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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3FDD it is the complementary color #31C022. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3FDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3FDD shade: #D33FD8, #E451EB, #F563FE, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3FDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3FDD shade: #CE3FDD, #BD2DCA, #AC1BB7, #9B09A4 and #8A0091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3FDD shade: #CE40DD, #DD40C1, #DD4097, #DD406D and #DD4042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3FDD shade: #CE40DD, #A440DD, #7940DD, #4F40DD and #4040DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3FDD shade matches the following richer shades: #CE40DD and #DD2EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3FDD shade: #CE40DD, #BF52CB, #B164B9, #A276A6 and #938894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3FDD shade: #7940DD, #A340DD, #CD40DD, #DD40C3 and #DD4099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3FDD shade: #9F1EAC, #BF24CF, #CE40DD, #D763E3 and #E086E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3FDD shade: #CE3FDD, #DD4F40 and #40DD8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3FDD shade: #CE3FDD, #DDCD40 and #40DDCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3FDD shade: #CE3FDD, #DD4F40, #4FDD40 and #40CDDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3FDD shade: #CE3FDD, #DD7F40, #4FDD40 and #409EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 71 / 0 / 13

HEX #CE3FDD

RGB 206 63 221

HSL 294.3, 0.7%, 0.56%

LAB 53.92, 74.2, -52.48

 

Complementary color

CMYK 74 / 0 / 82 / 25

HEX #31C022

RGB 49 192 34

HSL 114.3, 0.7%, 0.44%

LAB 68.36, -64.25, 62.17

 

CMYK 2 / 71 / 0 / 15

HEX #D33FD8

RGB 211 63 216

HSL 298.04, 0.66%, 0.55%

LAB 54.41, 74.42, -48.82

 

CMYK 3 / 66 / 0 / 8

HEX #E451EB

RGB 228 81 235

HSL 297.27, 0.79%, 0.62%

LAB 60.23, 74.88, -50.12

 

CMYK 4 / 61 / 0 / 0

HEX #F563FE

RGB 245 99 254

HSL 296.52, 0.99%, 0.69%

LAB 66.13, 74.93, -51.14

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 7 / 71 / 0 / 13

HEX #CE3FDD

RGB 206 63 221

HSL 294.3, 0.7%, 0.56%

LAB 53.92, 74.2, -52.48

 

CMYK 6 / 78 / 0 / 21

HEX #BD2DCA

RGB 189 45 202

HSL 295.03, 0.64%, 0.48%

LAB 48.21, 73.18, -50.89

 

CMYK 6 / 85 / 0 / 28

HEX #AC1BB7

RGB 172 27 183

HSL 295.77, 0.74%, 0.41%

LAB 42.72, 71.26, -48.75

 

CMYK 5 / 95 / 0 / 36

HEX #9B09A4

RGB 155 9 164

HSL 296.52, 0.9%, 0.34%

LAB 37.56, 68.09, -45.89

 

CMYK 5 / 100 / 0 / 43

HEX #8A0091

RGB 138 0 145

HSL 297.1, 1%, 0.28%

LAB 32.8, 63.34, -42.13

 

CMYK 7 / 71 / 0 / 13

HEX #CE40DD

RGB 206 64 221

HSL 294.27, 0.7%, 0.56%

LAB 54.04, 73.87, -52.29

 

CMYK 0 / 71 / 13 / 13

HEX #DD40C1

RGB 221 64 193

HSL 310.7, 0.7%, 0.56%

LAB 54.96, 72.79, -34.68

 

CMYK 0 / 71 / 32 / 13

HEX #DD4097

RGB 221 64 151

HSL 326.75, 0.7%, 0.56%

LAB 53.25, 67.38, -12.77

 

CMYK 0 / 71 / 51 / 13

HEX #DD406D

RGB 221 64 109

HSL 342.8, 0.7%, 0.56%

LAB 52, 63.27, 10.52

 

CMYK 0 / 71 / 70 / 13

HEX #DD4042

RGB 221 64 66

HSL 359.24, 0.7%, 0.56%

LAB 51.19, 60.51, 35.02

 

CMYK 7 / 71 / 0 / 13

HEX #CE40DD

RGB 206 64 221

HSL 294.27, 0.7%, 0.56%

LAB 54.04, 73.87, -52.29

 

CMYK 26 / 71 / 0 / 13

HEX #A440DD

RGB 164 64 221

HSL 278.22, 0.7%, 0.56%

LAB 47.98, 65.38, -62.35

 

CMYK 45 / 71 / 0 / 13

HEX #7940DD

RGB 121 64 221

HSL 261.78, 0.7%, 0.56%

LAB 42.69, 57.56, -71.18

 

CMYK 64 / 71 / 0 / 13

HEX #4F40DD

RGB 79 64 221

HSL 245.73, 0.7%, 0.56%

LAB 38.81, 51.46, -77.69

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 7 / 71 / 0 / 13

HEX #CE40DD

RGB 206 64 221

HSL 294.27, 0.7%, 0.56%

LAB 54.04, 73.87, -52.29

 

CMYK 8 / 81 / 0 / 6

HEX #DD2EEF

RGB 221 46 239

HSL 294.4, 0.86%, 0.56%

LAB 55.64, 84.82, -59.74

 

CMYK 7 / 71 / 0 / 13

HEX #CE40DD

RGB 206 64 221

HSL 294.27, 0.7%, 0.56%

LAB 54.04, 73.87, -52.29

 

CMYK 6 / 60 / 0 / 20

HEX #BF52CB

RGB 191 82 203

HSL 294.05, 0.54%, 0.56%

LAB 53.41, 60.17, -43.17

 

