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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3DD6 it is the complementary color #31C229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3DD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3DD6 shade: #D33DD1, #E44FE4, #F561F7, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3DD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3DD6 shade: #CE3DD6, #BD2BC3, #AC19B0, #9B079D and #8A008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3DD6 shade: #CD3DD5, #D53DB4, #D53D8B, #D53D62 and #D53D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3DD6 shade: #CD3DD5, #A43DD5, #7B3DD5, #523DD5 and #3D3DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3DD6 shade matches the following richer shades: #CD3DD5, #DE2AE8 and #EF17FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3DD6 shade: #CD3DD5, #BC50C2, #AB63AF, #9A769D and #89898A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3DD6 shade: #7A3DD5, #A33DD5, #CB3DD5, #D53DB7 and #D53D8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3DD6 shade: #98219F, #B928C1, #CD3DD5, #D65FDD and #DF81E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3DD6 shade: #CE3DD6, #D5513D and #3DD58E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3DD6 shade: #CE3DD6, #D5CB3D and #3DD5CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3DD6 shade: #CE3DD6, #D5513D, #47D53D and #3DC1D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3DD6 shade: #CE3DD6, #D57F3D, #47D53D and #3D93D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

Complementary color

CMYK 75 / 0 / 79 / 24

HEX #31C229

RGB 49 194 41

HSL 116.86, 0.65%, 0.46%

LAB 69.04, -64.47, 60.81

 

CMYK 0 / 71 / 1 / 17

HEX #D33DD1

RGB 211 61 209

HSL 300.8, 0.63%, 0.53%

LAB 53.8, 73.95, -45.79

 

CMYK 0 / 65 / 0 / 11

HEX #E44FE4

RGB 228 79 228

HSL 300, 0.73%, 0.6%

LAB 59.61, 74.47, -47.19

 

CMYK 1 / 61 / 0 / 3

HEX #F561F7

RGB 245 97 247

HSL 299.2, 0.9%, 0.67%

LAB 65.5, 74.57, -48.29

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 3 / 78 / 0 / 24

HEX #BD2BC3

RGB 189 43 195

HSL 297.63, 0.64%, 0.47%

LAB 47.61, 72.58, -47.8

 

CMYK 2 / 86 / 0 / 31

HEX #AC19B0

RGB 172 25 176

HSL 298.41, 0.75%, 0.39%

LAB 42.16, 70.53, -45.53

 

CMYK 1 / 96 / 0 / 38

HEX #9B079D

RGB 155 7 157

HSL 299.2, 0.91%, 0.32%

LAB 37.03, 67.21, -42.51

 

CMYK 0 / 100 / 0 / 46

HEX #8A008A

RGB 138 0 138

HSL 300, 1%, 0.27%

LAB 32.34, 62.24, -38.54

 

CMYK 4 / 71 / 0 / 16

HEX #CD3DD5

RGB 205 61 213

HSL 296.84, 0.64%, 0.54%

LAB 53.08, 73.32, -49.28

 

CMYK 0 / 71 / 15 / 16

HEX #D53DB4

RGB 213 61 180

HSL 313.03, 0.64%, 0.54%

LAB 52.71, 70.07, -30.76

 

CMYK 0 / 71 / 35 / 16

HEX #D53D8B

RGB 213 61 139

HSL 329.21, 0.64%, 0.54%

LAB 51.09, 64.94, -9.01

 

CMYK 0 / 71 / 54 / 16

HEX #D53D62

RGB 213 61 98

HSL 345.39, 0.64%, 0.54%

LAB 49.94, 61.12, 14.08

 

CMYK 0 / 71 / 71 / 16

HEX #D53D3D

RGB 213 61 61

HSL 0, 0.64%, 0.54%

LAB 49.28, 58.88, 35.29

 

CMYK 4 / 71 / 0 / 16

HEX #CD3DD5

RGB 205 61 213

HSL 296.84, 0.64%, 0.54%

LAB 53.08, 73.32, -49.28

 

CMYK 23 / 71 / 0 / 16

HEX #A43DD5

RGB 164 61 213

HSL 280.66, 0.64%, 0.54%

LAB 47.02, 64.93, -59.33

 

CMYK 42 / 71 / 0 / 16

HEX #7B3DD5

RGB 123 61 213

HSL 264.47, 0.64%, 0.54%

LAB 41.77, 57.27, -68.09

 

CMYK 62 / 71 / 0 / 16

HEX #523DD5

RGB 82 61 213

HSL 248.29, 0.64%, 0.54%

LAB 37.73, 51.01, -74.87

 

CMYK 71 / 71 / 0 / 16

HEX #3D3DD5

RGB 61 61 213

HSL 240, 0.64%, 0.54%

LAB 36.24, 48.6, -77.37

 

CMYK 4 / 71 / 0 / 16

HEX #CD3DD5

RGB 205 61 213

HSL 296.84, 0.64%, 0.54%

LAB 53.08, 73.32, -49.28

 

CMYK 4 / 82 / 0 / 9

HEX #DE2AE8

RGB 222 42 232

HSL 296.84, 0.81%, 0.54%

LAB 55.08, 84.79, -56.69

 

