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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE10CF it is the complementary color #31EF30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE10CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE10CF shade: #D310CA, #E422DD, #F534F0, #FF46FF and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE10CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE10CF shade: #CE10CF, #BD00BC, #AC00A9, #9B0096 and #8A0083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE10CF shade: #CF0FD0, #D00F9D, #D00F69, #D00F35 and #D00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE10CF shade: #CF0FD0, #9B0FD0, #670FD0, #330FD0 and #0F0FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE10CF shade matches the following richer shades: #CF0FD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE10CF shade: #CF0FD0, #BD21BE, #AB34AC, #99469A and #875888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE10CF shade: #660FD0, #9A0FD0, #CD0FD0, #D00FA0 and #D00F6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE10CF shade: #830983, #A90CAA, #CF0FD0, #EC1BED and #EF42F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE10CF shade: #CE10CF, #D0330F and #0FD080

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE10CF shade: #CE10CF, #D0CD0F and #0FD0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE10CF shade: #CE10CF, #D0330F, #12D00F and #0FADD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE10CF shade: #CE10CF, #D06C0F, #12D00F and #0F73D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 0 / 19

HEX #CE10CF

RGB 206 16 207

HSL 299.69, 0.86%, 0.44%

LAB 49.49, 82.46, -51.56

 

Complementary color

CMYK 79 / 0 / 80 / 6

HEX #31EF30

RGB 49 239 48

HSL 119.69, 0.86%, 0.56%

LAB 83.23, -77.49, 72.21

 

CMYK 0 / 92 / 4 / 17

HEX #D310CA

RGB 211 16 202

HSL 302.77, 0.86%, 0.45%

LAB 50.08, 82.59, -47.69

 

CMYK 0 / 85 / 3 / 11

HEX #E422DD

RGB 228 34 221

HSL 302.16, 0.78%, 0.51%

LAB 54.93, 85.76, -50.67

 

CMYK 0 / 79 / 2 / 4

HEX #F534F0

RGB 245 52 240

HSL 301.55, 0.91%, 0.58%

LAB 60.03, 87.95, -53.06

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 92 / 0 / 19

HEX #CE10CF

RGB 206 16 207

HSL 299.69, 0.86%, 0.44%

LAB 49.49, 82.46, -51.56

 

CMYK 0 / 100 / 1 / 26

HEX #BD00BC

RGB 189 0 188

HSL 300.32, 1%, 0.37%

LAB 44.87, 78.3, -48.09

 

CMYK 0 / 100 / 2 / 33

HEX #AC00A9

RGB 172 0 169

HSL 301.05, 1%, 0.34%

LAB 40.63, 72.7, -43.8

 

CMYK 0 / 100 / 3 / 39

HEX #9B0096

RGB 155 0 150

HSL 301.94, 1%, 0.3%

LAB 36.31, 66.99, -39.4

 

CMYK 0 / 100 / 5 / 46

HEX #8A0083

RGB 138 0 131

HSL 303.04, 1%, 0.27%

LAB 31.9, 61.17, -34.88

 

CMYK 0 / 93 / 0 / 18

HEX #CF0FD0

RGB 207 15 208

HSL 299.69, 0.87%, 0.44%

LAB 49.69, 82.88, -51.81

 

CMYK 0 / 93 / 25 / 18

HEX #D00F9D

RGB 208 15 157

HSL 315.85, 0.87%, 0.44%

LAB 47.22, 76.32, -25.78

 

CMYK 0 / 93 / 50 / 18

HEX #D00F69

RGB 208 15 105

HSL 332.02, 0.87%, 0.44%

LAB 45.32, 71.26, 3.12

 

CMYK 0 / 93 / 75 / 18

HEX #D00F35

RGB 208 15 53

HSL 348.19, 0.87%, 0.44%

LAB 44.25, 68.3, 33.92

 

CMYK 0 / 93 / 93 / 18

HEX #D00F0F

RGB 208 15 15

HSL 0, 0.87%, 0.44%

LAB 43.92, 67.4, 53.05

 

CMYK 0 / 93 / 0 / 18

HEX #CF0FD0

RGB 207 15 208

HSL 299.69, 0.87%, 0.44%

LAB 49.69, 82.88, -51.81

 

CMYK 25 / 93 / 0 / 18

HEX #9B0FD0

RGB 155 15 208

HSL 283.52, 0.87%, 0.44%

LAB 41, 74.99, -66.28

 

CMYK 50 / 93 / 0 / 18

HEX #670FD0

RGB 103 15 208

HSL 267.36, 0.87%, 0.44%

LAB 33.52, 69.09, -78.84

 

CMYK 75 / 93 / 0 / 18

HEX #330FD0

RGB 51 15 208

HSL 251.19, 0.87%, 0.44%

LAB 28.38, 65.81, -87.52

 

CMYK 93 / 93 / 0 / 18

HEX #0F0FD0

RGB 15 15 208

HSL 240, 0.87%, 0.44%

LAB 26.73, 64.93, -90.32

 

CMYK 0 / 93 / 0 / 18

HEX #CF0FD0

RGB 207 15 208

HSL 299.69, 0.87%, 0.44%

LAB 49.69, 82.88, -51.81

 

CMYK 0 / 93 / 0 / 18

HEX #CF0FD0

RGB 207 15 208

HSL 299.69, 0.87%, 0.44%

LAB 49.69, 82.88, -51.81

 

