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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDDED2 it is the complementary color #32212D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDDED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDDED2 shade: #D2DECD, #E3F0E0 and #F4FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDDED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDDED2 shade: #CDDED2, #BCCCBF, #ABBAAC, #9AA899 and #899686

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDDED2 shade: #CEDED2, #CEDECE, #D2DECE, #D6DECE and #DADECE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDDED2 shade: #CEDED2, #CEDED7, #CEDEDB, #CEDCDE and #CED8DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDDED2 shade matches the following richer shades: #CEDED2, #C7E4D0, #C0EBCD, #BAF2CA and #B3F8C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDDED2 shade: #CEDED2, #D4D7D5, #DBD1D8, #E1CADA and #E8C3DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDDED2 shade: #D2DECE, #CEDECE, #CEDED2, #CEDED7 and #CEDEDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDDED2 shade: #9CBDA6, #B5CDBC, #CEDED2 and #E6EEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDDED2 shade: #CDDED2, #CED6DE and #DECECF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDDED2 shade: #CDDED2, #D2CEDE and #DED2CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDDED2 shade: #CDDED2, #CED6DE, #DECED9 and #DED5CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDDED2 shade: #CDDED2, #CED1DE, #DECED9 and #DEDACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 5 / 13

HEX #CDDED2

RGB 205 222 210

HSL 137.65, 0.2%, 0.84%

LAB 86.94, -7.9, 3.93

 

Complementary color

CMYK 0 / 34 / 10 / 80

HEX #32212D

RGB 50 33 45

HSL 317.65, 0.2%, 0.16%

LAB 15.25, 10.61, -4.71

 

CMYK 5 / 0 / 8 / 13

HEX #D2DECD

RGB 210 222 205

HSL 102.35, 0.2%, 0.84%

LAB 87.17, -7.09, 6.94

 

CMYK 5 / 0 / 7 / 6

HEX #E3F0E0

RGB 227 240 224

HSL 108.75, 0.35%, 0.91%

LAB 93.46, -7.15, 6.24

 

CMYK 4 / 0 / 5 / 0

HEX #F4FFF3

RGB 244 255 243

HSL 115, 1%, 0.98%

LAB 98.92, -5.72, 4.47

 

CMYK 8 / 0 / 5 / 13

HEX #CDDED2

RGB 205 222 210

HSL 137.65, 0.2%, 0.84%

LAB 86.94, -7.9, 3.93

 

CMYK 8 / 0 / 6 / 20

HEX #BCCCBF

RGB 188 204 191

HSL 131.25, 0.14%, 0.77%

LAB 80.54, -7.86, 4.61

 

CMYK 8 / 0 / 8 / 27

HEX #ABBAAC

RGB 171 186 172

HSL 124, 0.1%, 0.7%

LAB 74.03, -7.84, 5.32

 

CMYK 8 / 0 / 9 / 34

HEX #9AA899

RGB 154 168 153

HSL 116, 0.08%, 0.63%

LAB 67.41, -7.82, 6.06

 

CMYK 9 / 0 / 11 / 41

HEX #899686

RGB 137 150 134

HSL 108.75, 0.07%, 0.56%

LAB 60.65, -7.8, 6.85

 

CMYK 7 / 0 / 5 / 13

HEX #CEDED2

RGB 206 222 210

HSL 135, 0.2%, 0.84%

LAB 87.01, -7.56, 4.04

 

CMYK 7 / 0 / 7 / 13

HEX #CEDECE

RGB 206 222 206

HSL 120, 0.2%, 0.84%

LAB 86.91, -8.28, 6

 

CMYK 5 / 0 / 7 / 13

HEX #D2DECE

RGB 210 222 206

HSL 105, 0.2%, 0.84%

LAB 87.19, -6.92, 6.45

 

CMYK 4 / 0 / 7 / 13

HEX #D6DECE

RGB 214 222 206

HSL 90, 0.2%, 0.84%

LAB 87.48, -5.54, 6.9

 

CMYK 2 / 0 / 7 / 13

HEX #DADECE

RGB 218 222 206

HSL 75, 0.2%, 0.84%

LAB 87.78, -4.16, 7.37

 

CMYK 7 / 0 / 5 / 13

HEX #CEDED2

RGB 206 222 210

HSL 135, 0.2%, 0.84%

LAB 87.01, -7.56, 4.04

 

CMYK 7 / 0 / 3 / 13

HEX #CEDED7

RGB 206 222 215

HSL 153.75, 0.2%, 0.84%

LAB 87.13, -6.64, 1.58

 

CMYK 7 / 0 / 1 / 13

HEX #CEDEDB

RGB 206 222 219

HSL 168.75, 0.2%, 0.84%

LAB 87.23, -5.89, -0.38

 

CMYK 7 / 1 / 0 / 13

HEX #CEDCDE

RGB 206 220 222

HSL 187.5, 0.2%, 0.84%

LAB 86.79, -4.29, -2.6

 

CMYK 7 / 3 / 0 / 13

HEX #CED8DE

RGB 206 216 222

HSL 202.5, 0.2%, 0.84%

LAB 85.76, -2.22, -4.12

 

CMYK 7 / 0 / 5 / 13

HEX #CEDED2

RGB 206 222 210

HSL 135, 0.2%, 0.84%

LAB 87.01, -7.56, 4.04

 

CMYK 13 / 0 / 9 / 11

HEX #C7E4D0

RGB 199 228 208

HSL 138.62, 0.35%, 0.84%

LAB 88.06, -13.3, 6.54

 

CMYK 18 / 0 / 13 / 8

HEX #C0EBCD

RGB 192 235 205

HSL 138.14, 0.52%, 0.84%

LAB 89.41, -19.63, 9.99

 

