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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD60DC it is the complementary color #329F23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD60DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD60DC shade: #D260D7, #E372EA, #F484FD, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD60DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD60DC shade: #CD60DC, #BC4EC9, #AB3CB6, #9A2AA3 and #891890

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD60DC shade: #CD60DC, #DC60C9, #DC60A8, #DC6086 and #DC6065

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD60DC shade: #CD60DC, #AB60DC, #8A60DC, #6860DC and #6060DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD60DC shade matches the following richer shades: #CD60DC, #D850EB and #E440FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD60DC shade: #CD60DC, #C16FCC, #B57FBC, #A98FAD and #9D9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD60DC shade: #8960DC, #AA60DC, #CB60DC, #DC60CB and #DC60AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD60DC shade: #AD2ABF, #C23ED4, #CD60DC, #D781E3 and #E2A3EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD60DC shade: #CD60DC, #DC6860 and #60DC99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD60DC shade: #CD60DC, #DCCB60 and #60DCCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD60DC shade: #CD60DC, #DC6860, #70DC60 and #60D3DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD60DC shade: #CD60DC, #DC8D60, #70DC60 and #60AEDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

Complementary color

CMYK 69 / 0 / 78 / 38

HEX #329F23

RGB 50 159 35

HSL 112.74, 0.64%, 0.38%

LAB 57.65, -53.3, 51.77

 

CMYK 2 / 55 / 0 / 16

HEX #D260D7

RGB 210 96 215

HSL 297.48, 0.6%, 0.61%

LAB 58.95, 60.86, -41.08

 

CMYK 3 / 51 / 0 / 8

HEX #E372EA

RGB 227 114 234

HSL 296.5, 0.74%, 0.68%

LAB 65.2, 60.35, -41.73

 

CMYK 4 / 48 / 0 / 1

HEX #F484FD

RGB 244 132 253

HSL 295.54, 0.97%, 0.75%

LAB 71.44, 59.73, -42.25

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 6 / 61 / 0 / 21

HEX #BC4EC9

RGB 188 78 201

HSL 293.66, 0.53%, 0.55%

LAB 52.24, 60.82, -43.91

 

CMYK 6 / 67 / 0 / 29

HEX #AB3CB6

RGB 171 60 182

HSL 294.59, 0.5%, 0.47%

LAB 46, 60.86, -42.95

 

CMYK 6 / 74 / 0 / 36

HEX #9A2AA3

RGB 154 42 163

HSL 295.54, 0.59%, 0.4%

LAB 39.87, 60.34, -41.61

 

CMYK 5 / 83 / 0 / 44

HEX #891890

RGB 137 24 144

HSL 296.5, 0.71%, 0.33%

LAB 33.95, 58.9, -39.68

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 0 / 56 / 9 / 14

HEX #DC60C9

RGB 220 96 201

HSL 309.19, 0.64%, 0.62%

LAB 59.71, 61.17, -31.87

 

CMYK 0 / 56 / 24 / 14

HEX #DC60A8

RGB 220 96 168

HSL 325.16, 0.64%, 0.62%

LAB 58.42, 56.28, -14.92

 

CMYK 0 / 56 / 39 / 14

HEX #DC6086

RGB 220 96 134

HSL 341.61, 0.64%, 0.62%

LAB 57.37, 52.1, 3.32

 

CMYK 0 / 56 / 54 / 14

HEX #DC6065

RGB 220 96 101

HSL 357.58, 0.64%, 0.62%

LAB 56.61, 48.97, 21.56

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 22 / 56 / 0 / 14

HEX #AB60DC

RGB 171 96 220

HSL 276.29, 0.64%, 0.62%

LAB 54.23, 51.86, -51.7

 

CMYK 37 / 56 / 0 / 14

HEX #8A60DC

RGB 138 96 220

HSL 260.32, 0.64%, 0.62%

LAB 50.61, 43.91, -57.69

 

CMYK 53 / 56 / 0 / 14

HEX #6860DC

RGB 104 96 220

HSL 243.87, 0.64%, 0.62%

LAB 47.59, 36.61, -62.71

 

CMYK 56 / 56 / 0 / 14

HEX #6060DC

RGB 96 96 220

HSL 240, 0.64%, 0.62%

LAB 47, 35.09, -63.7

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 8 / 66 / 0 / 8

HEX #D850EB

RGB 216 80 235

HSL 292.65, 0.79%, 0.62%

LAB 58.35, 72.6, -53.21

 

CMYK 9 / 75 / 0 / 2

HEX #E440FB

RGB 228 64 251

HSL 292.62, 0.96%, 0.62%

LAB 59.09, 83.27, -60.84

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 5 / 46 / 0 / 20

HEX #C16FCC

RGB 193 111 204

HSL 292.9, 0.48%, 0.62%

LAB 59.04, 46.77, -34.89

 

