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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDA974 it is the complementary color #32568B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDA974. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDA974 shade: #D2A96F, #E3BB82, #F4CD95, #FFDFA8 and #FFF1BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDA974. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDA974 shade: #CDA974, #BC9761, #AB854E, #9A733B and #896128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDA974 shade: #CCA974, #CC9174, #CC7974 and #CC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDA974 shade: #CCA974, #CCC174, #C1CC74, #A9CC74 and #91CC74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDA974 shade matches the following richer shades: #CCA974, #DCAC65, #EBAE55 and #FAB146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDA974 shade: #CCA974, #BDA683, #AEA392, #9FA0A2 and #8F9DB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDA974 shade: #CC7874, #CC9074, #CCA874, #CCBF74 and #C2CC74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDA974 shade: #AF823F, #C29655, #CCA974, #D7BB92 and #E2CEB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDA974 shade: #CDA974, #87CC74 and #8474CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDA974 shade: #CDA974, #74CCA8 and #A874CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDA974 shade: #CDA974, #87CC74, #7499CC and #B974CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDA974 shade: #CDA974, #74CC7B, #7499CC and #CC74C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 43 / 20

HEX #CDA974

RGB 205 169 116

HSL 35.73, 0.47%, 0.63%

LAB 71.29, 6.13, 32.25

 

Complementary color

CMYK 64 / 38 / 0 / 45

HEX #32568B

RGB 50 86 139

HSL 215.73, 0.47%, 0.37%

LAB 36.36, 4.73, -33.34

 

CMYK 0 / 20 / 47 / 18

HEX #D2A96F

RGB 210 169 111

HSL 35.15, 0.52%, 0.63%

LAB 71.71, 7.67, 35.52

 

CMYK 0 / 18 / 43 / 11

HEX #E3BB82

RGB 227 187 130

HSL 35.26, 0.63%, 0.7%

LAB 78.16, 6.92, 34.22

 

CMYK 0 / 16 / 39 / 4

HEX #F4CD95

RGB 244 205 149

HSL 35.37, 0.81%, 0.77%

LAB 84.52, 6.26, 33

 

CMYK 0 / 13 / 34 / 0

HEX #FFDFA8

RGB 255 223 168

HSL 37.93, 1%, 0.83%

LAB 90.26, 3.4, 31.05

 

CMYK 0 / 5 / 27 / 0

HEX #FFF1BB

RGB 255 241 187

HSL 47.65, 1%, 0.87%

LAB 95.06, -3.37, 27.83

 

CMYK 0 / 18 / 43 / 20

HEX #CDA974

RGB 205 169 116

HSL 35.73, 0.47%, 0.63%

LAB 71.29, 6.13, 32.25

 

CMYK 0 / 20 / 48 / 26

HEX #BC9761

RGB 188 151 97

HSL 35.6, 0.4%, 0.56%

LAB 64.71, 6.9, 33.57

 

CMYK 0 / 22 / 54 / 33

HEX #AB854E

RGB 171 133 78

HSL 35.48, 0.37%, 0.49%

LAB 58.02, 7.82, 34.98

 

CMYK 0 / 25 / 62 / 40

HEX #9A733B

RGB 154 115 59

HSL 35.37, 0.45%, 0.42%

LAB 51.21, 8.93, 36.43

 

CMYK 0 / 29 / 71 / 46

HEX #896128

RGB 137 97 40

HSL 35.26, 0.55%, 0.35%

LAB 44.26, 10.29, 37.84

 

CMYK 0 / 17 / 43 / 20

HEX #CCA974

RGB 204 169 116

HSL 36.14, 0.46%, 0.63%

LAB 71.2, 5.72, 32.11

 

CMYK 0 / 29 / 43 / 20

HEX #CC9174

RGB 204 145 116

HSL 19.77, 0.46%, 0.63%

LAB 65.24, 18.75, 24.26

 

