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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3C9E it is the complementary color #31C361. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3C9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3C9E shade: #D33C99, #E44EAC, #F560BF, #FF72D2 and #FF84E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3C9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3C9E shade: #CE3C9E, #BD2A8B, #AC1878, #9B0665 and #8A0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3C9E shade: #CE3B9D, #CE3B76, #CE3B4E and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3C9E shade: #CE3B9D, #CE3BC5, #AF3BCE, #873BCE and #5F3BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3C9E shade matches the following richer shades: #CE3B9D, #E127A4 and #F513AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3C9E shade: #CE3B9D, #BA4E96, #A66290, #927689 and #7E8A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3C9E shade: #AE3BCE, #CE3BC6, #CE3B9F, #CE3B78 and #CE3B51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3C9E shade: #92246E, #B32C86, #CE3B9D, #D65CAE and #DE7DBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3C9E shade: #CE3C9E, #CE873B and #3BCEC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3C9E shade: #CE3C9E, #9FCE3B and #3B9FCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3C9E shade: #CE3C9E, #CE873B, #3BCE69 and #3B82CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3C9E shade: #CE3C9E, #CEB33B, #3BCE69 and #3B56CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 23 / 19

HEX #CE3C9E

RGB 206 60 158

HSL 319.73, 0.6%, 0.52%

LAB 50.48, 65.73, -21.37

 

Complementary color

CMYK 75 / 0 / 50 / 24

HEX #31C361

RGB 49 195 97

HSL 139.73, 0.6%, 0.48%

LAB 69.86, -58.77, 38.41

 

CMYK 0 / 72 / 27 / 17

HEX #D33C99

RGB 211 60 153

HSL 323.05, 0.63%, 0.53%

LAB 51.13, 66.38, -17.33

 

CMYK 0 / 66 / 25 / 11

HEX #E44EAC

RGB 228 78 172

HSL 322.4, 0.74%, 0.6%

LAB 57, 66.69, -19.29

 

CMYK 0 / 61 / 22 / 4

HEX #F560BF

RGB 245 96 191

HSL 321.74, 0.88%, 0.67%

LAB 62.96, 66.6, -20.87

 

CMYK 0 / 55 / 18 / 0

HEX #FF72D2

RGB 255 114 210

HSL 319.15, 1%, 0.72%

LAB 67.98, 64.27, -23.77

 

CMYK 0 / 48 / 10 / 0

HEX #FF84E5

RGB 255 132 229

HSL 312.68, 1%, 0.76%

LAB 71.84, 58.79, -28.39

 

CMYK 0 / 71 / 23 / 19

HEX #CE3C9E

RGB 206 60 158

HSL 319.73, 0.6%, 0.52%

LAB 50.48, 65.73, -21.37

 

CMYK 0 / 78 / 26 / 26

HEX #BD2A8B

RGB 189 42 139

HSL 320.41, 0.64%, 0.45%

LAB 44.71, 64.83, -19.08

 

CMYK 0 / 86 / 30 / 33

HEX #AC1878

RGB 172 24 120

HSL 321.08, 0.76%, 0.38%

LAB 39.21, 63.01, -16.1

 

CMYK 0 / 96 / 35 / 39

HEX #9B0665

RGB 155 6 101

HSL 321.74, 0.93%, 0.32%

LAB 34.06, 59.9, -12.23

 

CMYK 0 / 100 / 41 / 46

HEX #8A0052

RGB 138 0 82

HSL 324.35, 1%, 0.27%

LAB 29.44, 54.98, -7.16

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9D

RGB 206 59 157

HSL 320, 0.6%, 0.52%

LAB 50.32, 65.95, -21.03

 

CMYK 0 / 71 / 43 / 19

HEX #CE3B76

RGB 206 59 118

HSL 335.92, 0.6%, 0.52%

LAB 48.96, 61.54, 0.36

 

CMYK 0 / 71 / 62 / 19

HEX #CE3B4E

RGB 206 59 78

HSL 352.24, 0.6%, 0.52%

LAB 48.01, 58.35, 23.38

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9D

RGB 206 59 157

HSL 320, 0.6%, 0.52%

LAB 50.32, 65.95, -21.03

 

CMYK 0 / 71 / 4 / 19

HEX #CE3BC5

RGB 206 59 197

HSL 303.67, 0.6%, 0.52%

LAB 52.15, 71.63, -41.57

 

CMYK 15 / 71 / 0 / 19

HEX #AF3BCE

RGB 175 59 206

HSL 287.35, 0.6%, 0.52%

LAB 47.88, 66.54, -53.85

 

CMYK 34 / 71 / 0 / 19

HEX #873BCE

RGB 135 59 206

HSL 271.02, 0.6%, 0.52%

LAB 42.36, 58.64, -63.03

 

CMYK 54 / 71 / 0 / 19

HEX #5F3BCE

RGB 95 59 206

HSL 254.69, 0.6%, 0.52%

LAB 37.87, 51.82, -70.54

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9D

RGB 206 59 157

HSL 320, 0.6%, 0.52%

LAB 50.32, 65.95, -21.03

 

CMYK 0 / 83 / 27 / 12

HEX #E127A4

RGB 225 39 164

HSL 319.68, 0.76%, 0.52%

LAB 51.99, 76.8, -22.31

 

CMYK 0 / 92 / 30 / 4

HEX #F513AB

RGB 245 19 171

HSL 319.65, 0.92%, 0.52%

LAB 54.88, 84.85, -21.68

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9D

RGB 206 59 157

HSL 320, 0.6%, 0.52%

LAB 50.32, 65.95, -21.03

 

