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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE2D8B it is the complementary color #31D274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE2D8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE2D8B shade: #D32D86, #E43F99, #F551AC, #FF63BF and #FF75D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE2D8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE2D8B shade: #CE2D8B, #BD1B78, #AC0965, #9B0052 and #8A003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE2D8B shade: #CC2C8A, #CC2C5F, #CC2C34 and #CC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE2D8B shade: #CC2C8A, #CC2CB5, #B92CCC, #8E2CCC and #622CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE2D8B shade matches the following richer shades: #CC2C8A, #E1188D and #F50491

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE2D8B shade: #CC2C8A, #B84186, #A45583, #906980 and #7C7D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE2D8B shade: #B72CCC, #CC2CB7, #CC2C8C, #CC2C62 and #CC2C37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE2D8B shade: #891E5C, #AB2573, #CC2C8A, #D74B9D and #DF6DAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE2D8B shade: #CE2D8B, #CC8C2C and #2CCCCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE2D8B shade: #CE2D8B, #8CCC2C and #2C8CCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE2D8B shade: #CE2D8B, #CC8C2C, #2CCC6C and #2C6CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE2D8B shade: #CE2D8B, #CCBC2C, #2CCC6C and #2C3CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 33 / 19

HEX #CE2D8B

RGB 206 45 139

HSL 324.97, 0.64%, 0.49%

LAB 48.09, 68.13, -13.66

 

Complementary color

CMYK 77 / 0 / 45 / 18

HEX #31D274

RGB 49 210 116

HSL 144.97, 0.64%, 0.51%

LAB 74.83, -60.94, 35.22

 

CMYK 0 / 79 / 36 / 17

HEX #D32D86

RGB 211 45 134

HSL 327.83, 0.65%, 0.5%

LAB 48.82, 68.83, -9.44

 

CMYK 0 / 72 / 33 / 11

HEX #E43F99

RGB 228 63 153

HSL 327.27, 0.75%, 0.57%

LAB 54.4, 69.77, -12.11

 

CMYK 0 / 67 / 30 / 4

HEX #F551AC

RGB 245 81 172

HSL 326.71, 0.89%, 0.64%

LAB 60.14, 70.12, -14.27

 

CMYK 0 / 61 / 25 / 0

HEX #FF63BF

RGB 255 99 191

HSL 324.62, 1%, 0.69%

LAB 64.92, 68.13, -17.75

 

CMYK 0 / 54 / 18 / 0

HEX #FF75D2

RGB 255 117 210

HSL 319.57, 1%, 0.73%

LAB 68.49, 62.92, -23

 

CMYK 0 / 78 / 33 / 19

HEX #CE2D8B

RGB 206 45 139

HSL 324.97, 0.64%, 0.49%

LAB 48.09, 68.13, -13.66

 

CMYK 0 / 86 / 37 / 26

HEX #BD1B78

RGB 189 27 120

HSL 325.56, 0.75%, 0.42%

LAB 42.7, 66.35, -10.49

 

CMYK 0 / 95 / 41 / 33

HEX #AC0965

RGB 172 9 101

HSL 326.13, 0.9%, 0.35%

LAB 37.67, 63.35, -6.44

 

CMYK 0 / 100 / 47 / 39

HEX #9B0052

RGB 155 0 82

HSL 328.26, 1%, 0.3%

LAB 33.09, 58.86, -1.35

 

CMYK 0 / 100 / 54 / 46

HEX #8A003F

RGB 138 0 63

HSL 332.61, 1%, 0.27%

LAB 28.8, 53.3, 4.62

 

CMYK 0 / 78 / 32 / 20

HEX #CC2C8A

RGB 204 44 138

HSL 324.75, 0.65%, 0.49%

LAB 47.59, 67.81, -13.84

 

CMYK 0 / 78 / 53 / 20

HEX #CC2C5F

RGB 204 44 95

HSL 340.88, 0.65%, 0.49%

LAB 46.26, 63.79, 10.56

 

