAB 52.42, 59.62, -16.63

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 64 / 0 / 1 / 20

HEX #4ACDCB

RGB 74 205 203

HSL 179.08, 0.57%, 0.55%

LAB 75.72, -35.48, -9.55

 

CMYK 0 / 64 / 25 / 19

HEX #CE4B9B

RGB 206 75 155

HSL 323.36, 0.57%, 0.55%

LAB 52.42, 59.62, -16.63

 

CMYK 24 / 0 / 64 / 20

HEX #9BCD4A

RGB 155 205 74

HSL 82.9, 0.57%, 0.55%

LAB 76.76, -36.09, 57.98

 

CMYK 64 / 24 / 0 / 20

HEX #4A9BCD

RGB 74 155 205

HSL 202.9, 0.57%, 0.55%

LAB 61.05, -9.36, -32.98

 

CMYK 0 / 64 / 25 / 19

HEX #CE4B9B

RGB 206 75 155

HSL 323.36, 0.57%, 0.55%

LAB 52.42, 59.62, -16.63

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 64 / 0 / 40 / 20

HEX #4ACD7C

RGB 74 205 124

HSL 142.9, 0.57%, 0.55%

LAB 73.92, -53.72, 30.05

 

CMYK 64 / 37 / 0 / 20

HEX #4A81CD

RGB 74 129 205

HSL 214.81, 0.57%, 0.55%

LAB 53.56, 5.73, -44.74

 

CMYK 0 / 64 / 25 / 19

HEX #CE4B9B

RGB 206 75 155

HSL 323.36, 0.57%, 0.55%

LAB 52.42, 59.62, -16.63

 

CMYK 0 / 7 / 64 / 20

HEX #CDBE4A

RGB 205 190 74

HSL 53.13, 0.57%, 0.55%

LAB 76.25, -8.45, 58.53

 

CMYK 64 / 0 / 40 / 20

HEX #4ACD7C

RGB 74 205 124

HSL 142.9, 0.57%, 0.55%

LAB 73.92, -53.72, 30.05

 

CMYK 64 / 56 / 0 / 20

HEX #4A5ACD

RGB 74 90 205

HSL 232.67, 0.57%, 0.55%

LAB 43.03, 30.02, -61.63

 

Description

Color code: HEX #CE4B9B | qconv.com Color code: HEX #CE4B9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 75 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 75 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 25 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 25% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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