CMYK 0 / 58 / 19 / 27

HEX #BA4E96

RGB 186 78 150

HSL 320, 0.44%, 0.52%

LAB 49.6, 51.8, -18.24

 

CMYK 0 / 41 / 13 / 35

HEX #A66290

RGB 166 98 144

HSL 319.41, 0.28%, 0.52%

LAB 50.52, 34.19, -13.55

 

CMYK 0 / 19 / 6 / 43

HEX #927689

RGB 146 118 137

HSL 319.29, 0.11%, 0.52%

LAB 52.81, 14.29, -6.22

 

CMYK 9 / 0 / 6 / 46

HEX #7E8A82

RGB 126 138 130

HSL 140, 0.05%, 0.52%

LAB 56.31, -5.99, 2.78

 

CMYK 16 / 71 / 0 / 19

HEX #AE3BCE

RGB 174 59 206

HSL 286.94, 0.6%, 0.52%

LAB 47.73, 66.34, -54.09

 

CMYK 0 / 71 / 4 / 19

HEX #CE3BC6

RGB 206 59 198

HSL 303.27, 0.6%, 0.52%

LAB 52.2, 71.79, -42.06

 

CMYK 0 / 71 / 23 / 19

HEX #CE3B9F

RGB 206 59 159

HSL 319.18, 0.6%, 0.52%

LAB 50.4, 66.2, -22.09

 

CMYK 0 / 71 / 42 / 19

HEX #CE3B78

RGB 206 59 120

HSL 335.1, 0.6%, 0.52%

LAB 49.01, 61.73, -0.77

 

CMYK 0 / 71 / 61 / 19

HEX #CE3B51

RGB 206 59 81

HSL 351.02, 0.6%, 0.52%

LAB 48.06, 58.54, 21.64

 

CMYK 0 / 75 / 25 / 43

HEX #92246E

RGB 146 36 110

HSL 319.64, 0.6%, 0.36%

LAB 35, 52.16, -16.69

 

CMYK 0 / 75 / 25 / 30

HEX #B32C86

RGB 179 44 134

HSL 320, 0.61%, 0.44%

LAB 42.92, 61.15, -18.94

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9D

RGB 206 59 157

HSL 320, 0.6%, 0.52%

LAB 50.32, 65.95, -21.03

 

CMYK 0 / 57 / 19 / 16

HEX #D65CAE

RGB 214 92 174

HSL 319.67, 0.6%, 0.6%

LAB 57.08, 57.17, -20.51

 

CMYK 0 / 44 / 14 / 13

HEX #DE7DBE

RGB 222 125 190

HSL 319.79, 0.6%, 0.68%

LAB 64.89, 46.01, -17.65

 

CMYK 0 / 71 / 23 / 19

HEX #CE3C9E

RGB 206 60 158

HSL 319.73, 0.6%, 0.52%

LAB 50.48, 65.73, -21.37

 

CMYK 0 / 34 / 71 / 19

HEX #CE873B

RGB 206 135 59

HSL 31.02, 0.6%, 0.52%

LAB 62.31, 20.52, 50.43

 

CMYK 71 / 0 / 6 / 19

HEX #3BCEC1

RGB 59 206 193

HSL 174.69, 0.6%, 0.52%

LAB 75.4, -40.79, -4.65

 

CMYK 0 / 71 / 23 / 19

HEX #CE3C9E

RGB 206 60 158

HSL 319.73, 0.6%, 0.52%

LAB 50.48, 65.73, -21.37

 

CMYK 23 / 0 / 71 / 19

HEX #9FCE3B

RGB 159 206 59

HSL 79.18, 0.6%, 0.52%

LAB 77.18, -36.03, 64.28

 

CMYK 71 / 23 / 0 / 19

HEX #3B9FCE

RGB 59 159 206

HSL 199.18, 0.6%, 0.52%

LAB 61.81, -13.58, -32.4

 

CMYK 0 / 71 / 23 / 19

HEX #CE3C9E

RGB 206 60 158

HSL 319.73, 0.6%, 0.52%

LAB 50.48, 65.73, -21.37

 

CMYK 0 / 34 / 71 / 19

HEX #CE873B

RGB 206 135 59

HSL 31.02, 0.6%, 0.52%

LAB 62.31, 20.52, 50.43

 

CMYK 71 / 0 / 49 / 19

HEX #3BCE69

RGB 59 206 105

HSL 138.78, 0.6%, 0.52%

LAB 73.61, -59.9, 39.18

 

CMYK 71 / 37 / 0 / 19

HEX #3B82CE

RGB 59 130 206

HSL 211.02, 0.6%, 0.52%

LAB 53.33, 3.08, -45.71

 

CMYK 0 / 71 / 23 / 19

HEX #CE3C9E

RGB 206 60 158

HSL 319.73, 0.6%, 0.52%

LAB 50.48, 65.73, -21.37

 

CMYK 0 / 13 / 71 / 19

HEX #CEB33B

RGB 206 179 59

HSL 48.98, 0.6%, 0.52%

LAB 73.34, -3.14, 61.67

 

CMYK 71 / 0 / 49 / 19

HEX #3BCE69

RGB 59 206 105

HSL 138.78, 0.6%, 0.52%

LAB 73.61, -59.9, 39.18

 

CMYK 71 / 58 / 0 / 19

HEX #3B56CE

RGB 59 86 206

HSL 228.98, 0.6%, 0.52%

LAB 41.28, 30.73, -65.08

 

Description

Color code: HEX #CE3C9E | qconv.com Color code: HEX #CE3C9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 60 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 60 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 23 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 23% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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