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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD34A it is the complementary color #322CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD34A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD34A shade: #D2D345, #E3E558, #F4F76B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD34A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD34A shade: #CDD34A, #BCC137, #ABAF24, #9A9D11 and #898B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD34A shade: #CDD34A, #D3B44A, #D38F4A, #D36A4A and #D34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD34A shade: #CDD34A, #A8D34A, #83D34A, #5ED34A and #4AD35B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD34A shade matches the following richer shades: #CDD34A, #DDE538 and #EEF726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD34A shade: #CDD34A, #BCC15C, #ACAE6E, #9B9C80 and #8A8A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD34A shade: #D38E4A, #D3B34A, #CED34A, #AAD34A and #85D34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD34A shade: #9EA327, #BEC42F, #CDD34A, #D6DB6B and #DFE38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD34A shade: #CDD34A, #4AD36A and #A14AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD34A shade: #CDD34A, #4ACED3 and #D34ACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD34A shade: #CDD34A, #4AD36A, #4E4AD3 and #D34AB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD34A shade: #CDD34A, #4AD393, #4E4AD3 and #D34A8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

Complementary color

CMYK 72 / 76 / 0 / 29

HEX #322CB5

RGB 50 44 181

HSL 242.63, 0.61%, 0.44%

LAB 28.94, 46.62, -70.69

 

CMYK 0 / 0 / 67 / 17

HEX #D2D345

RGB 210 211 69

HSL 60.42, 0.62%, 0.55%

LAB 82.23, -17.24, 66.84

 

CMYK 1 / 0 / 62 / 10

HEX #E3E558

RGB 227 229 88

HSL 60.85, 0.73%, 0.62%

LAB 88.48, -17.99, 66.27

 

CMYK 1 / 0 / 57 / 3

HEX #F4F76B

RGB 244 247 107

HSL 61.29, 0.9%, 0.69%

LAB 94.66, -18.62, 65.44

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 3 / 0 / 72 / 24

HEX #BCC137

RGB 188 193 55

HSL 62.17, 0.56%, 0.49%

LAB 75.52, -18.23, 64.76

 

CMYK 2 / 0 / 79 / 31

HEX #ABAF24

RGB 171 175 36

HSL 61.73, 0.66%, 0.41%

LAB 69.07, -17.26, 64.43

 

CMYK 2 / 0 / 89 / 38

HEX #9A9D11

RGB 154 157 17

HSL 61.29, 0.8%, 0.34%

LAB 62.53, -16.07, 62.95

 

CMYK 1 / 0 / 100 / 45

HEX #898B00

RGB 137 139 0

HSL 60.86, 1%, 0.27%

LAB 55.87, -14.64, 59.96

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 0 / 15 / 65 / 17

HEX #D3B44A

RGB 211 180 74

HSL 46.42, 0.61%, 0.56%

LAB 74.18, -0.69, 56.48

 

CMYK 0 / 32 / 65 / 17

HEX #D38F4A

RGB 211 143 74

HSL 30.22, 0.61%, 0.56%

LAB 64.95, 19.16, 46.31

 

CMYK 0 / 50 / 65 / 17

HEX #D36A4A

RGB 211 106 74

HSL 14.01, 0.61%, 0.56%

LAB 56.73, 38.81, 36.75

 

CMYK 0 / 65 / 65 / 17

HEX #D34A4A

RGB 211 74 74

HSL 0, 0.61%, 0.56%

LAB 50.97, 53.84, 29.71

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 20 / 0 / 65 / 17

HEX #A8D34A

RGB 168 211 74

HSL 78.83, 0.61%, 0.56%

LAB 79.28, -33.87, 60.91

 

CMYK 38 / 0 / 65 / 17

HEX #83D34A

RGB 131 211 74

HSL 95.04, 0.61%, 0.56%

LAB 77.23, -47.28, 58.11

 

CMYK 55 / 0 / 65 / 17

HEX #5ED34A

RGB 94 211 74

HSL 111.24, 0.61%, 0.56%

LAB 75.74, -58.25, 56.06

 

CMYK 65 / 0 / 57 / 17

HEX #4AD35B

RGB 74 211 91

HSL 127.45, 0.61%, 0.56%

LAB 75.33, -60.93, 48.02

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 3 / 0 / 76 / 10

HEX #DDE538

RGB 221 229 56

HSL 62.77, 0.77%, 0.56%

LAB 87.82, -22.07, 76.88

 

CMYK 4 / 0 / 85 / 3

HEX #EEF726

RGB 238 247 38

HSL 62.58, 0.93%, 0.56%

LAB 93.81, -24.24, 87.01

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 3 / 0 / 52 / 24

HEX #BCC15C

RGB 188 193 92

HSL 62.97, 0.45%, 0.56%

LAB 75.83, -15.75, 49.58

 