CMYK 0 / 78 / 75 / 20

HEX #CC2C34

RGB 204 44 52

HSL 357, 0.65%, 0.49%

LAB 45.48, 61.33, 35.69

 

CMYK 0 / 78 / 78 / 20

HEX #CC2C2C

RGB 204 44 44

HSL 0, 0.65%, 0.49%

LAB 45.39, 61.04, 40.14

 

CMYK 0 / 78 / 32 / 20

HEX #CC2C8A

RGB 204 44 138

HSL 324.75, 0.65%, 0.49%

LAB 47.59, 67.81, -13.84

 

CMYK 0 / 78 / 11 / 20

HEX #CC2CB5

RGB 204 44 181

HSL 308.63, 0.65%, 0.49%

LAB 49.47, 73.25, -36.53

 

CMYK 9 / 78 / 0 / 20

HEX #B92CCC

RGB 185 44 204

HSL 292.88, 0.65%, 0.49%

LAB 47.59, 73.03, -53.07

 

CMYK 30 / 78 / 0 / 20

HEX #8E2CCC

RGB 142 44 204

HSL 276.75, 0.65%, 0.49%

LAB 41.08, 65.36, -63.92

 

CMYK 52 / 78 / 0 / 20

HEX #622CCC

RGB 98 44 204

HSL 260.25, 0.65%, 0.49%

LAB 35.51, 58.77, -73.24

 

CMYK 0 / 78 / 32 / 20

HEX #CC2C8A

RGB 204 44 138

HSL 324.75, 0.65%, 0.49%

LAB 47.59, 67.81, -13.84

 

CMYK 0 / 89 / 37 / 12

HEX #E1188D

RGB 225 24 141

HSL 325.07, 0.81%, 0.49%

LAB 50.2, 77.05, -11.33

 

CMYK 0 / 98 / 41 / 4

HEX #F50491

RGB 245 4 145

HSL 324.9, 0.97%, 0.49%

LAB 53.54, 83.53, -8.32

 

CMYK 0 / 78 / 32 / 20

HEX #CC2C8A

RGB 204 44 138

HSL 324.75, 0.65%, 0.49%

LAB 47.59, 67.81, -13.84

 

CMYK 0 / 65 / 27 / 28

HEX #B84186

RGB 184 65 134

HSL 325.21, 0.48%, 0.49%

LAB 46.57, 54.72, -13.3

 

CMYK 0 / 48 / 20 / 36

HEX #A45583

RGB 164 85 131

HSL 325.06, 0.32%, 0.49%

LAB 47.01, 38.41, -11.11

 

CMYK 0 / 27 / 11 / 44

HEX #906980

RGB 144 105 128

HSL 324.62, 0.16%, 0.49%

LAB 49, 19.45, -6.6

 

CMYK 1 / 0 / 1 / 51

HEX #7C7D7C

RGB 124 125 124

HSL 120, 0%, 0.49%

LAB 52.29, -0.57, 0.41

 

CMYK 10 / 78 / 0 / 20

HEX #B72CCC

RGB 183 44 204

HSL 292.13, 0.65%, 0.49%

LAB 47.27, 72.66, -53.6

 

CMYK 0 / 78 / 10 / 20

HEX #CC2CB7

RGB 204 44 183

HSL 307.88, 0.65%, 0.49%

LAB 49.57, 73.54, -37.54

 

CMYK 0 / 78 / 31 / 20

HEX #CC2C8C

RGB 204 44 140

HSL 324, 0.65%, 0.49%

LAB 47.67, 68.03, -14.93

 

CMYK 0 / 78 / 52 / 20

HEX #CC2C62

RGB 204 44 98

HSL 339.75, 0.65%, 0.49%

LAB 46.34, 64.02, 8.81

 

CMYK 0 / 78 / 73 / 20

HEX #CC2C37

RGB 204 44 55

HSL 355.88, 0.65%, 0.49%

LAB 45.52, 61.45, 33.98

 

