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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE2B7D it is the complementary color #31D482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE2B7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE2B7D shade: #D32B78, #E43D8B, #F54F9E, #FF61B1 and #FF73C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE2B7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE2B7D shade: #CE2B7D, #BD196A, #AC0757, #9B0044 and #8A0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE2B7D shade: #CE2B7D, #CE2B51 and #CE2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE2B7D shade: #CE2B7D, #CE2BA9, #C72BCE, #9B2BCE and #6F2BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE2B7D shade matches the following richer shades: #CE2B7D, #E2177D and #F6037D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE2B7D shade: #CE2B7D, #B93F7D, #A5547D, #91687D and #7D7C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE2B7D shade: #C62BCE, #CE2BAA, #CE2B7F, #CE2B54 and #CE2E2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE2B7D shade: #8A1D54, #AC2468, #CE2B7D, #D84A92 and #DF6CA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE2B7D shade: #CE2B7D, #CE9A2B and #2BC0CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE2B7D shade: #CE2B7D, #7FCE2B and #2B7FCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE2B7D shade: #CE2B7D, #CE9A2B, #2BCE7A and #2B5FCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE2B7D shade: #CE2B7D, #CECB2B, #2BCE7A and #2B2ECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

Complementary color

CMYK 77 / 0 / 39 / 17

HEX #31D482

RGB 49 212 130

HSL 149.82, 0.65%, 0.51%

LAB 75.67, -59.14, 29.19

 

CMYK 0 / 80 / 43 / 17

HEX #D32B78

RGB 211 43 120

HSL 332.5, 0.66%, 0.5%

LAB 48.18, 67.99, -1.89

 

CMYK 0 / 73 / 39 / 11

HEX #E43D8B

RGB 228 61 139

HSL 331.98, 0.76%, 0.57%

LAB 53.7, 68.94, -4.84

 

CMYK 0 / 68 / 36 / 4

HEX #F54F9E

RGB 245 79 158

HSL 331.45, 0.89%, 0.64%

LAB 59.41, 69.29, -7.24

 

CMYK 0 / 62 / 31 / 0

HEX #FF61B1

RGB 255 97 177

HSL 329.62, 1%, 0.69%

LAB 64.15, 67.24, -10.95

 

CMYK 0 / 55 / 23 / 0

HEX #FF73C4

RGB 255 115 196

HSL 325.29, 1%, 0.73%

LAB 67.66, 61.89, -16.43

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 87 / 44 / 26

HEX #BD196A

RGB 189 25 106

HSL 330.37, 0.77%, 0.42%

LAB 42.08, 65.38, -2.68

 

CMYK 0 / 96 / 49 / 33

HEX #AC0757

RGB 172 7 87

HSL 330.91, 0.92%, 0.35%

LAB 37.13, 62.35, 1.74

 

CMYK 0 / 100 / 56 / 39

HEX #9B0044

RGB 155 0 68

HSL 333.68, 1%, 0.3%

LAB 32.67, 57.76, 7.27

 

CMYK 0 / 100 / 64 / 46

HEX #8A0031

RGB 138 0 49

HSL 338.7, 1%, 0.27%

LAB 28.45, 52.35, 13.59

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 79 / 61 / 19

HEX #CE2B51

RGB 206 43 81

HSL 346.01, 0.65%, 0.49%

LAB 46.24, 63.65, 19.22

 

CMYK 0 / 79 / 79 / 19

HEX #CE2B2B

RGB 206 43 43

HSL 0, 0.65%, 0.49%

LAB 45.67, 61.87, 41.11

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 79 / 18 / 19

HEX #CE2BA9

RGB 206 43 169

HSL 313.62, 0.65%, 0.49%

LAB 49.15, 72.31, -29.94

 

CMYK 3 / 79 / 0 / 19

HEX #C72BCE

RGB 199 43 206

HSL 297.42, 0.65%, 0.49%

LAB 49.89, 76.27, -50.42

 

CMYK 25 / 79 / 0 / 19

HEX #9B2BCE

RGB 155 43 206

HSL 281.23, 0.65%, 0.49%

LAB 42.99, 68.3, -61.88

 

CMYK 46 / 79 / 0 / 19

HEX #6F2BCE

RGB 111 43 206

HSL 265.03, 0.65%, 0.49%

LAB 37.05, 61.43, -71.83

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 90 / 45 / 11

HEX #E2177D

RGB 226 23 125

HSL 329.85, 0.82%, 0.49%

LAB 49.81, 75.97, -2.2

 

CMYK 0 / 99 / 49 / 4

HEX #F6037D

RGB 246 3 125

HSL 329.88, 0.98%, 0.49%

LAB 53.1, 82.2, 3.07

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 66 / 32 / 27

HEX #B93F7D

RGB 185 63 125

HSL 329.51, 0.49%, 0.49%

LAB 46.11, 54.71, -8.51

 