CMYK 0 / 41 / 43 / 20

HEX #CC7974

RGB 204 121 116

HSL 3.41, 0.46%, 0.63%

LAB 59.68, 31.79, 16.71

 

CMYK 0 / 43 / 43 / 20

HEX #CC7474

RGB 204 116 116

HSL 0, 0.46%, 0.63%

LAB 58.59, 34.46, 15.21

 

CMYK 0 / 17 / 43 / 20

HEX #CCA974

RGB 204 169 116

HSL 36.14, 0.46%, 0.63%

LAB 71.2, 5.72, 32.11

 

CMYK 0 / 5 / 43 / 20

HEX #CCC174

RGB 204 193 116

HSL 52.5, 0.46%, 0.63%

LAB 77.42, -6.95, 40.06

 

CMYK 5 / 0 / 43 / 20

HEX #C1CC74

RGB 193 204 116

HSL 67.5, 0.46%, 0.63%

LAB 79.49, -16.95, 42.45

 

CMYK 17 / 0 / 43 / 20

HEX #A9CC74

RGB 169 204 116

HSL 83.86, 0.46%, 0.63%

LAB 77.81, -26.21, 39.98

 

CMYK 29 / 0 / 43 / 20

HEX #91CC74

RGB 145 204 116

HSL 100.23, 0.46%, 0.63%

LAB 76.35, -34.91, 37.84

 

CMYK 0 / 17 / 43 / 20

HEX #CCA974

RGB 204 169 116

HSL 36.14, 0.46%, 0.63%

LAB 71.2, 5.72, 32.11

 

CMYK 0 / 22 / 54 / 14

HEX #DCAC65

RGB 220 172 101

HSL 35.8, 0.63%, 0.63%

LAB 73.32, 9.29, 42.9

 

CMYK 0 / 26 / 64 / 8

HEX #EBAE55

RGB 235 174 85

HSL 35.6, 0.79%, 0.63%

LAB 75.2, 13.31, 53.29

 

CMYK 0 / 29 / 72 / 2

HEX #FAB146

RGB 250 177 70

HSL 35.67, 0.95%, 0.63%

LAB 77.41, 17.18, 62.8

 

CMYK 0 / 17 / 43 / 20

HEX #CCA974

RGB 204 169 116

HSL 36.14, 0.46%, 0.63%

LAB 71.2, 5.72, 32.11

 

CMYK 0 / 12 / 31 / 26

HEX #BDA683

RGB 189 166 131

HSL 36.21, 0.31%, 0.63%

LAB 69.28, 3.08, 21.22

 

CMYK 0 / 6 / 16 / 32

HEX #AEA392

RGB 174 163 146

HSL 36.43, 0.15%, 0.63%

LAB 67.48, 1.08, 10.26

 

CMYK 2 / 1 / 0 / 36

HEX #9FA0A2

RGB 159 160 162

HSL 220, 0.02%, 0.63%

LAB 65.84, 0.03, -1.17

 

CMYK 19 / 11 / 0 / 31

HEX #8F9DB1

RGB 143 157 177

HSL 215.29, 0.18%, 0.63%

LAB 64.26, -0.61, -12.05

 

CMYK 0 / 41 / 43 / 20

HEX #CC7874

RGB 204 120 116

HSL 2.73, 0.46%, 0.63%

LAB 59.46, 32.33, 16.41

 

CMYK 0 / 29 / 43 / 20

HEX #CC9074

RGB 204 144 116

HSL 19.09, 0.46%, 0.63%

LAB 65, 19.3, 23.93

 

CMYK 0 / 18 / 43 / 20

HEX #CCA874

RGB 204 168 116

HSL 35.45, 0.46%, 0.63%

LAB 70.94, 6.26, 31.78

 

CMYK 0 / 6 / 43 / 20

HEX #CCBF74

RGB 204 191 116

HSL 51.14, 0.46%, 0.63%

LAB 76.9, -5.91, 39.39

 

CMYK 5 / 0 / 43 / 20

HEX #C2CC74

RGB 194 204 116

HSL 66.82, 0.46%, 0.63%

LAB 79.57, -16.55, 42.56

 

