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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE26C5 it is the complementary color #31D93A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE26C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE26C5 shade: #D326C0, #E438D3, #F54AE6, #FF5CF9 and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE26C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE26C5 shade: #CE26C5, #BD14B2, #AC029F, #9B008C and #8A0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE26C5 shade: #CE25C5, #CE2598, #CE256A, #CE253D and #CE2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE26C5 shade: #CE25C5, #AA25CE, #7C25CE, #4F25CE and #2525CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE26C5 shade matches the following richer shades: #CE25C5 and #E212D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE26C5 shade: #CE25C5, #BB39B4, #A74DA2, #936190 and #7F757F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE26C5 shade: #7D25CE, #AA25CE, #CE25C6, #CE2599 and #CE256C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE26C5 shade: #891983, #AB1FA4, #CE25C5, #DC41D4 and #E264DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE26C5 shade: #CE26C5, #CE5025 and #25CE93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE26C5 shade: #CE26C5, #C6CE25 and #25C6CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE26C5 shade: #CE26C5, #CE5025, #25CE2E and #25A4CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE26C5 shade: #CE26C5, #CE8225, #25CE2E and #2571CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 4 / 19

HEX #CE26C5

RGB 206 38 197

HSL 303.21, 0.69%, 0.48%

LAB 50.14, 77.41, -44.75

 

Complementary color

CMYK 77 / 0 / 73 / 15

HEX #31D93A

RGB 49 217 58

HSL 123.21, 0.69%, 0.52%

LAB 76.43, -70.34, 62.54

 

CMYK 0 / 82 / 9 / 17

HEX #D326C0

RGB 211 38 192

HSL 306.59, 0.69%, 0.49%

LAB 50.74, 77.67, -40.86

 

CMYK 0 / 75 / 7 / 11

HEX #E438D3

RGB 228 56 211

HSL 305.93, 0.76%, 0.56%

LAB 56.11, 79.35, -43.1

 

CMYK 0 / 70 / 6 / 4

HEX #F54AE6

RGB 245 74 230

HSL 305.26, 0.9%, 0.63%

LAB 61.67, 80.3, -44.87

 

CMYK 0 / 64 / 2 / 0

HEX #FF5CF9

RGB 255 92 249

HSL 302.21, 1%, 0.68%

LAB 66.33, 79.14, -47.98

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 82 / 4 / 19

HEX #CE26C5

RGB 206 38 197

HSL 303.21, 0.69%, 0.48%

LAB 50.14, 77.41, -44.75

 

CMYK 0 / 89 / 6 / 26

HEX #BD14B2

RGB 189 20 178

HSL 303.91, 0.81%, 0.41%

LAB 44.99, 74.78, -42.02

 

CMYK 0 / 99 / 8 / 33

HEX #AC029F

RGB 172 2 159

HSL 304.59, 0.98%, 0.34%

LAB 40.11, 71.04, -38.62

 

CMYK 0 / 100 / 10 / 39

HEX #9B008C

RGB 155 0 140

HSL 305.81, 1%, 0.3%

LAB 35.72, 65.54, -34.21

 

CMYK 0 / 100 / 12 / 46

HEX #8A0079

RGB 138 0 121

HSL 307.39, 1%, 0.27%

LAB 31.31, 59.71, -29.53

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C5

RGB 206 37 197

HSL 303.2, 0.7%, 0.48%

LAB 50.07, 77.63, -44.87

 

CMYK 0 / 82 / 26 / 19

HEX #CE2598

RGB 206 37 152

HSL 319.17, 0.7%, 0.48%

LAB 47.9, 71.64, -21.77

 

CMYK 0 / 82 / 49 / 19

HEX #CE256A

RGB 206 37 106

HSL 335.5, 0.7%, 0.48%

LAB 46.29, 67.01, 3.85

 

CMYK 0 / 82 / 70 / 19

HEX #CE253D

RGB 206 37 61

HSL 351.48, 0.7%, 0.48%

LAB 45.33, 64.14, 30.29

 

CMYK 0 / 82 / 82 / 19

HEX #CE2525

RGB 206 37 37

HSL 0, 0.7%, 0.48%

LAB 45.05, 63.28, 43.73

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C5

RGB 206 37 197

HSL 303.2, 0.7%, 0.48%

LAB 50.07, 77.63, -44.87

 

CMYK 17 / 82 / 0 / 19

HEX #AA25CE

RGB 170 37 206

HSL 287.22, 0.7%, 0.48%

LAB 44.7, 72.57, -59.01

 

CMYK 40 / 82 / 0 / 19

HEX #7C25CE

RGB 124 37 206

HSL 270.89, 0.7%, 0.48%

LAB 37.96, 65.38, -70.27

 

CMYK 62 / 82 / 0 / 19

HEX #4F25CE

RGB 79 37 206

HSL 254.91, 0.7%, 0.48%

LAB 32.79, 60.05, -78.96

 

CMYK 82 / 82 / 0 / 19

HEX #2525CE

RGB 37 37 206

HSL 240, 0.7%, 0.48%

LAB 29.84, 57.11, -83.94

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C5

RGB 206 37 197

HSL 303.2, 0.7%, 0.48%

LAB 50.07, 77.63, -44.87

 

CMYK 0 / 92 / 5 / 11

HEX #E212D7

RGB 226 18 215

HSL 303.17, 0.85%, 0.48%

LAB 53.5, 86.77, -49.54

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C5

RGB 206 37 197

HSL 303.2, 0.7%, 0.48%

LAB 50.07, 77.63, -44.87

 