CMYK 0 / 49 / 24 / 35

HEX #A5547D

RGB 165 84 125

HSL 329.63, 0.33%, 0.49%

LAB 46.74, 38.37, -7.89

 

CMYK 0 / 28 / 14 / 43

HEX #91687D

RGB 145 104 125

HSL 329.27, 0.16%, 0.49%

LAB 48.76, 19.87, -5.15

 

CMYK 0 / 1 / 1 / 51

HEX #7D7C7C

RGB 125 124 124

HSL 0, 0%, 0.49%

LAB 52.1, 0.38, 0.13

 

CMYK 4 / 79 / 0 / 19

HEX #C62BCE

RGB 198 43 206

HSL 297.06, 0.65%, 0.49%

LAB 49.73, 76.08, -50.69

 

CMYK 0 / 79 / 17 / 19

HEX #CE2BAA

RGB 206 43 170

HSL 313.25, 0.65%, 0.49%

LAB 49.19, 72.44, -30.46

 

CMYK 0 / 79 / 38 / 19

HEX #CE2B7F

RGB 206 43 127

HSL 329.08, 0.65%, 0.49%

LAB 47.47, 67.41, -7.3

 

CMYK 0 / 79 / 59 / 19

HEX #CE2B54

RGB 206 43 84

HSL 344.91, 0.65%, 0.49%

LAB 46.3, 63.84, 17.46

 

CMYK 0 / 78 / 79 / 19

HEX #CE2E2B

RGB 206 46 43

HSL 1.1, 0.65%, 0.49%

LAB 45.98, 61.01, 41.42

 

CMYK 0 / 79 / 39 / 46

HEX #8A1D54

RGB 138 29 84

HSL 329.72, 0.65%, 0.33%

LAB 31.63, 49.11, -5.21

 

CMYK 0 / 79 / 40 / 33

HEX #AC2468

RGB 172 36 104

HSL 330, 0.65%, 0.41%

LAB 39.63, 58.3, -5.42

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 66 / 32 / 15

HEX #D84A92

RGB 216 74 146

HSL 329.58, 0.65%, 0.57%

LAB 53.57, 61.75, -9.41

 

CMYK 0 / 52 / 26 / 13

HEX #DF6CA6

RGB 223 108 166

HSL 329.74, 0.64%, 0.65%

LAB 60.93, 51.29, -9.95

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 25 / 79 / 19

HEX #CE9A2B

RGB 206 154 43

HSL 40.86, 0.65%, 0.49%

LAB 66.83, 9.52, 61.42

 

CMYK 79 / 7 / 0 / 19

HEX #2BC0CE

RGB 43 192 206

HSL 185.15, 0.65%, 0.49%

LAB 71.33, -32.3, -17.83

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 38 / 0 / 79 / 19

HEX #7FCE2B

RGB 127 206 43

HSL 89.08, 0.65%, 0.49%

LAB 75.34, -48.6, 67.07

 

CMYK 79 / 38 / 0 / 19

HEX #2B7FCE

RGB 43 127 206

HSL 209.08, 0.65%, 0.49%

LAB 52, 2.91, -47.84

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 25 / 79 / 19

HEX #CE9A2B

RGB 206 154 43

HSL 40.86, 0.65%, 0.49%

LAB 66.83, 9.52, 61.42

 

CMYK 79 / 0 / 41 / 19

HEX #2BCE7A

RGB 43 206 122

HSL 149.08, 0.65%, 0.49%

LAB 73.59, -59.17, 30.53

 

CMYK 79 / 54 / 0 / 19

HEX #2B5FCE

RGB 43 95 206

HSL 220.86, 0.65%, 0.49%

LAB 42.99, 23.1, -62.32

 

CMYK 0 / 79 / 39 / 19

HEX #CE2B7D

RGB 206 43 125

HSL 329.82, 0.65%, 0.49%

LAB 47.4, 67.21, -6.18

 

CMYK 0 / 1 / 79 / 19

HEX #CECB2B

RGB 206 203 43

HSL 58.9, 0.65%, 0.49%

LAB 79.62, -16.07, 72.84

 

CMYK 79 / 0 / 41 / 19

HEX #2BCE7A

RGB 43 206 122

HSL 149.08, 0.65%, 0.49%

LAB 73.59, -59.17, 30.53

 

CMYK 79 / 78 / 0 / 19

HEX #2B2ECE

RGB 43 46 206

HSL 238.9, 0.65%, 0.49%

LAB 31.63, 53.05, -80.96

 

Description

Color code: HEX #CE2B7D | qconv.com Color code: HEX #CE2B7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 43 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 43 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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