CMYK 1 / 83 / 0 / 25

HEX #BD21BE

RGB 189 33 190

HSL 299.62, 0.7%, 0.44%

LAB 46.48, 74.22, -46.69

 

CMYK 1 / 70 / 0 / 33

HEX #AB34AC

RGB 171 52 172

HSL 299.5, 0.54%, 0.44%

LAB 44.37, 62.15, -39.65

 

CMYK 1 / 55 / 0 / 40

HEX #99469A

RGB 153 70 154

HSL 299.29, 0.38%, 0.44%

LAB 43.49, 46.63, -30.49

 

CMYK 1 / 35 / 0 / 47

HEX #875888

RGB 135 88 136

HSL 298.75, 0.21%, 0.44%

LAB 44.1, 27.68, -18.9

 

CMYK 51 / 93 / 0 / 18

HEX #660FD0

RGB 102 15 208

HSL 267.05, 0.87%, 0.44%

LAB 33.39, 69, -79.05

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD0

RGB 154 15 208

HSL 283.21, 0.87%, 0.44%

LAB 40.84, 74.85, -66.54

 

CMYK 1 / 93 / 0 / 18

HEX #CD0FD0

RGB 205 15 208

HSL 299.07, 0.87%, 0.44%

LAB 49.34, 82.55, -52.38

 

CMYK 0 / 93 / 23 / 18

HEX #D00FA0

RGB 208 15 160

HSL 314.92, 0.87%, 0.44%

LAB 47.35, 76.67, -27.37

 

CMYK 0 / 93 / 48 / 18

HEX #D00F6C

RGB 208 15 108

HSL 331.09, 0.87%, 0.44%

LAB 45.41, 71.5, 1.38

 

CMYK 0 / 93 / 0 / 49

HEX #830983

RGB 131 9 131

HSL 300, 0.87%, 0.27%

LAB 31.02, 58.56, -36.37

 

CMYK 1 / 93 / 0 / 33

HEX #A90CAA

RGB 169 12 170

HSL 299.62, 0.87%, 0.36%

LAB 40.57, 71.07, -44.52

 

CMYK 0 / 93 / 0 / 18

HEX #CF0FD0

RGB 207 15 208

HSL 299.69, 0.87%, 0.44%

LAB 49.69, 82.88, -51.81

 

CMYK 0 / 89 / 0 / 7

HEX #EC1BED

RGB 236 27 237

HSL 299.71, 0.85%, 0.52%

LAB 56.81, 90.51, -56.6

 

CMYK 0 / 73 / 0 / 6

HEX #EF42F0

RGB 239 66 240

HSL 299.66, 0.85%, 0.6%

LAB 60.37, 83.06, -52.58

 

CMYK 0 / 92 / 0 / 19

HEX #CE10CF

RGB 206 16 207

HSL 299.69, 0.86%, 0.44%

LAB 49.49, 82.46, -51.56

 

CMYK 0 / 75 / 93 / 18

HEX #D0330F

RGB 208 51 15

HSL 11.19, 0.87%, 0.44%

LAB 46.73, 59.45, 54.81

 

CMYK 93 / 0 / 38 / 18

HEX #0FD080

RGB 15 208 128

HSL 155.13, 0.87%, 0.44%

LAB 74.04, -60.86, 28

 

CMYK 0 / 92 / 0 / 19

HEX #CE10CF

RGB 206 16 207

HSL 299.69, 0.86%, 0.44%

LAB 49.49, 82.46, -51.56

 

CMYK 0 / 1 / 93 / 18

HEX #D0CD0F

RGB 208 205 15

HSL 59.07, 0.87%, 0.44%

LAB 80.24, -16.85, 78.98

 

CMYK 93 / 0 / 1 / 18

HEX #0FD0CD

RGB 15 208 205

HSL 179.07, 0.87%, 0.44%

LAB 75.84, -41.7, -10.54

 

CMYK 0 / 92 / 0 / 19

HEX #CE10CF

RGB 206 16 207

HSL 299.69, 0.86%, 0.44%

LAB 49.49, 82.46, -51.56

 

CMYK 0 / 75 / 93 / 18

HEX #D0330F

RGB 208 51 15

HSL 11.19, 0.87%, 0.44%

LAB 46.73, 59.45, 54.81

 

CMYK 91 / 0 / 93 / 18

HEX #12D00F

RGB 18 208 15

HSL 119.07, 0.87%, 0.44%

LAB 73.07, -72.85, 69.86

 

CMYK 93 / 17 / 0 / 18

HEX #0FADD0

RGB 15 173 208

HSL 190.88, 0.87%, 0.44%

LAB 65.39, -24.08, -28.02

 

CMYK 0 / 92 / 0 / 19

HEX #CE10CF

RGB 206 16 207

HSL 299.69, 0.86%, 0.44%

LAB 49.49, 82.46, -51.56

 

CMYK 0 / 48 / 93 / 18

HEX #D06C0F

RGB 208 108 15

HSL 28.91, 0.87%, 0.44%

LAB 56.26, 34.42, 61.24

 

CMYK 91 / 0 / 93 / 18

HEX #12D00F

RGB 18 208 15

HSL 119.07, 0.87%, 0.44%

LAB 73.07, -72.85, 69.86

 

CMYK 93 / 45 / 0 / 18

HEX #0F73D0

RGB 15 115 208

HSL 208.91, 0.87%, 0.44%

LAB 48.16, 9.07, -55.16

 

Description

Color code: HEX #CE10CF | qconv.com Color code: HEX #CE10CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 16 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 16 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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