CMYK 0 / 26 / 64 / 31

HEX #AF823F

RGB 175 130 63

HSL 35.89, 0.47%, 0.47%

LAB 57.5, 10.08, 42.22

 

CMYK 0 / 23 / 56 / 24

HEX #C29655

RGB 194 150 85

HSL 35.78, 0.47%, 0.55%

LAB 64.91, 8.91, 40.24

 

CMYK 0 / 17 / 43 / 20

HEX #CCA974

RGB 204 169 116

HSL 36.14, 0.46%, 0.63%

LAB 71.2, 5.72, 32.11

 

CMYK 0 / 13 / 32 / 16

HEX #D7BB92

RGB 215 187 146

HSL 35.65, 0.46%, 0.71%

LAB 77.32, 4.02, 24.47

 

CMYK 0 / 9 / 22 / 11

HEX #E2CEB0

RGB 226 206 176

HSL 36, 0.46%, 0.79%

LAB 83.68, 2.29, 17.46

 

CMYK 0 / 18 / 43 / 20

HEX #CDA974

RGB 205 169 116

HSL 35.73, 0.47%, 0.63%

LAB 71.29, 6.13, 32.25

 

CMYK 34 / 0 / 43 / 20

HEX #87CC74

RGB 135 204 116

HSL 107.05, 0.46%, 0.63%

LAB 75.82, -38.3, 37.06

 

CMYK 35 / 43 / 0 / 20

HEX #8474CC

RGB 132 116 204

HSL 250.91, 0.46%, 0.63%

LAB 53.77, 26.58, -43.61

 

CMYK 0 / 18 / 43 / 20

HEX #CDA974

RGB 205 169 116

HSL 35.73, 0.47%, 0.63%

LAB 71.29, 6.13, 32.25

 

CMYK 43 / 0 / 18 / 20

HEX #74CCA8

RGB 116 204 168

HSL 155.45, 0.46%, 0.63%

LAB 75.9, -34.82, 9.75

 

CMYK 18 / 43 / 0 / 20

HEX #A874CC

RGB 168 116 204

HSL 275.45, 0.46%, 0.63%

LAB 57.25, 36.74, -37.89

 

CMYK 0 / 18 / 43 / 20

HEX #CDA974

RGB 205 169 116

HSL 35.73, 0.47%, 0.63%

LAB 71.29, 6.13, 32.25

 

CMYK 34 / 0 / 43 / 20

HEX #87CC74

RGB 135 204 116

HSL 107.05, 0.46%, 0.63%

LAB 75.82, -38.3, 37.06

 

CMYK 43 / 25 / 0 / 20

HEX #7499CC

RGB 116 153 204

HSL 214.77, 0.46%, 0.63%

LAB 62.39, 0.64, -30.2

 

CMYK 9 / 43 / 0 / 20

HEX #B974CC

RGB 185 116 204

HSL 287.05, 0.46%, 0.63%

LAB 59.13, 41.76, -34.81

 

CMYK 0 / 18 / 43 / 20

HEX #CDA974

RGB 205 169 116

HSL 35.73, 0.47%, 0.63%

LAB 71.29, 6.13, 32.25

 

CMYK 43 / 0 / 40 / 20

HEX #74CC7B

RGB 116 204 123

HSL 124.77, 0.46%, 0.63%

LAB 75.03, -43.21, 32.3

 

CMYK 43 / 25 / 0 / 20

HEX #7499CC

RGB 116 153 204

HSL 214.77, 0.46%, 0.63%

LAB 62.39, 0.64, -30.2

 

CMYK 0 / 43 / 3 / 20

HEX #CC74C5

RGB 204 116 197

HSL 304.77, 0.46%, 0.63%

LAB 61.1, 46.17, -27.62

 

Description

Color code: HEX #CDA974 | qconv.com Color code: HEX #CDA974 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 169 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 169 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 43 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 43% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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