CMYK 0 / 78 / 33 / 46

HEX #891E5C

RGB 137 30 92

HSL 325.23, 0.64%, 0.33%

LAB 31.85, 49.45, -10.11

 

CMYK 0 / 78 / 33 / 33

HEX #AB2573

RGB 171 37 115

HSL 325.07, 0.64%, 0.41%

LAB 39.95, 58.95, -11.87

 

CMYK 0 / 78 / 32 / 20

HEX #CC2C8A

RGB 204 44 138

HSL 324.75, 0.65%, 0.49%

LAB 47.59, 67.81, -13.84

 

CMYK 0 / 65 / 27 / 16

HEX #D74B9D

RGB 215 75 157

HSL 324.86, 0.64%, 0.57%

LAB 53.94, 62.4, -15.37

 

CMYK 0 / 51 / 22 / 13

HEX #DF6DAF

RGB 223 109 175

HSL 325.26, 0.64%, 0.65%

LAB 61.41, 52.05, -14.39

 

CMYK 0 / 78 / 33 / 19

HEX #CE2D8B

RGB 206 45 139

HSL 324.97, 0.64%, 0.49%

LAB 48.09, 68.13, -13.66

 

CMYK 0 / 31 / 78 / 20

HEX #CC8C2C

RGB 204 140 44

HSL 36, 0.65%, 0.49%

LAB 63.16, 16.28, 57.58

 

CMYK 78 / 0 / 0 / 20

HEX #2CCCCC

RGB 44 204 204

HSL 180, 0.65%, 0.49%

LAB 74.88, -38.41, -11.41

 

CMYK 0 / 78 / 33 / 19

HEX #CE2D8B

RGB 206 45 139

HSL 324.97, 0.64%, 0.49%

LAB 48.09, 68.13, -13.66

 

CMYK 31 / 0 / 78 / 20

HEX #8CCC2C

RGB 140 204 44

HSL 84, 0.65%, 0.49%

LAB 75.42, -43.1, 67.09

 

CMYK 78 / 31 / 0 / 20

HEX #2C8CCC

RGB 44 140 204

HSL 204, 0.65%, 0.49%

LAB 55.74, -5.43, -40.8

 

CMYK 0 / 78 / 33 / 19

HEX #CE2D8B

RGB 206 45 139

HSL 324.97, 0.64%, 0.49%

LAB 48.09, 68.13, -13.66

 

CMYK 0 / 31 / 78 / 20

HEX #CC8C2C

RGB 204 140 44

HSL 36, 0.65%, 0.49%

LAB 63.16, 16.28, 57.58

 

CMYK 78 / 0 / 47 / 20

HEX #2CCC6C

RGB 44 204 108

HSL 144, 0.65%, 0.49%

LAB 72.76, -60.8, 36.58

 

CMYK 78 / 47 / 0 / 20

HEX #2C6CCC

RGB 44 108 204

HSL 216, 0.65%, 0.49%

LAB 46.47, 14.09, -55.55

 

CMYK 0 / 78 / 33 / 19

HEX #CE2D8B

RGB 206 45 139

HSL 324.97, 0.64%, 0.49%

LAB 48.09, 68.13, -13.66

 

CMYK 0 / 8 / 78 / 20

HEX #CCBC2C

RGB 204 188 44

HSL 54, 0.65%, 0.49%

LAB 75.44, -9.3, 68.79

 

CMYK 78 / 0 / 47 / 20

HEX #2CCC6C

RGB 44 204 108

HSL 144, 0.65%, 0.49%

LAB 72.76, -60.8, 36.58

 

CMYK 78 / 71 / 0 / 20

HEX #2C3CCC

RGB 44 60 204

HSL 234, 0.65%, 0.49%

LAB 34.25, 44.65, -75.48

 

Description

Color code: HEX #CE2D8B | qconv.com Color code: HEX #CE2D8B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 45 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 45 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 33 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 33% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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