CMYK 4 / 32 / 0 / 26

HEX #B57FBC

RGB 181 127 188

HSL 293.11, 0.31%, 0.62%

LAB 60.46, 31.28, -23.72

 

CMYK 2 / 17 / 0 / 32

HEX #A98FAD

RGB 169 143 173

HSL 292, 0.15%, 0.62%

LAB 62.59, 15.24, -12.09

 

CMYK 1 / 0 / 1 / 38

HEX #9D9E9D

RGB 157 158 157

HSL 120, 0.01%, 0.62%

LAB 65.01, -0.55, 0.39

 

CMYK 38 / 56 / 0 / 14

HEX #8960DC

RGB 137 96 220

HSL 259.84, 0.64%, 0.62%

LAB 50.51, 43.68, -57.86

 

CMYK 23 / 56 / 0 / 14

HEX #AA60DC

RGB 170 96 220

HSL 275.81, 0.64%, 0.62%

LAB 54.11, 51.61, -51.89

 

CMYK 8 / 56 / 0 / 14

HEX #CB60DC

RGB 203 96 220

HSL 291.77, 0.64%, 0.62%

LAB 58.25, 59.96, -45.06

 

CMYK 0 / 56 / 8 / 14

HEX #DC60CB

RGB 220 96 203

HSL 308.23, 0.64%, 0.62%

LAB 59.79, 61.49, -32.87

 

CMYK 0 / 56 / 23 / 14

HEX #DC60AA

RGB 220 96 170

HSL 324.19, 0.64%, 0.62%

LAB 58.49, 56.56, -15.97

 

CMYK 9 / 78 / 0 / 25

HEX #AD2ABF

RGB 173 42 191

HSL 292.75, 0.64%, 0.46%

LAB 44.66, 69.09, -50.33

 

CMYK 8 / 71 / 0 / 17

HEX #C23ED4

RGB 194 62 212

HSL 292.8, 0.64%, 0.54%

LAB 51.46, 70.5, -51.39

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 5 / 43 / 0 / 11

HEX #D781E3

RGB 215 129 227

HSL 292.65, 0.64%, 0.7%

LAB 66.29, 48.25, -36.27

 

CMYK 3 / 30 / 0 / 8

HEX #E2A3EA

RGB 226 163 234

HSL 293.24, 0.63%, 0.78%

LAB 75.02, 34.96, -26.53

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 0 / 53 / 56 / 14

HEX #DC6860

RGB 220 104 96

HSL 3.87, 0.64%, 0.62%

LAB 58, 44.72, 26.28

 

CMYK 56 / 0 / 30 / 14

HEX #60DC99

RGB 96 220 153

HSL 147.58, 0.64%, 0.62%

LAB 79.6, -49.74, 22.75

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 0 / 8 / 56 / 14

HEX #DCCB60

RGB 220 203 96

HSL 51.77, 0.64%, 0.62%

LAB 81.17, -7.32, 54.57

 

CMYK 56 / 0 / 8 / 14

HEX #60DCCB

RGB 96 220 203

HSL 171.77, 0.64%, 0.62%

LAB 80.73, -38.55, -2.07

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 0 / 53 / 56 / 14

HEX #DC6860

RGB 220 104 96

HSL 3.87, 0.64%, 0.62%

LAB 58, 44.72, 26.28

 

CMYK 49 / 0 / 56 / 14

HEX #70DC60

RGB 112 220 96

HSL 112.26, 0.64%, 0.62%

LAB 79.31, -54.56, 50.72

 

CMYK 56 / 4 / 0 / 14

HEX #60D3DC

RGB 96 211 220

HSL 184.35, 0.64%, 0.62%

LAB 78.6, -29.87, -14.32

 

CMYK 7 / 56 / 0 / 14

HEX #CD60DC

RGB 205 96 220

HSL 292.74, 0.64%, 0.62%

LAB 58.52, 60.47, -44.62

 

CMYK 0 / 36 / 56 / 14

HEX #DC8D60

RGB 220 141 96

HSL 21.77, 0.64%, 0.62%

LAB 65.83, 25.52, 36.27

 

CMYK 49 / 0 / 56 / 14

HEX #70DC60

RGB 112 220 96

HSL 112.26, 0.64%, 0.62%

LAB 79.31, -54.56, 50.72

 

CMYK 56 / 21 / 0 / 14

HEX #60AEDC

RGB 96 174 220

HSL 202.26, 0.64%, 0.62%

LAB 67.97, -10.93, -30.51

 

Description

Color code: HEX #CD60DC | qconv.com Color code: HEX #CD60DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 96 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 96 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 56 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 56% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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