CMYK 23 / 0 / 17 / 5

HEX #BAF2CA

RGB 186 242 202

HSL 137.14, 0.68%, 0.84%

LAB 90.87, -25.5, 13.59

 

CMYK 28 / 0 / 20 / 3

HEX #B3F8C7

RGB 179 248 199

HSL 137.39, 0.83%, 0.84%

LAB 92.06, -31.06, 16.76

 

CMYK 7 / 0 / 5 / 13

HEX #CEDED2

RGB 206 222 210

HSL 135, 0.2%, 0.84%

LAB 87.01, -7.56, 4.04

 

CMYK 1 / 0 / 1 / 16

HEX #D4D7D5

RGB 212 215 213

HSL 140, 0.04%, 0.84%

LAB 85.71, -1.38, 0.62

 

CMYK 0 / 5 / 1 / 14

HEX #DBD1D8

RGB 219 209 216

HSL 318, 0.12%, 0.84%

LAB 84.8, 4.69, -2.23

 

CMYK 0 / 10 / 3 / 12

HEX #E1CADA

RGB 225 202 218

HSL 318.26, 0.28%, 0.84%

LAB 83.61, 10.79, -5

 

CMYK 0 / 16 / 5 / 9

HEX #E8C3DD

RGB 232 195 221

HSL 317.84, 0.45%, 0.84%

LAB 82.6, 17.43, -8.03

 

CMYK 5 / 0 / 7 / 13

HEX #D2DECE

RGB 210 222 206

HSL 105, 0.2%, 0.84%

LAB 87.19, -6.92, 6.45

 

CMYK 7 / 0 / 7 / 13

HEX #CEDECE

RGB 206 222 206

HSL 120, 0.2%, 0.84%

LAB 86.91, -8.28, 6

 

CMYK 7 / 0 / 5 / 13

HEX #CEDED2

RGB 206 222 210

HSL 135, 0.2%, 0.84%

LAB 87.01, -7.56, 4.04

 

CMYK 7 / 0 / 3 / 13

HEX #CEDED7

RGB 206 222 215

HSL 153.75, 0.2%, 0.84%

LAB 87.13, -6.64, 1.58

 

CMYK 7 / 0 / 1 / 13

HEX #CEDEDB

RGB 206 222 219

HSL 168.75, 0.2%, 0.84%

LAB 87.23, -5.89, -0.38

 

CMYK 17 / 0 / 12 / 26

HEX #9CBDA6

RGB 156 189 166

HSL 138.18, 0.2%, 0.68%

LAB 73.69, -15.7, 7.95

 

CMYK 12 / 0 / 8 / 20

HEX #B5CDBC

RGB 181 205 188

HSL 137.5, 0.19%, 0.76%

LAB 80.25, -11.32, 5.73

 

CMYK 7 / 0 / 5 / 13

HEX #CEDED2

RGB 206 222 210

HSL 135, 0.2%, 0.84%

LAB 87.01, -7.56, 4.04

 

CMYK 3 / 0 / 2 / 7

HEX #E6EEE9

RGB 230 238 233

HSL 142.5, 0.19%, 0.92%

LAB 93.39, -3.55, 1.48

 

CMYK 8 / 0 / 5 / 13

HEX #CDDED2

RGB 205 222 210

HSL 137.65, 0.2%, 0.84%

LAB 86.94, -7.9, 3.93

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 0 / 7 / 7 / 13

HEX #DECECF

RGB 222 206 207

HSL 356.25, 0.2%, 0.84%

LAB 84.06, 5.72, 1.5

 

CMYK 8 / 0 / 5 / 13

HEX #CDDED2

RGB 205 222 210

HSL 137.65, 0.2%, 0.84%

LAB 86.94, -7.9, 3.93

 

CMYK 5 / 7 / 0 / 13

HEX #D2CEDE

RGB 210 206 222

HSL 255, 0.2%, 0.84%

LAB 83.5, 4.35, -7.42

 

CMYK 0 / 5 / 7 / 13

HEX #DED2CE

RGB 222 210 206

HSL 15, 0.2%, 0.84%

LAB 85.04, 3.45, 3.45

 

CMYK 8 / 0 / 5 / 13

HEX #CDDED2

RGB 205 222 210

HSL 137.65, 0.2%, 0.84%

LAB 86.94, -7.9, 3.93

 

CMYK 7 / 4 / 0 / 13

HEX #CED6DE

RGB 206 214 222

HSL 210, 0.2%, 0.84%

LAB 85.25, -1.18, -4.88

 

CMYK 0 / 7 / 2 / 13

HEX #DECED9

RGB 222 206 217

HSL 318.75, 0.2%, 0.84%

LAB 84.32, 7.47, -3.44

 

CMYK 0 / 4 / 7 / 13

HEX #DED5CE

RGB 222 213 206

HSL 26.25, 0.2%, 0.84%

LAB 85.79, 1.89, 4.55

 

CMYK 8 / 0 / 5 / 13

HEX #CDDED2

RGB 205 222 210

HSL 137.65, 0.2%, 0.84%

LAB 86.94, -7.9, 3.93

 

CMYK 7 / 6 / 0 / 13

HEX #CED1DE

RGB 206 209 222

HSL 228.75, 0.2%, 0.84%

LAB 83.96, 1.44, -6.77

 

CMYK 0 / 7 / 2 / 13

HEX #DECED9

RGB 222 206 217

HSL 318.75, 0.2%, 0.84%

LAB 84.32, 7.47, -3.44

 

CMYK 0 / 2 / 7 / 13

HEX #DEDACE

RGB 222 218 206

HSL 45, 0.2%, 0.84%

LAB 87.06, -0.71, 6.37

 

Description

Color code: HEX #CDDED2 | qconv.com Color code: HEX #CDDED2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 222 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 222 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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