CMYK 1 / 0 / 37 / 32

HEX #ACAE6E

RGB 172 174 110

HSL 61.88, 0.28%, 0.56%

LAB 69.59, -10.66, 32.64

 

CMYK 1 / 0 / 18 / 39

HEX #9B9C80

RGB 155 156 128

HSL 62.14, 0.12%, 0.56%

LAB 63.59, -5.3, 14.58

 

CMYK 5 / 5 / 0 / 43

HEX #8A8A92

RGB 138 138 146

HSL 240, 0.04%, 0.56%

LAB 57.71, 1.61, -4.26

 

CMYK 0 / 33 / 65 / 17

HEX #D38E4A

RGB 211 142 74

HSL 29.78, 0.61%, 0.56%

LAB 64.72, 19.7, 46.04

 

CMYK 0 / 15 / 65 / 17

HEX #D3B34A

RGB 211 179 74

HSL 45.99, 0.61%, 0.56%

LAB 73.92, -0.16, 56.21

 

CMYK 2 / 0 / 65 / 17

HEX #CED34A

RGB 206 211 74

HSL 62.19, 0.61%, 0.56%

LAB 81.95, -18.61, 64.53

 

CMYK 19 / 0 / 65 / 17

HEX #AAD34A

RGB 170 211 74

HSL 77.96, 0.61%, 0.56%

LAB 79.4, -33.09, 61.08

 

CMYK 37 / 0 / 65 / 17

HEX #85D34A

RGB 133 211 74

HSL 94.16, 0.61%, 0.56%

LAB 77.32, -46.61, 58.24

 

CMYK 3 / 0 / 76 / 36

HEX #9EA327

RGB 158 163 39

HSL 62.42, 0.61%, 0.4%

LAB 64.65, -16.68, 59.11

 

CMYK 3 / 0 / 76 / 23

HEX #BEC42F

RGB 190 196 47

HSL 62.42, 0.61%, 0.48%

LAB 76.46, -19.23, 68.35

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 2 / 0 / 51 / 14

HEX #D6DB6B

RGB 214 219 107

HSL 62.68, 0.61%, 0.64%

LAB 85.01, -16.92, 53.81

 

CMYK 2 / 0 / 38 / 11

HEX #DFE38C

RGB 223 227 140

HSL 62.76, 0.61%, 0.72%

LAB 88.22, -14.11, 42.02

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 65 / 0 / 50 / 17

HEX #4AD36A

RGB 74 211 106

HSL 134.01, 0.61%, 0.56%

LAB 75.5, -58.89, 41.13

 

CMYK 24 / 65 / 0 / 17

HEX #A14AD3

RGB 161 74 211

HSL 278.1, 0.61%, 0.56%

LAB 48.48, 58.29, -55.85

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 65 / 2 / 0 / 17

HEX #4ACED3

RGB 74 206 211

HSL 182.19, 0.61%, 0.56%

LAB 76.25, -33.71, -13.07

 

CMYK 0 / 65 / 2 / 17

HEX #D34ACE

RGB 211 74 206

HSL 302.19, 0.61%, 0.56%

LAB 55.28, 68.86, -41.74

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 65 / 0 / 50 / 17

HEX #4AD36A

RGB 74 211 106

HSL 134.01, 0.61%, 0.56%

LAB 75.5, -58.89, 41.13

 

CMYK 63 / 65 / 0 / 17

HEX #4E4AD3

RGB 78 74 211

HSL 241.75, 0.61%, 0.56%

LAB 39.95, 42.46, -70.09

 

CMYK 0 / 65 / 15 / 17

HEX #D34AB3

RGB 211 74 179

HSL 314.01, 0.61%, 0.56%

LAB 54.03, 64.71, -28.15

 

CMYK 3 / 0 / 65 / 17

HEX #CDD34A

RGB 205 211 74

HSL 62.63, 0.61%, 0.56%

LAB 81.87, -19.02, 64.42

 

CMYK 65 / 0 / 30 / 17

HEX #4AD393

RGB 74 211 147

HSL 151.97, 0.61%, 0.56%

LAB 76.16, -51.66, 21.08

 

CMYK 63 / 65 / 0 / 17

HEX #4E4AD3

RGB 78 74 211

HSL 241.75, 0.61%, 0.56%

LAB 39.95, 42.46, -70.09

 

CMYK 0 / 65 / 35 / 17

HEX #D34A8A

RGB 211 74 138

HSL 331.97, 0.61%, 0.56%

LAB 52.49, 59.38, -6.36

 

Description

Color code: HEX #CDD34A | qconv.com Color code: HEX #CDD34A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 211 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 211 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 65 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 65% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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