CMYK 5 / 91 / 0 / 2

HEX #EF17FB

RGB 239 23 251

HSL 296.84, 0.97%, 0.54%

LAB 57.97, 93.53, -62.54

 

CMYK 4 / 71 / 0 / 16

HEX #CD3DD5

RGB 205 61 213

HSL 296.84, 0.64%, 0.54%

LAB 53.08, 73.32, -49.28

 

CMYK 3 / 59 / 0 / 24

HEX #BC50C2

RGB 188 80 194

HSL 296.84, 0.48%, 0.54%

LAB 52.2, 58.67, -39.94

 

CMYK 2 / 43 / 0 / 31

HEX #AB63AF

RGB 171 99 175

HSL 296.84, 0.32%, 0.54%

LAB 52.59, 40.92, -28.49

 

CMYK 2 / 25 / 0 / 38

HEX #9A769D

RGB 154 118 157

HSL 295.38, 0.17%, 0.54%

LAB 54.3, 21.09, -15.57

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 43 / 71 / 0 / 16

HEX #7A3DD5

RGB 122 61 213

HSL 264.08, 0.64%, 0.54%

LAB 41.66, 57.1, -68.28

 

CMYK 23 / 71 / 0 / 16

HEX #A33DD5

RGB 163 61 213

HSL 280.26, 0.64%, 0.54%

LAB 46.88, 64.73, -59.56

 

CMYK 5 / 71 / 0 / 16

HEX #CB3DD5

RGB 203 61 213

HSL 296.05, 0.64%, 0.54%

LAB 52.77, 72.9, -49.79

 

CMYK 0 / 71 / 14 / 16

HEX #D53DB7

RGB 213 61 183

HSL 311.84, 0.64%, 0.54%

LAB 52.84, 70.49, -32.29

 

CMYK 0 / 71 / 33 / 16

HEX #D53D8E

RGB 213 61 142

HSL 328.03, 0.64%, 0.54%

LAB 51.19, 65.28, -10.65

 

CMYK 4 / 79 / 0 / 38

HEX #98219F

RGB 152 33 159

HSL 296.67, 0.66%, 0.38%

LAB 38.32, 62.03, -41.69

 

CMYK 4 / 79 / 0 / 24

HEX #B928C1

RGB 185 40 193

HSL 296.86, 0.66%, 0.46%

LAB 46.55, 72.28, -48.35

 

CMYK 4 / 71 / 0 / 16

HEX #CD3DD5

RGB 205 61 213

HSL 296.84, 0.64%, 0.54%

LAB 53.08, 73.32, -49.28

 

CMYK 3 / 57 / 0 / 13

HEX #D65FDD

RGB 214 95 221

HSL 296.67, 0.65%, 0.62%

LAB 59.62, 63.4, -43.37

 

CMYK 2 / 43 / 0 / 11

HEX #DF81E4

RGB 223 129 228

HSL 296.97, 0.65%, 0.7%

LAB 67.27, 50.77, -35.22

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 0 / 62 / 71 / 16

HEX #D5513D

RGB 213 81 61

HSL 7.89, 0.64%, 0.54%

LAB 52.25, 50.82, 38.71

 

CMYK 71 / 0 / 33 / 16

HEX #3DD58E

RGB 61 213 142

HSL 151.97, 0.64%, 0.54%

LAB 76.4, -55.57, 23.97

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 0 / 5 / 71 / 16

HEX #D5CB3D

RGB 213 203 61

HSL 56.05, 0.64%, 0.54%

LAB 80.29, -12.39, 67.94

 

CMYK 71 / 0 / 5 / 16

HEX #3DD5CB

RGB 61 213 203

HSL 176.05, 0.64%, 0.54%

LAB 77.81, -40.93, -6.47

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 0 / 62 / 71 / 16

HEX #D5513D

RGB 213 81 61

HSL 7.89, 0.64%, 0.54%

LAB 52.25, 50.82, 38.71

 

CMYK 67 / 0 / 71 / 16

HEX #47D53D

RGB 71 213 61

HSL 116.05, 0.64%, 0.54%

LAB 75.62, -65.26, 60.79

 

CMYK 71 / 9 / 0 / 16

HEX #3DC1D5

RGB 61 193 213

HSL 187.89, 0.64%, 0.54%

LAB 72.19, -28.67, -20.32

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 0 / 40 / 71 / 16

HEX #D57F3D

RGB 213 127 61

HSL 26.05, 0.64%, 0.54%

LAB 61.36, 27.88, 48.75

 

CMYK 67 / 0 / 71 / 16

HEX #47D53D

RGB 71 213 61

HSL 116.05, 0.64%, 0.54%

LAB 75.62, -65.26, 60.79

 

CMYK 71 / 31 / 0 / 16

HEX #3D93D5

RGB 61 147 213

HSL 206.05, 0.64%, 0.54%

LAB 58.66, -4.18, -41.23

 

Description

Color code: HEX #CE3DD6 | qconv.com Color code: HEX #CE3DD6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 61 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 61 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 71 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 71% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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