CMYK 0 / 70 / 4 / 27

HEX #BB39B4

RGB 187 57 180

HSL 303.23, 0.53%, 0.48%

LAB 47.99, 65.35, -38.46

 

CMYK 0 / 54 / 3 / 35

HEX #A74DA2

RGB 167 77 162

HSL 303.33, 0.37%, 0.48%

LAB 47.15, 48.65, -29.39

 

CMYK 0 / 34 / 2 / 42

HEX #936190

RGB 147 97 144

HSL 303.6, 0.2%, 0.48%

LAB 47.96, 28.19, -17.65

 

CMYK 0 / 8 / 0 / 50

HEX #7F757F

RGB 127 117 127

HSL 300, 0.04%, 0.48%

LAB 50.41, 5.8, -4.09

 

CMYK 39 / 82 / 0 / 19

HEX #7D25CE

RGB 125 37 206

HSL 271.24, 0.7%, 0.48%

LAB 38.09, 65.52, -70.05

 

CMYK 17 / 82 / 0 / 19

HEX #AA25CE

RGB 170 37 206

HSL 287.22, 0.7%, 0.48%

LAB 44.7, 72.57, -59.01

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C6

RGB 206 37 198

HSL 302.84, 0.7%, 0.48%

LAB 50.12, 77.78, -45.36

 

CMYK 0 / 82 / 26 / 19

HEX #CE2599

RGB 206 37 153

HSL 318.82, 0.7%, 0.48%

LAB 47.94, 71.76, -22.3

 

CMYK 0 / 82 / 48 / 19

HEX #CE256C

RGB 206 37 108

HSL 334.79, 0.7%, 0.48%

LAB 46.35, 67.17, 2.7

 

CMYK 0 / 82 / 4 / 46

HEX #891983

RGB 137 25 131

HSL 303.21, 0.69%, 0.32%

LAB 33.25, 56.48, -32.75

 

CMYK 0 / 82 / 4 / 33

HEX #AB1FA4

RGB 171 31 164

HSL 303, 0.69%, 0.4%

LAB 41.72, 67.18, -39.08

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C5

RGB 206 37 197

HSL 303.2, 0.7%, 0.48%

LAB 50.07, 77.63, -44.87

 

CMYK 0 / 70 / 4 / 14

HEX #DC41D4

RGB 220 65 212

HSL 303.1, 0.69%, 0.56%

LAB 55.84, 75.06, -44.19

 

CMYK 0 / 56 / 3 / 11

HEX #E264DB

RGB 226 100 219

HSL 303.33, 0.68%, 0.64%

LAB 62, 63.93, -38.4

 

CMYK 0 / 82 / 4 / 19

HEX #CE26C5

RGB 206 38 197

HSL 303.21, 0.69%, 0.48%

LAB 50.14, 77.41, -44.75

 

CMYK 0 / 61 / 82 / 19

HEX #CE5025

RGB 206 80 37

HSL 15.27, 0.7%, 0.48%

LAB 50.68, 47.86, 49

 

CMYK 82 / 0 / 29 / 19

HEX #25CE93

RGB 37 206 147

HSL 159.05, 0.7%, 0.48%

LAB 73.96, -54.67, 17.94

 

CMYK 0 / 82 / 4 / 19

HEX #CE26C5

RGB 206 38 197

HSL 303.21, 0.69%, 0.48%

LAB 50.14, 77.41, -44.75

 

CMYK 4 / 0 / 82 / 19

HEX #C6CE25

RGB 198 206 37

HSL 62.84, 0.7%, 0.48%

LAB 79.77, -21.13, 74.28

 

CMYK 82 / 4 / 0 / 19

HEX #25C6CE

RGB 37 198 206

HSL 182.84, 0.7%, 0.48%

LAB 73.05, -35.64, -15.24

 

CMYK 0 / 82 / 4 / 19

HEX #CE26C5

RGB 206 38 197

HSL 303.21, 0.69%, 0.48%

LAB 50.14, 77.41, -44.75

 

CMYK 0 / 61 / 82 / 19

HEX #CE5025

RGB 206 80 37

HSL 15.27, 0.7%, 0.48%

LAB 50.68, 47.86, 49

 

CMYK 82 / 0 / 78 / 19

HEX #25CE2E

RGB 37 206 46

HSL 123.2, 0.7%, 0.48%

LAB 72.72, -69.35, 62.75

 

CMYK 82 / 20 / 0 / 19

HEX #25A4CE

RGB 37 164 206

HSL 194.91, 0.7%, 0.48%

LAB 62.84, -18.72, -30.83

 

CMYK 0 / 82 / 4 / 19

HEX #CE26C5

RGB 206 38 197

HSL 303.21, 0.69%, 0.48%

LAB 50.14, 77.41, -44.75

 

CMYK 0 / 37 / 82 / 19

HEX #CE8225

RGB 206 130 37

HSL 33.02, 0.7%, 0.48%

LAB 60.98, 22.34, 58.29

 

CMYK 82 / 0 / 78 / 19

HEX #25CE2E

RGB 37 206 46

HSL 123.2, 0.7%, 0.48%

LAB 72.72, -69.35, 62.75

 

CMYK 82 / 45 / 0 / 19

HEX #2571CE

RGB 37 113 206

HSL 213.02, 0.7%, 0.48%

LAB 47.83, 10.99, -54.53

 

Description

Color code: HEX #CE26C5 | qconv.com Color code: HEX #CE26C5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 38 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 38 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 4 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 4% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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