CMYK 4 / 46 / 0 / 27

HEX #B164B9

RGB 177 100 185

HSL 294.35, 0.38%, 0.56%

LAB 53.99, 44.14, -32.05

 

CMYK 2 / 29 / 0 / 35

HEX #A276A6

RGB 162 118 166

HSL 295, 0.21%, 0.56%

LAB 55.47, 25.65, -18.93

 

CMYK 1 / 8 / 0 / 42

HEX #938894

RGB 147 136 148

HSL 295, 0.05%, 0.56%

LAB 57.99, 6.41, -4.91

 

CMYK 45 / 71 / 0 / 13

HEX #7940DD

RGB 121 64 221

HSL 261.78, 0.7%, 0.56%

LAB 42.69, 57.56, -71.18

 

CMYK 26 / 71 / 0 / 13

HEX #A340DD

RGB 163 64 221

HSL 277.83, 0.7%, 0.56%

LAB 47.85, 65.19, -62.57

 

CMYK 7 / 71 / 0 / 13

HEX #CD40DD

RGB 205 64 221

HSL 293.89, 0.7%, 0.56%

LAB 53.88, 73.66, -52.55

 

CMYK 0 / 71 / 12 / 13

HEX #DD40C3

RGB 221 64 195

HSL 309.94, 0.7%, 0.56%

LAB 55.05, 73.08, -35.69

 

CMYK 0 / 71 / 31 / 13

HEX #DD4099

RGB 221 64 153

HSL 325.99, 0.7%, 0.56%

LAB 53.32, 67.61, -13.85

 

CMYK 8 / 83 / 0 / 33

HEX #9F1EAC

RGB 159 30 172

HSL 294.51, 0.7%, 0.4%

LAB 40.04, 66.39, -46.65

 

CMYK 8 / 83 / 0 / 19

HEX #BF24CF

RGB 191 36 207

HSL 294.39, 0.7%, 0.48%

LAB 48.06, 76.63, -53.99

 

CMYK 7 / 71 / 0 / 13

HEX #CE40DD

RGB 206 64 221

HSL 294.27, 0.7%, 0.56%

LAB 54.04, 73.87, -52.29

 

CMYK 5 / 56 / 0 / 11

HEX #D763E3

RGB 215 99 227

HSL 294.38, 0.7%, 0.64%

LAB 60.71, 62.92, -45.01

 

CMYK 4 / 42 / 0 / 9

HEX #E086E9

RGB 224 134 233

HSL 294.55, 0.69%, 0.72%

LAB 68.59, 49.43, -35.91

 

CMYK 7 / 71 / 0 / 13

HEX #CE3FDD

RGB 206 63 221

HSL 294.3, 0.7%, 0.56%

LAB 53.92, 74.2, -52.48

 

CMYK 0 / 64 / 71 / 13

HEX #DD4F40

RGB 221 79 64

HSL 5.73, 0.7%, 0.56%

LAB 53.31, 54.56, 38.63

 

CMYK 71 / 0 / 36 / 13

HEX #40DD8E

RGB 64 221 142

HSL 149.81, 0.7%, 0.56%

LAB 78.9, -58.15, 27.37

 

CMYK 7 / 71 / 0 / 13

HEX #CE3FDD

RGB 206 63 221

HSL 294.3, 0.7%, 0.56%

LAB 53.92, 74.2, -52.48

 

CMYK 0 / 7 / 71 / 13

HEX #DDCD40

RGB 221 205 64

HSL 53.89, 0.7%, 0.56%

LAB 81.51, -9.88, 68.29

 

CMYK 71 / 0 / 7 / 13

HEX #40DDCD

RGB 64 221 205

HSL 173.89, 0.7%, 0.56%

LAB 80.3, -43.56, -3.87

 

CMYK 7 / 71 / 0 / 13

HEX #CE3FDD

RGB 206 63 221

HSL 294.3, 0.7%, 0.56%

LAB 53.92, 74.2, -52.48

 

CMYK 0 / 64 / 71 / 13

HEX #DD4F40

RGB 221 79 64

HSL 5.73, 0.7%, 0.56%

LAB 53.31, 54.56, 38.63

 

CMYK 64 / 0 / 71 / 13

HEX #4FDD40

RGB 79 221 64

HSL 114.27, 0.7%, 0.56%

LAB 78.31, -66.07, 62.53

 

CMYK 71 / 7 / 0 / 13

HEX #40CDDD

RGB 64 205 221

HSL 186.11, 0.7%, 0.56%

LAB 76.05, -31.71, -18.78

 

CMYK 7 / 71 / 0 / 13

HEX #CE3FDD

RGB 206 63 221

HSL 294.3, 0.7%, 0.56%

LAB 53.92, 74.2, -52.48

 

CMYK 0 / 43 / 71 / 13

HEX #DD7F40

RGB 221 127 64

HSL 24.08, 0.7%, 0.56%

LAB 62.44, 31.31, 48.78

 

CMYK 64 / 0 / 71 / 13

HEX #4FDD40

RGB 79 221 64

HSL 114.27, 0.7%, 0.56%

LAB 78.31, -66.07, 62.53

 

CMYK 71 / 29 / 0 / 13

HEX #409EDD

RGB 64 158 221

HSL 204.08, 0.7%, 0.56%

LAB 62.31, -7.27, -39.95

 

Description

Color code: HEX #CE3FDD | qconv.com Color code: HEX #CE3FDD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 63 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 63 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 71 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 71% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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